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              <text>Magoun, Francis P., Jr.</text>
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              <text>Traditio 11 (1955): 409-20.</text>
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              <text>Traditio 11 (1955)</text>
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              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations&#13;
Manuscripts and Textual Studies</text>
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              <text>mea; 11/14/2025</text>
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                <text>Chaucer's Summary of Statius' Thebaid II-XII.</text>
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                <text>Quotes, translates, and anatomizes the Latin "arguments" of the "books" found in Statius' "Thebaid" that underlie Cassandra's summary of the Statius' work in TC 5.1457-1533, with its twelve-line Latin summary interpolated in most TC manuscripts. Comments on manuscript witnesses, and shows that Chaucer used the arguments found in Statius as source material.</text>
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              <text>Magoun, F. P., Jr.</text>
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              <text>Modern Language Notes 70 (1955): 173.</text>
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              <text>Modern Language Notes 70 (1955)</text>
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              <text>Franklin and His Tale&#13;
Facsimiles, Editions, and Translations</text>
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              <text>mea; 11/14/2025</text>
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                <text>"Canterbury Tales," F 1541-44.</text>
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                <text>Suggests that a portion of Dorigen's speech in FranT (5.1541-44) has wrongly been ascribed to her by various editors, indicating why it should better be assigned to the Franklin as narrator. Also suggests that the reference to a "clerk" (Fran 5.1611) by the "philosophre" is a correct reading, despite counter-suggestions by Manly and Rickert.</text>
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              <text>Modern Language Notes 70 (1955): 399.</text>
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              <text>Modern Language Notes 70 (1955)</text>
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              <text>General Prologue to the Canterbury Tales&#13;
Parliament of Fowls&#13;
Facsimiles, Editions, and Translations</text>
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              <text>mea; 11/14/2025</text>
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                <text>Canterbury Tales A 11.</text>
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                <text>Suggests that editors consider capitalizing "nature" in GP 1.11, arguing that Chaucer personifies Nature as "virtually the patron saint of birds" in PF.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Magill, Frank N.</text>
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              <text>New York: Salem, 1955.</text>
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              <text>1144, vi pp.</text>
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              <text>Troilus and Criseyde&#13;
Bibliographies, Reports, and Reference</text>
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              <text>mea; 11/14/2025</text>
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              <text>1955</text>
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              <elementText elementTextId="2851426">
                <text>Masterplots: 510 Plots in Story from the World's Fine Literature. 2 vols.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Includes (vol. 2, pp. 1030-31) a summary of the plot and main characters of TC, categorizing it as a "Chivalric romance," and praising it as an "almost perfectly constructed narrative poem" with "effective depiction of character" that "forecast[s] the shrewd observations of human nature made in" GP.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Madden, William A.</text>
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        <element elementId="98">
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              <text>Mediaeval Studies 17 (1955): 173-84.</text>
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            <elementText elementTextId="2851422">
              <text>Mediaeval Studies 17 (1955)</text>
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              <text>Canterbury Tales--General&#13;
Tale of Sir Thopas&#13;
Tale of Melibee&#13;
Chaucer's Retraction</text>
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              <text>mea; 11/14/2025</text>
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                <text>Chaucer's Retraction and Mediaeval Canons of Seemliness.</text>
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                <text>Distinguishes medieval and modern notions of "seemliness"--a sociological concern distinct from legality and morality--and clarifies medieval ideas of linguistic, sartorial, aesthetic, and marital propriety in CT, observing a "gap" between what is "seemly" and what is "morally acceptable" concerning marriage. Explores standards of seemliness as they are reflected in Th and Mel, in the views of other tales expressed by Chaucer-narrator, and in Ret.</text>
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              <text>Lumiansky, R. M. &#13;
Thurgood, Malcolm, illus.</text>
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              <text>Austin: University of Texas Press, 1955. Rpt. with additional bibliography, 1980.</text>
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              <text>270 pp; 24 b&amp;w illus.</text>
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              <text>Canterbury Tales--General</text>
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              <text>mea; 11/14/2025</text>
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                <text>Of Sondry Folk: The Dramatic Principle in the Canterbury Tales.</text>
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                <text>Reads the CT as a sustained dramatic narrative, following the Chaucer Society order of the tales, and paying particular attention to the GP and the links among the tales. Focuses on characterization of the pilgrims, especially the Host, and their professional antagonisms, personal motives, and self-revelation. Categorizes the pilgrims by "three stages of dramatic development or three techniques of characterization: simple suiting of tale and teller; suiting of tale and teller, "plus an externally motivated dramatic situation"; and suiting of tale and teller, external dramatic motive, plus "internally motivated and extended self-revelation of which the teller is not fully aware." Includes a portrait of each character discussed, line drawings by Malcolm Thurgood.</text>
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              <text>Lisca, Peter.</text>
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              <text>Modern Language Notes 70 (1955): 321-24.</text>
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              <text>Modern Language Notes 70 (1955)</text>
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              <text>General Prologue to the Canterbury Tales&#13;
Cook and His Tale</text>
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              <text>mea; 11/14/2025</text>
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                <text>Chaucer's Gildsmen and Their Cook.</text>
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                <text>Identifies satiric elements in the description of the Guildsmen in GP--stylistic jibes and social critique, including the association of them with the Cook, who is later identifiable as the historic Roger de Ware, of ill repute.</text>
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              <text>Langenfelt, Gösta.</text>
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              <text>English Studies 36 (1955): 222-27.</text>
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              <text>Boece&#13;
Former Age</text>
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              <text>mea; 11/14/2025</text>
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                <text>"The Noble Savage" until Shakespeare.</text>
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                <text>Cites Bo and quotes portions of "The Former Age" as evidence of medieval transmission of ancient ideas about "about the happy age before the coming of civilization."</text>
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              <text>Miller and His Tale&#13;
Sources,m Analogues, and Literary Relations</text>
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                <text>Clarifies the typicality of Chaucer's Miller by identifying characteristics that "were commonly ascribed to millers in late-medieval literature." Like analogous miller's, he is "is red-haired, coarse-featured, socially ambitious, muscular, well-armed, vulgar, drunken, stupid, and dishonest; and he associates with the reeve." Despite "many individual traits and a convincing personality," the Miller "conforms to the medieval concept of what a miller should be."</text>
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              <text>Jeffares, A Norman, ed.</text>
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                <text>Seven Centuries of Poetry: Chaucer to Dylan Thomas.</text>
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                <text>Anthologizes in chronological order poems and extracts from English poetry written in Britain, including selections from Chaucer in Middle English (pp. 5-8): "Now welcome, somer" (PF 680), "At the gate" (TC 5.1114-1183), and "The fresshe flour" (LGWP-F 115-24), no notes and few glosses.</text>
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              <text>Hagopian, John V.</text>
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              <text>Literature and Psychology 05 (1955)</text>
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              <text>Troilus and Criseyde</text>
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              <text>mea; 11/14/2025</text>
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                <text>Chaucer as Psychologist in "Troilus and Criseyde."</text>
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                <text>Assesses the characterizations of Troilus and of Criseyde in Freudian, psychological terms--Troilus as weak-willed and perhaps the "victim of an Oedipal tie to his mother"; Criseyde, strong-willed and "adept in the psychological handling of others," particularly Troilus with "his childish submission to a woman's mother-role." Focuses on "their decision to allow Criseyde to leave Troy" in TC 4.1128-1701 as evidence that the poem presents "their complex personalities and behavior patterns" in the "first psychological novel in the English language" and a depiction rather than an analysis of emotions.</text>
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              <text>Griffith, Dudley David. </text>
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              <text>xviii, 398 pp.</text>
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              <text>Bibliographies, Reports, and Reference</text>
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              <text>mea; 11/14/2025</text>
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                <text>Bibliography of Chaucer, 1908-1953.</text>
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            <description>An account of the resource</description>
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                <text>Comprehensive bibliography of Chaucer studies published between 1908-1953; some entries include brief indications of content and/or lists of book reviews. Arranged in topical categories such as Chaucer's life, works, modernizations and translations, style and versification, language, etc., along with selected studies of various social, aesthetic, and intellectual backgrounds. Lists M.A. theses and Ph.D. dissertations as well as published studies and, generally, each study is listed only once, with light cross-referencing. Contains an index of authors.</text>
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              <text>Modern Language Review 50 (1955): 172-73.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Knight and His Tale</text>
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                <text>A Note on Henry Vaughan.</text>
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                <text>Proposes an influence of KnT 1.1995 ("dirke ymaginning") on Vaughan's "The importunate Fortune, written to Doctor 'Powel' of Cantre," and accounts for Vaughan's confusion of Mars and Saturn.</text>
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                <text>The Unity of Chaucer's Manciple Fragment.</text>
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            <description>An account of the resource</description>
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                <text>Defends the thematic and dramatic unity of ManP and ManT, identifying similarities with other examples of such unity in the CT.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
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              <text>Cross, J. E. </text>
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        <element elementId="98">
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              <text>English: The Journal of the English Association 10, no. 59 (1955): 172-75.</text>
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          <name>Journal by Volume Number</name>
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              <text>English: The Journal of the English Association 10</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2851285">
              <text>Treatise on the Astrolabe&#13;
Style and Versification</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
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              <text>mea; 11/13/2025</text>
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          <description/>
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              <text>1955</text>
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              <elementText elementTextId="2851280">
                <text>Teaching Method, 1391: Notes on Chaucer's "Astrolabe."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Surveys Astr to identify Chaucer's "teaching method," finding evidence of his attention to teaching "technically-minded small boys" that clashes at times with concern for a wider audience. Considers Astr to be "a dull, intentionally prolix but straightforward treatise."</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2851274">
              <text>Bloomfield, Morton W.</text>
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              <text>Modern Language Notes 70 (1955): 559-65.</text>
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          <name>Journal by Volume Number</name>
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              <text>Modern Language Notes 70 (1955)</text>
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          <name>Chaucer Subject</name>
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              <text>Friar and His Tale&#13;
Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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          <name>Source</name>
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              <text>mea; 11/13/2025</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2851279">
              <text>1955</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2851272">
                <text>The Magic of "In Principio."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2851273">
                <text>Connects the use of "In principio" in the GP description of the Friar (1.254) with WBP 3.857-81, citing evidence from a wide array of material to show that the phrase, derived from the Gospel of John, evokes a "well-known apotropaic formula" associated with exorcism and divination.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2851257">
              <text>Baker, Donald C.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>PMLA 70 (1955): 279-82.</text>
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          <name>Journal by Volume Number</name>
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          <name>Chaucer Subject</name>
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              <text>Book of the Duchess&#13;
Style and Versification</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2851261">
              <text>mea; 11/13/2025</text>
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          <name>Date</name>
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            <elementText elementTextId="2851271">
              <text>1955</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2851255">
                <text>The Dreamer Again in "The Book of the Duchess."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851256">
                <text>Explores and explains rhetorical emphases in the narrator's growth in understanding of the Black Knight's loss in BD, arguing that full realization comes (in ll. 1309-10) only after it "had been subordinated first by confusion and then by admiration."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2851205">
              <text>Hsy, Jonathan.</text>
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          <name>Published</name>
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              <text>Journal of Bioethical Inquiry 13 (2016): 477–83.</text>
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            <elementText elementTextId="2851207">
              <text>Journal of Bioethical Inquiry 13 (2016)</text>
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              <text>Wife of Bath and Her Tale</text>
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        <element elementId="109">
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              <text>mea; 11/12/2025</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2851210">
              <text>2016</text>
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            <name>Title</name>
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              <elementText elementTextId="2851203">
                <text>Symptom and Surface: Disruptive Deafness and Medieval Medical Authority.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2851204">
                <text>Explores how deafness is represented in some medieval medical treatises as a social phenomenon, "not an ill in itself"; in Teresa de Cartagena's autobiography as a "deaf gain" rather than "hearing loss"; and in Chaucer's Wife of Bath as a mark of her "disruption" of patriarchal "modes of textual authority." Together these medieval outlooks reflect the constructedness of ideas of disability and the need for modern diagnostic reform.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Bey, Lük [Luk De Ryck].</text>
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              <text>Brugge: Bonte, 2009.</text>
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              <text>46 pp.; color illus.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2851200">
              <text>Facsimiles, Editions, and Translations&#13;
Canterbury Tales--General</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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              <text>mea; 11/12/2025</text>
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          <name>Date</name>
          <description/>
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            <elementText elementTextId="2851202">
              <text>2009</text>
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            <name>Title</name>
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              <elementText elementTextId="2851195">
                <text>Verhalen voor Canterbury.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2851196">
                <text>Item not seen. WorldCat records indicate this is a Dutch adaptation of selections from CT in graphic form.</text>
              </elementText>
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