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              <text>Penninger, F. Elaine.</text>
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              <text>South Atlantic Quarterly 63 (1964): 398-405.</text>
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              <text>Knight and His Tale&#13;
Parson and His Tale</text>
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                <text>Chaucer's "Knight's Tale" and the Theme of Appearance and Reality in "The Canterbury Tales."</text>
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                <text>Argues that by "idealizing" reality "into unreality" KnT opens the "question of appearance and reality," a recurrent concern throughout CT which is resolved only in ParsT.</text>
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              <text>Gaylord, Alan T.</text>
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              <text>English Miscellany15 (1964): 25-45.</text>
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              <text>Troilus and Criseyde</text>
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              <text>mea; 11/21/2019</text>
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                <text>Chaucer's Tender Trap: The Troilus and the "Yonge, Fresshe Folkes."</text>
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                <text>Explores the "shock of contrast" between the rejection of worldly love at the end of TC and the celebration of love found in earlier sections of the poem. The address to "yonge, fresshe folks" (5.1835) is consistent with the protagonists' youthful love, part of Chaucer's sustained, coherent sequence of details and events that invite "his audience to grow up" and realize that "service of the god of Love . . . [is] fundamentally pagan."</text>
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              <text>Erzgräber, Willi.</text>
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              <text>Riesner, Dieter, and Helmut Gneuss, eds. Festschrift für Walter Hübner (Berlin: Erich Schmidt, 1964), pp. 139-63.</text>
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              <text>Riesner, Dieter, ed.&#13;
 Helmut Gneuss, ed</text>
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              <text>Festschrift für Walter Hübner.</text>
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              <text>mea; 11/21/2019</text>
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              <text>Troilus and Criseyde&#13;
Monk and His Tale</text>
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                <text>Tragik und Komik in Chaucers "Troilus and Criseyde."</text>
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                <text>Examines the tragic, comic, and ironic features of TC, comparing it with MkT in the genre of tragedy, and assessing its tragic, comic, tragicomic, and ironic aspects of  theme, situation, characterization, and dialogue.</text>
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              <text>Elliott, John R., Jr.</text>
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              <text>Tennessee Studies in Literature 9 (1964): 11-17.</text>
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                <text>The Two Tellers of "The Merchant's Tale."</text>
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                <text>Argues that MerT "characterizes the Merchant" consistently, attributing several "awkward" passages in the Tale to the Merchant's engagement with an ongoing "debate" about marriage and considering his "pretensions" and "intense personal involvement" to be "indispensable for our understanding of the ludicrous contrasts" in the Tale--coarseness and courtliness, astrology and animalism, and deities and pettiness.</text>
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              <text>Dunning, T. P.</text>
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              <text>Duthie, G. I., ed. English Studies Today, Third Series: Lectures and Papers Read at the Fifth Conference of the International Association of Professors of English Held at Edinburgh and Glasgow, August 1962 (Edinburgh: Edinburgh University Press, 1964), pp.89-106.</text>
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              <text>Duthie, G. I., ed.</text>
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              <text>English Studies Today, Third Series: Lectures and Papers Read at the Fifth Conference of the International Association of Professors of English Held at Edinburgh and Glasgow, August 1962.</text>
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              <text>Parson and His Tale&#13;
Parliament of Fowls&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 11/21/2019</text>
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                <text>Chaucer's Icarus-Complex: Some Notes on His Adventures in Theology.</text>
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                <text>Contrasts the "quasi-heretical," "so-called Augustinian" views of sex in marriage as always sinful with those of Thomas Aquinas and others who treat sexual love in marriage as sinless when consistent with "amicitia" (friendship) and reason, arguing that the latter underlies Chaucer's view of sex in marriage in ParsT, analogous material in Peraldus's "Summa Aurea de Virtutibus et de Vitiis," and PF.</text>
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              <text>Dean, Christopher.</text>
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              <text>Canadian Journal of Linguistics / Revue Canadienne de Linguistique 9.2 (1964): 67-74.</text>
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              <text>Canadian Journal of Linguistics 09 (1964)&#13;
Revue Canadienne de Linguistique 09 (1964)</text>
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              <text>mea; 11/21/2019</text>
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                <text>Chaucer's Use of Function Words with Substantives.</text>
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                <text>Tabulates and analyzes Chaucer's use of function words before nouns and pronouns, showing that his usage "resembles in the main that of modern English," although in at least one respect more similar to "modern vulgar English than modern standard English."</text>
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              <text>Cook, James Wyatt.</text>
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        <element elementId="98">
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            <elementText elementTextId="2826925">
              <text>Universitas 2.2 (1964): 51-62.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2826926">
              <text>Universitas 02 (1964)</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826927">
              <text>Clerk and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
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              <text>mea; 11/20/2019</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826929">
              <text>1964</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2826922">
                <text>Augustinian Neurosis and the Therapy of Criticism.</text>
              </elementText>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2826923">
                <text>Argues that in ClT Chaucer "has successfully humanized the psychological motivation of both Walter and Griselda," de-emphasizing the "supernatural" aspects of the characterizations found in analogous narratives, and depicting his protagonists with motives "consistent with the tenets of the psychological system promulgated by Saint Augustine."</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <name>Author / Editor</name>
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          <elementTextContainer>
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              <text>Christophersen, Paul.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2826918">
              <text>English Studies 45.1-6 [Supplement] (1964): 146-50.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2826919">
              <text>English Studies 45 (1964)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826920">
              <text>Style and Versification&#13;
General Prologue to the Canterbury Tales</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826921">
              <text>1964</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2826915">
                <text>The Scansion of Two Lines in Chaucer.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2826916">
                <text>Scans two lines of GP (49 and 173), "usually felt to be awkward," arguing that in light of comparable Middle English examples the syllable counts and stress patterns of these lines are consistent with the "iambic-decasyllabic theory."</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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          </elementContainer>
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    </collection>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826909">
              <text>Cartier, Normand R.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2826910">
              <text>Revue de Littérature Comparée 38 (1964): 18-34.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2826911">
              <text>Revue de Littérature Comparée 38 (1964)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826912">
              <text>Book of the Duchess&#13;
Language and Word Studies&#13;
Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826913">
              <text>mea; 11/20/2019</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826914">
              <text>1964</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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      <elementSet elementSetId="1">
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2826907">
                <text>Froissart, Chaucer and Enclimpostair.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2826908">
                <text>Reviews attempts to clarify Chaucer's reference to Morpheus's companion "Eclympasteyr," found in BD line 167 and also found in Froissart's "Paradys d'Amour" as "Enclimpostair." Argues on linguistic and literary grounds that the name in "plain English" means "Supine, or Lean-Back," while "[i]n America, the likes of him are called "Lazy-Bones."</text>
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            </elementTextContainer>
          </element>
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  <item itemId="274532" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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          </elementContainer>
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      </elementSetContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826900">
              <text>Calderwood, James L.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826901">
              <text>English Studies 45 (1964): 302-09.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826902">
              <text>English Studies 45 (1964)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826903">
              <text>Pardoner and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826904">
              <text>mea; 11/20/2019</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826905">
              <text>1964</text>
            </elementText>
          </elementTextContainer>
        </element>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2826898">
                <text>Parody in the Pardoner's Tale.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2852068">
                <text>Argues that in PardPT the Pardoner "is parodying himself--deliberately magnifying his character and conduct in order to portray himself as a monster of evil" exaggerating so that the other pilgrims will interpret him comically, as a "charming rogue," while he obliquely confronts them with their own perfidy, much as the Old Man confronts the rioters.</text>
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          </element>
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  </item>
  <item itemId="274531" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826892">
              <text>Brindley, D. J.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826893">
              <text>English Studies in Africa 7 (1964): 148-56.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826894">
              <text>English Studies in Africa 07 (1964)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826895">
              <text>Nun's Priest and His Tale&#13;
Style and Versification</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826896">
              <text>mea; 11/20/2019</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826897">
              <text>1964</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2826890">
                <text>The Mixed Style of the "Nun's Priest's Tale."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2826891">
                <text>Demonstrates the "stylistic virtuosity" of NPT, consistent with its "multiple perspective," commenting on the plain style of the widow frame, "cinematic" details in descriptions, the quality and comedy of direct dialogue, the "graver rhetoric of the didactic style," "dramatic economy," etc.</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="274530" public="1" featured="0">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826884">
              <text>Brewer, Derek</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826885">
              <text>Review of English Literature 5.3 (1964): 52-60.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826886">
              <text>Review of English Literature 05 (1964)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826887">
              <text>Man of Law and His Tale&#13;
Monk and His Tale&#13;
Clerk and His Tale&#13;
Physician and His Tale&#13;
Prioress and Her Tale.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826888">
              <text>mea; 11/20/2019</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826889">
              <text>1964</text>
            </elementText>
          </elementTextContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2826882">
                <text>Children in Chaucer.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2826883">
                <text>Argues that children in Chaucer's works are generally depicted with "tender pity," discussing narratives in which children have relatively prominent roles:  MLT, MkT, ClT, PhyT, and PrT.</text>
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            </elementTextContainer>
          </element>
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    </elementSetContainer>
  </item>
  <item itemId="274529" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826876">
              <text>Albertini, Virgil R.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826877">
              <text>Northwest Missouri State College Studies 28.4 (1964): 3-16.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826878">
              <text>Northwest Missouri State College Studies 28 (1964)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826879">
              <text>Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary RElations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826880">
              <text>mea; 11/20/2019</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826881">
              <text>1964</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2826874">
                <text>Chaucer's Artistic Accomplishment in Molding the "Wife of Bath's Tale."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2826875">
                <text>Identifies "traces of the primitive folk tale" that underlie the Cupid and Psyche myth and WBT, and maintains Chaucer's familiarity with some version of the myth. Compares and contrasts aspects of the Tale with its English analogues, and argues that the superiority of Chaucer's version is due to the influence of the myth (especially evident in the motif of "double transformation") as well as to the "genius" of Chaucer's "narrative skill" in combining various motifs.</text>
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            </elementTextContainer>
          </element>
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    </elementSetContainer>
  </item>
  <item itemId="274528" public="1" featured="0">
    <collection collectionId="8">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Mitchell, Jerome.</text>
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              <text>Urbana: University of Illinois Press, 1968.</text>
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              <text>x, 151 pp.; 2 b&amp;w illus.</text>
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          <name>Chaucer Subject</name>
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              <text>Chaucer's Influence and Later Allusion&#13;
Chaucer's Life</text>
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                <text>Thomas Hoccleve: A Study in Early Fifteenth-Century English Poetic.</text>
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            <description>An account of the resource</description>
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                <text>Defends the artistic qualities of Thomas Hoccleve as a poet, acknowledging his medieval conventionality, but emphasizing his originality in adapting conventions and source material, the competence of his meter, and the autobiographical elements of his verse, particularly examples of "personal feelings." Surveys Hoccleve's corpus with frequent comparisons of his forms and themes with those of Chaucer, John Lydgate, and others. Also comments on his debt to Chaucer, the presumed friendship of the two poets, and the portraits of Chaucer in three manuscripts of Hoccleve's "Regement of Princes," reproducing the one from Philadelphia, Rosenbach Museum and Library, MS 1083/10 (here cited as MS 594).</text>
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              <text>Howard, Edwin J.&#13;
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              <text>New York: Twayne, 1964.</text>
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              <text>219 pp.</text>
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              <text>Twayne's English Authors Series, no. 1.</text>
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              <text>Background and General Criticism&#13;
Chaucer's Life</text>
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            <elementText elementTextId="2826865">
              <text>1964</text>
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                <text>Geoffrey Chaucer.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Describes Chaucer's life and works, with an introduction to historical backgrounds, a chronology of events, a summary of critical reception, a bibliography for further reading, and an index. The biography emphasizes dates and events, and the survey of Chaucer's corpus includes a summary description of each work, attention to style and themes, and a synopsis of critical opinions. Treats CT and TC most extensively, but includes discussion of the translations (Rom, Bo, and Astr); the dream poems, here called "Short Poems" (BD, HF, PF, LGW, with Anel); and the short poems, here called "Minor Poems," the latter considered individually or in groups (complaints, ballads, and envoys).</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2826851">
              <text>Craik, T. W.</text>
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              <text>London: Methuen, 1964.</text>
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            <elementText elementTextId="2826853">
              <text>xv, 156 pp.</text>
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              <text>Canterbury Tales General&#13;
Style and Versification&#13;
Miller and His Tale&#13;
Reeve and His Tale&#13;
Shipman and His Tale&#13;
Nun's Priest and His Tale&#13;
Merchant and His Tale&#13;
Tale of Sir Thopas&#13;
Cook and His Tale&#13;
Canon's Yeoman and His Tale</text>
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              <text>mea; 11/12/2019</text>
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            <elementText elementTextId="2826856">
              <text>1964</text>
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          <element elementId="50">
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                <text>The Comic Tales of Chaucer.</text>
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          <element elementId="41">
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                <text>Summarizes each of the "comic" tales of CT, with appreciative, inferential, scene-by-scene commentary on techniques of characterization, situations, and enlivening details that make the Tales "amusing." Essentially farcical, the action of MilT results more from "character and situation" than coincidence; similarly farcical, RvT provides enjoyment via "poetic justice," opportunism, and "mistakes in the night." ShT suffers from a "thin plot," but offers clever talk and an "intellectual" climax. The simple action of NPT is well adorned with "disproportions," "incongruities," and "comicalities," many of which burlesque MkT. The exchange of FrT and SumT succeeds because of balance among farce, satire, ironies, poetic justice, and surprise. MerT combines "cool" irony, "biting" satire, and indirection that produce rich innuendo and drama of character. Also comments on comic elements in Th, CkT, and CYT.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2826843">
              <text>Corsa, Helen Storm.</text>
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        <element elementId="98">
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              <text>Notre Dame, Ind.: University of Notre Dame Press, 1964.</text>
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        <element elementId="99">
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          <elementTextContainer>
            <elementText elementTextId="2826845">
              <text>vi, 247 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2826846">
              <text>Background and General Criticism&#13;
Sources, Analogues, and Literary Relations&#13;
Canterbury Tales--General&#13;
Troilus and Criseyde&#13;
Book of the Duchess&#13;
House of Fame&#13;
Parliament of Fowls&#13;
Legend of Good Women</text>
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              <text>mea; 11/12/2019</text>
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        <element elementId="114">
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            <elementText elementTextId="2826848">
              <text>1964</text>
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            <name>Title</name>
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              <elementText elementTextId="2826841">
                <text>Chaucer: Poet of Mirth and Morality.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Describes how Chaucer's "mirth reveals his moral premises" and conveys joy throughout his poetic corpus, explaining how the early dream poems, in varying degrees, communicate the progress of the comic narrators toward greater moral and philosophic realizations about kinds of love. At times reflecting PF, TC combines Boethius's "divinely comic philosophy" with Chaucer's awareness of human exuberance and excess to disclose the tragedy of fortune and human blindness. Generally, CT reveals the order and Providential justice implicit in human diversity and limitation. Part 1 lays out "modes" of comedy, complemented by the mirth of the religious tales and the dramatic interplay of the Marriage Group. Comedy "unmasks" vice in FrT, SumT, and PardPT, while Th, Mel, MkT, and NPT are more oblique in their expressions of moral philosophy. CYPT and ManPT diminish "comic joy and zest" but ParsT and Ret replace them with penitential forgiveness.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2826835">
              <text>Wilson, William S.</text>
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          <name>Published</name>
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            <elementText elementTextId="2826836">
              <text>English Language Notes 1.4 (1964): 244-48.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2826837">
              <text>English Language Notes 01 (1964)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 10/30/2019</text>
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            <elementText elementTextId="2826840">
              <text>1964</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2826833">
                <text>Exegetical Grammar in the "House of Fame."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2852067">
                <text>Reads Chaucer's summary of Virgil's "Aeneid" in Book 1 of HF as comic--a parody of several practices of "exegetical grammar," including translation, "dictiones ethicae" (soliloquies), paraphrase, and moral interpretation. The purpose of the parody is "to consider, and to reject, the uses of grammar for poetry."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2826827">
              <text>Warner, Oliver.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2826828">
              <text>London: Chatto &amp; Windus, 1964.</text>
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        <element elementId="99">
          <name>Physical Description</name>
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          <elementTextContainer>
            <elementText elementTextId="2826829">
              <text>205 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2826830">
              <text>Chaucer's Life&#13;
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2826831">
              <text>mea; 10/30/2019</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2826832">
              <text>1964</text>
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              <elementText elementTextId="2826825">
                <text>English Literature: A Portrait Gallery.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2826826">
                <text>Reproduces in black and white the London National Portrait Gallery panel portrait of Chaucer (p. 2), preceded by a brief comment on Chaucer's life, with reference to William Dunbar's praise of him, mention of the TC frontispiece portrait (Cambridge, Corpus Christi College, MS 61), and the claim that the "basis of the panel illustration" is the illustration of Chaucer that accompanies Thomas Hoccleve "Regement of Princes" (British Library, MS Harley 4866, f. 88r).</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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                <text>Adduces the testimony of modern archer, Robert P. Elmer, corroborating that peacock feathers are high quality material for fletching, and a notion thought to underlie Chaucer's reference in the GP description of the Yeoman (1.104).</text>
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                <text>Longfellow's Chaucer.</text>
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                <text>Explicates Henry Wadsworth Longfellow's Italian sonnet "Chaucer," emphasizing its imitation of aspects of Chaucer's style, particularly drawn from BD.</text>
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                <text>Reads the noun "swan" as "swain" in the rhyming comparison with "Jovinyan" in SumT 3.1930, adducing logic, consistency of imagery, and source material.</text>
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              <text>Severs, J. Burke.</text>
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Friar and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Comments on the uses of "master" and "Rabbi" in SumT 3.2184-88 as a means to convey the hypocrisy of the Summoner's friar (along with Chaucer's Friar in GP 1.261). The references are rooted in the biblical source, Matthew 23:5-11.</text>
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                <text>A New Look at "The Complaint of Chaucer to His Purse."</text>
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                <text>Describes the involvement of Thomas Chaucer and Thomas Swynford in matters related to the deposition and death of Richard II, suggesting that they help to account for the tone and perspective in Purse (especially the Envoy) and Henry's swift and positive response to Chaucer's request in the poem.</text>
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