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                  <text>Chaucer Bibliography Online</text>
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              <text>Shigeo, Hisashi.</text>
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        <element elementId="98">
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              <text>Lingua et Humanita 3 (1985): 57-65.</text>
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              <text>1985</text>
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        <element elementId="102">
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            <elementText elementTextId="2714467">
              <text>Background and General Criticism.</text>
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              <text>Lingua et Humanita 3 (1985)</text>
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        <element elementId="109">
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              <text>jules SAC 09 (85)</text>
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                <text>Chaucer and Arthurian Romances</text>
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            <description>An account of the resource</description>
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                <text>Chaucer's passages about Arthurian knights, though brief, reveal the poet's understanding of the traditions of Arthurian romance.</text>
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                <text>In Japanese.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Wood, Chauncey.</text>
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              <text>Beryl Rowland, ed.  Companion to Chaucer Studies.  Rev. ed.   (New York: Oxford University Press, 1979), pp. 202-20.</text>
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        <element elementId="114">
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              <text>1979</text>
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            <elementText elementTextId="2726806">
              <text>Companion to Chaucer Studies.</text>
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        <element elementId="102">
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            <elementText elementTextId="2726809">
              <text>Background and General Criticism.</text>
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        <element elementId="109">
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              <text>jules SAC 03 (19)</text>
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                <text>Chaucer and Astrology</text>
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            <description>An account of the resource</description>
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                <text>Chaucer's many references to astrology have often been discussed, but only recently (as in Wood's "Chaucer and the Country of the Stars") have there been any book-length studies of the subject and of its function in his poetry.</text>
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                <text>Reprinted from the first (1968) edition, with updated bibliography.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2738061">
              <text>Mann, Jill.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2738062">
              <text>Studies in the Age of Chaucer 17 (1995): 5-19.</text>
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        <element elementId="114">
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            <elementText elementTextId="2738063">
              <text>1995</text>
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              <text>The Presidential Address.  The New Chaucer Society Ninth International Congress, 23-27 July 1994, Trinity College Dublin.</text>
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        <element elementId="102">
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          <elementTextContainer>
            <elementText elementTextId="2738066">
              <text>Background and General Criticism.</text>
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          <elementTextContainer>
            <elementText elementTextId="2738067">
              <text>Studies in The Age of Chaucer 17 (1995)</text>
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        <element elementId="109">
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              <text>jules SAC 19 (1997) - 108</text>
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                <text>Chaucer and Atheism</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2738065">
                <text>Examines how a twentieth-century atheist can read and respond to Chaucer, suggesting that a form of "dialogism" can mediate between the present and the past and can enable us to recognize that Chaucer is essentially more humanistic than, for example, Dante.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2811199">
              <text>Alderson, William L., and Arnold C. Henderson.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2811200">
              <text>Berkeley: University of California Press, 1970.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2811201">
              <text>1970</text>
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        <element elementId="99">
          <name>Physical Description</name>
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          <elementTextContainer>
            <elementText elementTextId="2811202">
              <text>284 pp.</text>
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        <element elementId="112">
          <name>Contributor</name>
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            <elementText elementTextId="2811203">
              <text>Henderson, Arnold C.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2811205">
              <text>Chaucer's Influence and Later Allusion</text>
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            <elementText elementTextId="2811206">
              <text>Facsimiles, Editions, and Translations</text>
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        </element>
        <element elementId="104">
          <name>Series</name>
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          <elementTextContainer>
            <elementText elementTextId="2811207">
              <text>University of California Publications, English Studies Series, no. 35.</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2811208">
              <text>mea; 10/10/2016 No SAC</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2811198">
                <text>Chaucer and Augustan Scholarship</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2811204">
                <text>Assesses editions and translations of Chaucer's works between 1660 and 1750 (including Speght 3, Dryden, Urry, and Morrell) for the ways they reflect the principles and practices of Augustan scholarship, lexicography, aesthetic outlooks, social assumptions, as well as Chaucer's reception. Argues that editorial practices of the time anticipate later techniques and includes a list of previously unnoted allusions to Chaucer's works.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2704831">
              <text>Simes, G. R.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2704832">
              <text>Geraldine Barnes, John Gunn, Sonya Jensen, and Lee Jobling, eds.  Words and Wordsmiths: A Volume for H. L. Rogers (Sydney: University of Sydney, 1989), pp. 91-112.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2704833">
              <text>1989</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2704834">
              <text>Words and Wordsmiths: A Volume for H. L. Rogers.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2704836">
              <text>Canterbury Tales--General.</text>
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        <element elementId="109">
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              <text>jules SAC 13 (104)</text>
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                <text>Chaucer and Bawdy</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2704835">
                <text>One of the most consistent strands of controversy has been Chaucer's reputation for the "bawdy" in CT.  What has been objected to as "bawdy," "ribaldry," "wantonness," "scurrility," "incivility," and so on "has "shifted and changed over the centuries, corresponding to the level of social and moral repression of sexuality, and as notions of the relationship between literature and morality have evolved."</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2853544">
              <text>Pagés, Meriem.</text>
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        <element elementId="98">
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              <text>Leeds: Arc Humanities, 2023.</text>
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              <text>xx, 106 pp.; 5 illus.</text>
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        <element elementId="104">
          <name>Series</name>
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            <elementText elementTextId="2853547">
              <text>Medieval Media and Culture</text>
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            <elementText elementTextId="2853548">
              <text>Man of Law and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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              <text>SAC 47:135</text>
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        <element elementId="114">
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            <elementText elementTextId="2853550">
              <text>2023</text>
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                <text>Chaucer and Becket's Mother: "The Man of Law's Tale," Conversion, and Race in the Middle Ages.</text>
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          <element elementId="41">
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              <elementText elementTextId="2853543">
                <text>Contrasts MLT with "The King of Tars," "Bevis of Hampton," and the Becket legend (where Thomas Becket's mother is a "heathen or Saracen"), arguing that, unlike the "contradictory approaches . . . to the conversion of the Muslim Other elsewhere, MLT "simply rejects the missionary ideal personified in Custance," "accentuates late medieval English anxieties about conversion and the Other," and "proudly endorses its renunciation of missionary objectives."</text>
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                  <text>Chaucer Bibliography Online</text>
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                <text>Chaucer and Boccaccio</text>
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                <text>An extended examination of Boccaccio's "Teseida," Chaucer's KnT, and their relations. After describing "Teseida" and its debts to Dante and the classics, Boitani surveys Chaucer's uses of the work in Anel, PF, TC, and, more extensively, KnT. Tabulates, line by line, the dependencies of KnT on "Teseida," Book 7--translations, adaptations, suggestions, conflations, and summaries--and explores Chaucer's debt to Boccaccio's glosses as well as to his narrative. Discusses the impact of "Teseida" on the plot and structure of KnT, its characters, imagery, and style.  Appends an English translation of Boccaccio's glosses on the houses of Mars and Venus.</text>
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              <text>xv, 205 pp.</text>
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                <text>Chaucer and Boccaccio: Antiquity and Modernity</text>
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                <text>Boccaccio provided Chaucer with a means for understanding and configuring antiquity and modernity. Chapter 1 focuses on kinds of love, tensions in Theseus's rule, and the subjugation of women in KnT. Chapter 2 explores how chroniclers, Boccaccio, and Chaucer's TC represent human choices, historical necessity, and erotic determinism.</text>
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                <text>Chapter 3 argues that Chaucer's narrative of Dido (HF) and the women of LGW critique antiquity and pit women who believe in courtly and aristocratic ideals against men who manipulate them. Chapter 4 examines horizontal associations among members within a tenacious hierarchy, as well as the mercantile ethic in MilT, RvT, ShT and PardT.</text>
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                <text>Chapter 5 compares the hermeneutics of Boccaccio's, Petrarch's and Chaucer's renderings of the Griselda story, and Chapter 6 analyzes Boccaccio's and Chaucer's versions of Menedon's story in the Decameron and FranT.</text>
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              <text>Wallace, David.</text>
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              <text>Book of the Duchess.</text>
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                <text>Chaucer and Boccaccio's Early Writings</text>
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                <text>Boccaccio's "Amorosa Visione" and the Chaucer's BD and HF were deeply indebted to de Lorris, Machaut, and Dante, but Boccaccio was never comfortable with "court poems," while Chaucer used "cortesia" with subtlety and ease.</text>
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              <text>Godman, Peter.</text>
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                <text>Discusses the sources of LGW in Boccaccio's "De cassibus virorum illustrim," "De mulieribus claris," and "Genealogia deorum gentillium."</text>
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              <text>Dronke, Peter.</text>
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Sources, Analogues, and Literary Relations</text>
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                <text>Chaucer and Boethius "De Musica."</text>
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                <text>Describes a "flicker of humour" in Chaucer's allusion to Boethius in NPT (7.3294-95), indicating that the poet disagrees with his authority on the point of musical sensitivity.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Gardner, Averil.</text>
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              <text>Stouck, Mary-Ann.</text>
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              <text>Chaucer's Influence and Later Allusion..</text>
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                <text>The innovative material in the first three books of Capgrave's "Life" is indebted to the fifteenth century's interest in Chaucer's "elevated" and pious passages, especially those in TC.  Stylistically, however, Capgrave's attempt to emulate his master largely fails.</text>
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              <text>Shirayuri Joshi Daigaku Eibungakka (Tokyo) 10 (1981)</text>
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                <text>Chaucer and Catholicism</text>
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                <text>Chaucer's optimism, humor, and satire as well can be properly appreciated only in the light of his Catholic view of life. Some typical mistakes in translation are also made from lack of enough knowledge of Catholicism:  the doctrines, liturgies, particular devotions, and so on.</text>
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                <text>In Japanese.</text>
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              <text>Speculum 35 (1960)</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Chaucer's Life&#13;
Nun's Priest and His Tale&#13;
Miller and His Tale&#13;
Reeve and His Tale&#13;
Merchant and His Tale&#13;
Manciple and His Tale</text>
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                <text>Chaucer and Cato.</text>
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              <elementText elementTextId="2838477">
                <text>Explores the range and depth of Chaucer's familiarity with the "Liber Catonis," its commentaries and glosses, and the likelihood that he memorized portions as a schoolboy. Identifies verbal echoes of "Catoniana" in Chaucer's works; then focuses on his "parodic use of Cato" in NPT, MilT, RvT, MerT, and ManT, evincing the "poet's sophisticated and heterodox attitude towards an ethical authority that all literate men of his time held in high esteem."</text>
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              <text>Grennen, Joseph E.</text>
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        <element elementId="98">
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              <text>Viator 15 (1984): 237-62.</text>
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              <text>House of Fame.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Viator 15 (1984)</text>
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                <text>Chaucer and Chalcidius: The Platonic Origins of the 'Hous of Fame'</text>
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                <text>Although Chaucer typically "covered his tracks," a major source of HF is Plato's "Timaeus" in the translation and commentary of Chalcidius.</text>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
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              <text>Hussey, Stanley S.</text>
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              <text>Wolf-Dietrich Bald and Horst Weinstock, eds.  Medieval Studies Conference Aachan 1983 (Frankfurt am Main: Peter Lang, 1984), pp. 121-30.</text>
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            <elementText elementTextId="2717283">
              <text>Medieval Studies Conference Aachen 1983.</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2717285">
              <text>Canterbury Tales--General.</text>
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              <text>jules SAC 08 (114)</text>
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                <text>Chaucer and Character</text>
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            <description>An account of the resource</description>
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                <text>Examines CT characters for individuality not conditioned by the story in FranT, MilT, TC, GP's Host and Merchant, MerP, MerT, and RvT.</text>
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  <item itemId="267724" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2758022">
              <text>Myles, Robert.</text>
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        <element elementId="98">
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            <elementText elementTextId="2758023">
              <text>Robert Myles and David Williams, eds. Chaucer and Language: Essays in Honour of Douglas Wurtele (Montreal and Kingston: McGill-Queen's University Press, 2001), pp. 3-10.</text>
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            <elementText elementTextId="2758024">
              <text>2001</text>
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          <elementTextContainer>
            <elementText elementTextId="2758025">
              <text>Chaucer and Language: Essays in Honour of Douglas Wurtele.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2758027">
              <text>Background and General Criticism.</text>
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              <text>jules SAC 25 (122)</text>
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                <text>Chaucer and Character : The Heresies of Douglas Wurtele</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2758026">
                <text>Survey's Wurtele's studies of Chaucer, clarifying the critic's consistent concern with characterization and how it relates to critical trends.</text>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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              <text>Brewer, D. S., ed.</text>
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        <element elementId="98">
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              <text>University: University of Alabama Press; London: Nelson, 1966.</text>
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            <elementText elementTextId="2819790">
              <text>278 pp.</text>
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        <element elementId="102">
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            <elementText elementTextId="2819791">
              <text>Background and General Criticism</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819793">
              <text>1966</text>
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              <elementText elementTextId="2819786">
                <text>Chaucer and Chaucerians: Critical Studies in Middle English Literature.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2819787">
                <text>Nine essays by various authors accompanied by a cultural timeline and a comprehensive index. For the individual essays, search for Chaucer and Chaucerians under Alternative Title.</text>
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            <elementText elementTextId="2735259">
              <text>Connolly, Margaret.</text>
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        <element elementId="98">
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              <text>Chaucer Review 29 (1994): 40-44.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2735261">
              <text>1994</text>
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              <text>Book of the Duchess.</text>
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              <text>Chaucer Review 29 (1994)</text>
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              <text>jules SAC 18 (1996) - 254)</text>
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                <text>Chaucer and Chess</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2735262">
                <text>The references to chess in BD are confused because Chaucer seems not to have had any firsthand knowledge of the game, his source being not a proper handbook but the "Roman de la Rose."  Applying the chess metaphor from Jean de Meun to a dissimilar situation in BD, Chaucer adds to the ambiguity in the character of the Dreamer.</text>
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              <text>Keen, Maurice.</text>
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        <element elementId="98">
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            <elementText elementTextId="2770729">
              <text>Matthew Strickland, ed. Armies, Chivalry and Warfare in Medieval Britain and France: Proceedings of the 1995 Harlaxton Symposium. Harlaxton Medieval Studies, no. 7 (tamford, Lincolnshire: Watkins, 1998), pp. 1-12.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2770730">
              <text>1998</text>
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            <elementText elementTextId="2770731">
              <text>Armies, Chivalry and Warfare in Medieval Britain and France: Proceedings of the 1995 Harlaxton Symposium.</text>
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            <elementText elementTextId="2770732">
              <text>Strickland, Matthew, ed.</text>
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        <element elementId="102">
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            <elementText elementTextId="2770734">
              <text>Knight and His Tale.</text>
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            <elementText elementTextId="2770735">
              <text>Parson and His Tale.</text>
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        <element elementId="104">
          <name>Series</name>
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          <elementTextContainer>
            <elementText elementTextId="2770736">
              <text>Harlaxton Medieval Studies, no. 7.</text>
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        <element elementId="109">
          <name>Source</name>
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              <text>vxl</text>
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              <elementText elementTextId="2770727">
                <text>Chaucer and Chivalry Re-Visited</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2770733">
                <text>Keen surveys a range of late medieval attitudes toward chivalry, knighthood, and warfare, especially a "streak of puritanism" that criticized the vainglory of chivalry. He considers a range of texts, including Chaucer's ParsT and the GP description of the Knight.</text>
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        <element elementId="110">
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            <elementText elementTextId="2798342">
              <text>Brewer, D[erek] S.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2798343">
              <text>Beryl Rowland, ed. Chaucer and Middle English Studies in honour of Rossell Hope Robbins (London: George Allen &amp; Unwin, 1974), pp. 255-59.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2798344">
              <text>1974</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2798345">
              <text>Chaucer and Middle English Studies in honour of Rossell Hope Robbins.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2798347">
              <text>Franklin and His Tale</text>
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            <elementText elementTextId="2798348">
              <text>Sources, Analogues, and Literary Relations</text>
            </elementText>
            <elementText elementTextId="2798349">
              <text>Language and Word Studies</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2798350">
              <text>mea; 3/21/2014 No SAC</text>
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                <text>Chaucer and Chrétien and Arthurian Romance</text>
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          <element elementId="41">
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              <elementText elementTextId="2798346">
                <text>Gauges Chaucer's familiarity with the Arthurian romances of Chrétien de Troyes, commenting on the English poet's use of "vavasour" to describe the Franklin and on his allusions to Lancelot, Arthur, and Gawain. Suggests the possibility that Chaucer's lost "Book of the Leoun" may have been a version of Chrétien's "Yvain."</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2717063">
              <text>Robertson, D. W.,Jr.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2717064">
              <text>David Lyle Jeffrey, ed. Chaucer and Scriptural Tradition (Ottawa: University of Ottawa Press, 1984), pp. 3-32.</text>
            </elementText>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2717065">
              <text>1984</text>
            </elementText>
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        <element elementId="108">
          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2717066">
              <text>Chaucer and Scriptural Tradition.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2717068">
              <text>Background and General Criticism.</text>
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        <element elementId="109">
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            <elementText elementTextId="2717069">
              <text>jules SAC 08 (91)</text>
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              <elementText elementTextId="2717062">
                <text>Chaucer and Christian Tradition</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2717067">
                <text>Understanding medieval literary use of scriptural tradition requires knowledge of relevant social history, especially for Chaucer--not merely a "textual" man but a "moral, social, and political man."  The complex Christian tradition, functioning psychologically, economically, socially, and politically, changed as culture changed.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2770608">
              <text>Hodges, Laura [F.]</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2770609">
              <text>Rochester, N.Y.; and Woodbridge, Suffolk : D. S.Brewer, 2005.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2770610">
              <text>2005</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2770611">
              <text>xiv, 316 pp. : 16 b&amp;w illus.; 8 color illus.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>General Prologue to the Canterbury Tales.</text>
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            <elementText elementTextId="2770615">
              <text>Prioress and Her Tale.</text>
            </elementText>
            <elementText elementTextId="2770616">
              <text>Monk and His Tale.</text>
            </elementText>
            <elementText elementTextId="2770617">
              <text>Friar and His Tale.</text>
            </elementText>
            <elementText elementTextId="2770618">
              <text>Clerk and His Tale.</text>
            </elementText>
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              <text>Physician and His Tale.</text>
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            <elementText elementTextId="2770620">
              <text>Parson and His Tale.</text>
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            <elementText elementTextId="2770621">
              <text>Pardoner and His Tale.</text>
            </elementText>
            <elementText elementTextId="2770622">
              <text>Summoner and His Tale.</text>
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          </elementTextContainer>
        </element>
        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2770623">
              <text>Chaucer Studies, no. 34.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2770624">
              <text>vxl sac 29:170</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2770607">
                <text>Chaucer and Clothing : Clerical and Academic Costume in the General Prologue to "The Canterbury Tales"</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2770612">
                <text>Assesses the details and implications of the clothing and accoutrements of the clerical and academic pilgrims in GP, discussing the Prioress, Monk, Friar, Clerk, Physician, Parson, Pardoner, and Summoner. More richly symbolic than secular dress, clerical dress must be understood in terms of social and literary values developed over time and exploited by Chaucer.</text>
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                <text>Hodges introduces historical, linguistic, sartorial, and literary contexts as backgrounds to the descriptions. She examines each detail of the descriptions (and illustrations surviving in the manuscripts) to explain how "costume rhetoric" is fundamental to Chaucer's creation of character in GP.</text>
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  <item itemId="264970" public="1" featured="0">
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2729389">
              <text>Garbaty, Thomas J.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2729390">
              <text>Paul G, Ruggiers, ed.  Versions of Medieval Comedy (Norman: University of Oklahoma Press, 1977), pp. 173-90.  Reprinted in Jean E. Jost, ed. Chaucer's Humor (Garland, 1994), pp. 79-99.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2729391">
              <text>1977</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2729392">
              <text>Versions of Medieval Comedy.</text>
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        <element elementId="112">
          <name>Contributor</name>
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          <elementTextContainer>
            <elementText elementTextId="2729393">
              <text>Ruggiers, Paul G.,ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2729395">
              <text>Background and General Criticism.</text>
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        <element elementId="109">
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            <elementText elementTextId="2729396">
              <text>jules SAC 02 (72)</text>
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              <elementText elementTextId="2729388">
                <text>Chaucer and Comedy</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2729394">
                <text>There are those Chaucer readers who feel that he failed to take life seriously enough.  His view of the world was indeed serious; it was not, however, a tragic view.  His art is his love of the human comedy and thereby hang the tales of some of the most intricate and hilarious characters in literature.</text>
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