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              <text>Hoffman, Richard L.</text>
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              <text>Classica et Mediaevalia 25 (1964): 263-72.</text>
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              <text>Classica et Mediaevalia 25 (1964)</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Knight and His Tale&#13;
Troilus and Criseyde&#13;
Franklin and His Tale</text>
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              <text>mea; 12/13/2019</text>
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              <text>1964</text>
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                <text>The "Felaweshipe" of Chaucer's "Love" and "Lordshipe."</text>
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                <text>Surveys arguments that seek to identify sources and analogues to the claim in KnT 1.1625-26 that neither love nor lordship "likes competition with another of its kind," citing similarities with TC 2.755-56, FranT 5.764-67, and others, and arguing that the ultimate sources lie in Ovid's "Metapmorphoses" 2.846-47 and "Ars Amatoria" 3.564.</text>
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              <text>Barakat, Robert A.</text>
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              <text>Southern Folklore Quarterly 28 (1964): 210-15.</text>
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              <text>Pardoner and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Odin: Old Man of The Pardoner's Tale."</text>
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                <text>Cites the folk motif of "burying Death" under an oak tree and identifies "numerous parallels" between the Old Man of PardT and Odin from Norse mythology to argue that Odin is the "prototype" of the Old Man.</text>
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              <text>Barab, Seymour, comp. and M. C. Richards.</text>
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              <text>[New York]: Boosey and Hawkes, 1964.</text>
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              <text>Musical score; 112 pp.</text>
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Facsimiles, Editions, and Translations&#13;
Recordings and Films</text>
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                <text>Chanticleer: A Comic Opera in One Act, on a Tale by Chaucer.</text>
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                <text>Musical score that adapts NPT, with lyrics in Modern English. Libretto by M. C. Richards. Composed, with additional lyrics and vocal score by Seymour Barab.</text>
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              <text>Pask, Kevin.</text>
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              <text>Baltimore, MD: Johns Hopkins University Press, 2013</text>
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              <text>viii, 178 pp.</text>
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                <text>The Fairy Way of Writing: Shakespeare to Tolkien.</text>
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            <description>An account of the resource</description>
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                <text>Explores developments in the writing of fantasy literature, describing WBT along the way as an indication of an early stage in the diminishing status of romance, migrating from "elite to popular culture."</text>
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              <text>De Gaynesford, Maximilian.</text>
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              <text>Peter Robinson, ed. The Oxford Handbook of Contemporary British and Irish Poetry (Oxford: Oxford University Press, 2013), pp. 617-37.</text>
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              <text>The Oxford Handbook of Contemporary British and Irish Poetry.</text>
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              <text>Language and Word Studies&#13;
Troilus and Criseyde</text>
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              <text>mea; 12/11/2019</text>
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                <text>Speech Acts, Responsibility, and Commitment in Poetry.</text>
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            <description>An account of the resource</description>
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                <text>Explores poetic speech acts (following the lead of J. L. Austin), treating Chaucer's dedication of his book in TC 5.1856-62 as an exemplary type of performative speech act--"the Chaucer-Type"--characterized by having three explicit constitutive features: "verbal form [grammatically first person singular present indicative active], self-guarantee, and self-reference." Analyzes uses of this type, by Chaucer and by later poets, to argue that speech act theory can be applied fruitfully to the study of poetry.</text>
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              <text>Clemen, Wolfgang.</text>
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              <text>London: Methuen, 1963.&#13;
Göttingen: Vandenhoeck &amp; Ruprecht, 1963.</text>
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              <text>x, 214 pp.; 246 pp.</text>
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              <text>Sym, C. A. M., trans.</text>
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              <text>Book of the Duchess&#13;
House of Fame&#13;
Parliament of Fowls&#13;
ABC&#13;
The Complaint unto Pity&#13;
A Complaint to His Lady&#13;
The Complaint of Mars&#13;
Anelida and Arcite</text>
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              <text>mea; 11/21/2019</text>
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                <text>Chaucer's Early Poetry.&#13;
Chaucer Frühe Dichtung.</text>
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                <text>Examines how Chaucer's early poems (i.e., those written before 1380) engage the conventional forms, techniques, and themes of French and Italian models, enriching them via "humour and realism" and applying them to "new uses." His innovative "juxtapositions and sequences" reflect both his "poetic temperament" and a "transitional period" in literary history. In BD he makes the "style and form of French poetry come alive within his English idiom," combining dream vision, elegy, and dramatic conversation in a "novel" combination of "heterogeneous elements." The "humour and irony" of HF results from his experiments with an unexpected narrative persona, stylistic variety, wry uses of source material, and startling juxtapositions and reversals, remaking the traditional "allegorical journey," PF is a "conscious work of art" that explores aspects of the allegorical mode (personification, allegoresis, beast fable, etc.) and submits its themes and techniques to genial satire. In various ways, ABC, Pity, Lady, Mars, and Anel also illustrate Chaucer's attraction--and resistance--to poetic traditions. Adapted and expanded from the author's 1938 "Der Junge Chaucer," and published simultaneously in German and English.</text>
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              <text>Spearing, A. C.</text>
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              <text>London: Arnold, 1964.</text>
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              <text>vii, 148 pp.</text>
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              <text>Chaucer as Novelist.</text>
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            <elementText elementTextId="2827018">
              <text>Troilus and Criseyde&#13;
Book of the Duchess&#13;
Style and Versification&#13;
Chaucer's Influence and Later Allusion</text>
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              <text>mea; 11/21/2019</text>
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                <text>Criticism and Medieval Poetry.</text>
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                <text>Applies the techniques of "close reading" or "practical criticism" to works of medieval literature, adjusting the method to accord with medieval literary and linguistic conventions, especially oral recitation. Examines passages from "Piers Plowman," "Sir Gawain and the Green Knight," TC, and Robert Henryson's "Testament of Cresseid," along with medieval literary theory found in the "artes poeticae" while referring to a wide range of works. The discussion of TC, "Chaucer as Novelist" (pp. 96-117), focuses on ways in which the poem is and is not "novelistic," examining two passages closely (Criseyde's dream, 2.915ff., and the lovers' parting, 4.1128ff), disclosing the ways that they, "life-like" and ambiguous, impose "no one interpretation on us." Elsewhere explicates BD 387-442, comments on Chaucer's engagement with medieval rhetoricians, and investigates the "complex relationship with Chaucer" found in Henryson's "Testament."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Rowland, Beryl.</text>
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              <text>Archiv für das Studium der Neueren Sprachen und Liteaturen 201 (1964): 110-14.</text>
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              <text>Archiv für das Studium der Neueren Sprachen und Liteaturen 201 (1964)</text>
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              <text>Style and Versification</text>
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              <text>mea; 11/21/2019</text>
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            <elementText elementTextId="2827011">
              <text>1964</text>
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          <element elementId="50">
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                <text>Aspects of Chaucer's Use of Animals.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2827005">
                <text>Surveys Chaucer's various metaphoric uses of animals, from "simple and conventional ideas about animals to throw light on man" to more elaborated or developed characterizations through more detailed comparisons.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Rowland, Beryl.</text>
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        <element elementId="98">
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              <text>Neophilologus 48 (1964): 56-60.</text>
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        <element elementId="100">
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            <elementText elementTextId="2827000">
              <text>Neophilologus 48 (1964): 56-60.</text>
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              <text>Pardoner and His Tale</text>
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              <text>mea/11/21/2019</text>
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        <element elementId="114">
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            <elementText elementTextId="2827003">
              <text>1964</text>
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          <element elementId="50">
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              <elementText elementTextId="2826996">
                <text>Animal Imagery and the Pardoner's "Abnormality."</text>
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            <description>An account of the resource</description>
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                <text>Adduces "popular lore" to show that Chaucer's references to a hare and a goat in the GP description of the Pardoner (1.684 and 688)--corroborated by other details from the actions and descriptions of the Pardoner--characterize him as a "testicular hermaphrodite of the feminine type."</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
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            <elementText elementTextId="2826990">
              <text>Reiss, Edmund.</text>
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        <element elementId="98">
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            <elementText elementTextId="2826991">
              <text>Annuale Mediaevale 5 (1964): 21-25.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2826992">
              <text>Annuale Mediaevale 05 (1964)</text>
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        <element elementId="102">
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              <text>Miller and His Tale</text>
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            <elementText elementTextId="2826994">
              <text>mea; 11/21/2019</text>
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            <elementText elementTextId="2826995">
              <text>1964</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2826988">
                <text>Chaucer's Miller, Pilate, and the Devil.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2826989">
                <text>Explores associative and metaphoric links between Chaucer's Miller (GP and MilP), the devil, and Pilate, who was "traditionally an agent of the devil."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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              <text>Presson, Robert K.</text>
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        <element elementId="98">
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            <elementText elementTextId="2826983">
              <text>English Miscellany 15 (1964): 9-21.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2826984">
              <text>English Miscellany 15 (1964)</text>
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              <text>Style and Versification&#13;
Canterbury Tales--General</text>
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              <text>mea; 11/21/2019</text>
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            <elementText elementTextId="2826987">
              <text>1964</text>
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              <elementText elementTextId="2826980">
                <text>The Aesthetic of Chaucer's Art of Contrast.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2826981">
                <text>Surveys Chaucer's uses of thematic and stylistic contrast, antithesis, and contention, treating them not as examples of a divided mind "but rather of a mind most aesthetically aware how best to state what is experienced most intensely." Draws examples from a range of Chaucer's works, CT most extensively.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Penninger, F. Elaine.</text>
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        <element elementId="98">
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              <text>South Atlantic Quarterly 63 (1964): 398-405.</text>
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        <element elementId="100">
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            <elementText elementTextId="2826976">
              <text>South Atlantic Quarterly 63 (1964)</text>
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              <text>Knight and His Tale&#13;
Parson and His Tale</text>
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              <text>mea; 11/21/2019</text>
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            <elementText elementTextId="2826979">
              <text>1964</text>
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                <text>Chaucer's "Knight's Tale" and the Theme of Appearance and Reality in "The Canterbury Tales."</text>
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            <description>An account of the resource</description>
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                <text>Argues that by "idealizing" reality "into unreality" KnT opens the "question of appearance and reality," a recurrent concern throughout CT which is resolved only in ParsT.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Gaylord, Alan T.</text>
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            <elementText elementTextId="2826967">
              <text>English Miscellany15 (1964): 25-45.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2826968">
              <text>English Miscellany15 (1964)</text>
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              <text>Troilus and Criseyde</text>
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              <text>mea; 11/21/2019</text>
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            <elementText elementTextId="2826971">
              <text>1964</text>
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                <text>Chaucer's Tender Trap: The Troilus and the "Yonge, Fresshe Folkes."</text>
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                <text>Explores the "shock of contrast" between the rejection of worldly love at the end of TC and the celebration of love found in earlier sections of the poem. The address to "yonge, fresshe folks" (5.1835) is consistent with the protagonists' youthful love, part of Chaucer's sustained, coherent sequence of details and events that invite "his audience to grow up" and realize that "service of the god of Love . . . [is] fundamentally pagan."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Erzgräber, Willi.</text>
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              <text>Riesner, Dieter, and Helmut Gneuss, eds. Festschrift für Walter Hübner (Berlin: Erich Schmidt, 1964), pp. 139-63.</text>
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        <element elementId="112">
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              <text>Riesner, Dieter, ed.&#13;
 Helmut Gneuss, ed</text>
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        <element elementId="108">
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              <text>Festschrift für Walter Hübner.</text>
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              <text>1964</text>
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              <text>Troilus and Criseyde&#13;
Monk and His Tale</text>
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                <text>Tragik und Komik in Chaucers "Troilus and Criseyde."</text>
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              <elementText elementTextId="2826956">
                <text>Examines the tragic, comic, and ironic features of TC, comparing it with MkT in the genre of tragedy, and assessing its tragic, comic, tragicomic, and ironic aspects of  theme, situation, characterization, and dialogue.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Elliott, John R., Jr.</text>
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              <text>Tennessee Studies in Literature 9 (1964): 11-17.</text>
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              <text>Merchant and His Tale</text>
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              <text>mea; 11/21/2019</text>
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            <elementText elementTextId="2826954">
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              <elementText elementTextId="2826947">
                <text>The Two Tellers of "The Merchant's Tale."</text>
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                <text>Argues that MerT "characterizes the Merchant" consistently, attributing several "awkward" passages in the Tale to the Merchant's engagement with an ongoing "debate" about marriage and considering his "pretensions" and "intense personal involvement" to be "indispensable for our understanding of the ludicrous contrasts" in the Tale--coarseness and courtliness, astrology and animalism, and deities and pettiness.</text>
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              <text>Dunning, T. P.</text>
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        <element elementId="98">
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              <text>Duthie, G. I., ed. English Studies Today, Third Series: Lectures and Papers Read at the Fifth Conference of the International Association of Professors of English Held at Edinburgh and Glasgow, August 1962 (Edinburgh: Edinburgh University Press, 1964), pp.89-106.</text>
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              <text>Duthie, G. I., ed.</text>
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              <text>English Studies Today, Third Series: Lectures and Papers Read at the Fifth Conference of the International Association of Professors of English Held at Edinburgh and Glasgow, August 1962.</text>
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        </element>
        <element elementId="102">
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            <elementText elementTextId="2826944">
              <text>Parson and His Tale&#13;
Parliament of Fowls&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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              <text>mea; 11/21/2019</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2826946">
              <text>1964</text>
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              <elementText elementTextId="2826938">
                <text>Chaucer's Icarus-Complex: Some Notes on His Adventures in Theology.</text>
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          <element elementId="41">
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            <elementTextContainer>
              <elementText elementTextId="2826939">
                <text>Contrasts the "quasi-heretical," "so-called Augustinian" views of sex in marriage as always sinful with those of Thomas Aquinas and others who treat sexual love in marriage as sinless when consistent with "amicitia" (friendship) and reason, arguing that the latter underlies Chaucer's view of sex in marriage in ParsT, analogous material in Peraldus's "Summa Aurea de Virtutibus et de Vitiis," and PF.</text>
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              <name>Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2826932">
              <text>Dean, Christopher.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2826933">
              <text>Canadian Journal of Linguistics / Revue Canadienne de Linguistique 9.2 (1964): 67-74.</text>
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          <elementTextContainer>
            <elementText elementTextId="2826934">
              <text>Canadian Journal of Linguistics 09 (1964)&#13;
Revue Canadienne de Linguistique 09 (1964)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826935">
              <text>Language and Word Studies</text>
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        <element elementId="109">
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              <text>mea; 11/21/2019</text>
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          <elementTextContainer>
            <elementText elementTextId="2826937">
              <text>1964</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2826930">
                <text>Chaucer's Use of Function Words with Substantives.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2826931">
                <text>Tabulates and analyzes Chaucer's use of function words before nouns and pronouns, showing that his usage "resembles in the main that of modern English," although in at least one respect more similar to "modern vulgar English than modern standard English."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Cook, James Wyatt.</text>
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              <text>Universitas 2.2 (1964): 51-62.</text>
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        <element elementId="100">
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            <elementText elementTextId="2826926">
              <text>Universitas 02 (1964)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2826927">
              <text>Clerk and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 11/20/2019</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826929">
              <text>1964</text>
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            <name>Title</name>
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              <elementText elementTextId="2826922">
                <text>Augustinian Neurosis and the Therapy of Criticism.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2826923">
                <text>Argues that in ClT Chaucer "has successfully humanized the psychological motivation of both Walter and Griselda," de-emphasizing the "supernatural" aspects of the characterizations found in analogous narratives, and depicting his protagonists with motives "consistent with the tenets of the psychological system promulgated by Saint Augustine."</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2826917">
              <text>Christophersen, Paul.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826918">
              <text>English Studies 45.1-6 [Supplement] (1964): 146-50.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2826919">
              <text>English Studies 45 (1964)</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826920">
              <text>Style and Versification&#13;
General Prologue to the Canterbury Tales</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826921">
              <text>1964</text>
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          <element elementId="50">
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              <elementText elementTextId="2826915">
                <text>The Scansion of Two Lines in Chaucer.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2826916">
                <text>Scans two lines of GP (49 and 173), "usually felt to be awkward," arguing that in light of comparable Middle English examples the syllable counts and stress patterns of these lines are consistent with the "iambic-decasyllabic theory."</text>
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              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826909">
              <text>Cartier, Normand R.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2826910">
              <text>Revue de Littérature Comparée 38 (1964): 18-34.</text>
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          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826911">
              <text>Revue de Littérature Comparée 38 (1964)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826912">
              <text>Book of the Duchess&#13;
Language and Word Studies&#13;
Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>mea; 11/20/2019</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826914">
              <text>1964</text>
            </elementText>
          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Froissart, Chaucer and Enclimpostair.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2826908">
                <text>Reviews attempts to clarify Chaucer's reference to Morpheus's companion "Eclympasteyr," found in BD line 167 and also found in Froissart's "Paradys d'Amour" as "Enclimpostair." Argues on linguistic and literary grounds that the name in "plain English" means "Supine, or Lean-Back," while "[i]n America, the likes of him are called "Lazy-Bones."</text>
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  <item itemId="274532" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826900">
              <text>Calderwood, James L.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>English Studies 45 (1964): 302-09.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826902">
              <text>English Studies 45 (1964)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826903">
              <text>Pardoner and His Tale</text>
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          </elementTextContainer>
        </element>
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          <elementTextContainer>
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              <text>mea; 11/20/2019</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826905">
              <text>1964</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2826898">
                <text>Parody in the Pardoner's Tale.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2852068">
                <text>Argues that in PardPT the Pardoner "is parodying himself--deliberately magnifying his character and conduct in order to portray himself as a monster of evil" exaggerating so that the other pilgrims will interpret him comically, as a "charming rogue," while he obliquely confronts them with their own perfidy, much as the Old Man confronts the rioters.</text>
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  <item itemId="274531" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826892">
              <text>Brindley, D. J.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2826893">
              <text>English Studies in Africa 7 (1964): 148-56.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826894">
              <text>English Studies in Africa 07 (1964)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826895">
              <text>Nun's Priest and His Tale&#13;
Style and Versification</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826896">
              <text>mea; 11/20/2019</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826897">
              <text>1964</text>
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          </elementTextContainer>
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      </elementContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2826890">
                <text>The Mixed Style of the "Nun's Priest's Tale."</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2826891">
                <text>Demonstrates the "stylistic virtuosity" of NPT, consistent with its "multiple perspective," commenting on the plain style of the widow frame, "cinematic" details in descriptions, the quality and comedy of direct dialogue, the "graver rhetoric of the didactic style," "dramatic economy," etc.</text>
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            </elementTextContainer>
          </element>
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    </elementSetContainer>
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  <item itemId="274530" public="1" featured="0">
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826884">
              <text>Brewer, Derek</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826885">
              <text>Review of English Literature 5.3 (1964): 52-60.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826886">
              <text>Review of English Literature 05 (1964)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826887">
              <text>Man of Law and His Tale&#13;
Monk and His Tale&#13;
Clerk and His Tale&#13;
Physician and His Tale&#13;
Prioress and Her Tale.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826888">
              <text>mea; 11/20/2019</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826889">
              <text>1964</text>
            </elementText>
          </elementTextContainer>
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      </elementContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2826882">
                <text>Children in Chaucer.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2826883">
                <text>Argues that children in Chaucer's works are generally depicted with "tender pity," discussing narratives in which children have relatively prominent roles:  MLT, MkT, ClT, PhyT, and PrT.</text>
              </elementText>
            </elementTextContainer>
          </element>
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    </elementSetContainer>
  </item>
  <item itemId="274529" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
    </collection>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826876">
              <text>Albertini, Virgil R.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826877">
              <text>Northwest Missouri State College Studies 28.4 (1964): 3-16.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826878">
              <text>Northwest Missouri State College Studies 28 (1964)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826879">
              <text>Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary RElations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826880">
              <text>mea; 11/20/2019</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826881">
              <text>1964</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2826874">
                <text>Chaucer's Artistic Accomplishment in Molding the "Wife of Bath's Tale."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2826875">
                <text>Identifies "traces of the primitive folk tale" that underlie the Cupid and Psyche myth and WBT, and maintains Chaucer's familiarity with some version of the myth. Compares and contrasts aspects of the Tale with its English analogues, and argues that the superiority of Chaucer's version is due to the influence of the myth (especially evident in the motif of "double transformation") as well as to the "genius" of Chaucer's "narrative skill" in combining various motifs.</text>
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            </elementTextContainer>
          </element>
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    </elementSetContainer>
  </item>
  <item itemId="274528" public="1" featured="0">
    <collection collectionId="8">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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    <itemType itemTypeId="24">
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826868">
              <text>Mitchell, Jerome.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826869">
              <text>Urbana: University of Illinois Press, 1968.</text>
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        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826870">
              <text>x, 151 pp.; 2 b&amp;w illus.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826871">
              <text>Chaucer's Influence and Later Allusion&#13;
Chaucer's Life</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826872">
              <text>mea; 11/12/2019</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826873">
              <text>1968</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2826866">
                <text>Thomas Hoccleve: A Study in Early Fifteenth-Century English Poetic.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2826867">
                <text>Defends the artistic qualities of Thomas Hoccleve as a poet, acknowledging his medieval conventionality, but emphasizing his originality in adapting conventions and source material, the competence of his meter, and the autobiographical elements of his verse, particularly examples of "personal feelings." Surveys Hoccleve's corpus with frequent comparisons of his forms and themes with those of Chaucer, John Lydgate, and others. Also comments on his debt to Chaucer, the presumed friendship of the two poets, and the portraits of Chaucer in three manuscripts of Hoccleve's "Regement of Princes," reproducing the one from Philadelphia, Rosenbach Museum and Library, MS 1083/10 (here cited as MS 594).</text>
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