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              <text>Knight, Stephen.</text>
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              <text>Postmedieval 5 (2014): 154-68.</text>
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Wife of Bath and Her Tale&#13;
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                <text>Medieval Comic Relief: Cannibal Cow, Duck's Deck and Carry on Joan of Arc.</text>
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                <text>Treats three examples of eighteenth-century comic medievalism as the "male adolescence of the Enlightenment": Henry Fielding's presentation of Arthurian material as "farcically lascivious discourse" in "Tom Thumb," the "pre-modern prurience" of Voltaire's "La Pucelle d'Orleans," and Alexander Pope's sexualized adaptations of WBP and MerT.</text>
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              <text>Knight, Rhonda.</text>
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              <text>Mediaevalia 36-37 (2015–16): 291-314.</text>
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Canterbury Tales--General</text>
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2015</text>
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                <text>Writing like a Fan: Fan Fiction and Medievalism in Paul C. Doherty's Canterbury Mysteries.</text>
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                <text>Describes Paul C. Doherty's seven murder mysteries based on CT, exploring them as deeply allusive appropriations rather than adaptations, and theorizing how Chaucer-adept readers of this fan fiction can achieve Lacanian jouissance as well as pleasure. Comments on elements of fan fiction in Chaucer's own writing, and describes CT as a "template" for all multi-genre narratives that involve "a group of strangers, travel, and storytelling."</text>
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              <text>Heidi Brayman Hackel, Jesse M. Lander, and Zachary Lesser, eds. The Book in History, the Book as History: New Intersections of the Material Text: Essays in Honor of David Scott Kastan (New Haven: Beinecke Rare Book and Manuscript Library, Yale University, 2016), pp. 235-55.</text>
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              <text>Brayman Hackel, Heidi, ed.&#13;
Lander, Jesse M., ed. &#13;
Lesser, Zachary, ed. </text>
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Facsimiles, Editions, and Translations</text>
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                <text>New Poet, Old Words: Glossing the "Shepheardes Calender."</text>
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                <text>Compares and contrasts Immerito's and E. K.'s attitudes toward language and archaism in Edmund Spenser's "Shepheardes Calender," with particular attention to how the "overly generous glossing" of the text presumes a "reader's familiarity with medieval verse, particularly that of Chaucer." Comments on Thomas Speght's approach to "hard words" in his 1598 edition of Chaucer's works, and includes illustrations.</text>
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              <text>Holton, Amanda.</text>
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              <text>Stephen Hamrick, ed. Tottel's Songes and Sonettes in Context (Burlington: Ashgate, 2013), pp. 87-110.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Truth&#13;
to Rosemounde&#13;
Anelida and Arcite&#13;
Legend of Good Women&#13;
Troilus and Criseyde&#13;
Squire and His Tale</text>
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                <text>Surveys Chaucer's influence on "Tottel's Miscellany," commenting on various allusions and the inclusion of Chaucer's Truth in the collection (although "deliberately anonymized"), and exploring more thoroughly how he is "strongly resisted," i.e., how aspects of his work are suppressed, "both actively and passively," particularly his "variety of voice" and "his interest in female speech" and "female complaint." Includes comments on Ros, Anel, LGW, TC, and SqT, identifying how, where, and to what extent they are echoed--or not--in the "Miscellany."</text>
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              <text>Haverty, Charles.</text>
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              <text>Charles Haverty. Excommunicados: Stories ([Iowa City]: University of Iowa Press, 2015), pp. 136-53.</text>
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            <description>An account of the resource</description>
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                <text>A short story that alludes to the opening of GP in its title, and includes a character who recites Chaucer and is interested in Chaucerian apocrypha.</text>
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              <text>Hadbawnik, David.</text>
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              <text>Upstart: A Journal of English Renaissance Studies (2014): n.p. Web. March 3, 2019.</text>
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Language and Word Studies</text>
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                <text>The Chaucer-Function: Spenser's Language Lessons in "The Shepheardes Calender."</text>
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                <text>Argues that Spenser emulates Chaucer in "furthering the project of language formation in English." Attending to Chaucer's model in CT (and to Richard Mulcaster's precepts), Spenser uses interactive speakers who have various dialects and lexicons to generate neologisms, and he thereby attains "the reputation for language-formation in English that had built up around Chaucer over the previous two centuries."</text>
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              <text>Delahoyde, Michael.</text>
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              <text>Brief Chronicles: The Interdisciplinary Journal of Authorship Studies 5 (2014): 69-100.</text>
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                <text>Lyric Poetry from Chaucer to Shakespeare.</text>
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                <text>Tallies a number of specific "[i]nfluences, echoes, or borrowings from Chaucer in English poetic tradition as it developed between Henry Howard, earl of Surrey, and Shakespeare," mentioning familiar instances and adding ones previously unnoticed. Remarks that Chaucer "may be the single most important influence" on Shakespeare's works, and identifies a particularly large number of echoes in the Elizabethan collection "A Hundreth Sundrie Flowres."</text>
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              <text>Feria, Lina de.</text>
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              <text>Madrid: Eolas Ediciones, 2016.</text>
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                <text>Los aires de Antinoo.</text>
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                <text>Includes a thirteen-line poem entitled "Chaucer" (p. 15).</text>
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              <text>Gordon McMullan, Lena Cowen Orlin, and Virginia Mason Vaughan, eds. Women Making Shakespeare: Text, Reception and Performance (New York: Bloomsbury, 2014), pp. 25-34.</text>
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Cowen Orlin, Lena, ed. &#13;
Mason Vaughan, Virginia, ed.</text>
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Language and Word Studies&#13;
Facsimiles, Editions, and Literary Relations</text>
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                <text>Bride-habited, but maiden-hearted': Language and Gender in "The Two Noble Kinsmen."</text>
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                <text>Shows that the list of hard words included in Thomas Speght's 1602 edition of Chaucer's "Werkes" influenced the linguistic inventiveness of Shakespeare and Fletcher's "Two Noble Kinsmen."</text>
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              <text>Coppola, Manuela.</text>
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              <text>Journal of Postcolonial Writing 52 (2016): 305-18.</text>
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Wife of Bath and Her Tale</text>
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        <element elementId="114">
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                <text>A Tale of Two Wives: The Transnational Poetry of Patience Agbabi and Jean "Binta" Breeze.</text>
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                <text>Uses postcolonial theory to argue that Agbabi and Breeze "interrogate the borders of British poetry and its 'modernity,'" by capitalizing on the "subversive elements already present" in WBPT, "from the subtle irony and the crafty use of the 'vernacular' to the foregrounding of female empowerment." The two "contemporary revisions of the canon mirror an intertextual, transnational practice that was already widely present in the Middle Ages."</text>
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              <text>Cook, Megan L.</text>
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              <text>Parergon 33.2 (2016): 39-56.</text>
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Canterbury Tales--General&#13;
Chaucer's Retraction</text>
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                <text>Nostalgic Temporalities in "Greenes Vision."</text>
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                <text>Describes how Chaucer and John Gower appear as two poets/storytellers in "Greenes Vision" (1592), offering "authorization and legitimization" to Robert Greene's work "within a specifically English tradition," colored by "ambivalent nostalgia for an idealised literary past." Comments on Greene's possible knowledge of Ret, on his possible familiarity with portraits of Chaucer and Gower, and on "The Cobbler of Canterbury" as a "burlesque" of CT.</text>
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              <text>Jacek Fabiszak, Ewa Urbaniak-Rybicka, and Bartosz Wolskieds, eds. Crossroads in Literature and Culture, Second Language Learning and Teaching (New York: Springer, 2013), pp. 19–40.</text>
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              <text>Fabiszak, Jacek, ed.&#13;
Urbaniak-Rybicka, Ewa, ed.&#13;
Wolskieds, Bartosz, ed.</text>
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Canterbury Tales--General</text>
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                <text>Examines intertextual relations between CT and Ackroyd's "Clerkenwell Tales," acknowledging the dependencies of the latter, but emphasizing its postmodernist techniques and themes.</text>
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              <text>Boldrini, Lucia.</text>
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              <text>Gerald Gillespie and Haun Saussey, eds. Intersections, Interferences, Interdisciplines: Literature with Other Arts (Brussels: P. I. E. Peter Lang, 2014), pp. 35–46.</text>
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Saussey, Haun, ed.</text>
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Treatise on the Astrolabe</text>
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                <text>Argues that Shakespeare's "A Midsummer Night's Dream" alludes to KnT (particularly the figures of Emelye and Arcite) in ways that "perforate the boundaries" of the chronology of Shakespeare's borrowings the from the tale in "Dream" and in "The Two Noble Kinsmen." Though absent in "Dream," the characters and their plots are present in images and allusive details that raise vexing questions about temporality and source relations.</text>
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                <text>"Wrinkled Deep in Time": Emily and Arcite in "A&#13;
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                <text>Describes the translation and reception history of Boccaccio's work in English "from the fifteenth century to the twentieth," including discussion of the role of Chaucer and of Chaucer studies as impetus for nineteenth-century interest, popular and professional, in Boccaccio as a source for Chaucer.</text>
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Envoy to Scogan&#13;
Truth</text>
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            <description>An account of the resource</description>
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                <text>Explores what we know about Chaucer's earliest audiences, and how his work was used and discussed in his lifetime. Considers use of manuscripts by Hoccleve and Chaucer's named addressees, Bukton, Scogan, and de la Vache. Lists contemporary references to Chaucer in the poetry of Gower, Deschamps, Clanvowe, and Usk</text>
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                <text>Explores how Chaucer's adaptations in PF of Macrobius's Neoplatonic commentary on Cicero's "Dream of Scipio" anticipate "the humanist recovery of Ciceronian ideals," particularly the "ideal of marriage and mating as civic duty" and the "possibility of a monarchical continuity that counsels adjudication between personal prerogatives and the social duties of love."</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827769">
              <text>Sources, Analogues, and Literary Relations&#13;
Book of the Duchess&#13;
Parliament of Fowls&#13;
House of Fame</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>SAC 41:54</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827771">
              <text>2013</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2829928">
                <text>"For I hadde red of Affrycan byforn": Cicero's "Somnium Scipionis" and Chaucer's Early Dream Visions.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830092">
                <text>Argues that Cicero's "Somnium Scipionis" "had a much greater impact" on BD, PF, and especially HF than is usually acknowledged, showing that Cicero's themes and imagery permeate Chaucer's works and dominate his literary imagination for "some ten years." Also comments on the relative chronology of the three Chaucerian works.</text>
              </elementText>
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
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    </collection>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827758">
              <text>Deusen, Nancy van, ed.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827759">
              <text>Boston, Mass.: Brill, 2013.</text>
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          <description/>
          <elementTextContainer>
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              <text>viii, 214 pp.</text>
            </elementText>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827761">
              <text>Background and General Criticism</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>SAC 41:129</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827763">
              <text>2013</text>
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          <element elementId="50">
            <name>Title</name>
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            <elementTextContainer>
              <elementText elementTextId="2827756">
                <text>Cicero Refused to Die: Ciceronian Influence through the Centuries.</text>
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            </elementTextContainer>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2827757">
                <text>Ten essays by various authors and an introduction by the editor that consider the influence of Cicero on western language and literature from late Antiquity to the early modern era. For two essays that pertain to Chaucer, search for Cicero Refused to Die under Alternative Title.</text>
              </elementText>
            </elementTextContainer>
          </element>
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      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="274634" public="1" featured="0">
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              <name>Title</name>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            </element>
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      </elementSetContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827750">
              <text>Ruether-Wu, Marybeth.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827751">
              <text>Dissertation Abstracts International A79.02 (2017): n.p.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827752">
              <text>Dissertation Abstracts International 79 (2017)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827753">
              <text>Background and General Criticism</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>SAC 41:52</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827755">
              <text>2017</text>
            </elementText>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2827748">
                <text>Revel, Reiving, and Outlawry: Regulating the Body Politic in Late Medieval Popular Literature.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2827749">
                <text>Discusses Chaucer and Langland in this study of outlawry, suggesting that the sovereign ban may be interpreted as a Galenic purgation of imbalance in the body politic.</text>
              </elementText>
            </elementTextContainer>
          </element>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827741">
              <text>Rabil, Albert, Jr.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827742">
              <text>Karen Nelson, ed. Attending to Early Modern Women (Newark: University of Delaware Press, 2013), pp. 189-206.</text>
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          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Contributor</name>
          <description/>
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            <elementText elementTextId="2827743">
              <text>Nelson, Karen, ed.</text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827744">
              <text>Attending to Early Modern Women</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827745">
              <text>Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827746">
              <text>SAC 41:51</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827747">
              <text>2013</text>
            </elementText>
          </elementTextContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2827739">
                <text>Geoffrey Chaucer, the Wife of Bath (ca. 1395) and Christine de Pizan, from "Legend of the God of Love" (1399) to "City of Ladies" (1405): A New Kind of Encounter between Male and Female.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830720">
                <text>Suggests that Chaucer and Pizan may have created "female voices to speak in opposition to male misogyny" at about the same time because they shared similar educations and the same "cultural and intellectual universe," most evident in their familiarity with Ovid, the "Roman de la Rose," and Boethius's "Consolation of Philosophy." Describes the antimisogynist elements of WBPT and Pizan's works.</text>
              </elementText>
            </elementTextContainer>
          </element>
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  </item>
  <item itemId="274632" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827732">
              <text>Copeland, Rita, ed.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827733">
              <text>Oxford: Oxford University Press, 2016.</text>
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          </elementTextContainer>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827734">
              <text>xi, 758 pp.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827735">
              <text>The Oxford History of Classical Reception in English Literature.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827736">
              <text>Background and General Criticism&#13;
Sources, Analogues, and Literary Relations&#13;
Chaucer's Influence and Later Allusion</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827737">
              <text>SAC 41:126</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827738">
              <text>2016</text>
            </elementText>
          </elementTextContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2827730">
                <text>The Oxford History of Classical Reception in English Literature, Vol. 1, 800–1558.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830721">
                <text>Includes twenty-eight sections by various authors (four by Copeland) who address the impact of the classics on medieval and early modern English culture: education, mythology, historiography, moral philosophy, humanism, translations, individual authors, and more. References to Chaucer and most of his works recur throughout, with attention to his "engagement" with classical writers such as Boethius, Lucan, Ovid and "Ovidianism," Statius, and Virgil, as well as his depictions of Troy, Greece, and Rome, and discussion of his influence on later English classicism. The volume offers primary and secondary bibliographies as well as a comprehensive index. For an essay that pertains to Chaucer, search for The Oxford History of Classical Reception in English Literature under Alternative Title.</text>
              </elementText>
            </elementTextContainer>
          </element>
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  </item>
  <item itemId="274631" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
                </elementText>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827723">
              <text>Minnis, Alastair.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827724">
              <text>Rita Copeland, ed. The Oxford History of Classical Reception in English Literature, Vol. 1, (800–1558) (Oxford: Oxford University Press, 2016), pp. 413-34.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Contributor</name>
          <description/>
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            <elementText elementTextId="2827725">
              <text>Copeland, Rita, ed.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827726">
              <text>The Oxford History of Classical Reception in English Literature</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827727">
              <text>Sources, Analogues, and Literary Relations&#13;
Knight and His Tale&#13;
Squire and His Tale&#13;
Franklin and His Tale&#13;
Physician and His Tale&#13;
Canon's Yeoman and His Tale</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827728">
              <text>SAC 41:49</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827729">
              <text>2016</text>
            </elementText>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2829927">
                <text>Other Worlds: Chaucer's Classicism.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830722">
                <text>Aligns Chaucer's depictions of classical culture and his attitudes toward pagan belief, arguing that his "remarkable degree of cultural relativism" and his "reluctance to resort to simplistic forms of Christian triumphalism" are "delimited" only by his rejection of polytheism. His respect for ancient moral philosophy is evident in KnT and PhyT; for classical science, in SqT, FranT, and CYT. SqT also reflects Chaucer's interests in "Orientalism."</text>
              </elementText>
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          </element>
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