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              <text>Tucker, Shawn.</text>
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              <text>Oakville: David Brown; Eugene, Ore.: Cascade; Cambridge: Lutterworth, 2015.</text>
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              <text>ix, 288 pp.; b&amp;w illus.</text>
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              <text>Parson and His Tale&#13;
Facsimiles, Editions, and Translations</text>
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              <text>SAC 41:156</text>
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                <text>Virtues and Vices in the Arts: A Sourcebook.</text>
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            <description>An account of the resource</description>
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                <text>Surveys representations of the virtues and vices in western art and literature from Plato and Aristotle to C. S. Lewis and Paul Cadmus, offering excerpts and brief discussions of individual works. The section on medieval representations, "The Medieval Apex," includes a selection from ParsT (10.846-955, "Luxuria") in J. U. Nicolson's 1934 modern translation, and characterizes ParsT as an "excellent example" of a "pastoral sermon," a genre that is "meant to train people in the principles of penance, contrition, confession, and satisfaction or absolution."</text>
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              <text>Thomas, Alfred.</text>
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              <text>Bohemica Litteraria 19.1 (2016): 7-8.</text>
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              <text>Chaucer's Bohemia.</text>
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              <text>Bohemica Ltteraria 19 (2016)</text>
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              <text>Background and General Criticism&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 41:155</text>
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              <text>2016</text>
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                <text>Chaucerovy Cechy. [Chaucer's Bohemia.].</text>
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                <text>Describes the erudition of Anne of Bohemia, reads CT "alongside contemporaneous works in Czech, German, and Latin" (languages familiar to Anne), and maintains that Anne was Chaucer's "imagined reader" who "shaped the way he wrote and what he chose to write." In Czech, with an abstract in English.</text>
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              <text>Sutherland, John.</text>
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              <text>New Haven: Yale University Press, 2013.</text>
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              <text>vii, 275 pp.; b&amp;w illus.</text>
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              <text>SAC 41:154</text>
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                <text>A Little History of Literature.</text>
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            <description>An account of the resource</description>
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                <text>Surveys the history of literature "from the Epic of Gilgamesh to Harry Potter," including a chapter called "English Tales: Chaucer" (pp. 26-32) that summarizes Chaucer's life, TC, and CT, characterizing both poems as "supremely great" and "momentously innovative," and emphasizing Chaucer's use of English and his social variety.</text>
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              <text>Smith, Sheri.</text>
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              <text>Dissertation Abstracts International C75.01 (2016): n.p.</text>
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              <text>Book of the Duchess&#13;
House of Fame&#13;
Troilus and Criseyde&#13;
Knight and His Tale&#13;
Man of Law and His Tale&#13;
Clerk and His Tale&#13;
Franklin and His Tale&#13;
Prioress and Her Tale&#13;
Second Nun and Her Tale</text>
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        <element elementId="114">
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                <text>Answers to Prayer in Chaucer.</text>
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            <description>An account of the resource</description>
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                <text>Examines answers to prayer in BD, HF, KnT, FranT, "hagiographic tales" (SNT, PrT, MLT, and ClT), and TC, arguing that Chaucer engages significant "theological and philosophical issues."</text>
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              <text>Sisk, Jennifer.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
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              <text>Eva von Contzen and Anke Bernau, eds. Sanctity as Literature in Late Medieval Britain (Manchester: Manchester University Press, 2015), pp. 116-33.</text>
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              <text>von Contzen, Eva, ed. &#13;
Bernau, Anke, ed.</text>
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        <element elementId="108">
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              <text>Sanctity as Literature in Late Medieval Britain</text>
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              <text>Legend of Good Women&#13;
Man of Law and His Tale&#13;
Clerk and His Tale&#13;
Physician and His Tale</text>
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              <text>SAC 41:152</text>
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              <elementText elementTextId="2828637">
                <text>Chaucer and Hagiographic Authority.</text>
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                <text>Explores how Chaucer addresses the sacred authority of hagiography, posing it in tension with the poet's own authority in LGWP, and examining authority and authorization in the "pseudo-hagiographies" of CT (MLT, ClT, and PhyT) where Chaucer recontextualizes the conventions of saints' lives in secular settings and experiments with several "alternative methods of textual authorisation." Observes that "confessional performances follow immediately upon tales that strive for hagiographic authority."</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Robertson, Kellie.</text>
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              <text>Philadelphia: University of Pennsylvania Press, 2017.</text>
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              <text>x, 443 pp.; illus.</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
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              <text>Background and General Criticism</text>
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              <text>SAC 41:151</text>
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            <elementText elementTextId="2828636">
              <text>2017</text>
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                <text>Nature Speaks: Medieval Literature and Aristotelian Philosophy.</text>
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                <text>Discusses how Aristotelian natural philosophy--physics--was debated in the Middle Ages, and its influence on the aesthetic practice of Latin and vernacular writers, including Chaucer, Jean de Meun, Guillaume de Deguileville, and John Lydgate. Argues that these debates focus on the authority of nature in the context of a Christian world, and that "the controversial reception of this science fundamentally changed the kinds of poetic accounts of the world."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Ramirez-Arlandi, Juan.</text>
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          <description/>
          <elementTextContainer>
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              <text>Salvador Pena and Juan Jesus Zaro, eds. De Homero a Pavese: Hacia un canon iberoamericano de clasicos universales (Kassel: Reichenberger, 2017), pp. 39-64.</text>
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          <description/>
          <elementTextContainer>
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              <text>Salvador Pena, ed.&#13;
Zaro, Juan Jesus, ed.</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
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              <text>De Homero a Pavese: Hacia un Canon Iberoamericano de Clasicos Universales</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828626">
              <text>Facsimiles, Editions, and Translations&#13;
Canterbury Tales --General&#13;
Miller and His Tale&#13;
Reeve and His Tale</text>
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          <name>Source</name>
          <description/>
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            <elementText elementTextId="2828627">
              <text>SAC 41:150</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828628">
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2828621">
                <text>Analyzes the translation techniques used in the Spanish version of MilT and RvT made between 1949 and 1956 by Chilean scholar, theater director and translator Jorge Elliott Garcia. Claims that the purpose of this verse translation was to increase the readership of CT by offering a more poetic rendering, aiming at providing an effect equivalent to that of the original.</text>
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            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830353">
                <text>La literatura inglesa medieval en Sudamerica: Jorge Elliott y "The Canterbury Tales."</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2828613">
              <text>Pugh, Tison.</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828614">
              <text>Karina F. Attar and Lynn Shutters, eds. Teaching Medieval and Early Modern Cross-Cultural Encounters (New York: Palgrave Macmillan, 2014), pp. 215-28.</text>
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        <element elementId="112">
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              <text>Attar, Karina F., ed.&#13;
Shutters, Lynn, ed.</text>
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          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828616">
              <text>Teaching Medieval and Early Modern Cross-Cultural Encounters</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828617">
              <text>SAC 41:149</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828618">
              <text>Background and General Criticism&#13;
Recordings and Films&#13;
Legend of Good Women</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828619">
              <text>2014</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2828611">
                <text>Teaching Chaucer through Convergence Culture: The New Media Middle Ages as Cross-Cultural Encounter.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830159">
                <text>Comments on the advantages of using new media to help students gain appreciation and expertise in studying Chaucer; includes descriptions of undergraduate classroom activities that use cinema, Chaucer blogs, YouTube videos of rap versions of Chaucer's poetry, and performance adaptations of selections from LGW.</text>
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          </element>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
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              <text>Novacich, Sarah Elliott.</text>
            </elementText>
          </elementTextContainer>
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          <description/>
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            <elementText elementTextId="2828605">
              <text>Cambridge: Cambridge University Press, 2017.</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828606">
              <text>xi, 214 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2828607">
              <text>Background and General Criticism&#13;
Romaunt of the Rose&#13;
House of Fame&#13;
Miller and His Tale&#13;
Man of Law and His Tale</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828608">
              <text>SAC 41:148</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828609">
              <text>2017</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828610">
              <text>Cambridge Studies in Medieval Literature, no. 97.</text>
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          </elementTextContainer>
        </element>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2828602">
                <text>Shaping the Archive in Late Medieval England: History, Poetry and Performance</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830665">
                <text>Explores how "poetic form, staging logistics, and the status of performance" contribute to our understanding of how medieval thinkers imagined the "ethics and pleasures of the archive." Includes discussion of HF, MLT, MilT, and Rom.</text>
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            </elementTextContainer>
          </element>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828596">
              <text>Nakley, Susan.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
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            <elementText elementTextId="2828597">
              <text>Ann Arbor: University of Michigan Press, 2017.</text>
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          </elementTextContainer>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828598">
              <text>ix, 270 pp.</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828599">
              <text>Canterbury Tales--General</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>SAC 41:147</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828601">
              <text>2017</text>
            </elementText>
          </elementTextContainer>
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      </elementContainer>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
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        <elementContainer>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830354">
                <text>Examines the views that accept Chaucer's nationalism as a given and those that focus on his international or European identity and vision. Draws on concepts of sovereignty and domesticity appearing "primarily in romantic and household contexts," and finds the interdependence between nationalism and internationalism evident in CT, in which "England emerges as a community grounded in the ethical demands of inclusivity." Claims "that CT must be included in serious discussions concerning sovereignty and internationalism in both English literature and late medieval political thought."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830355">
                <text>Living in the Future: Sovereignty and Internationalism in the "Canterbury Tales."</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="274736" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
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          <elementTextContainer>
            <elementText elementTextId="2828588">
              <text>Moseley, C. W. R. D.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828589">
              <text>Critical Survey 29.3 (2017): 1-6.</text>
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          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828590">
              <text>Critical Survey 29 (2017)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2828591">
              <text>Background and General Criticism</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>SAC 41:146</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828593">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2828586">
                <text>Introduction.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830666">
                <text>Emphasizes the way in which Chaucer's poems engage in dialogue with his audience, changing the way we can engage with "the fundamental questions of knowledge, understanding, beauty, and pleasure."</text>
              </elementText>
            </elementTextContainer>
          </element>
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  </item>
  <item itemId="274735" public="1" featured="0">
    <collection collectionId="8">
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        <elementSet elementSetId="1">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828579">
              <text>Lavezzo, Kathy.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828580">
              <text>Eileen A. Joy, ed. Still Thriving: On the Importance of Aranye Fradenburg (Brooklyn, N.Y.: Punctum, 2013), pp. 25-31.</text>
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          <name>Contributor</name>
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          <elementTextContainer>
            <elementText elementTextId="2828581">
              <text>Eileen A. Joy, ed.</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828582">
              <text>Still Thriving: On the Importance of Aranye Fradenburg</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828583">
              <text>Background and General Criticism&#13;
Nun's Priest and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828584">
              <text>SAC 41:143</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828585">
              <text>2013</text>
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          <element elementId="50">
            <name>Title</name>
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            <elementTextContainer>
              <elementText elementTextId="2829967">
                <text>Critical Thriving: Chaucer, the "Nun's Priest's Tale," and the MLA.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830667">
                <text>Considers the value of retaining the Chaucer Division of the Modern Language Association, maintaining its importance as long as "attention to [Chaucer's] corpus continues to unhinge, transform, and trouble received ideas about being in the world." Comments on the "slippery multiplicity" of NPT as a reason that Chaucer criticism can and should thrive.</text>
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            </elementTextContainer>
          </element>
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  <item itemId="274734" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828571">
              <text>Knudson, Karen R.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828572">
              <text>Dissertation Abstracts International A78.03 (2016): n.p.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2828573">
              <text>Dissertation Abstracts International 78 (2016)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828574">
              <text>Canterbury Tales--General&#13;
Wife of Bath and Her Tale&#13;
Merchant and His Tale&#13;
Tale of Melibee&#13;
Parson and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828575">
              <text>SAC 41:142</text>
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            <description>A name given to the resource</description>
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                <text>The Power of the Medieval Solomon- Magus and Solomon-Auctor Revealed through "The Canterbury Tales," "Sir Gawain and the Green Knight," and "The Tale of the Sankgreal."</text>
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                <text>Includes discussion of Chaucer's "two brief glimpses" of Solomon as a figure of wisdom in CT, and more extended discussion of Solomon as author in Mel, WBP, MerT, and ParsT.</text>
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              <text>Newhauser, Richard G.</text>
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              <text>Annette Kern-Stahler, Beatrix Busse, and Wietse de Boer, eds. The Five Senses in Medieval and Early Modern England (Boston: Brill, 2016), pp. 199-218.</text>
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          <description/>
          <elementTextContainer>
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              <text>Boece&#13;
Parliament of Fowls&#13;
Tale of Melibee&#13;
Second Nun and Her Tale&#13;
Parson and His Tale</text>
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              <elementText elementTextId="2828561">
                <text>The Multisensoriality of Place and the Chaucerian Multisensual.</text>
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            <description>An account of the resource</description>
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                <text>Explores the "full sensory expression" in Chaucer's "construction of space," emphasizing the interconnectedness of the five senses in medieval understanding and their ethical dimensions that require proper training to engage volition correctly. Includes observations about these concerns in ParsT, Mel, Bo, SNT, and PF, where the interconnectedness of the senses is an ideal achievable in heavenly places, and dismantled in hellish ones.</text>
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              <text>Kern-Stahler, Annette, Beatrix Busse, and Wietse de Boer, eds.</text>
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              <text>Boston, Mass.: Brill, 2016.</text>
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            <elementText elementTextId="2828556">
              <text>xiii, 298 pp.</text>
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              <text>Busse, Beatrix, ed. &#13;
de Boer, Wietse, ed.</text>
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              <text>Background and General Criticism</text>
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          <elementTextContainer>
            <elementText elementTextId="2828560">
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              <elementText elementTextId="2828552">
                <text>The Five Senses in Medieval and Early Modern England.</text>
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            <description>An account of the resource</description>
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                <text>Collection of essays presenting perspectives on interrelations between sense perception and secular and Christian cultures in England from the Middle Ages to the Early Modern period. For essay on Chaucer, search for The Five Senses in Medieval and Early Modern England under Alternative Title.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2828546">
              <text>Johnson, Eleanor.</text>
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        <element elementId="98">
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              <text>Postmedieval 6.4 (2015): 361-74.</text>
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            <elementText elementTextId="2828548">
              <text>Postmedieval 06 (2015)</text>
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            <elementText elementTextId="2828549">
              <text>Tale of Sir Thopas&#13;
Tale of Melibee&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
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              <text>SAC 41:130</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828551">
              <text>2015</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2828544">
                <text>Critical Poetics: A Meditation on Alternative Critical Vernaculars.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830670">
                <text>Describes several ways of addressing modern "experimental poems 'as' criticism," and suggests that, adumbrating such metapoetic practice, the juxtaposition of Th and Mel "constitutes a wondering literary-theoretical response to Boethius' 'Consolation'" in which poetry (Th) "engages the senses" while prose (Mel) "engages the reason."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2828537">
              <text>Hsy, Jonathan.</text>
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        <element elementId="98">
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            <elementText elementTextId="2828538">
              <text>David Hillman and Ulrika Maude, eds. The Cambridge Companion to the Body in Literature (Cambridge: Cambridge University Press, 2015), pp. 24-40.</text>
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          <name>Contributor</name>
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              <text>Hillman, David, ed.&#13;
Maude, Ulrika, ed.</text>
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          <description/>
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            <elementText elementTextId="2828540">
              <text>The Cambridge Companion to the Body in Literature</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2828541">
              <text>Monk and His Tale&#13;
Style and Versification</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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              <text>SAC 41;139</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828543">
              <text>2015</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Disability.</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830671">
                <text>Explores how disability studies have expanded to include consideration of relations between "embodiment and literary form," focusing on representations of deafness in the fifteenth-century Castilian "Arboleda de los enfermos" (Grove of the Infirm) of Teresa de Castagena, but including discussion of John Gower's autobiographical concern with blindness, Chaucer's depictions of bodily affliction in MkT (emphasizing stylistic concerns), Margery Kempe's "chronic illness or mental disability," and William Shakespeare's treatment of physical deformation in "Richard III."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828529">
              <text>Hines, Jessica N.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
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              <text>Dissertation Abstracts International A78.09 (2017): n.p.</text>
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          <elementTextContainer>
            <elementText elementTextId="2828531">
              <text>Dissertation Abstracts International 78 (2017)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2828532">
              <text>Clerk and His Tale&#13;
Legend of Good Women&#13;
Parson and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828533">
              <text>SAC 41:128</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828534">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2828527">
                <text>In Search of Pity: Chaucerian Poetics and the Suffering of Others.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2828528">
                <text>Considers how Chaucer (in ClT, LGW, and ParsT) develops the concept of pity from European sources, and privileges the concept in English literary discourse.</text>
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          </element>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828520">
              <text>Harbin, Andrea. R., and Tamara O'Callaghan.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828521">
              <text>Studies in Medieval and Renaissance Teaching 21.2 (2014): 111-26.</text>
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              <text>O'Callaghan, Tamara.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2828523">
              <text>Studies in Medieval and Renaissance Teaching 21.2 (2014): 111-26.</text>
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              <text>Background and General Criticism&#13;
Miller and His Tale&#13;
Facsimiles, Editions, and Translations</text>
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        <element elementId="109">
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          <description/>
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              <text>SAC 41:137</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2828526">
              <text>2014</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2828518">
                <text>Hyperprint Texts and the Teaching of Early Literature.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830672">
                <text>Considers the utilities of "hyperprint" texts for teaching medieval literature, offering an extended example of the first twenty-five lines of MilT, augmented by five "fiducial markers" (QR-coded) that enable a reader/user, without leaving the primary text, to link (via a smartphone or similar device) to subsidiary illustrative or pedagogical material such as audio, video, and internet sites.</text>
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Book of the Duchess&#13;
Man of Law and His Tale&#13;
Franklin and His Tale</text>
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                <text>"Penelopees Trouthe": Female Faithfulness in Late Medieval English Literature.</text>
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                <text>Eamines uses of Penelope as the figure of the Faithful Woman in numerous late medieval works, including Anel, BD, FranT, and MLT.</text>
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                <text>Geoffrey Chaucer: Polyphonie et modernite.</text>
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                <text>Contemplates and appreciates the "indisputable fact of our common aliveness," exploring various topics for evidence of cognitive and aesthetic similarities: biosemiotics, real estate advertising, human natal development, communal grooming, and the temporal yearnings of Virgilian ekphrasis and its reflexes in BD and HF.</text>
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                <text>Composing the Classroom: Imagining the Medieval English Grammar School.</text>
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                <text>Explores the "means and purposes" of Latin literary education in late medieval England, examining the "subject position" imagined for school children in pedagogical materials. Also comments on how Chaucer and Langland evoke a "grammatical nostalgia" that influences their views of the world outside the classroom.</text>
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Parliament of Fowls&#13;
Canterbury Tales--General</text>
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                <text>Argues that "postmodern literary experiments tend to enact, and embody, an unwitting return to medieval modes of textuality," observing how PF, CT as a whole, individual tales, and the multiplicity of variant manuscripts "actively resist a sense of closure or unitary perspectives." Compares several postmodern examples.</text>
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Troilus and Criseyde</text>
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                <text>The History of Emotions and Middle English Literature.</text>
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                <text>Surveys "current critical trends" in the history of emotions and in Middle English literature, considering modern and postmodern criticism of TC ("a poem of emotional extremes") and "Sir Orfeo," and suggesting future directions for the study of emotions through medieval literature.</text>
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