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              <text>Wainwright, Michael.</text>
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              <text>Brief Chronicles: The Interdisciplinary Journal of Authorship Studies 5 (2014): 139-70.</text>
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              <text>Brief Chronicles: The Interdisciplinary Journal of Authorship Studies 05 (2014)</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Troilus and Criseyde</text>
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              <text>SAC 41:95</text>
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                <text>Argues that Shakespeare's "Troilus and Cressida" combines the concern with Boethian logic and necessity found in TC with Ramist thinking, indicating that Edward de Vere, earl of Oxford, was the author of the play. The combination prompts a game-theory analysis of how "necessary but unsportsmanlike" solutions resolve dilemmas in the play.</text>
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                <text>The Logical Basis of Oxford's "Troilus and Cressida."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Tarquini, Mindy.</text>
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              <text>Tempe: Spark Press, 2016.</text>
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              <text>319 pp.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Canterbury Tales--General</text>
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              <text>SAC 41:94</text>
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              <text>2016</text>
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                <text>Hindsight: A Novel.</text>
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                <text>First-person fiction featuring Eugenia Panisporchi, who teaches Chaucer, and who remembers all of her past lives, which connect with her present one. Includes trans-temporal recollections of when she met "Mr. Chaucer" and encountered models for several of his Canterbury pilgrims and the characters in their Tales.</text>
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              <text>Suzuki, Masayuki.</text>
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              <text>English Department Journal (Miyagi Gakuin Women's University) 45 (2017): 27-54.</text>
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Canterbury Tales--General&#13;
</text>
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                <text>Pilgrims Collected and Classified: Reading William Blake's "Chaucer's Canterbury Pilgrims."</text>
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                <text>Analyzes William Blake's "Chaucer's Canterbury Pilgrims" by paying special attention to its ordering of the pilgrims, and investigates Blake's understanding of Chaucer and his intention in his classification of the pilgrims. In Japanese.</text>
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              <text>Sokolov, D. A.</text>
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              <text>Pittsburgh: Duquesne University Press, 2017.</text>
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              <text>ix, 350 pp.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Book of the Duchess&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Renaissance Texts, Medieval Subjectivities.</text>
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                <text>Argues that the Petrarchism commonly held to have begun in English with Wyatt and Surrey is, instead, an alteration of a tradition already prevalent among English writers such as Chaucer, Gower, Hoccleve, and Lydgate. In particular, claims that Langland's ideas of physical and artistic reward directly influence Wyatt's sonnets and Spenser's "Amoretti"; Chaucer's BD undergirds Henry Howard and Philip Sidney's "Astrophil and Stella"; Lydgate's "Temple of Glas" and "Complaynte of a Louers Lyfe" become points of departure for Samuel Daniel's "Delia" and Michael Drayton's "Idea"; and Hoccleve's "La male regle" and Henryson's "Testament of Cresseid" position pathological affect to emerge in Shakespeare's sonnets. Additionally, Chaucer's early engagement with Petrarchan constructions frustrates the usual assertion that the Renaissance is a break-point with the past.</text>
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              <text>Smallwood, Philip.</text>
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              <text>Cedric D. Reverand II, ed. Queen Anne and the Arts (Lewisburg: Bucknell University Press, 2015), pp. 99– 117.</text>
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              <text>Reverand, Cedric D. III, ed.</text>
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              <text>Queen Anne and the Arts.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Facsimiles, Editions, and Translations&#13;
Merchant and His Tale</text>
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              <text>SAC 41:91</text>
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              <text>2015</text>
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                <text>Great Anna's Chaucer: Pope's "January and May" and the Logic of Settlement.</text>
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                <text>Explores Alexander Pope's "transformation" of MerT in his "January and May," focusing on his "reading of Chaucer," and his poem's "consonance with the time of Queen Anne." Also comments more generally on Pope's reception and uses of Chaucer's narratives, including instances where he can be seen to be "out-Chaucering Chaucer."</text>
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              <text>Rogers, Janine.</text>
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              <text>Interdisciplinary Science Reviews 39.1 (2014): 47-61.</text>
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              <text>Interdisciplinary Science Reviews 39.1 (2014): 47-61.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2828085">
              <text>Chaucer's Influence and Later Allusion&#13;
Canterbury Tales--General&#13;
Manuscripts and Textual Studies</text>
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              <text>SAC 41:89</text>
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            <elementText elementTextId="2828087">
              <text>2014</text>
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                <text>A Compaignye of Sondry Folk: Mereology, Medieval Poetics and Contemporary Evolutionary Narrative in Richard Dawkins' "The Ancestor's Tale."</text>
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                <text>Argues that in "The Ancestor's Tale: Richard Dawkins "uses Chaucer's poetics to address interpretative problems with evolution," particularly the "anthropocentric" notion that "humanity is the 'result' of evolution." Dawkins's uses of the frame story, the pilgrimage allegory, and the manuscript stemmata of CT reveal a concern with unity in diversity that he shares with Chaucer. Dawkins treats fossils as relics and the evolutionary record as an analogue to manuscript transmission, bridging the science/literature divide and, in Chaucerian fashion, "disrupting established orders."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>[Los Gatos, Calif.]: Smashwords, [2015].</text>
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              <text>eBook.</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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                <text>The Price of a Good Cup of Coffee: A Lesbian Romance Short</text>
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            <description>An account of the resource</description>
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                <text>The woman that infatuates the narrator is a barista who she calls "Chaucer girl," so named because she is first seen holding a copy of "The Complete Works of Geoffrey Chaucer."</text>
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              <text>Reid, Lindsay Ann.</text>
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              <text>Dissertation Abstracts International A74.08 (2014): n.p.</text>
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Sources, Analogues, and Literary Relations</text>
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                <text>Bibliofictions: Ovidian Heroines and the Tudor Book.</text>
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                <text>Assesses how "mythological heroines from Ovid's "Heroides" and "Metamorphoses" were catalogued, conflated, reconceived, and recontextualized in vernacular literature," particularly as they reflect his "interest in textual revision and his thematization of the physicality and malleability of art in its physical environments." Includes recurrent attention to Chaucer as he helped to convey Ovidian concerns into Tudor England.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Randall, Jackie.</text>
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              <text>174 pp.</text>
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              <text>SAC 41:85</text>
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              <text>2016</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2828057">
                <text>Emelin.</text>
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            </elementTextContainer>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830122">
                <text>Item not seen; WorldCat information indicates this is a children's novel, set in the Middle Ages, about a gifted girl who flees her home in order to protect a Chaucer manuscript.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2828050">
              <text>Perry, Thomas.</text>
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        <element elementId="98">
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              <text>New York: Mysterious Bookshop, 2014.</text>
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              <text>eBook; also printed in limited numbers.</text>
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              <text>Bibliomysteries.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2828054">
              <text>Chaucer's Influence and Later Allusion&#13;
Chaucerian Apocrypha</text>
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              <text>SAC 41:84</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828056">
              <text>2014</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2828048">
                <text>The Book of the Lion.</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830121">
                <text>Short story that involves a Chaucer scholar, a manuscript of Chaucer's Book of the Leoun (Ret 10.1087), and an extortion scheme.</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
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  </item>
  <item itemId="274670" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
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        <element elementId="110">
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          <description/>
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            <elementText elementTextId="2828042">
              <text>Normandin, Shawn.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828043">
              <text>Explicator 71.1 (2013): 56-59.</text>
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            <elementText elementTextId="2828044">
              <text>Explicator 71 (2013)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2828045">
              <text>Chaucer's Influence and Later Allusion&#13;
Wife of Bath and Her Tale</text>
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        </element>
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          <name>Source</name>
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            <elementText elementTextId="2828046">
              <text>SAC 41:83</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2828047">
              <text>2013</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2828040">
                <text>Sylvia Plath Rhymes with the Wife of Bath.</text>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830699">
                <text>Suggests that WBP 3.707-10 inspired lines 1–3 of Sylvia Plath's poem "Daddy."</text>
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  <item itemId="274669" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2828034">
              <text>Lovesey, Peter.</text>
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            <elementText elementTextId="2828035">
              <text>New York: Soho Crime; London: Sphere, 2014.</text>
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          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
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            <elementText elementTextId="2828036">
              <text>358 pp.</text>
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            <elementText elementTextId="2828037">
              <text>Chaucer's Influence and Later Allusion&#13;
Wife of Bath and Her Tale</text>
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        </element>
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          <name>Source</name>
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              <text>SAC 41:81</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2828039">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2828032">
                <text>The Stone Wife: A Peter Diamond Investigation.</text>
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            <description>An account of the resource</description>
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                <text>A detective mystery in which a stone-tablet illustration of the Wife of Bath provokes the killing of a Chaucer professor during an auction. The story includes a putative portrait of Chaucer and surmises about his life.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2828026">
              <text>Lipton, Emma.</text>
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            <elementText elementTextId="2828027">
              <text>Journal of English and Germanic Philology 113 (2014): 342-64.</text>
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              <text>Journal of English and Germanic Philology 113 (2014)</text>
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            <elementText elementTextId="2828029">
              <text>Chaucer's Influence and Later Allusion&#13;
Wife of Bath and Her Tale</text>
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              <text>SAC 41:80</text>
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        <element elementId="114">
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            <elementText elementTextId="2828031">
              <text>2014</text>
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            <name>Title</name>
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              <elementText elementTextId="2829944">
                <text>Law, Chaucer, and Representation in Lydgate's "Disguising at Hertford."</text>
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              <elementText elementTextId="2830700">
                <text>Demonstrates that in Lydgate's "Disguising" the wives' use of Chaucerian "performative and legalistic speech acts" is set in evocative conflict with the "theatricality of monarchical justice," arguing that Lydgate learned from Chaucer's WBPT how "requital works as dramatic principle" and how performative speech contests authority.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Lerer, Seth.</text>
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              <text>xiii, 135 pp.</text>
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              <text>The Literary Agenda,</text>
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Canterbury Tales--General&#13;
Miller and His Tale</text>
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          <name>Source</name>
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              <text>SAC 41:79</text>
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        <element elementId="114">
          <name>Date</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Tradition: A Feeling for the Literary Past.</text>
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            <description>An account of the resource</description>
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                <text>Investigates the role of "tradition in the literary imagination" and the value of literature, particularly the "value of close and nuanced reading for our understanding of both past and present." Includes discussion of George Orwell's engagement with Chaucer in "1984" and comments on orality and literacy in CT, especially MilP. Also assesses the "problem of attention" in CT, i.e., its consideration of audience attention in the making of meaning.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Wallace, David.</text>
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              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations&#13;
Chaucer's Influence and Later Allusion</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2828014">
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                <text>Changing Emotions in "Troilus": The Crucial Year.</text>
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            <description>An account of the resource</description>
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                <text>Comments on Chaucer's expansion in TC of the emotional range of Boccaccio's "Il filostrato" and focuses on Shakespeare's expansion and narrowing of Chaucer's poem in "Troilus and Cressida": Shakespeare develops a "generic range" in the play that is as expansive as Part 1 of CT but, influenced by Robert Henryson's "Testament of Cresseid," he undercuts Chaucer's depiction of love in TC, presenting its effects as diseased.</text>
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            <elementText elementTextId="2828001">
              <text>Trigg, Stephanie.</text>
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            <elementText elementTextId="2828003">
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            <elementText elementTextId="2828004">
              <text>Troilus and Criseyde&#13;
Chaucer's Influence and Later Allusion&#13;
Book of the Duchess&#13;
Physician and His Tale</text>
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          <description/>
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              <text>SAC 41:327</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828006">
              <text>2016</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2830367">
              <text>Andrew James Johnston, Russell West-Pavlov, and Elisabeth Kempf, eds. Love, History and Emotion in Chaucer and Shakespeare: "Troilus and Criseyde" and "Troilus and Cressida" (Manchester: Manchester University Press, 2016), pp. 94-108.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830368">
                <text>Analyzes Criseyde's "speaking face" in TC, along with similar depictions of suggestive facial beauty in BD, PhyT, and Shakespeare's "Troilus and Cressida." Attends most closely to Criseyde's "ascaunce" look in TC 1.288-94.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2830369">
                <text>"Language in her eye": The Expressive Face of Criseyde/Cressida."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2827993">
              <text>Strohm, Paul.</text>
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          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
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            <elementText elementTextId="2827995">
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            <elementText elementTextId="2827996">
              <text>Troilus and Criseyde&#13;
Chaucer's Influence and Later Allusion</text>
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          </elementTextContainer>
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          <name>Source</name>
          <description/>
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              <text>SAC 41:325</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827998">
              <text>2016</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2830704">
              <text>Andrew James Johnston, Russell West-Pavlov, and Elisabeth Kempf, eds. Love, History and Emotion in Chaucer and Shakespeare: "Troilus and Criseyde" and "Troilus and Cressida" (Manchester: Manchester University Press, 2016), pp. 46-60.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2829943">
                <text>The Space of Desire in Chaucer's and Shakespeare's Troy.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830705">
                <text>Identifies parallel concerns with privacy and erotic tension in TC and Shakespeare's "Troilus and Cressida," both of which pose the closed space of the bedchamber against the pressures of crowdedness in Troy/London, gossip, and public observation. Suggests that the "invention and execution" of Shakespeare's depiction depend upon the "restricted environment" of Chaucer's poem.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2827985">
              <text>Mahler, Andreas.</text>
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        <element elementId="98">
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            <elementText elementTextId="2827986">
              <text>Andrew James Johnston, Russell West- Pavlov, and Elisabeth Kempf, eds. Love, History and Emotion in Chaucer and Shakespeare: "Troilus and Criseyde" and "Troilus and Cressida" (Manchester: Manchester University Press, 2016), pp. 32-45.</text>
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          </elementTextContainer>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827987">
              <text>Love, History and Emotion in Chaucer and Shakespeare</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2827988">
              <text>Troilus and Criseyde&#13;
Chaucer's Influence and Later Allusion</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2827989">
              <text>SAC 41:318</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827990">
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2827983">
                <text>"Potent Raisings": Performing Passion in Chaucer and Shakespeare.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;p&gt;Maintains that Chaucer in TC and Shakespeare in "Troilus and Cressida" present love as detached from history or topicality, depicting it through irresolvable plural discourses--Platonic, Petrarchan, courtly love-sickness, and more--and thereby "performing it aesthetically, without any particular truth value but its own."&lt;/p&gt;</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2827977">
              <text>Keller, Wolfram R.</text>
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        <element elementId="98">
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              <text>Andrew James Johnston, Russell West-Pavlov, and Elisabeth Kempf, eds. Love, History and Emotion in Chaucer and Shakespeare: "Troilus and Criseyde" and "Troilus and Cressida" (Manchester: Manchester University Press, 2016), pp. 141-56.</text>
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          </elementTextContainer>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827979">
              <text>Love, History and Emotion in Chaucer and Shakespeare</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827980">
              <text>Troilus and Criseyde&#13;
Chaucer's Influence and Later Allusion</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2827981">
              <text>SAC 41:317</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2827982">
              <text>2016</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2827975">
                <text>Arrogant Authorial Performances: Criseyde to Cressida.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830114">
                <text>Argues that in TC Criseyde is the "embodiment of literary invention," enacting a "poetological" claim to fame, both humble and arrogant. Through his Cressida, Shakespeare presents a similar "counter-authorship," one that reflects the playwright's engagement with the sixteenth-century "Poets' War."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2827969">
              <text>Johnston, Andrew James.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827971">
              <text>Love, History and Emotion in Chaucer and Shakespeare</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2827972">
              <text>Troilus and Criseyde</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2827973">
              <text>SAC 41:314</text>
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Chaucer's Influence and Later Allusion</text>
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                <text>Contrasts the presentations of interiority in TC and in Shakespeare's "Troilus and Cressida" as a basis for analyzing Shakespeare's vacating his play of chivalric principles.</text>
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Troilus and Criseyde</text>
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                <text>Treats the literary tradition of Troy as a war in which different versions of the story struggle to claim validity. Focuses on how Shakespeare seeks to "deface and disable the entire tradition," rendering it "unfit for any but the lowest human habitation" by adapting elements that derive from the "ephemera" of Dares and Dictys and by "breaking down the protected spaces" of TC.</text>
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                <text>"The Formless Ruin of Oblivion": Shakespeare's "Troilus and Cressida" and Literary Defacement.</text>
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Troilus and Criseyde&#13;
Legend of Good Women</text>
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                <text>What's Hecuba to Him? Absence, Silence and Lament in "Troilus and Criseyde" and "Troilus and Cressida."</text>
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                <text>Assesses Hecuba as a "potent absent presence" in Shakespeare's :"Troilus and Cressida," and comments on the possible influence of LGW and TC on Shakespeare's "Rape of Lucrece" as well as his Trojan play. Includes attention to Dido and Penelope.</text>
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Chaucer's Influence and Later Allusion</text>
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              <text>viii, 208 pp.</text>
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                <text>Includes twelve essays by various authors and an introduction by the editors on affect, periodization, queer history, and Chaucer's and Shakespeare's versions of the story of Troilus and Criseyde/Cressida. For nine essays that pertain to Chaucer, search for Love, History and Emotion in Chaucer and Shakespeare under Alternative Title.</text>
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                <text>"What shal I calle thee? What is thy name?" Thomas Hoccleve and the Making of "Chaucer."</text>
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                <text>Investigates the "moral version of Chaucer that emerges" in Hoccleve's "Regiment of Princes," arguing that it is a kind of poetic authority produced "in the face of an increasingly militant and repressive English Church," and that, unlike other early versions of Chaucer, it reflects a growing international trend in Christianizing poetic predecessors.</text>
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