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              <text>Narinsky, Anna.</text>
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              <text>Partial Answers: Journal of Literature and the History of Ideas 14.2 (2016): 187-216.</text>
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                <text>Anti-Dualism and Social Mind in Chaucer's "Clerk's Tale."</text>
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                <text>Treats "the operations and qualities of fictional minds" in ClT, "as well as the narrative means through which they are conveyed," examining Griselda, Walter, and the "group consciousness" of the Saluzzan people in light of "modern cognitive sciences," and arguing that Chaucer rejects the mind–body dualism of the "internalist" view of cognition in favor of one that emphasizes the "intermental" interdependence of mind and social environment.</text>
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              <text>Bullon-Fernandez, Marıa.</text>
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              <text>Mediaevalia 35 (2014): 193-226.</text>
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Sources, Analogues, and Literary Relations</text>
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                <text>Poverty, Property, and the Self in the Late Middle Ages: The Case of Chaucer's Griselda.</text>
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                <text>Argues that Chaucer raises questions in ClT about relations between poverty and the nature of the self, gauging the extent to which Griselda's agency, selflessness, and lack of "things" are factors in Walter's "inhuman" treatment of her, and asking whether her "lack of property is a part of the reason she is so readily turned into an allegorical virtue" by Petrarch and others.</text>
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              <text>Tambling, Jeremy.</text>
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              <text>New York: Palgrave Macmillan, 2016.</text>
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              <text>xvii, 308 pp.; 2 b&amp;w illus.</text>
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              <text>Medieval and Early Modern Devils: Names and Images</text>
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              <text>Friar and His Tale&#13;
Wife of Bath and Her Tale&#13;
Pardoner and His Tale&#13;
Canon's Yeoman and His Tale</text>
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                <text>Histories of the Devil: From Marlowe to Mann and the Manichees.</text>
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                <text>In a chapter entitled "Medieval and Early Modern Devils: Names and Images" (pp. 45–74), assesses the devil-dressed-in-green of FrT and its associations with the fairies in WBT; also comments on the characters in PardT and CYT "who are already devils," whose souls have "gone before their bodies died."</text>
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              <text>Nava, Gabriela.</text>
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              <text>Mediaevalia 45 (2013): 62-73.</text>
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              <text>Mediaevalia 45 (2013)</text>
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Miller and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Ventosidades, culos y otros elementos del realismo grotesco en el relato breve (el "Decameron," los "Cuentos de Canterbury," las "Cent nouvelles Nouvelles").</text>
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                <text>Analyzes the grotesque Bahktinian realism of inversions and bodily functions in medieval narratives; includes comments on the "prayer-belch" and farting in SumT and on ass-kissing and farting in MilT, compared and contrasted with analogous materials.</text>
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              <text>Hardwick, Paul.</text>
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                <text>Portrays the symbolic and naturalistic use of the cat and applies these concepts to SumT and its critique of the mendicant orders.</text>
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Summoner and His Tale</text>
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                <text>The Friar, the Summoner, and Their Techniques of Erasure.</text>
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                <text>Looks at how both erasure and the anxiety that erasure produces in material culture are revealed in FrT and SumT.</text>
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              <text>Matsuda, Takami.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829046">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830336">
                <text>The Ravishment of Body and Soul in the "Friar's Tale" and the "Summoner's Tale."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2830442">
                <text>Examines FrT and SumT in the "context of the late medieval vision of the afterlife," and argues that the "two tales tell how one is constantly in the dangerous liminal situation between damnation and salvation, between being physically ravished to hell by the devil and being carried to heaven by angels in mystical ravishment."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829034">
              <text>Sylvester, Ruth.</text>
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        <element elementId="98">
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            <elementText elementTextId="2829035">
              <text>ETC: A Review of General Semantics 71.3 (2014): 248-57.</text>
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          <elementTextContainer>
            <elementText elementTextId="2829036">
              <text>ETC: A Review of General Semantics 71 (2014)</text>
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        <element elementId="102">
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            <elementText elementTextId="2829037">
              <text>Wife of Bath and Her Tale</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829038">
              <text>SAC 41:209</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829039">
              <text>2014</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2829995">
                <text>Shifting Traditions: Chaucer's Narrative Accomplishment in "The Wife of Bath's Tale" Considered in the Context of the Shift from Oral Tradition to Literate Print Tradition</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830632">
                <text>Summarizes differences between oral and literate communication, describes CT as a product of a transitional "manuscript culture," and discusses how WBP lends verisimilitude to the speaking voice of WBT, an example of Chaucer's virtuosity in a "time of cultural shift."</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829026">
              <text>Strouse, A. W.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829027">
              <text>Dissertation Abstracts International A78.09 (2017): n.p.</text>
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        <element elementId="100">
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            <elementText elementTextId="2829028">
              <text>Dissertation Abstracts International 78 (2017)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2829029">
              <text>Wife of Bath and Her Tale</text>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829030">
              <text>SAC 41:208</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829031">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2829024">
                <text>Literary Theories of Circumcision.</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830193">
                <text>Uses WBT as a case study in the development of circumcision's use as a metaphor for situations ranging from shifting of intellectual ground to the process of reading itself.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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  <item itemId="274788" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829017">
              <text>Perfetti, Lisa.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829018">
              <text>Peter Dickinson, Anne Higgins, Paul St. Pierre, Diana Solomon, and Sean Zwagerman, eds. Women and Comedy: History, Theory, Practice (Lanham: Fairleigh Dickinson University Press, 2013), pp. 41-53.</text>
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        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829019">
              <text>Dickinson, Peter, ed.&#13;
Higgins, Anne, ed.&#13;
St. Pierre, Paul, ed.&#13;
Solomon, Diana, ed.&#13;
Zwagerman, Sean, ed.</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829020">
              <text>Women and Comedy: History, Theory, Practice</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829021">
              <text>Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829022">
              <text>SAC 41:206</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829023">
              <text>2013</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2829015">
                <text>Feminist Humor without Women: The Challenge of Reading (in) the Middle Ages.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830633">
                <text>Asks to what extent CT and Boccaccio's "Decameron" advocate "women's equality," exploring female laughter in these works, and focusing on Boccaccio's Pampinea and on the Wife of Bath as a "comic performer who has an intent to play."</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829009">
              <text>Noji, Kaoru.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829010">
              <text>Tokyo: Hon-no-Shiro, 2017.</text>
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          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829011">
              <text>xiv, 230 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829012">
              <text>Troilus and Criseyde&#13;
Wife of Bath and Her Tale&#13;
Tale of Melibee</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829013">
              <text>SAC 41:205</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829014">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2829994">
                <text>Eloquence of Chaucer's Women: The Wife of Bath, Criseyde, and Prudence.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830191">
                <text>Examines eloquence of the Wife of Bath, Criseyde, and Prudence. Focuses on Chaucer's intention in creating these female characters.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="274786" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829001">
              <text>Inskeep, Kathryn.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829002">
              <text>Dissertation Abstracts International A74.12 (2014): n.p.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829003">
              <text>Dissertation Abstracts International 74 (2014)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829004">
              <text>Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829005">
              <text>SAC 41:204</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829006">
              <text>2014</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2828999">
                <text>Embodying Loathliness: The Loathly Lady in Medieval and Postfeminist (Con)texts.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830634">
                <text>Studies the "role of stigma in determining the social value of a lone woman of loathly proportions or perceptions," discussing a range of texts, medieval to postmodern, including two chapters on WBPT that assess the loathly lady as the "alter ego" of the Wife of Bath.</text>
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          </element>
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  <item itemId="274785" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828992">
              <text>Edwards, Suzanne M.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828993">
              <text>New York: Palgrave Macmillan, 2016.</text>
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        <element elementId="99">
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          <elementTextContainer>
            <elementText elementTextId="2828994">
              <text>xvii, 183 pp.</text>
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        <element elementId="104">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828995">
              <text>The New Middle Ages.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2828996">
              <text>Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828997">
              <text>SAC 41:202</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828998">
              <text>2016</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2828990">
                <text>The Afterlives of Rape in Medieval English Literature.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830635">
                <text>Investigates the "discourses of [rape] survival" in medieval literature and its historical contexts, addressing the aftereffects of rape as they are depicted in saints' lives, anchoritic literature, accounts of raped wives (particularly Lucretia in Gower and Heurodis in "Sir Orfeo"), and WBT. Argues that, in light of the 1382 Statute of Rape, WBT "diagnoses how masculine distinction and privilege underwrite their own impossibility" and how the presentation of desire in WBPT warns "against overvaluing gender difference as an interpretive scheme."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828984">
              <text>Staley, Lynn.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828985">
              <text>Postmedieval 7 (2016): 539-50.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828986">
              <text>Postmedieval 07 (2016)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2828987">
              <text>Man of Law and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828988">
              <text>SAC 41:200</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828989">
              <text>2016</text>
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              <elementText elementTextId="2828982">
                <text>Fictions of the Island: Girdling the Sea.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830636">
                <text>Contrasts Custance of MLT with her source in Trevet's "Cronicles," exploring the depictions of the sea in the two poems as well, arguing that women and water are tamed by "providential control" in Chaucer, especially when seen in light of Alatiel of Boccaccio's "Decameron" and of the "desire to domesticate the sea" in Lydgate's "Mumming for the Mercers of London."</text>
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              <name>Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2828976">
              <text>Quinn, William A.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828977">
              <text>Critical Survey 29.3 (2017): 48-64.</text>
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            <elementText elementTextId="2828978">
              <text>Critical Survey 29 (2017)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2828979">
              <text>Man of Law and His Tale&#13;
Canterbury Tales--General</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>SAC 41:199</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828981">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2830338">
                <text>String Theory and "The Man of Law's Tale": Where Is Constancy?"</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830448">
                <text>The Ptolemaic universe of MLT should have a still center, but neither this Tale nor the CT as a whole seems to reflect "a single interpretive order." Thematic and tonal threads pull in different directions, as if the Tale harbored an anticipation of today's highly speculative "string theory," which "admits the possibility of a multiverse in which numerous concurrent realities (of reader-responses) can coexist."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828968">
              <text>Lim, Hyanyang K.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828969">
              <text>Medieval and Early Modern English Studies 25.1 (2017): 67-97.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2828970">
              <text>Medieval and Early Modern English Studies 25 (2017)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828971">
              <text>Man of Law and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828972">
              <text>SAC 41:198</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828973">
              <text>2017</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2829992">
                <text>Counterfeit Correspondences: Documentary Manipulations and Textual Consciousness in Gloucester's "Confession" and "The Man of Law's Tale."</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830637">
                <text>Explores Chaucer's reservations about the reliability of written documents by examining Donegild's counterfeit letters in MLT and Thomas Woodstock, duke of Gloucester's "Confession", written in 1397. Examines problems of written documents implicated in both narratives, such as "documentary manipulations, fears of inception, and suspicions of forgery."</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
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  <item itemId="274781" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2828959">
              <text>Hsy, Jonathan.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828960">
              <text>Jason Barr and Camille D. G. Mustachio, eds. The Language of Doctor Who: From Shakespeare to Alien Tongues (Lanham: Rowman &amp; Littlefield, 2014), pp. 109-23.</text>
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        <element elementId="112">
          <name>Contributor</name>
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          <elementTextContainer>
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              <text>Barr, Jason, ed.&#13;
Mustachio, Camille D. G.,ed.</text>
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        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828962">
              <text>The Language of "Doctor Who": From Shakespeare to Alien Tongues </text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828963">
              <text>Man of Law and His Tale&#13;
Recordings and Films</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828964">
              <text>SAC 41:197</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828965">
              <text>2014</text>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2828957">
                <text>Translation Failure: The TARDIS, Cross-Temporal Language Contact, and Medieval Travel Narrative.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830638">
                <text>Explores three examples of literary representation of cultural contact across language boundaries: an episode from the "Doctor Who" television series, MLT, and the BBC adaptation of MLT, identifying parallels among cross-linguistic contact, cross-temporal contact, and cross-ethnic contact in these works for the ways that they "limn the malleable and shifting contours of Englishness." Considers Chaucer's Custance as a "woman who traverses and perpetually adapts to an array of shifting cultural settings."</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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  </item>
  <item itemId="274780" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828951">
              <text>Erwin, Bonnie J.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828952">
              <text>Enarratio 20 (2016): 41-66.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828953">
              <text>Enarratio 20 (2016)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828954">
              <text>Man of Law and His Tale&#13;
Style and Versification</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828955">
              <text>SAC 41:196</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828956">
              <text>2016</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2829991">
                <text>Why We Can't Stop Fighting about Chaucer's Man of Law.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830639">
                <text>Argues that MLT and MLE are "fundamentally concerned with the transmission of affect." The tale "dramatizes how affect operates as a physical force that realigns individual and collective identities," while the narrator's style, combined with pilgrims' responses to the tale in MLE, "models how affects can leap between narrative worlds and between communities." Through the Tale and responses, Chaucer tests "possibilities for how readers might be moved," provoking modern critical "disputes."</text>
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            </elementTextContainer>
          </element>
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  </item>
  <item itemId="274779" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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            </element>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828943">
              <text>Birns, Nicholas.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828944">
              <text>Nicholas Birns. Barbarian Memory: The Legacy of Early Medieval History in Early Modern Literature (New York: Palgrave Macmillan, 2013), pp. 44–59.</text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828945">
              <text>Barbarian Memory: The Legacy of Early Medieval History in Early Modern Literature</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828946">
              <text>Man of Law and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828947">
              <text>SAC 41:195</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828948">
              <text>2013</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830340">
                <text>Chaucer, Gower, and Barbarian History: "The Man of Law's Tale" and the Prologue to Gower's "Confessio Amantis."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830452">
                <text>Assesses the uses of late Antique historiography in MLT and in Gower's Prologue to his "Confessio Amantis," comparing Gower's depiction of the late Roman empire and that of Otto of Freising's "Chronica," and arguing that the ultimate source of MLT is Paul the Dean's "Historia Langobardorum," particularly evident in Chaucer's feminizing of the name "Hermengilde" and in the "twin-pronged conversion motif" of Custance's failure to convert the sultan and success in converting Alla.</text>
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          </element>
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  <item itemId="274778" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828935">
              <text>Purdon, Liam O.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828936">
              <text>Chaucer Review 52.2 (2017): 202-16.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828937">
              <text>Chaucer Review 52 (2017)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828938">
              <text>Cook and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828939">
              <text>SAC 41:194</text>
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                <text>Proposes that the Cook is suffering from illness, which challenges the traditional interpretation of the Cook as a drunkard.</text>
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                <text>"And of that drynke the Cook was wonder fayn": A Reconsideration of Hogge of Ware's Drunkenness."</text>
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                <text>Reconsiders the role of the clerks' northern dialect in RvT as well as the Reeve's Norfolk dialect, paying particular attention to the fading of the former within the tale.</text>
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                <text>"Curious fact": Fading of Northernisms in "The Reeve's Tale."</text>
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              <text>Johnson, Travis William.</text>
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              <text>SAC 41:192</text>
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                <text>Affective Communities: Masculinity and the Discourse of Emotion in Middle English Literature.</text>
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                <text>Investigates the lexicons of emotion and "codes of masculinity" in a range of late medieval English literary texts, including RvT.</text>
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              <text>Bertolet, Craig E.</text>
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              <text>Chaucer Review 52.4 (2017): 456-75.</text>
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              <text>Reeve and His Tale&#13;
Language and Word Studies</text>
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              <text>SAC 41:191</text>
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            <description>An account of the resource</description>
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                <text>Analyzes the ways in which Chaucer uses the word "sight" in order to examine concepts of taste and tastelessness in RvT.</text>
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                <text>Dressing Symkyn's Wife: Chaucer's "Reeve's Tale" and Bad Taste.</text>
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              <text>Smilie, Ethan K., and Kipton D. Smilie.</text>
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              <text>Miller and His Tale&#13;
Reeve and His Tale</text>
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                <text>Re-Imagining the Class Clown: Chaucer's Clowning Clerics</text>
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                <text>Surveys Marxist scholarship concerning "class clowns" in American school rooms, classroom management of them, and their vocational potential. Then discusses Nicholas of MilT and John and Aleyn of RvT as students "who 'work the system' for the sake of leisure and to show off"--class clowns whose pranks "perpetrated class divisions" rather than producing actual change.</text>
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              <text>Interactions: Ege Journal of British and American Studies / Ege Ingiliz ve Amerikan incelemeleri dergisi 25.1-2 (2016): 149-59.</text>
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              <text>Interactions: Ege Journal of British and American Studies 25 (2016)&#13;
Ege Ingiliz ve Amerikan incelemeleri dergisi 25 (2016)</text>
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Reeve and His Tale</text>
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                <text>Explores spaces, places, and gendered power relations in MilT and RvT, arguing that Alisoun, Malyne, and Symkyn's wife all use trickery to evade spatial oppression and achieve pleasure.</text>
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                <text>"I shall thee quyte": Fabliau Women's Spatial Resistance in the "Miller's Tale" and the "Reeve's Tale."</text>
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