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              <text>Crane, Susan.</text>
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              <text>Studies in the Age of Chaucer 39 (2017): 3-29.</text>
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              <text>The Presidential Address. The New Chaucer Society. Twentieth International Congress, July 11-14, 2016. Queen Mary University of London, Mile End.</text>
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              <text>Studies in the Age of Chaucer 39 (2017)</text>
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              <text>Parliament of Fowls</text>
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              <text>SAC 41"301</text>
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              <text>2017</text>
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                <text>"The lytel erthe that here is": Environmental Thought in Chaucer's "Parliament of Fowls."</text>
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                <text>Argues that PF offers an "innovative model of species uncertainty" that aligns with posthumanist rejection of human specialness. The poem evokes and challenges the dualism of Scipio's dream, offering alternatives in the animism of the tree catalogue and the totemism of the avian hierarchy. None of the three ontologies stands authoritatively and their uncertainties are reinforced by the multisensory details of PF, the performability of the poem's ending, and the antirationalism of the dream vision.</text>
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              <text>Bayiltmis Ogutcu, Oya.</text>
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              <text>Mirabilia 18.1 (2014): 235-46.</text>
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              <text>Mirabilia 18 (2014)</text>
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              <text>Parliament of Fowls</text>
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              <text>SAC 41:300</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2829705">
              <text>2014</text>
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                <text>"The Pleasure of the Text": "The Parliament of Fowls" as the Site of Bliss for Chaucer and His Readers.</text>
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            <description>An account of the resource</description>
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                <text>Using concepts derived from Roland Barthes, argues that PF is both a "text of pleasure with its reflection of courtly culture" and a "text of bliss with its unconcluded conclusion."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Trivellini, Samanta.</text>
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        <element elementId="98">
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              <text>Interferences litteraires / Literaire interferenties 17 (2015): 85-99. Available at http://www.interferenceslitteraires.be.</text>
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            <elementText elementTextId="2829694">
              <text>Interferences litteraires / Literaire interferenties 17 (2015)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2829695">
              <text>Legend of Good Women&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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              <text>SAC 41:299</text>
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        <element elementId="114">
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            <elementText elementTextId="2829697">
              <text>2015</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2829690">
                <text>The Myth of Philomela from Margaret Atwood to . . . Chaucer: Contexts and Theoretical Perspectives.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Considers four frame-tale versions of the Philomela story--Margaret Atwood's "Nightingale" in "The Tent" (2006), George Pettie's in "A Petite Pallace of Pettie His Pleasure" (1576), Chaucer's in LGW, and Gower's in "Confessio Amantis"--focusing on interactions among narrative point of view, frame structure, and metapoetics. Suggests that Chaucer's version may be seen as "a self-aware game with his readership, and . . . as Chaucer's ironic commentary on moralizing conceptions of literature." Includes an abstract in English and in French.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Shutters, Lynn.</text>
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        <element elementId="98">
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              <text>Chaucer Review 52.1 (2017): 85-105.</text>
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            <elementText elementTextId="2829686">
              <text>Chaucer Review 52 (2017)</text>
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              <text>Legend of Good Women</text>
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              <text>SAC 41:297</text>
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        <element elementId="114">
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            <elementText elementTextId="2829689">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2829683">
                <text>Discusses how LGW represents marital affection as contentious and unstable.</text>
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              <elementText elementTextId="2830301">
                <text>The Thought and Feel of Virtuous Wifehood: Recovering Emotion in the "Legend of Good Women."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Schwebel, Leah.</text>
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        <element elementId="98">
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              <text>Chaucer Review 52.1 (2017): 29-45.</text>
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        <element elementId="100">
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            <elementText elementTextId="2829678">
              <text>Chaucer Review 52 (2017)</text>
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        <element elementId="102">
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            <elementText elementTextId="2829679">
              <text>Legend of Good Women&#13;
Sources, Analogues, and Literary RElations</text>
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        <element elementId="109">
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              <text>SAC 41:296</text>
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            <elementText elementTextId="2829681">
              <text>2017</text>
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            <name>Title</name>
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              <elementText elementTextId="2829674">
                <text>Livy and Augustine as Negative Models in the "Legend of Lucrece."</text>
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            <description>An account of the resource</description>
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                <text>Argues that Chaucer employs Livy's and Augustine's stories of Lucretia as a way to hold up feminine virtue, rather than repeating their negative attributes exhibited in the source material.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
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            <elementText elementTextId="2829668">
              <text>Schiff, Randy P.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2829669">
              <text>Postmedieval 6.1 (2015): 23-35.</text>
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            <elementText elementTextId="2829670">
              <text>Postmedieval 6 (2015)</text>
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        <element elementId="102">
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            <elementText elementTextId="2829671">
              <text>Legend of Good Women</text>
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              <text>SAC 41:295</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2829673">
              <text>2015</text>
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              <elementText elementTextId="2830038">
                <text>On Firm Carthaginian Ground: Ethnic Boundary Fluidity and Chaucer's Dido.</text>
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                <text>Argues that in the Dido account of LGW Chaucer "channels" deep-seated cultural "anxiety about Phoenicians as he asserts his place in a Roman-centered Western tradition." By "removing the story of Dido's diasporic leadership, and misidentifying her realm as a generalized Libya," Chaucer sides with Roman expansionism, and by presenting "Dido as a pitiful lover who ignominiously dethrones herself for Aeneas," he "aestheticizes Rome's reduction of Carthaginian dynamism into a desert."</text>
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              <text>Rushton, Cory.</text>
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              <text>Rushton, Cory, ed. Disability and Medieval Law: History, Literature, Society  (Newcastle upon Tyne: Cambridge Scholars, 2013), pp. 157-73.</text>
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              <text> Disability and Medieval Law: History, Literature, Society</text>
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Sources, Analogues, and Literary Relations&#13;
Prioress and Her Tale</text>
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                <text>Investigates several motifs in the LGW account of Philomela: victimhood, "inappropriate sovereignty," muteness, orality and legal witnessing, "tapestry-as-prosthesis," rape as a property crime, and lack of legal remedy, arguing that Chaucer's tale evinces "interest in women's control over their own bodily integrity" simultaneously acknowledging that this interest is "ultimately unproductive when . . . not matched with action." Includes comments on PrT and on Ovid's and Gower's versions of the story of Philomela.</text>
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Shutters, Lynn.</text>
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                <text>Explores why LGW unsettles readers and outlines this special issue of "Chaucer Review."</text>
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                <text>Introduction: Looking Forward, Looking Back on the "Legend of Good Women."</text>
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                <text>"Confessio Auctoris": Confessional Poetics and Authority in the Literature of Late Medieval England, 1350--1450.</text>
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                <text>Investigates how Chaucer, Gower, Langland, Usk, and Hoccleve use confessional discourse to challenge Latinity and "authorize their own literary productions." Includes discussion of the "self-abasing literary self-portrayals as penitents" found in Chaucer's LGW and Gower's "Confessio Amantis."</text>
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              <text>Keller, Wolfram R.</text>
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              <text>Thomas Honegger and Dirk Vanderbeke, eds. From Peterborough to Faery: The Poetics and Mechanics of Secondary Worlds; Essays in Honour of Dr. Allan G. Turner's 65th Birthday (Zurich: Walking Tree, 2014), pp. 1-24.</text>
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Vanderbeke, Dirk, ed.</text>
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              <text>From Peterborough to Faery: The Poetics and Mechanics of Secondary Worlds; Essays in Honour of Dr. Allan G. Turner's 65th Birthday.</text>
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              <text>Legend of Good Women</text>
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                <text>Geoffrey Chaucer's Mind Games: Household Management and Literary Aesthetics in the Prologue to the "Legend of Good Women."</text>
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              <elementText elementTextId="2830399">
                <text>Describes the medieval understanding of "faculty psychology"--the three cells or ventricles where imagination, logic, and memory reside--and argues that HF "takes the audience" through the three ventricles, while exploring the creative potential of the persistent "imaginational disharmony." LGWP depicts the "poet's journey through his own noisy mental apparatus," problematizing imaginational disharmony and compelling his audience to explore the efforts and pleasure of interpretation.</text>
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              <text>Harlan-Haughey, Sarah.</text>
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              <text>Dumitrescu, Irina.</text>
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                <text>Explores the role of the narrator in LGW as being culpable in his deception by telling idealized stories of women who suffer and die.</text>
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              <text>Chaucer Review 52.1 (2017): 162-66.</text>
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              <text>Legend of Good Women</text>
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                <text>Afterword: Re-Reading; or, When You Were Mine.</text>
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Troilus and Criseyde&#13;
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Sources, Analogues, and Literary Relations</text>
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                <text>Connects LGW with the "Livre du Chevalier de la Tour Landry" and the "Menagier de Paris." Suggests that the domestic sphere of "Livre du Chevalier de la Tour Landry" and the "Menagier de Paris" offers a place for productive, satisfying love; however, love that is illegible and destructive is revealed in LGW.</text>
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                <text>"Pite renneth soone in gentil herte": Ugly Feelings and Gendered Conduct in Chaucer's "Legend of Good Women."</text>
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Sources, Analogues, and Literary Relations</text>
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                <text>Surveys "the idea literary fame" in classical and medieval traditions (Homer, Hesiod, Virgil, Statius, and Dante); analyzes Petrarch's notion more extensively; and examines HF to show that though Chaucer, "like Petrarch, was intimately familiar with the fickleness and absurdity of worldly fame, he betrays a longing for a posthumous literary fame." Includes an abstract in Chinese.</text>
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Parliament of Fowls&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Motion in Late Medieval English Literature: Impulse, Randomization, and Acceleration.</text>
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                <text>Studies physical motion, readerly motion, and other motions related to texts in late medieval English literature, including a chapter on Chaucer's "engagement with motion as a concept in natural philosophy" in HF and PF, connecting it with the physics of William of Ockham.</text>
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              <text>Mertens Fleury, Katharina.</text>
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              <text>Philologie der Kultur.</text>
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Sources, Analogues, and Literary Relations</text>
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                <text>Zeigen und Bezeichnen: Zugange zu allegorischem Erzahlen im Mittelalter.</text>
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                <text>Studies the uses of allegory in western literature--classical, continental, and English, from Prudentius to George Herbert--with emphasis on growth and variety in the tradition, signals to allegory in the texts, and embedded uses of allegory as well as wholly allegorical narratives. Includes discussion of allegorical aspects of HF and its relations with earlier allegorical traditions.</text>
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Chaucer's Life</text>
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              <text>SAC 41:281</text>
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            <description>An account of the resource</description>
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                <text>Explores the significance of Chaucer's travels through Kent. Claims that HF resonates with the cult and Church of St. Leonard in Kent.</text>
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                <text>Chaucer's Return from Lombardy, the Shrine of St. Leonard at Hythe, and the "corseynt Leonard" in the "House of Fame." Lines 112-18."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Guastella, Gianni.</text>
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              <text>Oxford:Oxford University Press, 2016.</text>
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              <text>xiv, 440 pp.; b&amp;w illus.</text>
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          <name>Chaucer Subject</name>
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              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 41:280</text>
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        <element elementId="114">
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              <text>2016</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830309">
                <text>Includes a chapter entitled "Chaucer, House of Fame" (pp. 355-83) that describes HF and characterizes Chaucer's treatment of literary reputation as unusual in lacking the "moralistic slant" of his predecessors, opting instead for a "disillusioned (and often clearly amused)" perspective that the "world of stories (and literature) is governed by chance."</text>
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              <elementText elementTextId="2830310">
                <text>Word of Mouth: "Fama" and Its Personifications in Art and Literature from Ancient Rome to the Middle Ages.</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Cartlidge, Neil.</text>
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        <element elementId="98">
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              <text>Studies in the Age of Chaucer 39 (2017): 57-97.</text>
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            <elementText elementTextId="2829538">
              <text>Studies in the Age of Chaucer 39 (2017)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2829539">
              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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              <text>SAC 41:278</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829541">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2830031">
                <text>Ripples on the Water? The Acoustics of Geoffrey Chaucer's "House of Fame" and the Influence of Robert Holcot.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830224">
                <text>Discredits the idea that the Eagle's disquisition on sound in HF is conventional Aristotelianism, mediated by Robert Grosseteste or Walter Burley, arguing that the details of the multiplying ripples and the combination of science and myth were influenced instead by Robert Holcot's commentary on the Book of Wisdom. Describes Holcot's career among the Oxford Calculators (Mertonians) and explains Holcot's influence on HF and elsewhere in Chaucer.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2829528">
              <text>Binski, Paul.</text>
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        <element elementId="98">
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              <text>New Haven: Yale University Press, 2013.</text>
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          <name>Physical Description</name>
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            <elementText elementTextId="2829530">
              <text> ix, 454 pp.; b&amp;w and color illus.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2829531">
              <text>House of Fame&#13;
Background and General Criticism</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829532">
              <text>SAC 41:277</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829533">
              <text>2013</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2829526">
                <text>Gothic Wonder: Art, Artifice and the Decorated Style, 1290--1350.</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830600">
                <text>Describes and illustrates the "visual arts as a whole" in late medieval England. The index records some twenty references to Chaucer, including a section on HF (pp. 345–48) that shows that "the two largest passages of writing about architecture at the end of the [fourteenth] century are found in HF and that its lexicon mediate[s] between verbal and visual craft."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2829520">
              <text>Rand, Kari Anne.</text>
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        <element elementId="98">
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              <text>Studia Neophilologica 87 (2015): 15-35</text>
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              <text>Studia Neophilologica 87 (2015)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2829523">
              <text>Equatorie of the Planetis&#13;
Manuscripts and Textual Studies</text>
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              <text>SAC 41:276</text>
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            <elementText elementTextId="2829525">
              <text>2015</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2829518">
                <text>The Authorship of "The Equatorie of the Planetis" Revisited.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830601">
                <text>Presents new evidence that "shows that the author [of Equat] was not Chaucer," connecting the unique manuscript of the treatise (Cambridge, Peterhouse, MS 75.I) with the work and life of John Westwyk, a monk of Tynemouth. Includes paleographical discussion, seven figures in color, and commentary on the "radix Chaucer" note in the Peterhouse manuscript.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
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              <text>Meyer, Shannon Rae.</text>
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        <element elementId="98">
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              <text>Dissertation Abstracts International A76.07 (2015): n.p.</text>
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            <elementText elementTextId="2829514">
              <text>Dissertation Abstracts International 76 (2015)</text>
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              <text>Book of the Duchess</text>
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              <text>SAC 41:275</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2829517">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2829510">
                <text>From Tower to Bower: Constructions of Gender, Class, and Architecture in Middle English Literature.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830602">
                <text>Considers "the trope of the female body entowered" in selected romances and lyrics, BD, and the Paston letters.</text>
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