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              <text>Jonassen, Frederick B. </text>
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              <text>John Marshall Law Review 43 (2009-10): 51-108.</text>
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              <text>Canterbury Tales--General&#13;
Chaucer's Life&#13;
Language and Word Studies</text>
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              <text>mea; 2/28/2020</text>
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              <text>2010</text>
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                <text>The Law and the Host of the "Canterbury Tales."</text>
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                <text>Describes aspects of Chaucer's life that indicate that he had training in law or familiarity with it, and explores the legal language and details of GP, arguing that the Host's "responsibility for the pilgrims reflects the law of innkeeper's liability, which the courts of England had developed just before Chaucer began" writing his work.</text>
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              <text>Flannery, Mary C., and Katie L. Walter.</text>
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              <text>In Mary C. Flannery and Katie L. Walter, eds. The Culture of Inquisition (Cambridge: D. S. Brewer, 2013), pp. 77-93.</text>
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              <text>The Culture of Inquisition.</text>
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              <text>mea; 2/26/2020</text>
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                <text>"Vttirli Onknowe?" Modes of Inquiry and the Dynamics of Interiority in Vernacular Literature.</text>
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            <description>An account of the resource</description>
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                <text>Discusses inquisition and "examination in the ecclesiastical courts" for the ways that they, like confession, help to disclose the development of interiority as an aspect of medieval selfhood, discussing literary works such as "Dives and Pauper," "Jacob's Well," and John Lydgate's "Fall of Princes," with comments on the importance of "entente," defamation, and their relations with "common knowledge" in PardP.</text>
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              <text>Muhly, Nico, composer.</text>
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              <text>London: St. Rose Music/Chester Music, 2015.</text>
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              <text>Musical score; 4 pp. (c. 3 minutes 30 seconds).</text>
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              <text>Hainline, Forrest, trans.</text>
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              <text>To Rosemounde&#13;
Facsimiles, Editions, and Translations&#13;
Recordings and Films</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2829895">
                <text>The Map of the World: For High Voice and Piano.</text>
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            <description>An account of the resource</description>
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                <text>Includes lyrics from a portion of Ros (lines 1–7, 15), translated into Modern English by Forrest Hainline.</text>
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              <text>Hole, Jennifer.</text>
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              <text>Jennifer Hole. Economic Ethics in Late Medieval England, 1300-1500 (Cham, Switzerland: Palgrave Macmillan, 2016), pp. 99-125.</text>
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              <text>Economic Ethics in Late Medieval England, 1300-1500.</text>
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              <text>Former Age&#13;
Parson and His Tale</text>
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              <text>SAC 41:335</text>
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              <text>2016</text>
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                <text>Wealth and Lordship in Late Medieval Literature.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830579">
                <text>Surveys literary depictions of economic ideals and economic abuses among the aristocracy in ParsT; Form Age; Wynnere and Wastoure"; "Piers Plowman"; and works by Gower, Hoccleve, and Lydgate, focusing on the "portrayal of lords and rulers, both as offenders and as ethical role models," and concluding that the writers were generally "conservative commentators on economic ethics," reflecting Church teachings and nostalgia for an idealized, precommercial past.</text>
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              <text>Bennett, Kristen Abbott.</text>
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              <text>Upstart: A Journal of English Renaissance Studies, August 10, 2015: n.p.</text>
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              <text>Upstart: A Journal of English Renaissance Studies n.v. (2015)</text>
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              <text>Complaint of Chaucer to His Purse&#13;
Sources, Analogues, and Literary Relations&#13;
Chaucer's Influence and Later Allusion</text>
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                <text>At the Crossroads: Intersections of Classical and Vernacular English Protest Literature in "Pierce Penilesse."</text>
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            <description>An account of the resource</description>
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                <text>Includes discussion of the influence of Chaucer's Purse and Thomas Hoccleve's "La male regle" on Thomas Nashe's "Pierce Penilesse," examining the elements of comedy and "moral uncertainty" in Chaucer's poem and its "accretion of polygeneric expectations," as well as its echoes of Ovid and impact on Hoccleve and Nashe. Available at https://upstart.sites.clemson.edu/Essays/protest/bennett_crossroads.xhtml.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Weiskott, Eric.</text>
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              <text>Medium Aevum 86.1 (2017): 147-51.</text>
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              <text>Medium Aevum 86 (2017)</text>
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              <text>Adam Scriveyn&#13;
Style and Versification</text>
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              <text>SAC 41:333</text>
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            <elementText elementTextId="2829878">
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                <text>Adam Scriveyn and Chaucer's Metrical Practice.</text>
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                <text>Exemplifies how metrical phonology ("the linguistic forms that fill out metre") supports A. S. G. Edwards's claim (in "Chaucer and 'Adam Scriveyn,' " MÆ 81 [2002]) that Chaucer may not have written the lyric Adam. In line 3, "longe" and "lokkes" scan as monosyllables, but Chaucer's use of these and similar words is disyllabic elsewhere, and such disyllabic usage was for Chaucer "virtually non-negotiable." Metrical evidence suggests fifteenth-century authorship, and the rime royal stanza suggests the era's "nascent cult of Chaucer."</text>
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              <text>Haley, Gabriel Michael.</text>
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              <text>Dissertation Abstracts International A73.12 (2013): n.p.</text>
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              <text>Dissertation Abstracts International 73 (2013)</text>
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              <text>Lyrics and Short Poems&#13;
Chaucer's Influence and Later Allusion&#13;
House of Fame</text>
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              <text>SAC 41:331</text>
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                <text>Niche Poetics: Institutional Solitude and the Lyric in Late Medieval England.</text>
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            <description>An account of the resource</description>
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                <text>Argues that the monastic ideal of "contemplative solitude" was an innovative resource in English literature between Richard Rolle and Robert Henryson. Maintains that Chaucer deployed it comically in HF and that, along with notions of Chaucer's exceptionality, it helped to shape the reception of Chaucer's lyrics.</text>
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              <text>Gorst, Emma Kate Charters.</text>
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              <text>Dissertation Abstracts International 77 (2016)</text>
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              <text>Lyrics and Short Poems&#13;
Canterbury Tales--General&#13;
Parliament of Fowls&#13;
Book of the Duchess</text>
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              <text>SAC 41:331</text>
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        <element elementId="114">
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              <text>2016</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2830046">
                <text>Middle English Lyrics: Lyric Manuscripts 1200-1400 and Chaucer's Lyric.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830582">
                <text>Investigates two "networks of meaning" within which to view late medieval English lyrics: the relationships among lyrics in manuscript collections (using "network mapping software") and the relationships between embedded lyrics and "narrative events" in CT, PF, and BD.</text>
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              <name>Title</name>
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              <text>Zimmerman, Erin Royden.</text>
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        <element elementId="98">
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              <text>Dissertation Abstracts International A74.11 (2014): n.p.</text>
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            <elementText elementTextId="2829851">
              <text>Dissertation Abstracts International 74 (2014)</text>
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              <text>Troilus and Criseyde&#13;
Merchant and His Tale&#13;
Legend of Good Women&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>41:330</text>
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        <element elementId="114">
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            <elementText elementTextId="2829854">
              <text>2014</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2829847">
                <text>Making Myth Matter: Interrogating Narrative and Reconstructing Metanarrative in Classical Myth Adaptation.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830583">
                <text>Includes comments on Cassandra, Persephone, and Philomela as victims of "acquaintance rape" in Chaucer's works (TC, MerT, and LGW), treating his and other versions (classical, medieval, and modern) as adaptations of myths that create "metanarratives that shame rape survivors and demean the violence of the rape act." Offers alternative ways of adapting these stories.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2829841">
              <text>Sung, Wei-ko.</text>
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        <element elementId="98">
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            <elementText elementTextId="2829842">
              <text>Tamkang Review 45.2 (2015): 25-45.</text>
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            <elementText elementTextId="2829843">
              <text>Tamkang Review 45 (2015)</text>
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        <element elementId="102">
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              <text>Troilus and Criseyde</text>
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        <element elementId="109">
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              <text>SAC 41:326</text>
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        <element elementId="114">
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            <elementText elementTextId="2829846">
              <text>2015</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2829839">
                <text>Troy in the "Troilus and Criseyde."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830584">
                <text>Describes the "role Troy played in medieval literary imagination" as a foundation myth, and explores how the "destinies of some of the major figures" in TC are "inextricably" interwoven with that of Troy. Includes an abstract in English and in Chinese.</text>
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  <item itemId="274887" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          </elementContainer>
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              <text>Rude, Sarah B.</text>
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        <element elementId="98">
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            <elementText elementTextId="2829834">
              <text>Dissertation Abstracts International A79.01 (2017): n.p.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2829835">
              <text>Dissertation Abstracts International 79 (2017)</text>
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        <element elementId="102">
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            <elementText elementTextId="2829836">
              <text>Troilus and Criseyde</text>
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              <text>SAC 41;324</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2829838">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2829831">
                <text>"I se and undirstonde": Vision, Reason, and Tragedy in Late Middle English Literature</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2829832">
                <text>Examines the medieval conception of sight (both as sense and as ingress of the seen to the soul) in TC and Malory.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          </elementContainer>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829825">
              <text>Raby, Michael.</text>
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          </elementTextContainer>
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        <element elementId="98">
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            <elementText elementTextId="2829826">
              <text>Studies in the Age of Chaucer 39 (2017): 191-224.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2829827">
              <text>Studies in the Age of Chaucer 39 (2017)</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2829828">
              <text>Troilus and Criseyde&#13;
House of Fame&#13;
Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
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            <elementText elementTextId="2829829">
              <text>SAC 41:323</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2829830">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2829823">
                <text>Sleep and the Transformation of Sense in Late Medieval Literature.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830249">
                <text>Explores the permeable boundary between waking and sleep, sensation and dream, in Dante's "Commedia," TC, and Machaut's "Fontaine amoureuse." each sleep-scene drawing on Ovidian tales of transformation. Comments on Chaucer's adaptation in HF of Dante's golden eagle, and examines Pandarus's awakening in TC to the sound of a swallow/Procne, suggesting that the indeterminate nature of the waking reenacts Philomela's silence.</text>
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  <item itemId="274885" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829817">
              <text>Perez-Fernandez, Tamara.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
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              <text>Ph.D. Dissertation. Universidad de Valladolid, 2017,</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2829819">
              <text>Troilus and Criseyde&#13;
Manuscripts and Textual Studies</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2829820">
              <text>SAC 41:322</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2829821">
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        <element elementId="99">
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              <text>eBook; n.p.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2830045">
                <text>The Margins of the Scribe: Analysis of the Marginal Annotations in the Manuscripts of Chaucer's "Troilus and Criseyde."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Examines marginal annotations in the surviving manuscripts of TC with the purpose of exploring both the reception of the poem and the role of the scribes in its textual transmission. The marginalia are analyzed not only from a textual, thematic, linguistic, and paleographical point of view, but also from the perspective of the copyists and their preferences when reading and annotating Chaucer's text, which contributes to understanding the profiles of these scribes.</text>
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              <text>Nelson, Ingrid.</text>
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              <text>Philadelphia: University of Pennsylvania Press, 2017.</text>
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              <text>214 pp.</text>
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              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations&#13;
Legend of Good Women</text>
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              <text>The Middle Ages Series.</text>
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              <elementText elementTextId="2829806">
                <text>Lyric Tactics: Poetry, Genre, and Practice in Later Medieval England.</text>
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                <text>Asserts that Chaucer's inset lyrics in TC and LGW have a "tactical" quality that gives them flexibility and contingency. In TC, Antigone's song, using both English practices and French and Italian sources, demonstrates "a tension between negotiation and [Petrarchan] absolutism" that reflects the narrative's concern with "individual and communal desires." In LGW, especially Prologue F, lyrics are integrated with exemplary narrative, giving lyric an ethical role and "suspending [exempla's] "drive toward closure."</text>
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              <text>Meecham-Jones, Simon.</text>
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              <text>Stephanie Downes, Andrew Lynch, and Katrina O'Loughlin, eds. Emotions and War: Medieval to Romantic Literature (Basingstoke: Palgrave Macmillan, 2015), pp. 77–97.</text>
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Lynch, Andrew, ed.&#13;
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              <text>Emotions and War: Medieval to Romantic Literature</text>
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              <text>Troilus and Criseyde</text>
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              <text>SAC 41:320</text>
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                <text>"He in salte teres dreynte": Understanding Troilus's Tears.</text>
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              <elementText elementTextId="2830586">
                <text>Considers the concept of "manhod" (3.428) in TC in relation to critical discussions of Troilus's masculinity, reading Troilus's emotions in light of late medieval literary and social conventions and arguing that Chaucer's experiment in emotion is neither conventional nor condemnatory: "Troilus attempts to fashion a wholly original performance of masculinity in his loving of Criseyde."</text>
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              <text>McMillan, Samuel F.</text>
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              <text>Dissertation Abstracts International A80.05 (2016): n.p.</text>
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              <text>Dissertation Abstracts International 80 (2016)</text>
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              <text>Troilus and Criseyde&#13;
Sources. Analogues, and Literary Relations</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2829790">
                <text>Argues that the "Roman de la Rose" "initiates a literary tradition that understands reason to be in tension with and even antithetical to imaginative writing," examining in this light works by Chaucer (TC), Gower, Lydgate, and Hoccleve, exploring in them a "writerly art based in misrule."</text>
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                <text>Medieval Authorship at Reason's End: The Roman de la Rose's Legacy of Misrule</text>
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              <text>Glaser, Joseph, trans., and Christine Chism, intro.</text>
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              <text>Indianapolis: Hackett, 2014.</text>
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              <text>xxxviii, 256 pp.</text>
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              <text>Chism, Christine, intro.</text>
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              <text>Troilus and Criseyde&#13;
Facsimiles, Editions, and Translations</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830245">
                <text>Translates TC into modern English rhyme royal stanzas, with footnotes and occasional marginal glosses. The introduction (by Christine Chism, pp. vi-xxx) addresses the social contexts of the poem; anachronisms; Chaucer's audience; the frontispiece from Cambridge, Corpus Christi College, MS 61 (included in color as a cover); sources; and the presentation of Criseyde. Glaser's translator's preface (pp. xxxi-xxxviii) considers style and verse.</text>
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                <text>"Troilus and Criseyde" in Modern Verse.</text>
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              <text>Flannery, Mary C.</text>
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              <text>Forum for Modern Language Studies 50.2 (2014): 168-81.</text>
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              <text>Troilus and Criseyde&#13;
Chaucer's Influence and Later Allusion</text>
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            <description>An account of the resource</description>
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                <text>Explores Chaucer's idea of "gossip" in TC (and elsewhere), especially as it relates to literature and Criseyde's reputation, examining more extensively Henryson's emphasis on malice rather than idle speech and its relationship with "literary notoriety" in "Testament of Cresseid."</text>
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                <text>"Sum men Sayis . . .": Literary Gossip and Malicious Intent in Robert Henryson's "Testament of Cresseid."</text>
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              <text>Boyar, Jenny.</text>
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              <text>Dissertation Abstracts International A78.01 (2016): n.p.</text>
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              <text>Dissertation Abstracts International 78 (2016)</text>
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              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 41:310</text>
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                <text>Lyric Form and the Charge of Forgetfulness in Medieval and Early Modern Poetry.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830587">
                <text>Traces "the creative potentials of technologies of memory in the rise of English lyric poetry," focusing on Chaucer and Thomas Wyatt, and including assessment of how "innovations of lyric form are introduced" in TC "at moments in which memory is most compromised" and when Chaucer is "most unhinged" from his sources.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Dorsey Armstrong, Alexander L. Kaufman, and Shaun F. D. Hughes, eds. Telling Tales and Crafting Books: Essays in Honor of Thomas H. Ohlgren (Kalamazoo: Medieval Institute, 2016), pp. 323-44. 2 b&amp;w illus.</text>
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              <text>Armstrong, Dorsey, ed.&#13;
Kaufman, Alexander L., ed.&#13;
Hughes, Shaun F. D., ed.</text>
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            <elementText elementTextId="2829761">
              <text>Troilus and Criseyde&#13;
Manuscripts and Textual Studies&#13;
Prioress and Her Tale&#13;
House of Fame</text>
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              <text>SAC 41:309</text>
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        <element elementId="114">
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                <text>Chaucer and the Art of Not Eating a Book.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830588">
                <text>Contrasts the unequivocal hermeneutics of "eating a book"--i.e., internalizing the text of the Bible and its "one true meaning"--as depicted in the illustration of the Cloisters Apocalypse (Metropolitan Museum of Art, Cloisters Collection, MS 68.174) with the nondirective authorial stance depicted in Chaucer addressing the court audience in the TC manuscript, Cambridge, Corpus Christi College, MS 61. Identifies a number of instances of such nondirective strategies in Chaucer's poetry and comments on his uses of the Apocalypse in PrT and HF.</text>
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              <text>Flannery, Mary C.</text>
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              <text>Literature Compass 13.6 (2016): 351-61.</text>
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              <text>Literature Compass 13.6 (2016)</text>
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              <text>Romaunt of the Rose</text>
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        <element elementId="114">
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            <name>Title</name>
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              <elementText elementTextId="2829747">
                <text>Personification and Embodied Emotional Practice in Middle English Literature.</text>
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                <text>Includes discussion of Sorrow in Rom, treating the poem as one that maps "an imaginative space in which to represent (and perhaps also elicit) emotion, one that interweaves emotional with embodied, sensory experience," and one that may "reflect the author's vision of how emotions work, particularly in relation to one another."</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Wuest, Charles.</text>
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              <text>Studies in Philology 113 (2016): 485-500.</text>
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              <text>Studies in Philology 113 (2016)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Parliament of Fowls&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 41:307</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829746">
              <text>2016</text>
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              <elementText elementTextId="2830296">
                <text>Chaucer's Enigmatic Thing in "The Parliament of Fowls."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830391">
                <text>Argues that the enigmatic "thing" thrice referred to in PF is a "structuring device" but also a "reflection on the process of translation, specifically Chaucer's translation of Boethius's 'Consolation of Philosophy'." PF depicts "translation as an activity inherently unstable and yet also productive."</text>
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              <name>Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2829733">
              <text>Obenauf, Richard.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2829734">
              <text>Dissertation Abstracts International A77.01 (2015): n.p.</text>
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            <elementText elementTextId="2829735">
              <text>Dissertation Abstracts International 77 (2015)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2829736">
              <text>Parliament of Fowls</text>
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          </elementTextContainer>
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        <element elementId="109">
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              <text>SAC 41:306</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2829738">
              <text>2015</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2829731">
                <text>Censorship and Intolerance in Medieval England.</text>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830590">
                <text>Considers PF and other works in a discussion of how "the roots of formal print censorship in England are to be found in earlier forms of intolerance."</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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              </elementTextContainer>
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          <elementTextContainer>
            <elementText elementTextId="2829725">
              <text>Moseley, C.W. R. D.</text>
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          </elementTextContainer>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2829726">
              <text>Critical Survey 29.3 (2017): 86-113.</text>
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          </elementTextContainer>
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          <name>Journal by Volume Number</name>
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              <text>Critical Survey 29 (2017)</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2829728">
              <text>Parliament of Fowls</text>
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          </elementTextContainer>
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          <name>Source</name>
          <description/>
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              <text>SAC 41:304</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2829730">
              <text>2017</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830297">
                <text>Contends that Chaucer is "expecting, indeed exploiting, the gap between the reception of a poem when it is heard socially and its afterlife as a text," when it is a different thing. Argues "that a poem's form is itself a way of communicating ideas."</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830298">
                <text>"Tu numeris elementa ligas": The Consolation of Nature's Numbers in "Parlement of Foulys."</text>
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          </element>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829717">
              <text>Judkins, Ryan R.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829718">
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        <element elementId="100">
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            <elementText elementTextId="2829719">
              <text>Enarratio 18 (2013)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2829720">
              <text>Parliament of Fowls</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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              <text>SAC 41:302</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2829722">
              <text>2013</text>
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            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830259">
                <text>"There came a hart in at the chamber door": Medieval Deer as Pets.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830591">
                <text>Surveys historical and literary evidence that deer were kept as pets in the Middle Ages, including discussion of deer parks and Nature's garden in PF, which "Chaucer's audience would almost certainly have understood as a deer park."</text>
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