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                  <text>Chaucer Bibliography Online</text>
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              <text>Wright, Herbert G.</text>
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              <text>London: University of London, Athlone, 1957.</text>
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              <text>xiv, 495 pp.</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Troilus and Criseyde&#13;
Knight and His Tale&#13;
Clerk and His Tale</text>
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              <text>mea; 7/4/2024</text>
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              <text>1957</text>
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                <text>Boccaccio in England: From Chaucer to Tennyson.</text>
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            <description>An account of the resource</description>
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                <text>Surveys the influence of Boccaccio's Italian and Latin works on English writers and literary tradition through the nineteenth century, with extensive analyses of Chaucer's uses of the "Teseida" in KnT, "Filostrato" in TC, and "Decameron" in ClT. Asserts that there is "no convincing internal evidence" for influence of the "Decameron" on CT more generally.</text>
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              <text>Pisanti, Tommaso.</text>
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              <text>Gilbert Tournoy, ed. Boccaccio in Europe: Proceedings of the Boccaccio Conference, Louvain, December 1975 (Leuvan: Leuvan University Press, 1977), pp. 196-208.</text>
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              <text>Boccaccio in Europe: Proceedings of the Boccaccio Conference, Louvain, December 1975.</text>
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              <text>Tournoy, Gilbert, ed.</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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          <elementTextContainer>
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              <text>mea 1/24/2013 No SAC</text>
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                <text>Boccaccio in Inghilterra Tra Medioevo e Rinascimento</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Surveys the nature and directness of Boccaccio's influence on English literature from Chaucer to the 1611 Authorized Version of the Bible, with emphasis on style.</text>
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              <text>Henríquez Ureña, Camila.</text>
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              <text>Camila Henríquez Ureña, Obras y apuntes, tomo VIII (Santa Domingo, Dominican Republic: BanReservas, 2006), pp. 150-60.</text>
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              <text>Canterbury Tales--General</text>
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          <elementTextContainer>
            <elementText elementTextId="2822719">
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            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2822713">
                <text>Boccaccio y Chaucer: Paisaje de Otoño en el medievo Europeo.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2822714">
                <text>Part of a nine-volume compilation of Henriquez Ureña's writings, describing CT and Boccaccio's Decameron; reissued as an e-book in 2011.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2791086">
              <text>Mitchell, John D., in collaboration with Donald Berwick and George Drew.</text>
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        <element elementId="98">
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              <text>John D. Mitchell and others. Men Stand on Shoulders (Key West, Fla.: Published by Institute for Advanced Studies in the Theatre Arts Press in association with Florida Keys Community College, 1996), pp. 1-71.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1995</text>
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              <text>Men Stand on Shoulders</text>
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        <element elementId="112">
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            <elementText elementTextId="2791090">
              <text>Berwick, Donald.</text>
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              <text>Drew, George.</text>
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        <element elementId="102">
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            <elementText elementTextId="2791093">
              <text>Troilus and Criseyde</text>
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            <elementText elementTextId="2791094">
              <text>Chaucer's Influence and Later Allusion</text>
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            <elementText elementTextId="2791095">
              <text>Sources, Analogues, and Literary Relations</text>
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              <text>Recordings and Films</text>
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          <elementTextContainer>
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              <text>mea 5/9/2013 No SAC</text>
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            <name>Title</name>
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              <elementText elementTextId="2791085">
                <text>Boccaccio-Chaucer-Shakespeare: Men of Renaissance: A Film Scenario</text>
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            <description>An account of the resource</description>
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                <text>A film script which combines "key lines and phrases" from Boccaccio's "Filostrato," TC, and Shakespeare's "Troilus and Cressida," interspersed with appearances of the three writers in moments of fictional biography. Re-tells the broad outlines of the traditional plot, and adds concern with literary tradition.  The Boccaccio and Chaucer quotations are given in their original language and in translation. A brief introduction (pp. v-xiii) describes the project, including "Notes to the Filming."</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
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              <text>Hanly, Michael G.</text>
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        <element elementId="98">
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              <text>Norman, Okla. : Pilgrim Books, 1990.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2701480">
              <text>1990</text>
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              <text>172 pp.</text>
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            <elementText elementTextId="2701485">
              <text>Troilus and Criseyde.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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        <element elementId="109">
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              <text>jules - 30-oct-94 SAC 14 (261)</text>
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                <text>Boccaccio, Beauvau, Chaucer : "Troilus and Criseyde": Four Perspectives on Influence</text>
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                <text>Investigates "topics relevant to the central question:  Did Chaucer use the 'Roman de Troyle' of Beauvau, Seneschal of Anjou," in the composition of TC?  Hanly reviews a number of candidates for authorship of the "Roman" and concludes that Chaucer may well have used the French source along with the "Filostrato."</text>
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                <text>Chapter 1 explores "the intellectual and political milieu of the late fourteenth century" to show that texts such as Beauvau's "Roman" would not have been unusual in Chaucer's time.  Chapter 2 examines historical evidence to conclude that authorship of the "Roman" cannot conclusively be attributed to the fifteenth-century Louis de Beauvau. </text>
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                <text>Chapter 3 analyzes linguistic parallels to hypothesize from "circumstantial evidence that Chaucer made use of Beauvau's French translation."  And chapter 4 looks at "texts, translations, and the theme of courtly love" in Beauvau's "Roman."</text>
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              <text>Utley, Francis Lee.</text>
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              <text>Western Folklore 33 (1974): 181-201.</text>
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              <text>Sources, Analogues, and LIterary Relations</text>
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              <text>Friar and His Tale</text>
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              <text>Reeve and His Tale</text>
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              <text>Clerk and His Tale</text>
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              <text>Merchant and His Tale</text>
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            <elementText elementTextId="2799734">
              <text>Franklin and His Tale</text>
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                <text>Boccaccio, Chaucer and the International Popular Tale</text>
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            <description>An account of the resource</description>
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                <text>Comments on the roles and methods of folklore study in literary criticism, arguing that international folktales are as important as elite narratives for understanding  and appreciating medieval literature. Discusses plots shared by Boccaccio and Chaucer (RvT, ClT, MerT, FranT, ShT) and assesses relations between FrT and an analogous Irish folktale. Also discusses the Proem to Book 4 of the "Decameron" and its analogues.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Hanning, Robert W.</text>
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              <text>Oxford: Oxford University Press, 2021.</text>
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              <text>xi, 359 pp.</text>
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              <text>Oxford Studies in Medieval Literature and Culture.</text>
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              <text>Canterbury Tales--General&#13;
Sources, Analogues, and Literary &#13;
Knight and His Tale&#13;
Miller and His Tale&#13;
Reeve and His Tale&#13;
Wife of Bath and Her Tale&#13;
Clerk and His Tale&#13;
Merchant and His Tale&#13;
Shipman and His Tale&#13;
Tale of Melibee&#13;
Manciple and His Tale</text>
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              <text>SAC 46:190</text>
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              <text>2021</text>
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                <text>Boccaccio, Chaucer, and Stories for an Uncertain World: Agency in the "Decameron" and the "Canterbury Tales."</text>
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                <text>Close comparative analysis of CT and Boccaccio's "Decameron," arguing that they present "pragmatic prudence" or "expediential calculation" as essential forms of human agency in negotiating limited knowledge, faulty perception, and cultural turmoil. Assesses storytelling as a "constitutive" cultural force in the "Decameron" and as "competitive" social exchange in CT, concentrating on how characters in both collections " 'deal with a chronically uncertain world, and with the formidable forces that create or perpetuate its uncertainty . . . to gain, maintain, or reclaim personal agency'." (original emphasis). Particular attention to KnT, MilPT, RvPT, MLPT, WBPT, ClPT, MerPT, ShT, Mel, and ManT.</text>
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              <text>Kellogg, Laura Dowell.</text>
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              <text>Dissertation Abstracts International 52 (1991): 909A.</text>
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              <text>1991</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Dissertation Abstracts International 52 (1991)</text>
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                <text>Boccaccio, Chaucer, and the Legendary Cressida</text>
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                <text>The narrators of Filostrato and TC, both selfishly motivated, create irony through their misconceptions of Cressida's traditional image.  Although Boccaccio's narrator distorts Boethius and Dante, Chaucer's narrator represents Criseyde's flaw as "lack of prudence" and revises the ending from condemnation of Criseyde to contemplation of mutability.</text>
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        <element elementId="110">
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              <text>Scaglione, Aldo.</text>
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              <text>David Daiches and Anthony Thorlby, eds. Literature and Western Civilization, II: The Medieval World (London: Aldus, 1973), pp. 579-600.</text>
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              <text>1973</text>
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            <elementText elementTextId="2787633">
              <text>Literature and Western Civilization, II: The Medieval World.</text>
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              <text>Daiches, David, ed.</text>
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              <text>Thorlby, Anthony, ed.</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>Chaucer's Life</text>
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              <text>mea 4/18/2013 No SAC</text>
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                <text>Boccaccio, Chaucer, and the Mercantile Ethic</text>
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                <text>Sketches the rise of mercantilism in medieval Europe, and details the presence of the "bourgeois spirit" in Boccaccio's "Decameron" and Chaucer's CT, evident in realism, economic motivation, and challenges to aristocratic privilege. Similar in their mercantile ethic, the two authors differ in their willingness to accept (Boccaccio) or reject (Chaucer) the separation of moral and aesthetic judgments.</text>
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                <text>Reprinted in Aldo Scaglione. Essays on the Arts of Discourse: Linguistics, Rhetoric, Poetics, edited by Paolo Cherchi, Stephen Murphy, Allen Mandelbaum, and Giuseppe Velli (New York: Peter Lang, 1998), pp. 121-38.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2712913">
              <text>Morgan, Gerald.</text>
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        <element elementId="98">
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              <text>Chaucer Review 20 (1986): 285-306.</text>
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        <element elementId="114">
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            <elementText elementTextId="2712915">
              <text>1986</text>
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              <text>Franklin and His Tale.</text>
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              <text>Chaucer Review 20 (1986)</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2712920">
              <text>jules SAC 10 (183)</text>
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                <text>Boccaccio's 'Filocolo' and the Moral Argument of the 'Franklin's Tale'</text>
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                <text>If we recall the Thomistic distinctions among vows, oaths, and promises and if we focus on action rather than on character, the long complaints in FranT can be seen as essential to the structure rather than as excrescences.</text>
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              <text>Kellogg, Laura D.</text>
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              <text>New York: Peter Lang, 1996.</text>
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            <elementText elementTextId="2746192">
              <text>1995</text>
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            <elementText elementTextId="2746193">
              <text>xi, 144 pp.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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          <elementTextContainer>
            <elementText elementTextId="2746197">
              <text>Studies in the Humanities, no. 16.</text>
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                <text>Assesses Boccaccio's and Chaucer's attitudes toward their sources by examining the relations of their narrators with Cressida in "Filostrato" and TC.  Cressida's legendary status as dishonest and inconstant had been established before Boccaccio and Chaucer were writing, but other antecedents are reflected in her character. Cressida's literary heritage owes much to female characterizations in Virgil and Ovid, as well as to Dante's readings of Virgil and Ovid, all of which provide compelling models for the Cressida of the High Middle Ages.</text>
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  <item itemId="263565" public="1" featured="0">
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          <elementTextContainer>
            <elementText elementTextId="2715904">
              <text>Abshear-Seals, Lisa.</text>
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              <text>Spectrum 27 (1985): 25-32.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2715906">
              <text>1985</text>
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              <text>Troilus and Criseyde.</text>
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              <text>jules SAC 09 (240)</text>
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                <text>Boccaccio's Criseida and Chaucer's Criseyde</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2715907">
                <text>A comparison of Criseida and Criseyde.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2777407">
              <text>Heffernan, Carol Falvo.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Florilegium 22 (2005): 105-20.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2777409">
              <text>2005</text>
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            <elementText elementTextId="2777411">
              <text>Pardoner and His Tale</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>vxl SAC 31:246</text>
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                <text>Boccaccio's Decameron 6.10 and Chaucer's Canterbury Tales VI.287-968: Thinking on Your Feet and the Set-Piece</text>
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                <text>Cipolla's tale concludes a set of stories focusing on wit, and PardT ends a fragment that precedes one centered on poetic language. The tales of both speakers coincide in "genre, character, theme, and placement," even though Cipolla improvises his story and the Pardoner relies on a set text.</text>
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              <text>Ginsberg, Warren.</text>
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              <text>Suzanne Conklin Akbari and James Simpson, eds. The Oxford Handbook of Chaucer (Oxford: Oxford University Press, 2020), pp. 303-24.</text>
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            <elementText elementTextId="2839556">
              <text>Oxford Handbook of Chaucer</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839557">
              <text>Sources, Analogues, and Literary Relations</text>
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          <description/>
          <elementTextContainer>
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              <text>mea; SAC 44:47</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839559">
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2839553">
                <text>Treats Boccaccio's romances, concentrating on "Filostrato" and "Teseida," "as if they were intralingual translations,' by analyzing the collusion and contravention of the narratives' aims by their own prologues. These prologues, apparently unknown or ignored by Chaucer, "nevertheless produced poems that are [Walter] Benjamin-like translations of them."</text>
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                <text>Boccaccio's Early Romances.</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2750271">
              <text>Beric, Boris.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750272">
              <text>REAL 23.2: 77-90,   1998.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750273">
              <text>1998</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750275">
              <text>Troilus and Criseyde.</text>
            </elementText>
            <elementText elementTextId="2750276">
              <text>Sources, Analogues, and Literary Relations.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750277">
              <text>RE Arts &amp; Letters: A Liberal Arts Forum 23 (1998)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750278">
              <text>jules SAC 23 (242)</text>
            </elementText>
          </elementTextContainer>
        </element>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750270">
                <text>Boccaccio's Il Filostrato and Chaucer's Troilus and Criseyde : The Game of Fiction and Actual Life</text>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750274">
                <text>Assesses the Proem to Boccaccio's Il Filostrato as a source for TC: the artist's "dual-self of helpless lover and ingenious artist" is split between Troilus and Pandarus, and Boccaccio's two ladies, Filomena and Criseis, "are first merged and later separated in the character of Criseyde."</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2774000">
              <text>Schöpflin, Karin.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2774001">
              <text>Romanistisches Jahrbuch 42 (1991): 136-49.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2774002">
              <text>1991</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2774004">
              <text>Clerk and His Tale.</text>
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            <elementText elementTextId="2774005">
              <text>Sources, Analogues, and Literary Relations.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2774006">
              <text>Romanistisches Jahrbuch 42 (1991)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2774007">
              <text>vxl sac 30:218</text>
            </elementText>
          </elementTextContainer>
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              <elementText elementTextId="2773999">
                <text>Boccaccios Griselda und Hiob</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2774003">
                <text>A detailed comparison of the Job story and Boccaccio's Decameron 10.10. Boccaccio's novella is seen as a variation of the biblical Job story that lacks the justification of God's divine attributes. Schöpflin argues that Boccaccio and subsequent authors such as Petrarch and Chaucer modeled their versions of the Griselda story on this interpretation of Job.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2848872">
              <text>Johnson, Matthew.</text>
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        <element elementId="98">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848873">
              <text>Medieval Archeology 64 (2020): 302-29.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848874">
              <text>Medieval Archeology 64 (2020)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2848875">
              <text>Canterbury Tales--General&#13;
General Prologue to the Canterbury Tales&#13;
Knight and His Tale&#13;
Miller and His Tale&#13;
Reeve and His Tale</text>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
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              <text>SAC 46:196</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848877">
              <text>2020</text>
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          <element elementId="50">
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            <elementTextContainer>
              <elementText elementTextId="2848870">
                <text>Bodiam Castle and "The Canterbury Tales": Some Intersections.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2848871">
                <text>Argues that CT (specifically GP, KnT, MilT, and RvT) and Bodiam Castle "converge as ideological constructions," comparing the lives of Chaucer and Sir Edward Dallingridge (builder of Bodiam)--both witnessed at the Scrope vs. Grosvenor trial--and connecting "the anxieties, tensions, gaps, silences and contradictions that lie below the surface of the formal, normative values" of their works. Posits that Dallingridge may underlie aspects of the characterization of Chaucer's Knight.</text>
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              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738976">
              <text>Lomperis, Linda.</text>
            </elementText>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738977">
              <text>Romanic Review 86 (1995): 243-64.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738978">
              <text>1995</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738982">
              <text>Miller and His Tale.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2738983">
              <text>Romanic Review 86 (1995)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738984">
              <text>jules SAC 19 (1997) - 176</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2738975">
                <text>Bodies that Matter in the Court of Late Medieval England and in Chaucer's 'Miller's Tale'</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2738979">
                <text>In MilT, identity is a matter of theatrical impersonation, encouraging the audience to recognize that Alisoun is depicted as a man playing a woman.</text>
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              <elementText elementTextId="2738980">
                <text>  This cross-gendering capitalizes on contemporary fashion and homosexuality in the court of Richard II to suggest that Nicholas and Alisoun engage in homosexual relations and that Absolon recognizes Alisoun's true gender at the moment of the misdirected kiss.</text>
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              <elementText elementTextId="2738981">
                <text>  Through MilT, Chaucer critiques the self-fashioning nature of Richard's court.</text>
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                  <text>Chaucer Bibliography Online</text>
                </elementText>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2740490">
              <text>Edwards, A. S. G.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2740491">
              <text>Stephen G. Nichols and Siegfried Wenzel, eds.  The Whole Book:  Cultural Perspectives on the Medieval Miscellany (Ann Arbor: University of Michigan Press, 1996), pp. 53-67.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2740492">
              <text>1996</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2740493">
              <text>The Whole Book: Cultural Perspectives on the Medieval Miscellany.</text>
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          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2740495">
              <text>Manuscripts and Textual Studies.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2740496">
              <text>jules SAC 20 (1998), 19</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2740489">
                <text>Bodleian Library MS Arch. Selden B.24: A 'Transitional' Collection</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2740494">
                <text>Examines various aspects of late-medieval manuscript compilation in light of Selden B.24, a "transitional collection" that extends the Chaucerian canon and connects with the emerging print culture.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2723680">
              <text>Norton-Smith, John, intro.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2723681">
              <text>London: Scolar Press, 1979.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2723682">
              <text>1979</text>
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        <element elementId="99">
          <name>Physical Description</name>
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          <elementTextContainer>
            <elementText elementTextId="2723683">
              <text>688 pp; 2 plates.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2723686">
              <text>Facsimiles, Editions, and Translations.</text>
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        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2723687">
              <text>Variorum Chaucer Facsimile Series.</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2723688">
              <text>mea SAC 05 (10).</text>
            </elementText>
          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2723679">
                <text>Bodleian Library MS Fairfax 16</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2723684">
                <text>The fifteenth-century MS Fairfax 16, considered the finest of the Oxford Group of Chaucer manuscripts, contains BD, HF, Anel, Mars, and PF.  Regarding the frontispiece, a mythological illumination for Mars, Norton-Smith advances a new theory of artistic composition.</text>
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                <text>A facsimile.</text>
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  </item>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2752568">
              <text>Boffey, Julia,and A. S. G. Edwards.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2752569">
              <text>Thomas A. Prendergast and Barbara Kline, eds. Rewriting Chaucer: Culture, Authority, and the Idea of the Authentic Text, 1400-1602 (Columbus: Ohio State University Press, 1999), pp. 3-13.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2752570">
              <text>1999</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2752571">
              <text>Rewriting Chaucer: Culture, Authority, and the Idea of the Authentic Text, 1400-1602.</text>
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          </elementTextContainer>
        </element>
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          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2752573">
              <text>Manuscripts and Textual Studies.</text>
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            <elementText elementTextId="2752574">
              <text>Style and Versification.</text>
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            <elementText elementTextId="2752575">
              <text>Language and Word Studies.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2752576">
              <text>jules SAC 23 (25)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2752567">
                <text>Bodleian MS Arch. Selden. B. 24 and the 'Scotticization' of Middle English Verse</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2752572">
                <text>Assesses orthographic and lexical "Scottishisms" and their effects on meter in the poems of Bodleian MS Arch Selden B. 24, including TC, PF, LGW, CT, Truth, and poems by Hoccleve, Lydgate, and others. The density of such Scottishisms is generally "variable and relative, open to extension and intensification," although there is some evidence of increased "Scottification" in manuscripts copied later than Selden B. 24.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2746914">
              <text>Costomiris, Robert.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2746915">
              <text>The Library, 6th ser., 20 (1998): 99-117.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2746916">
              <text>1998</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2746918">
              <text>Chaucerian Apocrypha.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2746919">
              <text>Library, 6th ser., 20 (1998)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2746920">
              <text>jules SAC 22 - 335.</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2746913">
                <text>Bodleian MS Tanner 346 and William Thynne's Editions of Clanvowe's 'Cuckoo and the Nightingale'</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2746917">
                <text>Uses correspondences between the Tanner texts of Clanvowe's poem and that printed in Thynne's 1532 edition of Chaucer to argue that Thynne's dependence on this manuscript was greater than scholars have avowed.</text>
              </elementText>
            </elementTextContainer>
          </element>
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    </elementSetContainer>
  </item>
  <item itemId="275160" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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              </elementTextContainer>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832935">
              <text>Štrmelj, Lidija.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832936">
              <text>In Gert Hofmann and Snježana Zorić, eds. Presence of the Body: Awareness in and beyond Experience (Boston, Mass.: Brill Rodopi, 2017), pp. 77-91. </text>
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          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832937">
              <text>Hofmann, Gert, ed.&#13;
Zorić, Snježana, ed.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832938">
              <text>Presence of the Body: Awareness in and beyond Experience.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832939">
              <text>Wife of Bath and Her Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832940">
              <text>mea; SAC 42:147</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832941">
              <text>2017</text>
            </elementText>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2832933">
                <text>Body and Awareness as Reflected in the Wife of Bath: A Historical Study Based on "Chaucer's Canterbury Tales."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2832934">
                <text>Characterizes the Wife of Bath as "full of life and energy," with a "material" rather than a "romantic" view of marriage, based in her "sexual instincts." Summarizes the GP description of the Wife as well as that in WBP, offers a Freudian analysis modeled on Herbert Marcuse, and concludes that the character "possessed and boldly expressed bodily awareness."</text>
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  <item itemId="268220" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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            </element>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763014">
              <text>Choi, Yejung.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763015">
              <text>Feminist Studies in English Literature 10 (2002): 223-44</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763016">
              <text>2002</text>
            </elementText>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763018">
              <text>Man of Law and His Tale.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763019">
              <text>Feminist Studies in English Literature (Korean Society for Feminist Studies in English Literature) 10 (2002): 223-44.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763020">
              <text>mea SAC 26:205</text>
            </elementText>
          </elementTextContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2763013">
                <text>Body and Text in Chaucer's Man of Law's Tale</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2763017">
                <text>Choi explores the relationship between body and text in medieval hermeneutics. arguing that MLT represents the uncontrollable signification of the text and reveals how textual transmission becomes a process of textual transgression.</text>
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          </element>
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  <item itemId="266774" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2748016">
              <text>Blum, Martin Albert.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2748017">
              <text>Dissertation Abstracts International 59 (1998): 163A.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2748018">
              <text>1998</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2748020">
              <text>Background and General Criticism.</text>
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            <elementText elementTextId="2748021">
              <text>Man of Law and His Tale.</text>
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            <elementText elementTextId="2748022">
              <text>Legend of Good Women.</text>
            </elementText>
            <elementText elementTextId="2748023">
              <text>Miller and His Tale.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2748024">
              <text>Dissertation Abstracts International 59 (1998)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2748025">
              <text>jules SAC 22 - 100.</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
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      <elementSet elementSetId="1">
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2748015">
                <text>Body Politics : Otherness and Representation of Bodies in Late Medieval Writings</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Examines various ways gender, ethnicity, and disease interact with social class in selected texts.  In MLT, race is less important than place in salvation history.  The tale of Lucrece (LGW) seeks to keep women virginal for marital traffic.  Erotic fabliaux like MilT warn elite young men of transgressive boundaries.  Blum also discusses leprosy in Henryson's "Cresseid".</text>
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