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              <text>Kempf, Elisabeth.</text>
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              <text>Boston, Mass.: De Gruyter, 2017.</text>
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              <text>x, 208 pp.; illus. </text>
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              <text>mea; SAC 42:45</text>
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                <text>Performing Manuscript Culture: Poetry, Materiality, and Authorship in Thomas Hoccleve's "Regement of Princes." </text>
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                <text>Examines questions of autobiography, authorship, legacy, and the "Fürstenspiegel" genre in Thomas Hoccleve's "Regiment of Princes," with attention to its manuscript presentations and to its images of Chaucer and of Hoccleve himself, discussing the "minor differences" in the versions of the Chaucer portraits and their "major consequences for the text-image relation." Includes comments on the putative accuracy of Hoccleve's portrait of Chaucer, other portraits of him, and a "clear reference" to the Wife of Bath in Hoccleve's poem. Based on the author's 2014 dissertation, Freie Universität.</text>
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              <text>Hughes, Jacob Alden.</text>
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              <text>Dissertation Abstracts International A75.11 (2015): n.p. </text>
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              <text>mea; SAC 42:43</text>
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            <elementText elementTextId="2831997">
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                <text>Shakespeare's Chaucerian Entertainers.</text>
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                <text>Identifies characters throughout Shakespeare's canon who "process and engage Chaucer's ideas on theater, authorship and performance," and demonstrate "how Chaucer's poetry is relevant to drama and theatricality."</text>
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              <text>Groves, Beatrice.</text>
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              <text>Beatrice Groves, Literary Allusion in "Harry Potter" (New York: Routledge, 2017), pp. 38-59. </text>
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              <text>Literary Allusion in "Harry Potter."</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Pardoner and His Tale</text>
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              <text>mea; SAC 42: 42</text>
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            <elementText elementTextId="2831989">
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                <text>Harry Potter's Medieval Hallows: Chaucer and the "Gawain"-Poet.</text>
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                <text>Argues that the most "tempting objects" in J. K. Rowling's "Deathly Hallows" derive in part from the girdle in "Sir Gawain and the Green Knight"; the "thirty pieces of silver that persuade" the biblical Judas to betray Jesus; and the "deadly pile of gold" in PardT, the latter being the "direct source" of the Rowling chapter titled "Tale of the Three Brothers," with variants derived from the "Buddhist folk tradition" and fairy tales.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2831976">
              <text>Espie, Jeff.</text>
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            <elementText elementTextId="2831977">
              <text>Spenser Studies 31-32 (2017): 243-71. </text>
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              <text>Spenser Studies 31-32 (2017)</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Troilus and Criseyde</text>
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              <text>mea; SAC 42:41</text>
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          <name>Date</name>
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            <elementText elementTextId="2831981">
              <text>2017</text>
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            <name>Title</name>
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              <elementText elementTextId="2831974">
                <text>"(Un)couth: Chaucer, The Shepheardes Calender, and the Forms of Mediation.</text>
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            <description>An account of the resource</description>
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                <text>Explores how Tudor editions of Chaucer and works by John Gower and John Lydgate "mediate" the presentation of Chaucer and his "authorial identity" in Edmund Spenser's "Shepheardes Calender," arguing that Spenser depicts Chaucer not only as the preeminent gifted English poet, but also as the translator, interpreter, and mediator of the traditions that went before him--a "go-between" who is a "partner of Pandarus."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Duffy, Carol Ann. With illustrations by Stephen Raw. </text>
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              <text>London: Picador, 2014.</text>
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            <elementText elementTextId="2831968">
              <text>40 pp.; color illus.</text>
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              <text>Raw, Stephen, illus.</text>
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          <name>Alternative Title</name>
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            <elementText elementTextId="2831970">
              <text>Chaucer's Valentine, for Nia.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Parliament of Fowls</text>
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            <elementText elementTextId="2831972">
              <text>mea; SAC 42:40</text>
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          <name>Date</name>
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            <elementText elementTextId="2831973">
              <text>2014</text>
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                <text>Ritual Lighting: Laureate Poems.</text>
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              <elementText elementTextId="2831965">
                <text>Includes a lyric poem entitled "Chaucer's Valentine, for Nia," which opens by quoting lines 1–2 of PF.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Drimmer, Sonja.</text>
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              <text>Exemplaria 29.3 (2017): 175-94. 7 color illus.</text>
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              <text>Exemplaria 29 (2017)</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>mea; SAC 42:39</text>
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            <name>Title</name>
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              <elementText elementTextId="2831957">
                <text>The Manuscript as an Ambigraphic Medium: Hoccleve's Scribes, Illuminators, and Their Problems.</text>
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                <text>Argues that medieval "media consciousness," despite the lack of "verbal declarations of such awareness," is evident in the text-image relations of the Chaucer portrait in manuscripts of Thomas Hoccleve's "Regiment of Princes," coining the term "ambigraphic" to characterize the "ontological complexity" of Hoccleve's "self-referential" text and the features of its presentation that are simultaneously original and copied.</text>
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              <name>Title</name>
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              <text>Crews, Michael Lynn.</text>
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              <text>Austin: University of Texas Press, 2017.</text>
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                <text>Describes the "audacity and intensity" of Spenser's debt to Chaucer, considering the later poet's archaisms, his allusions to and quotations of Chaucer (particularly in "The Faerie Queene"), and the importance of Chaucer to Spenser's English "identity."</text>
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Knight and His Tale</text>
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                <text>Considers KnT and TC vis-à-vis Robert Henryson's "Testament of Cresseid" as part of a discussion of pain and love in chapter three.</text>
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              <text>Ascari, Maurizio. </text>
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Facsimiles, Editions, and Translations</text>
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              <text>In Miren Lacassagne, ed. Le rayonnement de la cour des premiers Valois à l'époque d'Eustache Deschamps (Paris: Presses de l'Université Paris-Sorbonne, 2017), pp. 69-79, 183-91. </text>
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Lyrics and Short Poems&#13;
Adam Scriveyn&#13;
Truth&#13;
Complaint of Chaucer to His Purse&#13;
Chaucerian Apocrypha</text>
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                <text>Explores the influence of Eustache Deschamps on the development of non-musical fixed forms in the English lyric tradition, commenting on poems from Oxford, Bodleian Library, MS Rawlinson D. 913; the poems of "Ch"; and works by Chaucer and John Gower, including Adam, Truth, and Purse, provided in appendices.</text>
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Treatise on the Astrolabe</text>
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Tale of Melibee&#13;
ABC&#13;
Complaint of Chaucer to His Purse&#13;
Complaint of Venus&#13;
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                <text>Looks at Lydgate's Parisian poems with a focus on "Pilgrimage of the Life of Man." Aims to define and construct "virtual coteries" and identify connections between Lydgate's coteries and the poetry of Gower and Chaucer. Refers to Mel, ABC, Purse, and Ven.</text>
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              <text>Olson, Glending.</text>
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              <text>Journal of English and Germanic Philology 117 (2018): 185–211. </text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Reeve and His Tale&#13;
Clerk and His Tale&#13;
Troilus and Criseyde</text>
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              <text>mea; SAC 42:29</text>
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              <text>2018</text>
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                <text>Snub and White: Chaucer, Logic, and Strode.</text>
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            <description>An account of the resource</description>
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                <text>Proposes using a more philosophical reading of RvT to enhance understanding of Chaucer's "academic knowledge and his relationship with Ralph Strode." An academic joke in RvT relies on snubness and whiteness as stock examples of inseparable and separable accidents. Symkyn's nose is inseparable from its snubness, but his wife misidentifies a "white thyng" (RvT, 4301) because whiteness is a separable accident. Argues that logician Ralph Strode may be Chaucer's source for this allusion; for the insult "swynes-heed" (4262); and for the logic-related terms "impertinent" (ClP, 54) and "at dulcarnoun" and "flemyng of wrecches" (TC, III.31, 33), which are academic nicknames for the Pythagorean theorem and the first difficult geometric proof.</text>
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              <text>Hill, John M.</text>
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              <text>Lanham, MD: Lexington Books, 2018.</text>
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              <text>xiii, 201 pp. </text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Troilus and Criseyde&#13;
Legend of Good Women&#13;
Canterbury Tales--General</text>
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            <elementText elementTextId="2831889">
              <text>mea; SAC 42:28</text>
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            <elementText elementTextId="2831890">
              <text>2018</text>
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            <name>Title</name>
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              <elementText elementTextId="2831883">
                <text>Chaucer's Neoplatonism: Varieties of Love, Friendship, and Community. </text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2831884">
                <text>Explores examples of "friendship, felicity or joy, love, fellowship, and 'compaignye' (company, companionship, community)" in Chaucer's works through a Neoplatonic lens. Focuses on "Chaucer's Boethianism" by offering perspectives on Chaucer's own philosophical search for truth in his works. Emphasizes how his reliance on Boethius's "Consolation of Philosophy" helped to shape Chaucer's philosophy and characters in CT, TC, and LGWP.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Gastle, Brian.</text>
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            <elementText elementTextId="2831878">
              <text>In Ana Sáez-Hidalgo, Brian Gastle, and R. F. Yeager, eds. The Routledge Research Companion to John Gower (New York: Routledge, 2017), pp. 296-310. </text>
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              <text>The Routledge Research Companion to John Gower.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2831880">
              <text>Sources, Analogues, and Literary Relations&#13;
Wife of Bath and Her Tale&#13;
Man of Law and His Tale&#13;
Legend of Good Women</text>
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            <elementText elementTextId="2831881">
              <text>mea; SAC 42:27</text>
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            <elementText elementTextId="2831882">
              <text>2017</text>
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              <elementText elementTextId="2831875">
                <text>Gower and Chaucer.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2831876">
                <text>Describes four aspects of the critical tradition of exploring relations between Gower's and Chaucer's poetry--"biography, common literary sources and analogues [especially in WBT, MLT, and Philomela in LGW], thematic issues, and poetics/style"--surveying the field and commending studies that consider how the poets' "union allows us greater understanding of their respective works and their literary environment," rather than preferring one poet over the other.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Sáez-Hidalgo, Ana, Brian Gastle, and R. F. Yeager, eds. </text>
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              <text>New York: Routledge, 2017. </text>
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              <text>xvii, 401 pp. </text>
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              <text>Gastle, Brian, ed.&#13;
Yeager, R. F., ed.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2831872">
              <text>Bckgrounds and General Criticism</text>
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            <elementText elementTextId="2831873">
              <text>mea; SAC 42:97</text>
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          <elementTextContainer>
            <elementText elementTextId="2831874">
              <text>2017</text>
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              <elementText elementTextId="2831866">
                <text>The Routledge Research Companion to John Gower. </text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2831867">
                <text>Includes twenty-six essays by various authors that entail "comprehensive discussions of recent and current scholarship" on Gower and his works, arranged in three broad categories: working theories, material culture, and polyvocality. Each essay surveys critical trends in its given topic and, where appropriate, "suggests possibilities for future work." The volume includes a comprehensive index, with numerous references to Chaucer. For an essay that pertains to Chaucer, search for The Routledge Research Companion to John Gower under Alternative Title.</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Galloway, Andrew.</text>
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        <element elementId="98">
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            <elementText elementTextId="2831859">
              <text>In John F. Miller and Carole E. Newlands, eds. A Handbook to the Reception of Ovid (Chichester: Wiley, 2014), pp. 187-201. </text>
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              <text>MIller, John F., ed&#13;
Newlands, Carole E, ed.</text>
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          <elementTextContainer>
            <elementText elementTextId="2831861">
              <text>A Handbook to the Reception of Ovid.</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2831862">
              <text>Sources, Analogues, and Literary Relations</text>
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          <elementTextContainer>
            <elementText elementTextId="2831863">
              <text>mea; SAC 42:26</text>
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          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2831864">
              <text>2014</text>
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              <elementText elementTextId="2831856">
                <text>Ovid in Chaucer and Gower.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2831857">
                <text>Surveys texts by and about Ovid that Chaucer and Gower "might have used," arguing that the influence of Ovid was pervasive, complex, and crucial to the "careers and poetic self-fashioning" of both medieval poets, a model of poetic authority for them. Shows where and how, throughout his career, "Chaucer shapes his poetic identity and persona in a wry distortion of Ovid as 'praeceptor' or 'magister amoris'."</text>
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              <text>Desmond, Marilyn.</text>
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              <text>In John F. Miller and Carole E. Newlands, eds. A Handbook to the Reception of Ovid (Chichester: Wiley-Blackwell, 2014), pp. 161-73. </text>
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              <text>Miller, John F., ed.&#13;
Newlands, Carole E., ed.</text>
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          <name>Chaucer Subject</name>
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              <text>Sources, Analogues, and LIterary Relations&#13;
Wife of Bath and Her Tale&#13;
House of Fame&#13;
Troilus and Criseyde&#13;
Legend of Good Women&#13;
Monk and His Tale</text>
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            <elementText elementTextId="2831854">
              <text>mea; SAC 42:25</text>
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              <text>2014</text>
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              <text>A Handbook to the Reception of Ovid.</text>
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                <text>Venus's Clerk: Ovid's Amatory Poetry in the Middle Ages.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2831849">
                <text>Surveys the impact on medieval poetry of Ovid as a love poet, including comments on Chaucer's use of "Ars amatoria" in WBP, where Ovid's "erotic poetics" are "domesticated" and the reception of his poem reaches its "zenith." Central to "Chaucerian poetics," "Heroides" has "left traces throughout" Chaucer's corpus, in TC, LGW, MLT, and HF.</text>
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              <text>Davis, Rebecca.</text>
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              <text>Oxford: Oxford University Press, 2016.</text>
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              <text>xiv, 272 pp. </text>
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              <text>Sources, Analogues, and Literary Relations&#13;
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              <text>mea; SAC 42:24</text>
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                <text>"Piers Plowman" and the Books of Nature. </text>
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                <text>Presents Chaucer's and Langland's representations of the natural world, reading "Langland's treatment of nature alongside Chaucer's as an expression of a continuous though diverse tradition of humanism." Chapter 1 focuses on nature in PF.</text>
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              <text>In R. Barton Palmer and Burt Kimmelman, eds. Machaut's Legacy: The Judgment Poetry Tradition in the Later Middle Ages and Beyond (Gainesville: University Press of Florida, 2017), pp. 89-138.</text>
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              <text>Machaut's Legacy.</text>
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              <text>Legend of Good Women&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; SAC 42:212</text>
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                <text>The Machaut Map: Geoffrey Chaucer, Christine de Pizan, the Diegetic Self, and Pre-Renaissance Individualism in Northern Europe.</text>
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                <text>Studies the development of "poetic self-assertions" and "authorship poetics" in late medieval poetry, concentrating on Guillaume de Machaut's influence on Chaucer in LGWP and on Christine de Pizan. Comments on the legacies of Dante, Petrarch, and others, and explores the functions of literary personae; mirror imagery and mise en abîme effects; patronage; political contexts; books as objects; and private reading in the growth of the "cultural capital" of the poetic self, an aspect of rising humanism.</text>
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              <text>Strakhov, Elizaveta.</text>
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              <text>In R. Barton Palmer and Burt Kimmelman, eds. Machaut's Legacy: The Judgment Poetry Tradition in the Later Middle Ages and Beyond (Gainesville: University Press of Florida, 2017), pp. 139-64.</text>
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              <text>Machaut's Legacy</text>
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              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations&#13;
Chaucer's Life&#13;
Squire and His Tale&#13;
Anelida and Arcite&#13;
Against Women Unconstant</text>
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              <text>mea; SAC 42:206</text>
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                <text>True Colors: The Significance of Machaut's and Chaucer's Use of Blue to Represent Fidelity.</text>
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                <text>Considers Machaut's and Chaucer's uses of blue and green symbolism in relation to late medieval "armorial bearings disputes" to investigate the poets' concern with "issues surrounding the legibility of identity." Comments on color symbolism in SqT, Anel, and Wom Unc; examines Chaucer's disposition in the Scrope v. Grosvenor heraldic trial and related legal materials; and analyzes HF for the ways Fame's court reveals Chaucer's distrust of "fundamentally fallible external sign[s]" and the contingencies of public identity, also evident in Machaut's works.</text>
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              <text>In R. Barton Palmer and Burt Kimmelman, eds. Machaut's Legacy: The Judgment Poetry Tradition in the Later Middle Ages and Beyond (Gainesville: University Press of Florida, 2017), pp. 271-96.</text>
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              <text>Machaut's Legacy.</text>
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Sources, Analogues, and Literary Relations</text>
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              <text>mea; SAC 42:30</text>
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                <text>Authorial Second Lives: Machaut, Chaucer, and Philip Roth.</text>
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                <text>Reviews and extends arguments for recognizing the intertextual relations of Chaucer's LGW and the works of Guillaume de Machaut, emphasizing their explorations of the "poetics of authorship." Extends this notion to the fiction of Philip Roth and suggests that such self-consciousness derives from the "cultural moment" of authorial celebrity that enables these writers--medieval and modern--to explore and exploit "textual second lives" in their narratives.&#13;
</text>
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              <text>Burke, Linda.</text>
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              <text>In R. Barton Palmer and Burt Kimmelman, eds. Machaut's Legacy: The Judgment Poetry Tradition in the Later Middle Ages and Beyond (Gainesville: University Press of Florida, 2017), pp. 192-216. </text>
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              <text>Machaut's Legacy.</text>
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Sources, Analogues, and Literary Relations</text>
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              <text>mea; SAC 42:23</text>
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                <text>Bohemian Gower: "Confessio Amantis," Queen Anne, and Machaut's Judgment Poems.</text>
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                <text>Reiterates traditional discussions of similarities between LGW and John Gower's "Confessio Amantis," develops recent arguments of the importance of Anne of Bohemia to both poems (emphasizing Gower's), and uses these connections and others to argue that the "Confessio"--like LGW--was powerfully influenced by Guillaume de Machaut's "Jugement dou roi de Navarre."</text>
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              <text>Palmer, R. Barton, and Burt Kimmelman, eds. </text>
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              <text>Gainesville: University Press of Florida, 2017.</text>
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              <text>xxviii, 308 pp.; 8 b&amp;w illus.</text>
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              <text>Kimmelman, Burt, ed.</text>
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              <text>mea; SAC 42:31</text>
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                <text>Ten essays by various authors treat the impact and legacy of Guillaume de Machaut's works, especially "his judgment series" of poems, and the ways they influence writers from Chaucer and John Gower to Marcel Proust and Philip Roth. For four essays that pertain to Chaucer, search for Machaut's Legacy under Alternative Title.</text>
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