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              <text>Ağıl, Nazmi, trans.</text>
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              <text>Istanbul: Yapi Kredi, 1994.</text>
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              <text>Kazim Taskent Klasik Yapitlar Dizisi, no. 12.</text>
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              <text>mea; 10/28/20</text>
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                <text>Canterbury Hikayeleri [Canterbury Tales].</text>
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                <text>Item not seen. WorldCat records indicate that this is a translation of CT into Turkish.</text>
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              <text>Botelho, José Francisco, trans.</text>
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Canterbury Tales--General</text>
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              <text>Companhia Das Letras.</text>
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                <text>Contos da Cantuária.</text>
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              <text>Mahdipour, Alireza, trans.</text>
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              <text>Tehran: Cheshmeh, 2009.</text>
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Canterbury Tales--General</text>
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                <text>Selected Canterbury Tales.</text>
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                <text>Translation of selections from CT into Farsi verse. Item not listed in WorldCat; item not seen.</text>
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              <text>Peck, Russell A.</text>
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              <text>PMLA 90 (1975): 461-68.</text>
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              <text>Background and General Criticism&#13;
Miller and His Tale&#13;
Prioress and Her Tale&#13;
Adam Scriveyn</text>
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                <text>Compares relations between cosmology and psychology in medieval and modern understandings of poetry, emphasizing the concentric and expanding perspectives prompted by Middle English imagery and world views, exemplified in several lyrics. Includes comments on Biblical imagery in MilT, audience responsibility in PrP, and the scribe as an analogue to the Edenic Adam in Adam Scriveyn.</text>
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              <text>Harris, Kate.</text>
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              <text>Transactions of the Cambridge Bibliographical Society 8 (1983): 299-333.</text>
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                <text>The Origins and Make-up of Cambridge University Library MS Ff.1.6.</text>
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            <description>An account of the resource</description>
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                <text>Surveys what is known and what can be inferred about the origins of the so-called Findern manuscript, its scribes, manuscript affiliations, and codicological features, with recurrent comments on the works by Chaucer that are anthologized in it (PF, Purse, Pity, Venus, and extracts from LGW and Anel). Includes three appendices: the first describes the collation of the manuscript. the second accounts its watermarks, and the third lists its scribes.</text>
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              <text>Galloway, Andrew.</text>
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              <text>In Richard W. Kaeuper, Paul Dingman, and Peter Sposato, eds. Law, Governance, and Justice: New Views on Medieval Constitutionalism (Leiden: Brill, 2013), pp. 243-86.</text>
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              <text>Kaeuper, Richard W., ed.&#13;
Dingman, Paul, ed. &#13;
Sposato, Peter, ed.</text>
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              <text>Parliament of Fowls&#13;
Knight and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 10/19/20</text>
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                <text>The Common Voice in Theory and Practice in Late Fourteenth Century England.</text>
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                <text>Explores analogues to literary voice in late-medieval English political, legal, and Wycliffite discourses, and analyzes the "common voice" found in John's Gower's "Vox Clamantis" ("aged wisdom") and in PF ("self-making" individual sovereignty). Also, comments on voice as theme and technique in works by Thomas Usk and William Langland, and suggests intertextualities of the common voices in various works, particularly Gower's "Vox" and "Confessio Amantis" and Chaucer's PF and KnT.</text>
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              <text>Chetwynd, Marvin Gaye, illus.</text>
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              <text>276 pp.; illus.</text>
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Canterbury Tales--General</text>
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              <text>mea; 10/19/20</text>
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                <text>Some Canterbury Tales.</text>
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            <description>An account of the resource</description>
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                <text>Art edition of selections from CT: GP, MilT, RvT, FrT, MerT, WBT, SumT, and PardT, with collage-like illustrations that combine imagery from medieval and modern sources,</text>
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              <text>Peeters, L.</text>
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              <text>Merchant and His Tale&#13;
Troilus and Criseyde&#13;
Language and Word Studies</text>
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              <text>mea; 7/28/2020</text>
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                <text>Walter Map's "De Gradone Milite Strenuissimo."</text>
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              <elementText elementTextId="2831398">
                <text>Describes the meaning and artfulness of Walter Map's version of the "Wade" story in "De Nugis Curialium," exploring a variety of sources and analogues, including comments on Chaucer's reference to Wade in TC 3.624 and to Wade's boat in MerT 4.1424, and offering an etymology for the name of the hero's boat, Guingelot, that suggests sexual entendre.</text>
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              <text>La Trobe Journal 81 (2008): 106-17.</text>
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              <text>La Trobe Journal 81 (2008)</text>
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Facsimiles, Editions, and Translations</text>
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              <text>mea; 7/25/2020</text>
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        <element elementId="114">
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            <elementText elementTextId="2831396">
              <text>2008</text>
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              <elementText elementTextId="2831389">
                <text>The Injuries of Time: Geoffrey Chaucer, Thomas Speght and Wade's Boat.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2831390">
                <text>Interrogates features of the reception of Chaucer from Thomas Speght's editions of 1598 and 1602 to twentieth-first century criticism, focusing on the poet's reference to Wade and his boat in MerT 4.1423-26. Discloses the critical legacy of the "cultural repression" of a "form of women's knowledge" in the commentary on the passage, particularly Speght's annotation and later scholarly and medievalist discussions that either infer once-known lost narratives or are in the "tradition of imaginative etymologizing."  </text>
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              <text>Hall, Louis Brewer.</text>
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              <text>Mediaeval Studies 25 (1963): 148-59.</text>
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              <text>Mediaeval Studies 25 (1963)</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
House of Fame&#13;
Legend of Good Women</text>
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            <elementText elementTextId="2831387">
              <text>mea; 5/9/2020</text>
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        <element elementId="114">
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            <elementText elementTextId="2831388">
              <text>1963</text>
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              <elementText elementTextId="2831381">
                <text>Chaucer and the Dido-and-Aeneas Story.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851802">
                <text>Describes five medieval redactions of Virgil's "Aeneid," "widely separated geographically and chronologically," assessing how they "medievalized" the material in conventional ways, and using these "conventions" to discuss Chaucer's successful treatments of the Dido/Aeneas story in HF as an "exemplum" and in LGW as "a thoroughly integrated narrative."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Rowland, Beryl.</text>
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        <element elementId="98">
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            <elementText elementTextId="2831376">
              <text>Mediaeval Studies 25 (1963): 367-72.</text>
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            <elementText elementTextId="2831377">
              <text>Mediaeval Studies 25 (1963)</text>
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              <text>Style and Versification&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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              <text>mea; 5/4/2020</text>
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            <elementText elementTextId="2831380">
              <text>1963</text>
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            <name>Title</name>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2831374">
                <text>Clarifies the conventionality of Chaucer's references to allegorical and/or exemplary animals and their significances, offering numerous examples to show that Chaucer's allusions are "brief" and generally similar to and/or derived from "the most widely defused tales of antiquity," the Bestiary, ecclesiastical architecture and illuminated manuscripts, homilies, or folk tradition</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Finkenstaedt, Thomas.</text>
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              <text>Berlin: De Gruyter, 1963.</text>
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              <text>xi, 301 pp,</text>
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              <text>Das Pronomen bei Chaucer.</text>
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              <text>Language and Word Studies&#13;
Troilus and Criseyde&#13;
Wife of Bath and Her Tale</text>
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              <text>mea; 5/4/2020</text>
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            <elementText elementTextId="2831372">
              <text>1963</text>
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              <elementText elementTextId="2831364">
                <text>You und Thou: Studien zur Anrede im Englischen (Mit einem Exkurs über die Anrede im Deutschen.</text>
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            <description>An account of the resource</description>
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                <text>Includes a section entitled " Das Pronomen bei Chaucer" (pp. 74-86) that examines Chaucer's artistic uses of the second person pronouns of address, focusing particularly on TC and including comments on WBPT.</text>
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        <element elementId="110">
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              <text>Beichner, Paul E.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2831359">
              <text>Mediaeval Studies 25 (1963): 160-72.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2831360">
              <text>Mediaeval Studies 25 (1963)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2831361">
              <text>Pardoner and His Tale</text>
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        <element elementId="109">
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            <elementText elementTextId="2831362">
              <text>mea; 5/4/2020</text>
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            <elementText elementTextId="2831363">
              <text>1963</text>
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            <name>Title</name>
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                <text>Chaucer's Pardoner as Entertainer.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2831357">
                <text>Contrasts medieval and modern charitable giving, indulgence granting, and false relics, and assesses the Pardoner as a "professional collector," and "high-pressure fund raiser," reading PardPT as "an exposition" of the Pardoner's "fund-raising technique" and his "entertainment" of the pilgrims. His "benediction" (6.916-18) at the end of his tale is "honest," and his "dig" at the Host (6.941-45) offered as entertainment as well.</text>
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              <text>Grennen, Joseph E.</text>
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              <text>New York: Monarch Press, 1964.</text>
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              <text>83 pp.</text>
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              <text>Monarch Notes&#13;
Monarch Notes and Study Guides</text>
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              <text>The Canterbury Tales of Chaucer</text>
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              <text>Canterbury Tales--General</text>
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              <text>1964</text>
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                <text>Chaucer's Canterbury Tales.</text>
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          <element elementId="41">
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                <text>Summarizes CT in "outline form," divided into units (following the Ellesmere order) and interspersed with brief interpretive comments on background, genre, plot, and characters. Opens with a General Introduction to backgrounds and Chaucer's Life; closes with a survey of criticism, test questions, and suggestions for further reading. Also printed as The Canterbury Tales of Chaucer, published in the Monarch Notes and Study Guides series.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Schlauch, Margaret.</text>
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              <text>Warsaw: PWN-Polish Scientific Publishers, 1963.</text>
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        <element elementId="99">
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            <elementText elementTextId="2831342">
              <text>viii, 264 pp.</text>
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        <element elementId="102">
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            <elementText elementTextId="2831343">
              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations&#13;
Style and Versification</text>
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        <element elementId="109">
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              <text>mea; 4/30/2020</text>
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        <element elementId="114">
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            <elementText elementTextId="2831345">
              <text>1963</text>
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              <elementText elementTextId="2831338">
                <text>Antecedents of the English Novel, 1400-1600: From Chaucer to Deloney.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2831339">
                <text>Surveys "precursors of modern novels" in English tradition between 1400 and 1600, with a "glance" at even earlier stories which "reveal a kinship with the future narrative form," discussing, among others, TC, and treating it (pp. 28-40) as an adaptation of Boccaccio's "Filostrato" that resists classification even though it combines elements of "society romance" and "comedy of manners."  Rich in style, dialogue, and especially characterization, it is a "great sustained approximation to a modern novel."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Payne, Robert O.</text>
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              <text>New Haven, Conn.: Yale University Press for the University of Cincinnati, 1963.</text>
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        <element elementId="99">
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            <elementText elementTextId="2831334">
              <text>xii, 246 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Background and General Criticism&#13;
Style and Versification&#13;
Sources, Analogues, and Literary Relations&#13;
Book of the Duchess&#13;
House of Fame&#13;
Parliament of Fowls&#13;
Troilus and Criseyde&#13;
Legend of Good Women&#13;
Canterbury Tales--General&#13;
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            <elementText elementTextId="2831336">
              <text>mea; 4/30/2020</text>
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            <elementText elementTextId="2831337">
              <text>1963</text>
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          <element elementId="50">
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              <elementText elementTextId="2831330">
                <text>The Key of Remembrance: A Study of Chaucer's Poetics.</text>
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          <element elementId="41">
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                <text>Explores how "the problems and operations of poetry and the poet are repeatedly raised into the consciousness of the reader" of Chaucer's poetry, adding a "peculiar dimension" to engaging with his works by requiring a "deliberate assent to their artifices" while pursuing meaning and ethical concerns. Surveys the classical and medieval poetic and rhetorical traditions that "provided Chaucer's fundamental assumptions about the nature of poetry," and examines LGWP as an "account of the main issues in the Chaucerian poetic," similar to BD, HF and PF in being structurally "combinative" and a variation on the "book-experience-dream formula." Treats CT as an unresolved series of experiments in form and style as means to convey and confront the "problems" and potentials of poetry, while TC is Chaucer's "most nearly satisfactory solution" to such concerns, offering "almost endlessly expanding concentric ironies which constitute Chaucer's way of reconciling human wisdom with human limitation."</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2831324">
              <text>Matthews, William, ed.</text>
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            <elementText elementTextId="2831325">
              <text>New York: Appleton-Century-Crofts; London: Peter Owen, 1963.</text>
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        <element elementId="99">
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            <elementText elementTextId="2831326">
              <text>336 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2831327">
              <text>Facsimiles, Editions, and Translations&#13;
Boece&#13;
Chaucer's Retraction</text>
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        <element elementId="109">
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            <elementText elementTextId="2831328">
              <text>mea; 4/30/2020</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2831329">
              <text>1963</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2831322">
                <text>Later Medieval English Prose.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2831323">
                <text>Anthologizes some sixty modernized examples and excerpts from late-medieval English prose writing, arranged by topic, form, or genre (e.g., Historians, Mystics, Religious Controversialists, etc.), with a brief introduction to each section. Includes a selection from Bo (pp. 191-200; Bo 5pr2-4) under "Moral Philosophers" and under "Literary Critics," Ret (pp. 233-34) and William Caxton's "Proem to the 'Canterbury Tales,' 1484" (pp. 234-36).</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2831315">
              <text>Elliott, Charles, ed.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2831316">
              <text>Oxford: Clarendon, 1963.</text>
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        <element elementId="99">
          <name>Physical Description</name>
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          <elementTextContainer>
            <elementText elementTextId="2831317">
              <text>xxvi, 184 pp.</text>
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        <element elementId="104">
          <name>Series</name>
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            <elementText elementTextId="2831318">
              <text>Clarendon Medieval and Tudor Series.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2831319">
              <text>Chaucer's Influence and Later Allusion</text>
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          <elementTextContainer>
            <elementText elementTextId="2831320">
              <text>mea; 4/30/2020</text>
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          <elementTextContainer>
            <elementText elementTextId="2831321">
              <text>1963</text>
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                <text>Robert Henryson: Poems.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2831314">
                <text>Edits a selection of Robert Henryson's poetry, with appended critical notes and glosses, an Introduction, a Biographical and Textual Note, and a series of Appreciations by literary historians. The Introduction (pp. vii-xv) focuses on how and to what extent Henryson ought to be considered "Chaucerian," emphasizing Henryson's independence, and providing points of comparison and contrast between the two poets. The critical notes include recurrent references to Chaucer's works.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2831307">
              <text>Brewer, Derek.</text>
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            <elementText elementTextId="2831308">
              <text>London: T. Nelson, 1963.</text>
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            <elementText elementTextId="2831309">
              <text>x, 243 pp.; b&amp;w illus.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2831310">
              <text>Background and General Criticism&#13;
Chaucer's Life&#13;
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2831312">
              <text>1963</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2831305">
                <text>Chaucer in His Time.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2831306">
                <text>Evokes the social and cultural conditions of England during Chaucer's lifetime by describing historical events, political circumstances, court life, domestic conditions for all classes, child-rearing, education and literacy, the influence of religious ideals and reforms, and more. Illustrates this discussion with wide-ranging details and examples from works by Chaucer and his contemporaries (especially Langland and Froissart), augmented by details and reproductions from medieval manuscripts, effigies, and architecture.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
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              <text>White, Beatrice.</text>
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        <element elementId="98">
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              <text>Neuphilologische Mitteilungen 64 (1963): 170–75.</text>
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            <elementText elementTextId="2831301">
              <text>Neuphilologische Mitteilungen 64 (1963)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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              <text>Canterbury Tales--General&#13;
Style and Versification&#13;
Language and Word Studies&#13;
Tale of Sir Thopas</text>
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          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2831303">
              <text>mea; 4/27/2020</text>
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              <text>1963</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2831298">
                <text>Analyzes the placement of proper names in the verse lines of Chaucer's CT, tabulating and commenting upon the total number of incidences of names and the numbers of their initial and terminal placements in the verse lines of twelve of the tales. Then comments on the mildness of the oaths of the protagonist in Th, consistent with his "mock-heroic" characterization.</text>
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              <elementText elementTextId="2851801">
                <text>Two Chaucer Notes: 1. Proper Names in the "Canterbury Tales"; 2. A "Minced" Oath in Sir Thopas." </text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Steadman, John M.</text>
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              <text>English Studies 44 (1963): 350-53.</text>
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              <text>English Studies 44 (1963)</text>
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              <text>Prioress and Her Tale</text>
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          <elementTextContainer>
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              <text>mea; 4/27/2020</text>
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            <elementText elementTextId="2831296">
              <text>1963</text>
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            <name>Title</name>
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              <elementText elementTextId="2831289">
                <text>The Prioress' Brooch and St. Leonard.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2831290">
                <text>Observes that as the patron saint of prisoners St. Leonard was associated iconographically with chains and fetters, and contends that this deepens the irony and ambiguity of the motto on the brooch of the Prioress in GP 1.162, where "vincit" carries the "suggestion of bondage."</text>
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              <name>Title</name>
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              <text>Stambusky, Alan A.</text>
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        <element elementId="98">
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              <text>Lock Haven Review 5 (1963): 43-60.</text>
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          <elementTextContainer>
            <elementText elementTextId="2831285">
              <text>Lock Haven Review o5 (1963)</text>
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          <name>Chaucer Subject</name>
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              <text>Miller and His Tale&#13;
Merchant and His Tale&#13;
Shipman and His Tale</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2831287">
              <text>mea; 4/27/2020</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2831288">
              <text>1963</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2831281">
                <text>Chaucer and Moliere: Kindred Patterns of the Dramatic Impulse in Human Comedy.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2831282">
                <text>Compares MerT, MilT, and ShT with works by Moliére, arguing that Chaucer's "dramatic impulse" is clear in light of "Comedy Proper," a dramatic form in which intellectual error leads to folly and just, comic punishment. Both writers succeed through the ability to depict characters with "certain universal qualities common to all" and lampoon them with "biting, ironical, laugh-logged satire."</text>
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  <item itemId="274959" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2831275">
              <text>Silvia, Daniel Shiver, Jr.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2831276">
              <text>Dissertation Abstracts International 23.11 (1963): 4345-46.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2831277">
              <text>Dissertation Abstracts International 23 (1963)</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Manuscripts and Textual Studies&#13;
Canterbury Tales--General&#13;
Wife of Bath and Her Tale&#13;
Franklin and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2831279">
              <text>mea; 4/27/2020</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2831280">
              <text>1963</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2831273">
                <text>Chaucer's Use of Jerome's "Adversus Jovinianum," with an Edition of Book I, Chapters 40-49, Based on a Study of Medieval Manuscripts.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2831274">
                <text>Describes Chaucer's knowledge of and uses of Jerome's "Adversus Jovinianum" in CT, as well as his references to the treatise and glosses to his manuscripts that quote it, focusing on the tales of the Marriage Group. Includes an edition of ten chapters of Book 1 Jerome's text, which influenced Chaucer most directly.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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              <text>Rowland, Beryl.</text>
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            <elementText elementTextId="2831268">
              <text>Notes and Queries 208 (1963): 9.</text>
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          <elementTextContainer>
            <elementText elementTextId="2831269">
              <text>Notes and Queries 208 (1963)</text>
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              <text>Book of the Duchess</text>
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            <elementText elementTextId="2831271">
              <text>mea; 4/27/2020</text>
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        <element elementId="114">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2831272">
              <text>1963</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2831265">
                <text>"A Round Tour of Yvoyre" ("The Book of the Duchess", 946).</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2831266">
                <text>Suggests that the description of Blanche's throat as a round ivory tower may "carry on the idea" of the Duchess being referred to as a "fers," a chess piece, found elsewhere in the poem.</text>
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  <item itemId="274957" public="1" featured="0">
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Rowland, Beryl.</text>
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        <element elementId="98">
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            <elementText elementTextId="2831260">
              <text>Explicator 21 (1963): item 73.</text>
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          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2831261">
              <text>Explicator 21 (1963)</text>
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        <element elementId="102">
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              <text>Knight and His Tale&#13;
Manuscripts and Textual Studies&#13;
Style and Versification</text>
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              <text>mea; 4/27/2020</text>
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            <elementText elementTextId="2831264">
              <text>1963</text>
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                <text>Chaucer's "The Knight's Tale," A. 1810.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2831258">
                <text>Explores proverbial implications of the variant readings of KnT 1.1810, "than woot a cokkow or [var. of] hare," and suggests "hare" might be a pun on "whore."</text>
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