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              <text>Sasamoto, Hisayuki.</text>
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              <text>Hideshi Ohno, Kazuho Mizuno, and Osamu Imabayashi, eds. The Pleasure of English Language and Literature: A Festschrift for Akiyuki Jimura (Hiroshima: Keisuisha, 2018), pp. 319-33.</text>
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              <text>Clerk and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; SAC 42:152</text>
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                <text>The Clerk's Tale: Rewritten Griselda Story.</text>
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                <text>Focuses on how ClT differs from its two sources, Petrarch's "Historia Griseldis" and its anonymous French translation "Le livre Griseldis," and argues that Chaucer adds his original expression of the characters' emotion so as to encourage the audience to feel pity for Griselda.</text>
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              <text>Zhou, Yue.</text>
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              <text>Hideshi Ohno, Kazuho Mizuno, and Osamu Imabayashi, eds. The Pleasure of English Language and Literature: A Festschrift for Akiyuki Jimura (Hiroshima: Keisuisha, 2018), pp. 375-90.</text>
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              <text>Language and Word Studies&#13;
Troilus and Criseyde&#13;
Book of the Duchess&#13;
Anelida and Arcite&#13;
General Prologue to the Canterbury Tales&#13;
Knight and His Tale&#13;
Tale of Sir Thopas</text>
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                <text>On the Adjectives Modifying Knights in Chaucer: With Special References to Troilus.</text>
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                <text>Discusses adjectives employed to modify knightly characters in TC, GP, KnT, Th, BD, and Anel.</text>
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              <text>Ohno, Hideshi.</text>
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              <text>In Hideshi Ohno, Kazuho Mizuno, and Osamu Imabayashi, eds. The Pleasure of English Language and Literature: A Festschrift for Akiyuki Jimura (Hiroshima: Keisuisha, 2018), pp. 261-75. </text>
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              <text>mea; SAC 42:68</text>
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                <text>Investigates the difference in use and function between the "be" + "lief" and the "have" + "lief" constructions, and between these constructions and "like" and "list" in Chaucer's works.</text>
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              <text>Hiroshima: Keisuisha, 2018.</text>
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              <text>xiv, 400 pp. </text>
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Imabayashi, Osamu, ed.</text>
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              <text>mea; SAC 42:69</text>
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                <text>The Pleasure of English Language and Literature: A Festschrift for Akiyuki Jimura.</text>
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                <text>Contains essays on Chaucer's use of language, speech, and tone. For essays that pertain to Chaucer, search for The Pleasure of English Language and Literature under Alternative Title. </text>
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              <text>Minkova, Donka.</text>
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              <text>Edinburgh: Edinburgh University Press, 2014.</text>
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              <text>Edinburgh Textbooks on the English Language--Advanced.</text>
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Style and Versification</text>
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                <text>A textbook history of the "phonological structure" of English, i.e., "the history of individual sounds and their representation, the history of syllable structure and word stress." The comprehensive Subject Index lists numerous references to Chaucer and the examples he provides for describing the "evolution of the English stress system" (largely through adaptation of foreign words) and the development of English verse forms. The volume is accompanied by an online Companion that offers "additional readings, exercises, comments, and further resources."</text>
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              <text>Matsuse, Kenji. </text>
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              <text>Bulletin of the Faculty of Education, Kumamoto University 67 (2018): 65-73.</text>
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General Prologue to the Canterbury Tales&#13;
Tale of Melibee</text>
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                <text>On the Pluperfect Aspect in English.</text>
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                <text>Discusses the use of the past perfect forms in GP and Mel. In Japanese with English abstract.</text>
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              <text>Kumamoto, Sadahiro.</text>
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              <text>Language and Word Studies&#13;
Troilus and Criseyde</text>
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                <text>Chaucerian "Tone": A Tentative Study on Chaucer's Poetic Language.</text>
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                <text>Examines words and expressions that generate the "'emotive' or 'lyrical' mood" in Chaucer's works, especially those in TC.</text>
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              <text>In Laurel J. Brinton and Alexander Bergs, eds. Middle English. The History of English, no. 3. (Boston, Mass.: De Gruyter, 2017), pp. 293-305.</text>
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Bergs, Alexander, ed.</text>
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              <text>mea; SAC 42:64</text>
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                <text>The Language of Chaucer.</text>
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                <text>Addresses the status of Chaucer's language in the development of a standard written English, explores grammatical differences between his dialect and "present-day" English, and clarifies the difficulties of understanding the innovativeness of his lexicon in light of the complications of borrowings from French. Describes tools available for further study of these aspects of Chaucer's language.</text>
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              <text>Dutton, Marsha L.</text>
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              <text>mea; SAC 42:63</text>
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                <text>Chaucer's Cunning: An Incarnational Pun and an Omission in the "Middle English Dictionary." </text>
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                <text>Examines the word "cunning," omission of its sexual connotations in the MED, and the ways in which Chaucer puns on the word in previously unconsidered sexual contexts.</text>
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              <text>De Gaynesford, Maximilian.</text>
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              <text>In The Rift in the Lute: Attuning Poetry and Philosophy (New York: Oxford University Press, 2017), pp. 119-33. </text>
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              <text>The Rift in the Lute: Attuning Poetry and Philosophy.&#13;
Speech Acts, Responsibility, and Commitment in Poetry.</text>
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Troilus and Criseyde</text>
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              <text>mea; SAC 42:62</text>
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                <text>Chaucer-Type.</text>
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              <elementText elementTextId="2832127">
                <text>Revises and expands De Gaynesford's essay "Speech Acts, Responsibility, and Commitment in Poetry" (2013), which identifies a type of poetic performative speech-act that he labels the "Chaucer-type," explaining it by reference to the poet's dedication of his book in TC 5.1856-62, and assessing its performative features.</text>
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              <text>Biggs, Frederick M.</text>
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              <text>Studies in the Age of Chaucer 40 (2018): 289-330.</text>
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              <text>Language and Word Studies&#13;
Miller and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Manuscripts and Textual Studies</text>
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              <text>mea; SAC 42:61</text>
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                <text>Chaucer's "Gnof."</text>
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                <text>Argues that "gnof" (MilT 1.3188) is Chaucer's neologism, clarifying the trouble his scribes had with the word, detailing its later use in English (especially in association with Kett's Rebellion of 1575), and establishing the likelihood that Chaucer derived it from the Italian interjection "gnaffé"--evidence that Boccaccio's "Decameron" 3.4 was a source of MilPT and its theme of readers' expectations. Compares "gnof" with Lewis Carroll's "brillig."</text>
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              <text>Burt, Stephanie.</text>
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              <text>Vancouver: Ronsdale, 2016.</text>
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              <text>Style and Versification&#13;
Franklin and His Tale</text>
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              <text>mea; SAC 42:59</text>
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                <text>From There: Some Thoughts on Poetry &amp; Place.</text>
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                <text>Cites and quotes a portion of Dorigen's "song" in FranT 4.857-94 as an early, pre-Romantic lyrical example of the "'Crossing Brooklyn Ferry' effect" in poetry, a trope by which reference to a physical space links the inner concerns of multiple people.</text>
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              <text>Wilson, Janet.</text>
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              <text>Literature and Aesthetics: The Journal of the Sydney Society of Literature and Aesthetics 27.1 (2017): 17-38. </text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Parliament of Fowls&#13;
Wife of Bath and Her Tale&#13;
Troilus and Criseyde</text>
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                <text>Katherine Mansfield, Virginia Woolf, and the Nature Goddess Tradition.</text>
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                <text>Compares Katherine Mansfield's and Virginia Woolf's uses of personifications of Nature as a feature of their modernism, derived from their familiarity with medieval and Renaissance depictions of Nature as a goddess, including Chaucer's Nature in PF. Also comments on the writers' familiarity with the Wife of Bath and with Pandarus as a Pan figure.</text>
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              <text>Whiteley, Giles.</text>
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              <text>Notes and Queries 262 (2017): 478-80.</text>
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              <text>Notes and Queries 262 (2017)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2832099">
              <text>Chaucer's Influence and Later Allusion&#13;
Reeve and His Tale</text>
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              <text>mea; SAC 42:57</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2832101">
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              <elementText elementTextId="2832094">
                <text>Inspir'd Bards: An Unidentified Quotation in Pope's "Dunciad" Variorum.</text>
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            <description>An account of the resource</description>
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                <text>Asserts without explanation that a reference to Chaucer in "To Mr. Creech on His Translation of Lucretius" by "J. A." derives from RvT 1.3992 and that it may help to clarify a crux in Alexander Pope's "Dunciad" Variorum.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
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              <text>Whearty, Bridget.</text>
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        <element elementId="98">
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              <text>Studies in the Age of Chaucer 40 (2018): 331-73.</text>
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            <elementText elementTextId="2832090">
              <text>Studies in the Age of Chaucer 40 (2018)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2832091">
              <text>Chaucer's Influence and Later Allusion</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832092">
              <text>mea; SAC 42:56</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2832093">
              <text>2018</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2832086">
                <text>Chaucer's Death, Lydgate's Guild, and the Construction of Community in Fifteenth-Century English Literature.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2832087">
                <text>Identifies a "pray for Chaucer" trope in fifteenth-century commentary on the poet, observing a "metaphor of literary history" that is based in "guild-like community," underpinned by notions of purgatory, intercession, and friendship. Rooted in Thomad Hoccleve's attention to "communal responsibility for Chaucer's soul," and deepened by John Lydgate, the "'pray for Chaucer' tradition" was modified by William Caxton, reworked as an exclusionary "cult of Father Chaucer."</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2832080">
              <text>Walling, Amanda.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2832081">
              <text>Neophilologus 101 (2017): 321-36.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2832082">
              <text>Neophilologus 101 (2017)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2832083">
              <text>Chaucer's Influence and Later Allusion</text>
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          </elementTextContainer>
        </element>
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          <name>Source</name>
          <description/>
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            <elementText elementTextId="2832084">
              <text>mea; SAC 42:55</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832085">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2832078">
                <text>Feminizing Aureation in Lydgate's "Life of Our Lady" and "Life of Saint Margaret." </text>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2832079">
                <text>Argues that in "Life of Our Lady" and "Life of Saint Margaret" John Lydgate uses the "paradoxical image" of the virginal and fecund "sanctified female body" to distance himself "from the patriarchal Chaucerian poetic model" and assert that his "decorative poetic style" is not "merely ornamental" but is "integral to his poetic matter."</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          </elementContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832072">
              <text>Stretter, Robert.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832073">
              <text>English Literary Renaissance 47 (2017): 270-300.</text>
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          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832074">
              <text>English Literary Renaissance 47 (2017)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832075">
              <text>Chaucer's Influence and Later Allusion&#13;
Knight and His Tale&#13;
Style and Versification</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2832076">
              <text>mea; SAC 42:54</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832077">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2832070">
                <text>Flowers of Friendship: Amity and Tragic Desire in "The Two Noble Kinsmen." </text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2832071">
                <text>Argues that Shakespeare and John Fletcher's adaptation of KnT in "The Two Noble Kinsmen" emphasizes the failure of same-sex friendship, darkens tone, and approaches tragic pessimism--in contrast with Chaucer's "cautiously optimistic philosophical romance." Compares aspects of the play with KnT--particularly details pertaining to flower imagery and same-sex friendship in tension with erotic, procreative love--and assesses the anxious depiction of Chaucer and literary paternity in the prologue to "The Two Noble Kinsmen."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832064">
              <text>Sirles, Michael Timothy.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
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            <elementText elementTextId="2832065">
              <text>Dissertation Abstracts International A80.05 (2018): n.p.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832066">
              <text>Dissertation Abstracts International 80 (2018)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832067">
              <text>Chaucer's Influence and Later Allusion</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832068">
              <text>mea; SAC: 42:53</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832069">
              <text>2018</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2832062">
                <text>A "Myrrovre" for Magistrates: The Sociology of a Mid-Tudor Text.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2832063">
                <text>Contends that William Baldwin's "Mirror for Magistrates" (1559) was previously seen as linking the medieval literature of Chaucer and Boccaccio with the early moderns.</text>
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            </elementTextContainer>
          </element>
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  <item itemId="275054" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832056">
              <text>Scala, Elizabeth.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832057">
              <text>Texas Studies in Literature and Language 59 (2017): 137-61.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832058">
              <text>Texas Studies in Literature and Language 59 (2017)</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832059">
              <text>Chaucer's Influence and Later Allusion&#13;
Franklin and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832060">
              <text>mea; SAC 42:52</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832061">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2832054">
                <text>Dressing Up as a Franklin's Housewife: Native Sources for Shakespeare's "Cymbeline." </text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2832055">
                <text>Argues that FranT provided the "raw material and structures of dramatic feeling" for Shakespeare's "Cymbeline," encouraging critics to adopt a more expansive view of source relations, and observing how and where the tale and the play illuminate each other, especially on questions of love and marriage.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832048">
              <text>Raine, Melissa.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832049">
              <text>Journal of English and Germanic Philology 117 (2018): 458-77. </text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832050">
              <text>Journal of English and Germanic Philology 117 (2018)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832051">
              <text>Chaucer's Influence and Later Allusion&#13;
Canterbury Tales--General&#13;
General Prologue to the Canterbury Tales&#13;
Monk and His Tale&#13;
Nun's Priest and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832052">
              <text>mea; SAC 42:51</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832053">
              <text>2018</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2832046">
                <text>Humor and Humoralism: Representing Bodily Experience in the Prologue of the "Siege of Thebes." </text>
              </elementText>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2832047">
                <text>Reinforces connections between the prologue to Lydgate's "Siege of Thebes" and CT. Claims Lydgate responds to Chaucer's caricature of the Monk in defense of monasticism; alludes to the Monk's portrait and the person of the Host in GP; borrows references to the Monk's manliness in Mel-MkL, rewriting them in terms of gluttony rather than sexuality; and makes his Host echo Pertelote's advice in NPT. Claims that the "body humor" in Lydgate's prologue bolsters monastic authority and flatters its audience while cautioning it against interference in monastic affairs.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
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            <elementText elementTextId="2832040">
              <text>Plunkett, Michael.</text>
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        </element>
        <element elementId="98">
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              <text>Dissertation Abstracts International A80.03 (2018): n.p.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2832042">
              <text>Dissertation Abstracts International 80 (2018)</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2832043">
              <text>Chaucer's Influence and Later Allusion&#13;
Book of the Duchess&#13;
House of Fame</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2832044">
              <text>mea; SAC 42:50</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832045">
              <text>2018</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2832038">
                <text>Shakespeare and Chaucer: Dream Visions and Dramatic Designs.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2832039">
                <text>Suggests that in "Cymbeline," "The Tempest," and "The Taming of the Shrew," Shakespeare sets his work in conversation with the dream visions BD and HF, thereby allowing Shakespeare to claim a place in the Chaucerian line of English canon and to challenge Ben Jonson's arguably greater claim.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2832032">
              <text>Miele, Benjamin.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832033">
              <text>Shakespeare Studies 45 (2017): 144-50.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2832034">
              <text>Shakespeare Studies 45 (2017)</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832035">
              <text>Chaucer's Influence and Later Allusion&#13;
House of Fame&#13;
Facsimiles, Editions, and Translations</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2832036">
              <text>mea; SAC 42:49</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832037">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2832030">
                <text>The Political Unconscious of the Allusion: Shakespeare's Habits of Mind and the Cultural Politics of Reading Chaucer in Early Modern England.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2832031">
                <text>Identifies an allusion to HF (lines 703-4) in "King Lear" (5.3.17), arguing that, although Chaucer's poem was "marginalized" in sixteenth-century editions because of its stance on literary fame, Shakespeare read it and echoed it "unconsciously," displaying "three things: an independent habit of mind, skepticism toward the literary canon, and a preference for subversive artistic practice."</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2832024">
              <text>Maffuccio, Christine.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2832025">
              <text>Dissertation Abstracts International A77.09 (2018): n.p. </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832026">
              <text>Dissertation Abstracts International A77 (2018)</text>
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          </elementTextContainer>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2832027">
              <text>Chaucer's Influence and Later Allusion&#13;
Canterbury Tales--General</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832028">
              <text>mea; SAC 42:48</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832029">
              <text>2018</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2832022">
                <text>Making English Low: A History of Laureate Politics, 1399-1616.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2832023">
                <text>While examining Thomas Hoccleve, John Skelton, and Ben Jonson, suggests that Hoccleve "channels" Harry Bailly from CT as a demotic voice, drawing upon the routines of London life in the establishment of an "English writerly voice worthy of laureate status."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832016">
              <text>Lamb, Jonathan P.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832017">
              <text>In Shakespeare in the Marketplace of Words (New York: Cambridge University Press, 2017), pp. 175-208.</text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832018">
              <text>Shakespeare in the Marketplace of Words.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832019">
              <text>Chaucer's Influence and Later Allusion&#13;
Troilus and Criseyde&#13;
Facsimiles, Editions, and Translations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832020">
              <text>mea; SAC 42:47</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832021">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2832014">
                <text>Shakespeare Rewords Chaucer: "Troilus and Cressida." </text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2832015">
                <text>Argues that the glossary and other "editorial apparatus" of Speght's 1598 edition of Chaucer's "Workes" "yokes" Chaucer's language and lexicon "with his position as an English author," and that in his use of Speght's TC as source for "Troilus and Cressida" Shakespeare emulates this "linguistic emphasis" to raise "questions of signification" and evoke skepticism about words and values.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832008">
              <text>King, Joyce.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832009">
              <text>Notes and Queries 263 (2018): 533-35.</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832010">
              <text>Notes and Queries 263 (2018)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2832011">
              <text>Chaucer's Influence and Later Allusion&#13;
Nun's Priest and His Tale</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832012">
              <text>mea; SAC 42:46</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832013">
              <text>2018</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2832006">
                <text>Falstaff and Fox Fables: A New Source.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2832007">
                <text>Argues that Chaucer's "daun Russel the fox" in NPT 7. 3334 belongs to a centuries-long cohort of foxes whose tastes and tendencies Shakespeare applies to his wily Falstaff.</text>
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