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              <text>Tagaya, Yuko, ed.</text>
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              <text>Koshigaya: Hon-no-Shiro, 2018.</text>
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              <text>vi, 193 pp.</text>
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              <text>mea; SAC 42:104</text>
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                <text>Chaucer, Arthur, and Medieval Roman III.</text>
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                <text>Includes essays exploring connections among Chaucer's works, courtly life, and Arthuriana. For two essays that pertain to Chaucer, search for Chaucer, Arthur, and Medieval Roman III under Alternative Title. In Japanese, except for Chapters 1-3.</text>
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              <text>Moseley, C. W. R. D. </text>
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              <text>Critical Survey 30.2 (2018): 1-5.</text>
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Language and Word Studies</text>
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              <text>mea; SAC 42:92</text>
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                <text>Introduction.</text>
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                <text>Notes that the canonizing of Chaucer can have the effect of making him less challenging, blunting the force of his concern for the all-importance of "trouthe" and compassion, issues that "every person in every age" must face.</text>
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              <text>Mestheneou, Katerina.</text>
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              <text>London: Collins, 2014.</text>
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Chaucer's Life</text>
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              <text>mea; SAC 42:91</text>
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              <text>Geoffrey Chaucer, Writer of the First Great Works in English.</text>
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                <text>Amazing Writers.</text>
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                <text>Item not seen. WorldCat records indicate that the volume is intended for a juvenile audience and includes narrative accounts of the lives and works of Chaucer, Shakespeare, Charles Dickens, Victor Hugo, Leo Tolstoy, and Rudyard Kipling. The Chaucer section (pp. 7–19) is entitled "Geoffrey Chaucer, Writer of the First Great Works in English."</text>
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              <text>Fumo, Jamie C.</text>
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              <text>In Alison Langdon, ed. Animal Languages in the Middle Ages: Representations of Interspecies Communication (New York: Palgrave Macmillan, 2017), pp. 217-34.</text>
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              <text>Animal Languages in the Middle Ages.</text>
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              <text>Book of the Duchess</text>
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              <text>mea; SAC 42:189</text>
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                <text>Medieval Dog Whisperers: The Poetics of Rehabilitation.</text>
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                <text>Departs from purely functional or allegorical approaches to the whelp in BD by situating the narrative's portrayal of canine-human relations within the field of critical animal studies. Establishes the role of the whelp in rectifying human dysfunction by focusing on problems of identity and communication and drawing on literary, as well as sociological, frameworks (e.g., modern prison rehabilitation programs). The uncanny communicative bond between whelp and dreamer reveals a "motion away from subhuman singularity and toward humane community."</text>
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              <text>Weisl, Angela Jane.</text>
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              <text>In Alison Langdon, ed. Animal Languages in the Middle Ages: Representations of Interspecies Communication (New York: Palgrave Macmillan, 2017), pp. 113-32. </text>
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              <text>Parliament of Fowls&#13;
General Prologue to the Canterbury Tales&#13;
Squire and His Tale</text>
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              <text>mea; SAC 42:118</text>
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                <text>In Briddes Wise: Chaucer's Avian Poetics.</text>
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                <text>Analyzes the speech of Chaucer's birds and claims that Chaucer "endows the avian world with a series of communicative strategies as diverse as--and profoundly linked to--his own poetic strategies." Looks at SqT, GP, and PF.</text>
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              <text>xv, 272 pp.</text>
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              <text>The New Middle Ages.</text>
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Language and Word Studies</text>
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              <text>mea; SAC 42:90</text>
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                <text>Animal Languages in the Middle Ages: Representations of Interspecies Communication.</text>
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                <text>Questions the assumed "medieval distinction between humans and other animals" and explores language used by humans and nonhumans in the Middle Ages. For two essays that pertain to Chaucer, search for Animal Languages in the Middle Ages under Alternative Title.</text>
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              <text>Knapp, James F., and Peggy A. Knapp.</text>
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              <text>Knapp, Peggy A.</text>
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            <elementText elementTextId="2832442">
              <text>Background and General Criticism&#13;
Troilus and Criseyde&#13;
Franklin and His Tale&#13;
Wife of Bath and Her Tale&#13;
Clerk and His Tale&#13;
Canon's Yeoman and His Tale</text>
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              <text>mea; SAC 42:89</text>
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                <text>Medieval Romance: The Aesthetics of Possibility.</text>
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                <text>Analyzes the aesthetics of medieval romance in light of the philosophies of G. W. Leibniz, Immanuel Kant, and Hans-Georg Gadamer, exploring and explaining the "pleasurable seriousness" (for modern and medieval audiences) of the "Lais" of Marie de France, Jean d'Arras's "Melusine," "Sir Orfeo," "Sir Gawain and the Green Knight," TC, and several of the CT. Reads Troilus's final perspective in TC as from an "epistemically possible world," backdrop to his experiences of Criseyde as a woman who seems to come "from a different world" (as Melusine does). FranT presents the beauty of romance, WBT subjects the genre to serio-comic investigation, ClT threatens it with allegory, and CYT undermines its transformative possibilities.</text>
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              <text>Kern-Stähler, Annette.</text>
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              <text>In Sibylle Baumbach, Birgit Neumann, and Ansgar Nünning, eds. A History of British Poetry: Genre--Developments--Interpretations (Trier: WVT, 2015), pp. 29–40.</text>
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Neumann, Birgit, ed.&#13;
Nünning, Ansgar, ed.</text>
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              <text>A History of British Poetry: Genre--Developments--Interpretations.</text>
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              <text>Background and General Criticism&#13;
Language and Word Studies&#13;
Style and Versification&#13;
General Prologue to the Canterbury Tales&#13;
Knight and His Tale&#13;
Miller and His Tale&#13;
Wife of Bath and Her Tale</text>
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              <text>mea; SAC 42:88</text>
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                <text>Chaucer as the "Father of English Poetry." </text>
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                <text>Introduces Chaucer as a poet and explores reasons for his canonical status, describing his use of English, his lexicon, and his verse forms. Focuses on CT as "arguably one of the most innovative narrative poems in English," commenting on the opening of GP, the tale-tellers, the issue of "decorum" in the contrasts between KnT and MilT, gender in WBPT, and reasons why Chaucer appeals so readily to postmodern readers.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Jacobs, Nicolas.</text>
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              <text>In Nicolas Jacobs and Gerald Morgan, eds. "Truth is the beste": A Festschrift in Honour of A. V. C. Schmidt (New York: Lang, 2014), pp. 109-25.</text>
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              <text>Monk and His Tale&#13;
Nun's Priest and His Tale</text>
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              <text>mea; SAC 42:172</text>
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                <text>Nebuchadnezzar and the Moral of the "Nun's Priest's Tale."</text>
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            <description>An account of the resource</description>
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                <text>Reads NPT in light of the Nebuchadnezzer account in MkT--the only one of the Monk's tragedies with a "happy ending," the result of a lesson learned. Contrasts MkT as an early work of Chaucer's with NPT as one of his maturity, focusing on the "rival arguments" of free will and determinism, the rhetoric of exempla, and Chaucer's uses of tone.</text>
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              <text>Morgan, Gerald.</text>
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              <text>In Nicolas Jacobs and Gerald Morgan, eds. "Truth is the beste": A Festschrift in Honour of A. V. C. Schmidt (New York: Lang, 2014), pp. 137-68. </text>
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              <text>Truth is the Beste.</text>
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              <text>Canterbury Tales--General&#13;
Manuscripts and Textual Studies&#13;
Sources, Analogues, and Literary Relations</text>
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            <elementText elementTextId="2832418">
              <text>mea; SAC 42:115</text>
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        <element elementId="114">
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              <elementText elementTextId="2832412">
                <text>Chaucer's Tellers and Tales and the Design of the "Canterbury Tales." </text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2832413">
                <text>Reviews the "extreme implausibility" of attributing the art of individual tales in CT to the pilgrim-narrators, and argues that the "ideas and arguments" of the tales belong to Chaucer. Also reviews the sequential order of the tales as found in the Ellesmere  manuscript, and compares the narrative art of CT favorably with that of TC, commenting on Boccaccio and Dante as Chaucer's models.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Jacobs, Nicolas, and Gerald Morgan, eds. </text>
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              <text>New York: Peter Lang, 2014</text>
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              <text>xxiii, 217 pp.</text>
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            <elementText elementTextId="2832407">
              <text>Court Culture of the Middle Ages and Renaissance, no. 1.</text>
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              <text>Morgan, Gerald, ed.</text>
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              <text>Background and General Criticism</text>
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            <elementText elementTextId="2832410">
              <text>mea; SAC 42:87</text>
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            <elementText elementTextId="2832411">
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              <elementText elementTextId="2832402">
                <text>"Truth is the beste": A Festschrift in Honour of A. V. C. Schmidt. </text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2832403">
                <text>Includes twelve essays by various authors on Middle English literature, and an introductory appreciation of A. V. C. (Carl) Schmidt, a list of his publications, and an index. For two essays that pertain to Chaucer, search for Truth is the Beste under Alternative Title.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <text>Goldie, Matthew Boyd. </text>
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              <text>Studies in the Age of Chaucer 40 (2018): 379-87.</text>
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              <text>Studies in the Age of Chaucer 40 (2018)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2832399">
              <text>Background and General Criticism&#13;
House of Fame&#13;
Knight and His Tale&#13;
Pardoner and His Tale</text>
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            <elementText elementTextId="2832400">
              <text>mea; SAC 42:86</text>
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            <elementText elementTextId="2832401">
              <text>2018</text>
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                <text>Theorizes how "fundamental ways of apprehending space in the past can differ from our own," focusing on local, everyday spaces, their boundaries, and their contents, and exemplifying medieval notions with details and descriptions from Chaucer's works, especially HF, KnT, and PardT.</text>
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  <item itemId="275094" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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              <text>London: I. B. Tauris, 2017. </text>
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              <text>xx, 252 pp.</text>
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Canterbury Tale--General</text>
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              <text>mea; SAC 42:84</text>
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          <name>Date</name>
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            <elementText elementTextId="2832393">
              <text>2017</text>
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                <text>A Short History of Medieval Christianity.</text>
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                <text>Addresses the history of medieval Christianity from the fall of Rome to the ideas of the Reformation. Focuses less on secular and ecclesiastical religious elites and more on how the general public viewed issues of damnation and salvation in the Middle Ages. Pays attention to lives of saints, writings by mystical women, the appeal of monasticism, the Crusades, and the rise of friars amidst the crisis of heresy within the Church. Chapter 4 includes discussion of relationships among Muslims, Jews, and Christians and Chaucer's satirical view of pilgrimage in CT.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Edwards, Robert R. </text>
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              <text>Columbus: Ohio State University Press, 2017.</text>
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              <text>xxxiii, 230 pp.</text>
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          <name>Series</name>
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            <elementText elementTextId="2832382">
              <text>Interventions: New Studies in Medieval Culture.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Background and General Criticism&#13;
Chaucer's Influence and Later Allusion</text>
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            <elementText elementTextId="2832384">
              <text>mea; SAC 42:83</text>
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        <element elementId="114">
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            <elementText elementTextId="2832385">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2832377">
                <text>Invention and Authorship in Medieval England.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2832378">
                <text>Investigates the rhetorical and creative potentials of the idea of authorship as it developed in medieval English literature and established the basis of authorial "prestige and power" for future literary tradition. Individual chapters assess works by Bede, Walter Map, Marie de France, John Gower, Chaucer, John Lydgate, Thomas Hoccleve, and the "Afterlife of Medieval Authorship." Confronts Chaucer's "sustained engagement with the questions and problems of authorship" (p. 105) and his devices of disavowal throughout his corpus, exploring how he "creates through imitation" (p. 110), and assessing how other writers used him in developing a rhetoric of English authorial self-awareness and canon formation.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2832371">
              <text>Chism, Christine.</text>
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        <element elementId="98">
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            <elementText elementTextId="2832372">
              <text>In Robert DeMaria Jr., Heesok Chang, and Samantha Zacher, eds. A Companion to British Literature. Vol. I, Medieval Literature 700–1450 (Chichester: Wiley, 2014), pp. 130-45.</text>
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        </element>
        <element elementId="108">
          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2832373">
              <text>A Companion to British Literature.</text>
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        </element>
        <element elementId="102">
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            <elementText elementTextId="2832374">
              <text>Background and General Criticism&#13;
Troilus and Criseyde</text>
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        <element elementId="109">
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            <elementText elementTextId="2832375">
              <text>mea; SAC 42:215</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2832376">
              <text>2014</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2832369">
                <text>Courtly Love and Its Impossible Implementation: The Narrative Pragmatics of an Ideal.</text>
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              <elementText elementTextId="2832370">
                <text>Surveys the meanings, origins, and theories of courtly love, asking how it "works" in medieval texts, what light it can "cast upon medieval cultural practices, and why it comes to matter." Includes discussion of secrecy in TC, a text that animates the "tension between feudal amorous service and literary improvisation."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Turner, Marion.</text>
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          <elementTextContainer>
            <elementText elementTextId="2832364">
              <text>In Robert DeMaria Jr., Heesok Chang, and Samantha Zacher, eds. A Companion to British Literature. Vol. I, Medieval Literature 700–1450 (Chichester: Wiley, 2014), pp. 146-60.</text>
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        </element>
        <element elementId="108">
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            <elementText elementTextId="2832365">
              <text>A Companion to British Literature.</text>
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          </elementTextContainer>
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            <elementText elementTextId="2832366">
              <text>Background and General Criticism&#13;
Monk and His Tale&#13;
Nun's Priest and His Tale&#13;
Complaint of Mars</text>
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        <element elementId="109">
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            <elementText elementTextId="2832367">
              <text>mea; SAC 42:105</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2832368">
              <text>2014</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2832361">
                <text>Writing Revolution.</text>
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                <text>Argues that Chaucer's works are "far more ambivalent and less polemical about revolt" than earlier texts or contemporary ones. Identifies changes in historical understanding of "revolution" as a concept, and examines MkT, where revolt is part of an "eternal pattern"; NPT, where the "Great Revolt" of 1381 is cited, and inevitable patterns are inflected by chance and human agency; and Mars, where planetary revolutions are linked with political and personal upheavals. Similar concerns echo throughout Chaucer's works.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Ganim, John C.</text>
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          <elementTextContainer>
            <elementText elementTextId="2832356">
              <text>In Robert DeMaria Jr., Heesok Chang, and Samantha Zacher, eds. A Companion to British Literature. Vol. I, Medieval Literature 700–1450 (Chichester: Wiley, 2014), pp. 202-14. </text>
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        <element elementId="108">
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          <elementTextContainer>
            <elementText elementTextId="2832357">
              <text>A Companion to British Literature.</text>
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          <name>Chaucer Subject</name>
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              <text>Background and General Criticism</text>
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            <elementText elementTextId="2832359">
              <text>mea: SAC 42:85</text>
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            <elementText elementTextId="2832360">
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          <element elementId="50">
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            <description>A name given to the resource</description>
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                <text>British Chaucer.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2832354">
                <text>Explores how aspects of Chaucer's works reflect Britishness, Englishness, internationalism, and cosmopolitanism--a "potentially conflicted and unresolved matrix of possibilities" (p. 213). Identifies links and resonances between Chaucer's narratives and the ebb and flow of cultural influences, political events, and literary forms and fashions, with attention to "translatio imperii," sovereignty, nationhood, selfhood, and violence.</text>
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              <description>A name given to the resource</description>
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              <text>DeMaria, Robert, Jr., Heesok Chang, and Samantha Zacher, eds.</text>
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              <text>Chichester: Wiley, 2014.&#13;
lxix, 458 pp.</text>
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          <name>Contributor</name>
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              <text>Chang, Heesok, ed.&#13;
Zacher, Samantha, ed.</text>
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              <text>Background and General Criticism</text>
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            <elementText elementTextId="2832350">
              <text>mea; SAC 42:82</text>
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          </elementTextContainer>
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          <name>Date</name>
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            <elementText elementTextId="2832351">
              <text>2014</text>
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          <name>Alternative Title</name>
          <description/>
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            <elementText elementTextId="2832352">
              <text>Medieval Literature 700-1450.</text>
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              <elementText elementTextId="2832344">
                <text>A Companion to British Literature. Vol. 1, Medieval Literature 700-1450.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Includes twenty-six essays by individual authors that survey a range of issues in understanding the concept of "British literature" in the medieval period, considering history, politics, modes of production, literary forms, reception, religion, gender, and critical tradition. The volume incudes a comprehensive index with numerous references to Chaucer and his works. For three essays that pertain to Chaucer, search for A Companion to British Literature under Alternative Title.</text>
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  <item itemId="275088" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Dearnley, Elizabeth.</text>
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              <text>Rochester, N.Y.: Boydell and Brewer, 2016.</text>
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          <elementTextContainer>
            <elementText elementTextId="2832340">
              <text>xiv, 301 pp.</text>
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              <text>Background and General Criticism&#13;
Legend of Good Women&#13;
Second Nun and Her Tale</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832342">
              <text>mea; SAC 42:81</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2832343">
              <text>2016</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2832336">
                <text>Translators and Their Prologues in Medieval England.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2832337">
                <text>Explores "the practice of translation from French into English in medieval England, and how the translators themselves viewed their task," including discussion of LGWP as Chaucer's "self-aware, playful" analysis of the factors complicating translation. Also considers SNP in the context of "nun translators in later medieval England," suggesting that it poses an "intriguing, additional perspective," complicated by ambiguous markers of oral and written delivery.</text>
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                <text>Argues that training in stylistics has benefits for teachers, putting forward a pattern for what a training course might look like. Chaucer is invoked as a subject of study by a student respondent.</text>
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                <text>Suggests that magic--specifically "image magic"--and poetics were interconnected for Chaucer and his original audience. Focuses on FranT, rhetoric, ekphrasis, and other "conjunctions of magic and rhetoric" in Chaucer's writings to reflect "the possible influence of contemporary image magic on Chaucer's poetic theory and practice."</text>
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                <text>The Poet, the Painter, and the Bishop's Wife: Chaucer on the Prairie.</text>
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                <text>Explores the cultural ties between the Anglican Church on the American frontier and the Church of England through Elizabeth Whipple's Chaucer portrait.</text>
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