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              <text>Davies, Joshua, and Caroline Bergvall, eds.</text>
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              <text>York: Arc Humanities, 2023.</text>
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              <text>xvi, 235 pp.; 16 illus.</text>
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              <text>Arc Medievalist.</text>
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              <text>Wallace, David.&#13;
Gilmore, Rachel.</text>
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                <text>Caroline Bergvall's Medievalist Poetics: Migratory Texts and   Transhistorical Methods.</text>
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                <text>Collects twenty-six critical essays about Caroline Bergvall's literary output and outlooks, accompanied by three interviews with her, a foreword by David Wallace, an afterword by Rachel Gilmore, and a comprehensive index. Several essays refer to Bergvall's allusions to and uses of Middle English and Chaucer's works.</text>
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              <text>Critten, Rory G.</text>
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              <text>Cambridge: D. S. Brewer, 2018.</text>
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Adam Scriveyn</text>
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                <text>Author, Scribe, and Book in Late Medieval English Literature.</text>
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                <text>Focuses on fifteenth-century writers such as Audelay, Hoccleve, Kempe, and Charles d'Orléans, and shows how these authors fashioned themselves as self-publishing and scribes in their own right. Argues that this modeling was influenced by Chaucer, among others, whose Adam frames Chaucer as almost a scribe.</text>
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              <text>Archiv für das Studium der neueren Sprachen und Literaturen 175 (2023): 170-78.</text>
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Franklin and His Tale</text>
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                <text>Holding Company: Chaucer's "Franklin's Tale" in the "Faerie Queene."</text>
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                <text>Assesses Edmund Spenser's quotation of FranT, 764-66, in Britomart's speech in T"he Faerie Queene," Book III, arguing that the Chaucerian material and its original context carry suggestions of the "need for tolerance in social relations" and "[set] a standard for conduct" for much of Spenser's poem.</text>
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              <text>Clark, Cassandra.</text>
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              <text>Edinburgh: Severn House, 2023.</text>
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                <text>Historical novel in which friar-detective Rodric Chandler investigates murder as he seeks to hide Adam Pinkhurst's copy of CT from Lancastrian censors.</text>
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              <text>Atkinson, Laurie Ray.</text>
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              <text>Ph.D. dissertation (University of Durham, 2021), Dissertation Abstracts International C83.05(E). Fully accessible at http://etheses.dur.ac.uk/14081/ (accessed January 30, 2025).</text>
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                <text>Dreaming of Authors, Authoring Dreams: Literary Authorship in the Framed First-Person Allegories of John Skelton, William Dunbar, Stephen Hawes, and Gavin Douglas.</text>
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                <text>"[I]nvestigates the distinctive conceptions of literary authorship of John Skelton, William Dunbar, Stephen Hawes, and Gavin Douglas by means of close and comparative readings of their utilisation of a particular form and mode: framed first-person allegory." Recurrent attention to Chaucer as a "predecessor" and his works as "models."</text>
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              <text>Yeager, R. F.</text>
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              <text>Gaullier-Bourgasses, Catherine, ed.&#13;
Possamaï-Pérez, Marylène, ed. </text>
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Book of the Duchess&#13;
Legend of Good Women</text>
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              <text>Catherine Gaullier-Bourgasses and Marylène Possamaï-Pérez, eds. Réécritures et adaptations de l'Ovide Moralisé (xive--xviie siècle) (Turnhout: Brepols, 2022), pp. 51–67</text>
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              <text>Réécritures et adaptations de l'Ovide Moralisé </text>
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                <text>John Gower's Use of the "Ovide moralisé": A Reconsideration.</text>
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                <text>Challenges Conrad Mainzer's evidence that Gower was influenced by the "Ovide moralisé" and/or the "Ovidius moralizatus" of Pierre Bersuire, arguing that closer, more likely parallels exist between Gower's work and BD and LGW.</text>
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              <text>Ripplinger, Michelle.</text>
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              <text>Studies in the Age of Chaucer 45 (2023): 139-69.</text>
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              <text>Troilus and Criseyde&#13;
Legend of Good Women&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Chaucer's Proleptic Palinode.</text>
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                <text>Reads TC as a "proleptic palinode" that gives Chaucer "something to apologize for" before he writes LGW, modeling his poetic career on Ovid's. Argues that Pandarus "grounds his amatory practice" in Ovid's works, considers Criseyde's and Cassandra's readings of Theban material in relation to Ovid's treatment of female readership, and presents LGW as Chaucer's "own 'Heroides'," a rejection of reductive moralizing interpretation, and a defense of the "ethical value of narrative fiction."</text>
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              <text>viii, 362 pp.</text>
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                <text>"Of latine and of othire lare": Essays in Honour of David R. Carlson.</text>
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                <text>Collects eighteen essays on widely varied topics in Middle English, Anglo-Latin, French, and book production. For two essays that pertain to Chaucer, search for under Alternative Title.</text>
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              <text>Richard Firth Green and R. F. Yeager, eds. "Of latine and of othire lare": Essays in Honour of David R. Carlson (Toronto: Pontifical Institute of Mediaeval Studies, 2022), pp. 67-81.</text>
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Sources, Analogues, and Literary Relations</text>
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              <elementText elementTextId="2852437">
                <text>Discloses the implications--some "shocking"--of recognizing Statius's "Thebaid" as the source of Criseyde's imagining of "radical atheism" in TC, IV.1408-11. Explicates resonances of Thebes/Trojan parallels evident elsewhere in the poem and in medieval Troy material more generally. Includes a summary of the development of source study of Theban material in TC from the nineteenth century to the present.</text>
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              <text>Richard Firth Green and R. F. Yeager, eds. "Of latine and of othire lare": Essays in Honour of David R. Carlson (Toronto: Pontifical Institute of Mediaeval Studies, 2022), pp. 82-100.</text>
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Chaucer's Life&#13;
Maniciple and His Tale</text>
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                <text>John Gower and Chaucer's Fabliaux.</text>
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                <text>Proposes that the so-called "quarrel" between Chaucer and Gower found in MLP pertains to their uses of Ovidian, fabliau-like material, reading several tales of "Confessio Amantis" as experiments in "fabliauesque" narrative, purged of "schoolboy humour" and obscene language. Argues that echoes of Chaucer's fabliaux in Gower's purged tales indicate that influence generally "flowed from Chaucer to Gower" in this regard; ManT, however, might be a response to Gower's "Tale of Hercules and Faunus."</text>
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              <text>Singh, Devani.</text>
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              <text>xiv, 272 pp.; 25 illus.</text>
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Facsimiles, Editions, and Translations</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2852421">
                <text>Focuses "on fifteenth-century manuscripts of Chaucer, and . . . how these volumes were read, used, valued, and transformed" in the early modern period, reflecting "conventions which circulated in print and . . . convey prevailing preoccupations about Chaucer," his status, and the medieval past. Four chapters treat Chaucerian manuscripts and editions, addressing, respectively, (1) "Glossing, Correcting, and Emending"; (2) "Repairing and Completing"; (3) "Supplementing"; and (4) "Authorising" as ways of pursuing the ideologically charged bibliographical goal of perfecting Chaucerian texts.</text>
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                <text>Chaucer's Early Modern Readers: Reception in Print and Manuscript.</text>
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              <text>Journal of the Early Book Society 26 (2023): 209-21.</text>
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Knight and His Tale&#13;
Tale of Melibee</text>
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            <elementText elementTextId="2852419">
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                <text>Some Unindexed Verses from Bodleian Manuscripts--with Some Further Thoughts on Method.</text>
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                <text>Presents previously overlooked "gleanings" of verse that are missing from the general catalogues: one is at the end of Mel in MS Barlow&#13;
20, while another is an analogue to lines from KnT.</text>
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The Manuscript World, no. 14.</text>
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              <text>Lawrie, Richard Lawrie, ed.&#13;
Atkinson, Laurie, ed.&#13;
Mooney, Linne.&#13;
Pearsall, Derek.&#13;
Rainey, Elizabeth.&#13;
Edwards, A. S. G.</text>
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                <text>Middle English Manuscripts and Their Legacies: A Volume in Honour of Ian Doyle.</text>
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                <text>Seventeen essays by various authors on topics in Middle English manuscripts, their legacies, and the career of Ian Doyle, with an introduction by Saunders and Lawrie, an afterword by Linne Mooney and Derek Pearsall, a list of Doyle's publications by Elizabeth Rainey (assisted by A. S. G. Edwards), an index of manuscripts and early printed books, and a comprehensive index. For two essays that pertain to Chaucer, search for Middle English Manuscripts and Their Legacies under Alternative Title.</text>
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Lawrie, Richard, ed.&#13;
Atkinson, Laurie, ed. </text>
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                <text>Chaucer in Small Parcels: Odd Texts of Chaucer's Short Poems, and Their Manuscript Contexts.</text>
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                <text>Describes conjunctions--"many of them improbable or curious"--among the materials contained in manuscripts "which preserve just one or two of Chaucer's short poems," exploring what they "can tell us about the reception and transmission of Chaucer's verse." Aligns the range of circulation of Chaucer's "moral lyrics" with their status as "wise and semi-proverbial."</text>
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Lawrie, Richard, ed.&#13;
Atkinson, Laurie, ed.&#13;
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                <text>Pope's Chaucer.</text>
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                <text>Challenges the traditional provenance of CT manuscript Oxford, Trinity College, MS 49, detaching it from Saffron Walden, and asserting that it was not donated to Trinity College by Sir Thomas Pope, founder of the college, but given by Thomas Unton, as is recorded in Trinity's Library Benefactors' Book. Summarizes Unton's life and book ownership and explores broader implications of this ownership.</text>
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              <text>Fredell, Joel.</text>
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              <text>xvi, 324 pp.; color illus.</text>
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Manuscripts and Textual Studies&#13;
Chaucer's Life</text>
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                <text>Fictions of Witness in the "Confessio Amantis."</text>
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                <text>Studies the manuscripts of John Gower's "Confessio Amantis" as evidence of his status and role in the production of Lancastrian literature and propaganda, challenging long-held assessments of the dates and sequence of the manuscripts and what they reflect about Gower's intentions and his reception. Includes comments on Gower's relations with Chaucer, issues of "laureation" and scribal activities that pertain to the works of both poets, and Venus's praise of Chaucer in some manuscripts of the "Confessio."</text>
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              <text>Cook, Megan L.</text>
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              <text>Huntington Library Quarterly 85 (2022): 643-61.</text>
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Facsimiles, Editions, and Translations&#13;
Chaucerian Apocrypha</text>
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            <description>An account of the resource</description>
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                <text>Compares the contents of manuscripts of Chaucer's works and those of early printed editions, especially William Thynne's 1532 edition of "Works." Focuses on the heterogeneous mixture of Chaucerian materials, apocrypha, and works by other authors in Thynne's edition--and the impact of their arrangements--to clarify the nature of "miscellaneity," its value as a critical concept, and its role in canon formation.</text>
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                <text>Miscellaneity and Apocrypha in Chaucer's Works (1532)</text>
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              <text>Wolf, Sophia Philomena.&#13;
Contzen, Eva von.</text>
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              <text>New Chaucer Studies: Pedagogy &amp; Profession 4 (2023): 85-95.</text>
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              <text>New Chaucer Studies: Pedagogy &amp; Profession 04 (2023)</text>
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              <text>SAC 47:10</text>
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            <elementText elementTextId="2852367">
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                <text>Is There a Source Text in This Class? Teaching Medieval Literature through Contemporary Retellings.</text>
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                <text>Outlines "the lesson plan and pedagogical approach" (with course description and syllabus) for a senior, undergraduate course called "Retelling, Rereading, Rethinking--the Afterlife of Medieval Texts in Contemporary Literature." Includes explanation of using samples from CT (in translation or synopsis) and retellings/adaptations of them in Patience Agbabi's "Telling Tales" (2014).</text>
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              <text>Webb, Simon, trans.</text>
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              <text>[n.p.]: Langley Press, 2023.</text>
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              <text>Legend of Good Women&#13;
Facsimiles, Editions, and Translations</text>
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                <text>Legend of Good Women: In a Modern English Version.</text>
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              <text>Sasamoto, Hisayuki, trans.&#13;
Jimura, Akiyuki, trans.</text>
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              <text>Hiroshima: Keisuisha, 2023. 86 pp.</text>
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              <text>Treatise on the Astrolabe&#13;
Facsimiles, Editions, and Translations</text>
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              <text>SAC 47:8</text>
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              <text>2023</text>
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                <text>Asutororabe ni kansuru ronbun. [A Treatise on the Astrolabe].</text>
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                <text>Japanese translation of Astr based on the Riverside Chaucer, 3rd edition. In Japanese.</text>
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              <text>Peden, Helen.</text>
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              <text>P. J. M. Marks and Stephen Parkin, eds. The Book by Design: The Remarkable Story of the World's Greatest Invention (Chicago: University of Chicago Press, 2023), pp. 204-13; 10 color illus.</text>
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              <text>Book by Design: The Remarkable Story of the World's Greatest Invention.</text>
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                <text>"The Works of Geoffrey Chaucer": William Morris's Ideal Book.</text>
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                <text>Summarizes the development of Morris's Kelmscott Press and describes the achievement of his aesthetic ideals in the Kelmscott Chaucer.</text>
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              <text>Flannery, Mary.</text>
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                <text>Delimiting Chaucerian Obscenity in Caxton's Second Edition of "The Canterbury Tales."</text>
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                <text>Examines Caxton's deletions from his first to his second edition of CT, showing that most of them were "bawdy spurious verse." Argues that the deletions evince Caxton's awareness of Chaucer's own "ribaldry" and that—not concerned with obscenity per se—he was anxious to present only the poet's own works.</text>
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              <text>London: Haus, 2022.</text>
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              <text>v, 216 pp.</text>
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              <text>Chaucer's Life&#13;
Background and General Criticism&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Chaucer's Italy.</text>
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                <text>Interpretive biography and critical exploration of Chaucer's professional, diplomatic, and literary engagements with Italy, Italians, and Italian culture, seeking to "follow in Chaucer's footsteps--to Milan, Genoa, Florence, Pavia, and beyond--and describe what he would have seen and experienced." Explores Chaucer's literary relations with Dante, Petrarch, Boccaccio, Sercambi, and others up to Pier Paolo Pasolini, addressing Italian Chaucer scholarship, and emphasizing the range and variety of Italian topics in Chaucer's life and works.</text>
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              <text>Johnson, David, comp. </text>
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              <text>Edinburgh: David Johnson Music Editions, distributed by The Hardie Press, 2023; copyright, 2007.</text>
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              <text>Musical score; 12 pp.</text>
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Parliamant of Fowls</text>
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                <text>Five Songs for Soprano (Mezzo Soprano) &amp; Clarinet.</text>
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            <description>An account of the resource</description>
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              <text>Menmuir, Rebecca.&#13;
Buchanan, Peter.&#13;
Kask, Pamela.</text>
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            <elementText elementTextId="2852307">
              <text>Year's Work in English Studies 102 (2023): 264-94.</text>
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              <text>Year's Work in English Studies 102 (2023)</text>
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              <text>Bibliographies, Reports, and Reference</text>
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              <text>2023</text>
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                <text>Chaucer.</text>
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              <elementText elementTextId="2852305">
                <text>A discursive bibliography of Chaucer studies for 2021, divided into four subcategories: general, CT, other works, and reception. See also "Middle English," YWES 102 (2023): 171-263.</text>
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