<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275206">
    <dcterms:title><![CDATA[Transgressive Desire in Chaucer&#039;s &quot;Legend of Thisbe.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the use of the story of Pyramus and Thisbe in LGW reveals a queer critique of the patristic tradition of hermeneutics.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275205">
    <dcterms:title><![CDATA[The Poetic Form of Voice in Chaucer&#039;s &quot;House of Fame.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on the circle rhyme in the second book of HF, which reflects the theory of poetic form and voice as found in the vision itself.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275204">
    <dcterms:title><![CDATA[&quot;Therout com so gret a noyse&quot;: The Harmony of the Spheres and Chaucerian Poetics.]]></dcterms:title>
    <dcterms:description><![CDATA[Notes that Chaucer &quot;uses musical references and metaphors in his poetry in order to discuss the art of writing poetry itself,&quot; and argues that in HF--and even in PF--Chaucer advances a &quot;poetics of noise.&quot; Summarizes the &quot;reception of the Pythagorean-Platonic conceptions&quot; of cosmic harmony in late medieval England, and suggests that, while attempting to reaffirm harmony in &quot;Temple of Glass,&quot; John Lydgate failed to &quot;suppress Chaucerian cacophony.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275203">
    <dcterms:title><![CDATA[Chaucers Klang(t)räume: Chaucer, Boethius und die Harmonie.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Chaucer&#039;s depictions of music, poetry, sound, noise, cacophony, and harmony in PF; MilT; and, most extensively, HF, exploring how he adapted notions derived from Boethius&#039;s &quot;Consolation of Philosophy&quot; and his &quot;De musica,&quot; medieval perception theory, and the concept of the harmony of the spheres.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275202">
    <dcterms:title><![CDATA[Vitreous Visions: Stained Glass and Affective Engagement in John Lydgate&#039;s &quot;The Temple of Glass.&quot; ]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the &quot;effect and experience&quot; of the stained glass in HF and in Lydgate&#039;s &quot;underappreciated remobilization&quot; of it in his &quot;Temple of Glass,&quot; comparing the aesthetics of the dream visions with those of late medieval glass in England, its &quot;fragmented nature,&quot; and its &quot;affective power&quot; for viewers.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275201">
    <dcterms:title><![CDATA[Re-Writing the Classics: Geoffrey Chaucer and &quot;The House of Fame.&quot; ]]></dcterms:title>
    <dcterms:description><![CDATA[Traces the &quot;motif of visible speech&quot; in HF, identifying its source in Dante&#039;s &quot;Divine Comedy,&quot; and exploring its relations with questions of literary transmission, especially in depictions of the story of Dido, the eagle&#039;s speech, and the House of Rumor. Chaucer&#039;s account emphasizes the truthlessness of stories and the limitations of the human mind.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275200">
    <dcterms:title><![CDATA[&quot;Vt hkskdkxt&quot;: Early Medieval Cryptography, Textual Errors, and Scribal Agency.]]></dcterms:title>
    <dcterms:description><![CDATA[Refers to Roger Bacon&#039;s description of the use of encryption in Equat, noting that Chaucer&#039;s authorship is not definitive.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275199">
    <dcterms:title><![CDATA[Blanche, Two Chaucers and the Stanley Family: Rethinking the Reception of &quot;The Book of the Duchess.&quot; ]]></dcterms:title>
    <dcterms:description><![CDATA[Questions whether BD circulated in the fourteenth century and whether it was commissioned by John of Gaunt as an elegy for his wife. The mid-fifteenth-century manuscript Oxford, Bodleian Library, MS Fairfax 16 bears the arms of a court functionary, John Stanley of Hooton, who had contact with &quot;a cultural milieu centred on the Duke of Suffolk.&quot; That the manuscript contains both BD and HF &quot;may result from Suffolk&#039;s wife Alice Chaucer making available material from her grandfather&#039;s personal papers.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275198">
    <dcterms:title><![CDATA[To Cut the Past: Queer Touch, Medieval Materiality, and the Craft of Wonder.]]></dcterms:title>
    <dcterms:description><![CDATA[Theorizes three medieval literary tropes (&quot;the bodily cut; stained glass; and, the grafted tree&quot;) as means to connect &quot;exclusive entities&quot; (dead and living, past and present, and earthly and celestial), as well as the medieval/postmodern divide. Includes discussion of stained glass in BD.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275197">
    <dcterms:title><![CDATA[Auctor and Auctoritee in Chaucer&#039;s &quot;The Book of the Duchess.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Highlights the &quot;creative disruptions of Chaucerian parody&quot; and argues that BD satirizes the language of courtly complaint to privilege more naturalistic expression of mourning. Through his conversation with the dreamer, the knight&#039;s language moves from highly conventional, impersonal phrasing common to the langue d&#039;amours to a &quot;bathetic simplicity&quot; that indicates the speaker&#039;s &quot;authenticity and naturalness.&quot; Claims that BD demonstrates how individual experience is best articulated through fresh rather than formal language.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275196">
    <dcterms:title><![CDATA[Discovering Woe: The Translation of Affect in Chaucer&#039;s &quot;Book of the Duchess&quot; and Spenser&#039;s &quot;Daphnaïda.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Drawing on affect theory and psychoanalytic methodologies, considers the relationship between the &quot;awake body&quot; and &quot;emotional utterance&quot; in BD, relating this to notions of &quot;translatio.&quot; Highlights the centrality of the Ceyx and Alcyone episode to this topic, exploring its interplay with Ovid&#039;s &quot;Metamorphoses&quot; and Spenser&#039;s &quot;Daphnaïda.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275195">
    <dcterms:title><![CDATA[Tribute to a Duchess: &quot;The Book of the Duchess&quot; and Machaut&#039;s &quot;Remede de Fortune.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues for the &quot;strong intertextual presence&quot; of Machaut&#039;s &quot;Remede de Fortune&quot; in BD, reflective of developments in late medieval francophone and anglophone social history. Both poems combine praise for an idealized lady with an account of the lover&#039;s development, gently resisting the expectations of elegy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275194">
    <dcterms:title><![CDATA[&quot;Counterfeit&quot; Imitatio: Understanding the Poet-Patron Relationship in Machaut&#039;s &quot;Fonteinne amoureuse&quot; and Chaucer&#039;s &quot;Book of the Duchess.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the differing treatments of Morpheus in BD and Machaut&#039;s &quot;Fonteinne amoureuse&quot; &quot;reflect on the advantages and limitations of &#039;imitatio&#039; as a tool for authorial self-promotion.&quot; Underlying this reflection are contrasting strategies for harnessing poetic authority, either through literary history or through contemporary patronage.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275193">
    <dcterms:title><![CDATA[The Shock of the Old? The Unsettling Art of Chaucer&#039;s Antique Citations.]]></dcterms:title>
    <dcterms:description><![CDATA[Studies the rhetorical topos of exemplary lists of famous antique figures in BD, in comparison with contemporary uses of the device. Chaucer&#039;s lists are more than simply didactic or conventional, affirming &quot;chivalric and regal identity&quot; and thus participating in &quot;a language of fashionable prince-pleasing art.&quot; Includes consideration of LGW and PF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275192">
    <dcterms:title><![CDATA[&quot;Hyt am I&quot;: Voicing Selves in the &quot;Book of the Duchess,&quot; the &quot;Roman de la rose,&quot; and the &quot;Fonteinne Amoureuse.&quot; ]]></dcterms:title>
    <dcterms:description><![CDATA[Shows how the &quot;relationship between voice and identity&quot; is a preoccupation of both BD and one of its chief sources, Machaut&#039;s &quot;Dit de la fonteinne amoureuse.&quot; Highlights the formative influence of the composite &quot;Roman de la Rose&quot;--particularly its conjuring of an authorial &quot;je&quot;--on &quot;the powers and the limitations of the voice&quot; in the later narratives.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275191">
    <dcterms:title><![CDATA[Alcyone&#039;s Grave: Inscription and Intertextuality in Chaucer, Spenser, and Ovid.]]></dcterms:title>
    <dcterms:description><![CDATA[Highlights the thematic centrality of memorialization, tombs, and inscription in the Ceyx and Alcyone story from Ovid to Chaucer to Spenser. The intertextual relations among these versions is predicated not on the principle of genealogical succession but on transhistorical contiguity imagined as touch.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275190">
    <dcterms:title><![CDATA[&quot;Noon other werke&quot;: The Work of Sleep in Chaucer&#039;s &quot;Book of the Duchess.&quot; ]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the &quot;metafictional import of sleep,&quot; as distinct from dreaming, in BD. Influenced by Machaut&#039;s &quot;Livre de la fonteinne amoreuse,&quot; BD aligns sleep, as an embodied process, with the &quot;werk&quot; of elegy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275189">
    <dcterms:title><![CDATA[Response: The &quot;Book of the Duchess,&quot; Guillaume de Machaut, and the Image of the Archive]]></dcterms:title>
    <dcterms:description><![CDATA[Considers how technologies of memory inform reflections on composition, literary relationships, and the elegiac project in BD, engendering a &quot;focused commentary&quot; on the &quot;work of recollection.&quot; In this, BD participates in a discursive field shared by several works by Machaut, particularly the &quot;Prologue.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275188">
    <dcterms:title><![CDATA[Codicology, Text, and the &quot;Book of the Duchess.&quot; ]]></dcterms:title>
    <dcterms:description><![CDATA[Outlines the numerous problems surrounding BD&#039;s dating, occasion, early transmission history, title, and text. Because of the small number and lateness of manuscript witnesses, BD evinces significant &quot;textual uncertainty&quot;; consequently, literary interpretation must maintain &quot;a proper awareness of the problems that inhere in the material evidence of its survival.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275187">
    <dcterms:title><![CDATA[Idleness, Chess, and Tables: Recuperating Fables in Chaucer&#039;s &quot;Book of the Duchess.&quot; ]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the relations between BD and fourteenth-century devotional texts, particularly &quot;Cursor mundi,&quot; that disparage &quot;fable&quot; as a form of idleness. Rejecting the popular association between consuming fiction and playing idle games, BD reclaims storytelling as &quot;active, productive, and restorative,&quot; thus critiquing &quot;medieval attitudes toward fiction.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275186">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;Book of the Duchess&quot;: Contexts and Interpretations.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes nine essays, plus a response, by various authors, with an index and an introduction by the editor. Argues for a reassessment of the critical relevance of BD, which has often been marginalized, as a work that is simultaneously &quot;multilingual&quot; and &quot;seminally &#039;English,&#039; &quot; emphasizing its internationalism and sophistication as a contribution to late medieval practices of vernacularity and ideas of authorship. Contains units on &quot;Books and Bodies&quot; and &quot;The Intertextual Duchess,&quot; focusing, respectively, on the poem&#039;s &quot;textual construction and internal dynamics&quot; and on its literary relationships as seen through a comparatist lens. For nine essays that pertain to Chaucer, search for Book of the Duchess: Contexts and Interpretations under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275185">
    <dcterms:title><![CDATA[Boethius and Chaucer: The Consolations of &quot;Trouthe.&quot; ]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chaucer anticipates readings of Boethius&#039;s &quot;Consolation of Philosophy&quot; as centrally devotional rather than philosophical. Chaucer&#039;s word choices in Bo bring this emphasis to the fore, especially of the concluding lines of the work. Examines Chaucer&#039;s Boethian poems, eschewing the well-known pagan narrative Boethian poetry for the less-studied Christian poetry such as Truth and Form Age.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275184">
    <dcterms:title><![CDATA[Révolutions/évolutions? &quot;Le Traité de l&#039;astrolabe&quot; de Chaucer et la perception de l&#039;évolution et de l&#039;innovation.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the meaning of Chaucer&#039;s astrolabe and reflects upon medieval England and the English language.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275183">
    <dcterms:title><![CDATA[Transmedial Technics in Chaucer&#039;s &quot;Treatise on the Astrolabe&quot;: Translation, Instrumentation, and Scientific Imagination.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the astrolabe as an instrument and Chaucer&#039;s Astr as a translation, correlating their &quot;transmedial&quot; features, which provoke &quot;alternate angles of view on instrumentality&quot; and interrogate relations between human and nonhuman epistemologies. Connects these concerns with metaphor and literary mimesis, anthropomorphism, hybridized gender in Astr, &quot;zoomorphic intermediaries&quot; in SqT and HF, and technologies of knowing. Includes 5 b&amp;w illus.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275182">
    <dcterms:title><![CDATA[Remember.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Anel &quot;proffers lessons about memory and progress&quot; that can help survivors of modern cancer victims to achieve &quot;intergenerational&quot; memory, an ethical and therapeutic notion that derives from Paul Davies&#039;s contested theory that cancer cells carry memory. Includes attention to memory, &quot;thirling,&quot; and cycles of history in Anel.]]></dcterms:description>
</rdf:Description></rdf:RDF>