<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275423">
    <dcterms:title><![CDATA[Fifty Great Poets.]]></dcterms:title>
    <dcterms:description><![CDATA[On pp. 67-83 this anthology includes WBP in Theodore Morrison&#039;s modern verse translation and the ballade from LGWP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275422">
    <dcterms:title><![CDATA[Textual Study of Thomas Tyrwhitt&#039;s Edition of the Canterbury Tales (1775-1778).]]></dcterms:title>
    <dcterms:description><![CDATA[Studies the Collation Text and the Printer&#039;s Copy of Tyrwhitt&#039;s edition of CT, identifying his reliance on two manuscript witnesses--British Library Harley 7335 and Cambridge University Library Dd.4.24--and establishing &quot;his fidelity to the manuscripts and the extent of his contribution to the restoration of the text&quot; of the poem. Affirms that Tyrwhitt produced the &quot;first modern critical edition&quot; of CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275421">
    <dcterms:title><![CDATA[Langland&#039;s and Chaucer&#039;s Treatment of Monks, Friars, and Priests.]]></dcterms:title>
    <dcterms:description><![CDATA[Compares and contrasts Chaucer&#039;s and Langland&#039;s views of the &quot;lower clergy&quot; (monks, friars, and parish priests) in light of the &quot;religious backgrounds&quot; of their age, arguing that despite their stylistic differences their views are very similar in this regard, and largely conservative.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275420">
    <dcterms:title><![CDATA[Imaginative Literature I: From Homer to Shakespeare.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes introductions to seven authors and works of western literature, keyed to texts in translation or modernization available in the &quot;Great Books of the Western World&quot; series. The &quot;Sixth Reading&quot; here (pp. 139-66) pertains to Chaucer and CT, treating GP, aspects of the links between tales, individual tales, characterization, verse, sources, and narrative variety.  Designed for self-teaching, each reading concludes with a series of questions; answers are collected at the end of the volume.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275419">
    <dcterms:title><![CDATA[The Lady Brewer of London: A Novel.]]></dcterms:title>
    <dcterms:description><![CDATA[Historical novel set in late-medieval England. Includes a character modeled on the Wife of Bath: Alyson, who owns a bathhouse/brothel in Southwark. Originally published as &quot;The Brewer&#039;s Tale,&quot; North Sydney: Harlequin, 2014; 584 pp.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275418">
    <dcterms:title><![CDATA[Transcendental.]]></dcterms:title>
    <dcterms:description><![CDATA[Frame-tale science fiction novel with echoes of CT, e.g., quotation of GP 1.12 on the opening page, recurrent references to travelers as &quot;pilgrims,&quot; a galactic ship named &quot;Geoffrey,&quot; interpolated tales (although purportedly autobiographical), etc. Subsequently expanded in &quot;Transgalactic&quot; (Tor, 2016) and &quot;Transformation&quot; (Tor, 2017) to comprise a Trilogy, with additional short narratives in &quot;Pilgrims to Transcendence&quot; (Smashwords, 2020).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275417">
    <dcterms:title><![CDATA[Music and Poetry in the Early Tudor Court.]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on three extant Tudor song-books to chart the relations between lyric and song in early English tradition, including discussion of popular and courtly works, late-medieval and early modern music, and the impact of the Reformation. Two issues pertain to Chaucer: reconstructing the fiction of courtly love, and the development of courtly poetry from Chaucer to Thomas Wyatt. Includes discussion of the &quot;Angelus ad Virginem&quot; (MilT 1.3216; lyrics and score included) and courtliness in PF and TC; also comments on a number of other works by Chaucer, listed in the Index.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275416">
    <dcterms:title><![CDATA[Le Roman de Renart dans la Littérature Française et dans les Littératures Étrangères au Moyen Age.]]></dcterms:title>
    <dcterms:description><![CDATA[Chapter 15, &quot;Le Roman de Renart en Angleterre&quot; (pp. 672-88), summarizes NPT and treats Pierre de Saint-Cloud&#039;s &quot;Roman de Renart&quot; (branch 2) as its major source, focusing on tone and spirit, and attributing differences to Chaucer&#039;s art, originality, and thematic concerns: predeterminism, dream theory, and marriage.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275415">
    <dcterms:title><![CDATA[The Medieval Consolation of Philosophy: An Annotated Bibliography.]]></dcterms:title>
    <dcterms:description><![CDATA[An annotated bibliography, listing materials that pertain to the &quot;Consolation of Philosophy&quot; in French, German, Old English and Middle English, with sections on Chaucer&#039;s translation and to its influence, with seventy-six and forty-three items respectively. The volume and each separate section are accompanied by discursive introductions that describe Boethius&#039;s influence and importance. A version of the author&#039;s 1985 Fordham Ph.D. dissertation. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275414">
    <dcterms:title><![CDATA[Medieval Masterpieces.]]></dcterms:title>
    <dcterms:description><![CDATA[Introduces the manuscript of the Luttrell Psalter and the Oxford copy of William Caxton&#039;s second edition of CT (with hand-colored woodcuts), with extensive visual representation of the codices (panning many details) and their library settings, explained and appreciated by a team of expert curators and scholars. Focuses on the religious iconography and &quot;political vision&quot; of the Psalter, and on the production, reception, and social variety of the Caxton volume and its text.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275413">
    <dcterms:title><![CDATA[The Deadliest Sin in &quot;The Pardoner&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Treats PardPT as parts of a structured sermon against gluttony, gambling, swearing, and &quot;&#039;superbia&#039;, pride in its most Satanic form.&quot; The revelers and the Pardoner himself are guilty of the latter.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275412">
    <dcterms:title><![CDATA[Zur Allegorischen Deutung der Nonnes Preestes Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes several layers of allegorical meaning in NPT, explaining them in an ascending scheme of specific to general, content to form; suggests that Chaucer artfully combines the incommensurable to maintain both jest and earnest.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275411">
    <dcterms:title><![CDATA[Chaucer and Don Juan.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the &quot;[p]ossible influence&quot; of ShT &quot;on the Don Juan theme&quot; in England and in Spain, observing that the former &quot;is likely enough but difficult to prove,&quot; while the latter is &quot;very unlikely and virtually unprovable.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275410">
    <dcterms:title><![CDATA[Hunter and Prey: Functional Imagery in Chaucer&#039;s &quot;Friar&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chaucer&#039;s use of conventional hunter and prey images in FrT &quot;serves an organic function within the aesthetic whole of the work.&quot; Rather than &quot;functioning as mere decoration&quot; it reinforces and deepens &quot;the comic irony both inherent and explicit within the framework of the story.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275409">
    <dcterms:title><![CDATA[Criseyde&#039;s Two Half Lovers.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses Criseyde&#039;s character in light of Carl Jung&#039;s theory of the nature of love as a &quot;result of the incomplete human soul seeking its complement&quot;--the &quot;anima&quot; seeking its &quot;animus.&quot; Troilus&#039;s failure to act disappoints Criseyde&#039;s courtly expectations, and his &quot;weaknesses are precisely the same as hers,&quot; while her &quot;reluctance to act&quot; leads to her betrayal with Diomede and her tragic Christian fall.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275408">
    <dcterms:title><![CDATA[Chaucers Persische Zenobia.]]></dcterms:title>
    <dcterms:description><![CDATA[Maintains that Chaucer corrected Boccaccio arbitrarily when he claims at MkT 7.2248 that Persians wrote about Zenobia.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275407">
    <dcterms:title><![CDATA[The Double Time Scheme in Book II of Chaucer&#039;s &quot;Troilus and Criseyde.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines references to times and dates in Book II of TC, arguing that Chaucer creates a double sense of time in order to convey a &quot;rapid sequence of events&quot; among the three main characters while also conveying through a &quot;longer time scheme&quot; the &quot;gradual growth of Criseyde&#039;s love.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275406">
    <dcterms:title><![CDATA[Chaucer&#039;s Horses.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores Chaucer&#039;s stylistic virtuosity in his references to horses and riding, commenting on appropriateness, suggestive naming and coloring, metaphoric and imagistic implications, and comic effects. Includes comments on horses in TC, LGW, and CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275405">
    <dcterms:title><![CDATA[Fair Burgesses.]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on Chaucer&#039;s status as a member of the middle class, and explores his depiction of middle-class society in CT, with attention to how it reflects his contemporary world. Includes four b&amp;w illustrations.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275404">
    <dcterms:title><![CDATA[Guide to English Literature from Beowulf through Chaucer and Medieval Drama. With Bibliographies Provided by Stanley B. Greenfield.]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys English literature and critical responses to this literature; designed for classroom use. Summarizes historical backgrounds and provides annotated bibliographies, linked with the discussions of individual works, authors, and topics, including Chaucer (pp. 190-259) and, more briefly, the &quot;Fifteenth-century Chaucerians&quot; (pp. 260-66; Lydgate, Hoccleve, &quot;The Kingis Quair,&quot; Henryson, and Dunbar). The Chaucer section describes Chaucer&#039;s Life, the &quot;minor works,&quot; TC, and each of the CT. The volume includes maps, illustrations, and a comprehensive index.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275403">
    <dcterms:title><![CDATA[Chaucer&#039;s Thirty Pilgrims and Activa Vita.]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that the number of participants in Chaucer&#039;s CT pilgrimage--&quot;Wel nyne and twenty&quot; (GP 1.24) plus the narrator--can be seen to signify the &quot;active life,&quot; consisting &quot;essentially of penitence and good works.&quot; Offers evidence that thirty signifies &quot;activa vita&quot; elsewhere in medieval &quot;framed story-collections&quot; and in medieval number symbolism, and explores the implications of such symbolism in CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275402">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;Desert of Libye,&quot; Venus, and Jove (&quot;The Hous of Fame,&quot; 486-87).]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the mythological tradition which &quot;linked Jupiter with the sands of Libya&quot; as well as &quot;Venus&#039; association with the wilderness of Libya,&quot; helping to clarify Chaucer&#039;s reference to the &quot;desert of Libye&quot; in HF and his use of Virgil&#039;s &quot;Aeneid&quot; as a source.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275401">
    <dcterms:title><![CDATA[A Note on Chaucer&#039;s Obscenity.]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on the &quot;real and alleged obscenity of the farting scene in MilT, focusing on its, narrative technique, humor, and the use of &quot;thonder-dent.&quot; ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275400">
    <dcterms:title><![CDATA[Wife of Bath and the Rhetoric of Enchantment; Or, How to Make a Hero See in the Dark.]]></dcterms:title>
    <dcterms:description><![CDATA[Characterizes the Wife of Bath through a sustained, appreciative summary of and commentary on WBP and, more extensively, WBT, showing that &quot;Comic exaggeration is her forte, but tempered by delicate play and a fatal aim, the more precise for being matchlessly fun.&quot; Focuses on the rape motif in WBT, the Wife&#039;s rhetorical interruptions to her narrative, relations between WBT and its three English analogues, the pillow lecture, and conventions of the courtly tradition as found in Arthurian romance, Andreas Capellanus, and &quot;Sir Gawain and the Green Knight.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275399">
    <dcterms:title><![CDATA[Chaucer Criticism, Volume II: Troilus and Criseyde and The Minor Poems.]]></dcterms:title>
    <dcterms:description><![CDATA[An anthology of seventeen twentieth-century essays or excerpts by various authors on TC (twelve examples), BD, HF, PF, courtly love, and dream vision poetry--sixteen reprinted and one original: R. E. Kaske, &quot;The Aube in Chaucer&#039;s &#039;Troilus&#039;.&quot;]]></dcterms:description>
</rdf:Description></rdf:RDF>