<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275551">
    <dcterms:title><![CDATA[Poetry 101: From Shakespeare and Rupi Kaur to Iambic Pentameter and Blank Verse; Everything You Need to Know about Poetry.]]></dcterms:title>
    <dcterms:description><![CDATA[An introduction to poetry in English, its history, and its forms, arranged by author and topic. Includes a brief introduction to Chaucer that emphasizes his social mobility, CT, and his use of English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275550">
    <dcterms:title><![CDATA[Medieval Affect, Feeling, and Emotion.]]></dcterms:title>
    <dcterms:description><![CDATA[Collection of essays charting new investigations of intersectionality of affects, feelings, and emotions in non-religious texts. Authors range from Chaucer to Gavin Douglas, and essays explore practices of witness to the &quot;adoration of objects,&quot; and the co-existence of emotion and affect in late medieval representations of feeling. For essays pertaining to Chaucer, search for Medieval Affect, Feeling, and Emotion under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275549">
    <dcterms:title><![CDATA[Becoming One Flesh, Inhabiting Two Genders: Ugly Feelings and Blocked Emotion in the &quot;Wife of Bath&#039;s Prologue and Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Compares the Wife&#039;s presentation of her conduct in WBPT to the conduct book&quot; Le ménagier de Paris,&quot; and shows how the Wife&#039;s record of her activities and the presentation of negative emotions function as essentially a reversal of the &quot;Ménagier.&quot; By using Sianne Ngai&#039;s concept of &quot;ugly feelings&quot; to contextualize this examination, offers the Wife&#039;s texts as a kind of alternative model of heterosexual and married identity to that depicted in &quot;Ménagier.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275548">
    <dcterms:title><![CDATA[Accounting for Affect in the &quot;Reeve&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that RvT reworks its fabliau sources alongside then-contemporary texts about manorial control and operation such as &quot;Walter of Henley,&quot; and traces this depiction of an &quot;affective economy.&quot; Analysis helps to foreground how the Reeve&#039;s manorial background can help illuminate the affective workings of his tale.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275547">
    <dcterms:title><![CDATA[Introduction.]]></dcterms:title>
    <dcterms:description><![CDATA[Emphasizes how this essay collection presents &quot;an intersectional approach to what medievals call affect and what moderns call emotions,&quot; and &quot;speaks to the &#039;affective turn&#039; in contemporary literary and cultural studies.&quot; Introduction provides a close reading of BD that allows authors to uncover how premodern texts grapple with the connections between<br />
emotion and affect.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275546">
    <dcterms:title><![CDATA[Weeping like a Beaten Child: Figurative Language and the Emotions in Chaucer and Malory.]]></dcterms:title>
    <dcterms:description><![CDATA[Highlights the connections between uses of the phrase &quot;weeping like a beaten child&quot; in both Chaucer and Malory, simultaneously exploring the semantic range of weeping elsewhere. These examinations offer further important lessons about the history of emotions and how one might read weeping in old texts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275545">
    <dcterms:title><![CDATA[Chaucer and Literary Historiography in John Lydgate&#039;s &quot;Siege of Thebes.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Points out that Chaucer develops the idea of interpretation through his works (especially CT), and demonstrates how Lydgate&#039;s &quot;The Siege of Thebes,&quot; drawing on Chaucer, revolves around the ideas of truth and interpretation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275544">
    <dcterms:title><![CDATA[Renaissance Texts, Medieval Subjectivities: Rethinking Petrarchan Desire from Wyatt to Shakespeare.]]></dcterms:title>
    <dcterms:description><![CDATA[Chapter 2, &quot;Chaucerian Melancholy in Renaissance England,&quot; explores how in &quot;Astrophel and Stella&quot; Sir Philip Sidney &quot;reactivates: the melancholic and ambivalent &quot;poetics of selfhood&quot; of BD, as mediated in the &quot;Petrarchan and anti-Petrarchan poetry&quot; of Henry Howard, earl of Surrey. Attends to the &quot;slippages of identity&quot; in BD and links them with &quot;melancholy theory from Aristotle to Kristeva.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275543">
    <dcterms:title><![CDATA[Chaucer&#039;s Jailer&#039;s Daughter: Character and Source in &quot;The Two Noble Kinsmen.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines how the Jailer&#039;s Daughter of Shakespeare and Fletcher&#039;s play, a character not found in KnT, reflects a complex form of influence derived not only from KnT, but from MilT and RvT as well. Considers water imagery and liquidity, and &quot;madness, secular village life, comic cruelty, and erotic, feminine desire&quot; as manifestations of how the Daughter &quot;quits&quot; the play, as Chaucer&#039;s fabliaux quit his romance.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275542">
    <dcterms:title><![CDATA[A Not Too Greatly Changed Eden: The Story of the Philosophers&#039; Camp in the Adirondacks.]]></dcterms:title>
    <dcterms:description><![CDATA[Recounts the history and events of the nineteenth-century American Philosophers&#039; Camp. The chapter entitled &quot;The Worthy Crew Chaucer Never Had&quot; includes discussion of Ralph Waldo Emerson&#039;s notebook commentaries on similarities between the group of men attending the Camp and the pilgrims of the CT; the chapter title derives from a poem in Emerson&#039;s &quot;Poetry Notebooks.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275541">
    <dcterms:title><![CDATA[(Un)veiling the Veil: Trojan Temporalities, Chaucerian Ekphrasis and Literary Innovation in Shakespeare&#039;s &quot;Rape of Lucrece.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Shakespeare&#039;s exploration of the &quot;nature of literary adaptation-as-innovation&quot; in &quot;The Rape of Lucrece&quot;--conducted by means of &quot;competing versions of the Troy story&quot;--engages with the &quot;Chaucerian poetics&quot; of HF and TC, particularly &quot;Chaucer&#039;s thoughts on veiled and veiling authorities&quot; evident in the ekphrastic account of Troy in HF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275540">
    <dcterms:title><![CDATA[A Rogue&#039;s Decameron.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes ten short stories, plus a Prologue and an Epilogue, all overtly modeled in topic and tone on CT and Boccaccio&#039;s &quot;Decameron,&quot; both works referred to in the Prologue and alluded to in titles such as &quot;The Reeve&#039;s Sister&#039;s Tale.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275539">
    <dcterms:title><![CDATA[&quot;Our Chaucer&quot;: Ted Hughes, Sylvia Plath and the Politics of Medieval Reading.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the lifelong development of Ted Hughes&#039;s attitudes toward Chaucer in published and archival materials, including comments on Hughes&#039;s view of Chaucer as the &quot;perfect model of a public poet&quot; and as a &quot;presiding presence&quot; in his relationship with Sylvia Plath. Also assesses Plath&#039;s appreciation of Chaucer&#039;s works, especially the character of the Wife of Bath.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275538">
    <dcterms:title><![CDATA[Hughes and the Middle Ages.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes aspects of Hughes&#039;s &quot;imaginative encounter with the Middle Ages,&quot; particularly his reading of &quot;Sir Gawain and the Green Knight,&quot; Chaucer&#039;s works, and those of Dante, exploring how these works influenced his poetry and thoughts on literature.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275537">
    <dcterms:title><![CDATA[Translating Ovid&#039;s &quot;Metamorphoses&quot; in Tudor Balladry.]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes Ovid&#039;s &quot;Metamorphoses&quot; in Renaissance poetry, with some attention to how Chaucer, in LGW, and Gower, in &quot;Confessio Amantis,&quot; may have influenced sixteenth-century Tudor England&#039;s Ovidian poetry.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275536">
    <dcterms:title><![CDATA[Shakespeare&#039;s Ovid and the Spectre of the Medieval.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Shakespeare&#039;s uses of Ovid in his plays and poems was largely mediated by medieval works, specifically ones by Chaucer and John Gower. Shows that the dream frame of BD influenced &quot;The Taming of the Shrew&quot; and &quot;Cymbeline,&quot; that Chaucer&#039;s (LGW) and Gower&#039;s versions of Ariadne underlie Julia of &quot;The Two Gentlemen of Verona,&quot; that the dawn-songs in TC and those in Gower influence &quot;The Rape of Lucrece&quot; and &quot;Romeo and Juliet,&quot; and that Gower&#039;s Narcissus of &quot;Confessio Amantis&quot; influenced &quot;Twelfth Night&quot; and other early modern works. Also discusses the seventeenth-century &quot;Chaucers Ghoast&quot; as an amalgamation of Gowerian versions of Ovidian material, presented in faux Middle English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275535">
    <dcterms:title><![CDATA[Chaucer on the Hearth.]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies a series of &quot;parallels in plot and language&quot; between Charles Dickens&#039;s &quot;The Cricket on the Hearth&quot; and MerT, arguing for Chaucer&#039;s influence on &quot;Cricket,&quot; on the Strong subplot of &quot;David Copperfield,&quot; and on Dickens&#039;s &quot;Chaucerian aesthetic that mixes pathos, comedy, and social observation.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275533">
    <dcterms:title><![CDATA[Bitching Bits of Bone.]]></dcterms:title>
    <dcterms:description><![CDATA[Historical novel about Chaucer&#039;s reasons for the writing of the CT; also includes versions of several characters and tales derived from CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275532">
    <dcterms:title><![CDATA[Chaucer on Eccles New Road.]]></dcterms:title>
    <dcterms:description><![CDATA[Contemplative lyric poem (eighteen lines in threes) that refers to four of Chaucer&#039;s pilgrims (Knight, Miller, Reeve, and Pardoner) and includes six brief quotations from CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275531">
    <dcterms:title><![CDATA[Thomas Hoccleve: Religious Reform, Transnational Poetics, and the Invention of Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on Hoccleve&#039;s engagement &quot;with contemporary religious reform movements and religious debate,&quot; arguing that he was interested in the &quot;spiritual health of English society&quot; rather than &quot;earthly fame,&quot; and exploring how Hoccleve invented Chaucer as a &quot;poetic &#039;father&#039; figure who might plausibly be seen as acceptable under the heightened scrutiny of the English church.&quot; Includes discussion of the impact of many of Chaucer&#039;s works, with attention also to Hoccleve&#039;s uses of other poetic predecessors, English and continental.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275530">
    <dcterms:title><![CDATA[Refugee Tales [I–IV].]]></dcterms:title>
    <dcterms:description><![CDATA[Anthologizes in four volumes oral accounts by asylum seekers and immigrants detained in Britain and elsewhere, recorded by various poets and novelists, and modelled on the CT, with an opening Prologue in each volume, followed by narratives with titles that emulate Chaucer&#039;s tales (e.g., &quot;The Migrant&#039;s Tale,&quot; &quot;The Detainee&#039;s Tale,&quot; etc.).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275529">
    <dcterms:title><![CDATA[John Lydgate: &quot;Fabula duorum mercatorum&quot; and &quot;Guy of Warwyk.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Edits Lydgate&#039;s two poems for classroom study, and includes as an appendix the Latin source of his &quot;Guy of Warwyk.&quot; The introduction to the &quot;Fabula&quot; addresses Lydgate&#039;s debts to Chaucer in this poem: particularly how its view of friendship was influenced by KnT, how its presentation of love reflects TC, and how Boethian themes and imagery often follow Bo. The Explanatory Notes to the &quot;Fabula&quot; identify many echoes of Chaucerian works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275528">
    <dcterms:title><![CDATA[&quot;Burn all he has, but keep his books&quot;: Gloria Naylor and the Proper Objects of Feminist Chaucer Studies.]]></dcterms:title>
    <dcterms:description><![CDATA[Centers on Gloria Naylor&#039;s novel &quot;Bailey&#039;s Café,&quot; and examines how feminist approaches have informed scholarship of Chaucer&#039;s work, often to battle the misogyny of his works, that nevertheless can upload the heteronormative and patriarchal values to which feminism and feminist critique is opposed. Further argues that Naylor&#039;s novel offers a way to center marginalized voices and texts in relation to Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275527">
    <dcterms:title><![CDATA[Contemporary Chaucer across the Centuries: Essays for Stephanie Trigg.]]></dcterms:title>
    <dcterms:description><![CDATA[Fourteen essays by various authors and an introduction by the editors, all inspired by or in response to the critical studies of Stephanie Trigg. The introduction describes the &quot;affective&quot; criticism underlying Trigg&#039;s &quot;Congenial Souls,&quot; &quot;Shame and Honor,&quot; and &quot;Affective Medievalism&quot; (co-authored with Thomas A. Prendergast), and summarizes the essays in this collection. The volume also includes a bibliography and comprehensive index. For the individual essays, search for Contemporary Chaucer across the Centuries under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275526">
    <dcterms:title><![CDATA[The Implausible Plausibility of the &quot;Prologue to the Tale of Beryn.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Considers possible motives for the &quot;Beryn&quot; scribe to include the &quot;Prologue&quot; and the &quot;Tale of Beryn&quot; in one of the CT mansucripts that he copied, Alnwick Castle, Northumberland, MS 455 (Nl), arguing that he was responding to the &quot;agency of the text,&quot; i.e., to a medieval kind of intentionality attributable to the literary work rather than to its author, theorized by Mary Carruthers. Treats the two &quot;Beryn&quot; works as &quot;non-Chaucerian Chauceriana,&quot; similar in this regard to other spurious links and tales.]]></dcterms:description>
</rdf:Description></rdf:RDF>
