<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272580">
    <dcterms:title><![CDATA[All Those Voices: The Minority Experience]]></dcterms:title>
    <dcterms:description><![CDATA[An anthology of literary depictions of &quot;overt prejudice&quot; (p. xi) including a modern translation of PrT in rhyme royal (by Nevill Coghill) in a section called &quot;Roots of Prejudice.&quot; The volume is designed for classroom use, with discussion questions included at the end.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277192">
    <dcterms:title><![CDATA[Allas, Myn Hertes Queene: For Male Chorus, a Cappella.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat record indicates this is a printed reproduction for rehearsal, for four male voices. Evidently a musical setting for KnT 1.2775ff.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276126">
    <dcterms:title><![CDATA[Alle Schall Be Wele? In Search of Unhappy Emotions in Middle English Metrical Romances.]]></dcterms:title>
    <dcterms:description><![CDATA[Aligns happy endings with the &quot;rhetoric of bliss&quot; in Middle English romances and includes discussion of jealousy as the crux of KnT, arguing that the &quot;happy closure&quot; of the narrative can only come about when the jealousy between Palamon and Arcite is &quot;suppressed.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277411">
    <dcterms:title><![CDATA[Alle Thyng Hath Tyme: Time and Medieval Life.]]></dcterms:title>
    <dcterms:description><![CDATA[Reconstructs &quot;medieval people&#039;s experience of time as continuous, discontinuous, linear, and cyclical--from creation through judgment and into eternity,&quot; clarifying concepts of aging, eternity, planetary motion, time-keeping, apocalypse, etc., evinced in material objects, philosophy, art, and literature. Includes recurrent mention of Chaucer&#039;s works, commenting on varieties of time-reckoning in CT and assessing time as a theme and narrative device in TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262657">
    <dcterms:title><![CDATA[Allegoresis: The Craft of Allegory in Medieval Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Dedicated to the memory of Judson Boyce Allen, this collection of ten articles by various hands examines medieval allegory in terms of modern critical theory. For three essays that pertain to Chaucer, search for  Allegoresis under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272695">
    <dcterms:title><![CDATA[Allegorical Consolation in &#039;The Book of the Duchess&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the extent to which the narrator and the dreamer, as separate psychologies, experience consolation through the progress of BD, assessing parallels between the Ceyx and Alcyone account and the dream of the knight&#039; sorrow.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269661">
    <dcterms:title><![CDATA[Allégorie et grotesque dans The House of Fame]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the architectural features of HF, particularly in relation to memory, allegory, and the function of the grotesque.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266364">
    <dcterms:title><![CDATA[Allegories of Contamination: Pier Paolo Pasolini&#039;s &quot;Trilogy of Life&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[The films &quot;The Decameron,&quot; &quot;Canterbury Tales,&quot; and &quot;The Arabian Knights&quot; make up Pasolini&#039;s &quot;Trilogy,&quot; here explored for how the films reflect understanding of the literary works from which they derive--in particular, how Pasolini&#039;s &quot;Abiura,&quot; or recantation, recalls and parodies Chaucer&#039;s Ret.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264098">
    <dcterms:title><![CDATA[Allegories of History, Allegories of Love]]></dcterms:title>
    <dcterms:description><![CDATA[Derives theory and definition from close readings of Prudentius&#039;s &quot;Psychomachis,&quot; &quot;Piers Plowman,&quot; &quot;The Romance of the Rose,&quot; and &quot;The Faerie Queene&quot; as well as four more modern allegories.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276496">
    <dcterms:title><![CDATA[Allegories of Influence: Spenser, Chaucer, and Italian Romance.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores references and allusions to Chaucer (SqT and KnT), Ariosto, and Boiardo in Spenser&#039;s &quot;densely self-reflective meta-critical mediation&quot; on national and international poetic influences in Book IV of his &quot;Faerie Queene.&quot; Focuses on the character of Cambina who, &quot;perhaps not unlike Spenser himself,&quot; is &quot;an original and a combiner.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261690">
    <dcterms:title><![CDATA[Allegories of Learning: Vernacular Authority and Literary Identity in Fourteenth-Century England]]></dcterms:title>
    <dcterms:description><![CDATA[Higden&#039;s Latin universal history reflects his critical and individual approach.  Trevisa&#039;s translation and its continuations further this individuality.  The Wife of Bath also reworks authorities in a distinctive way, bending them so that Chaucer&#039;s followers &quot;correct&quot; her.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270753">
    <dcterms:title><![CDATA[Allegory]]></dcterms:title>
    <dcterms:description><![CDATA[Examines allegory as a mode in English and American literature (and art), surveying its roots in classical and medieval traditions, exploring its relations with other literary devices and forms (irony, personification, apostrophe, prosopopoeia, etc.), and examining several attempts to theorize the mode (Maureen Quilligan, Walter Benjamin, Paul de Man, etc.). Considers literary uses of allegory from Saint Paul to postmodernists, including discussion (pp. 52-55) of Chaucer&#039;s Pardoner as an adaptation of Jean de Meun&#039;s personification False Seeming.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268366">
    <dcterms:title><![CDATA[Allegory and Materiality: Medieval Foundations of the Modern Debate]]></dcterms:title>
    <dcterms:description><![CDATA[Modern notions of the &quot;key role of materiality in allegory,&quot; as theorized by Walter Benjamin and echoed by Paul de Man, have clear precedents in patristic and medieval commentaries on allegory and supposition, although the sense of &quot;material&quot; is more broadly construed in medieval thought. In PardPT, Chaucer explores the materiality of allegory, the random contingency of reference, and the self-referential nature of the allegorical mode.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272792">
    <dcterms:title><![CDATA[Allegory and Mirror: Tradition and Structure in Middle English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Defines the medieval literary modes/genres of personification allegory and mirror, using them to analyze various works of Middle English literature and their models in Latin, French, and Italian. Treats HF as a personification allegory; aspects of BD, TC, and MerT as descendants of the &quot;Roman de la Rose&quot; as love allegory; aspects of TC and Mel as allegories of reason; ParsT as a confessional manual; and CT as a mirror of late-medieval society. Also discusses Middle English works by John Gower, William Langland, and the Pearl-poet.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268423">
    <dcterms:title><![CDATA[Allegory and Realism in Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses Chaucer&#039;s organic use of allegory in TC and MerT, focusing on personified abstractions.]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269223">
    <dcterms:title><![CDATA[Allegory and the Work of Melancholy: The Late Medieval and Shakespeare]]></dcterms:title>
    <dcterms:description><![CDATA[Tambling reads several late medieval and Renaissance texts in relation to Walter Benjamin&#039;s notions of melancholy and Freudian concepts of death, as well as allegory and history. Individual chapters treat &quot;Piers Plowman,&quot; Hoccleve&#039;s &quot;Complaint and Dialogue,&quot; Lydgate&#039;s &quot;Fall of Princes,&quot; Henryson&#039;s &quot;Testament of Cresseid,&quot; and Shakespeare&#039;s &quot;Henry V&quot;I and &quot;Richard III.&quot; A separate chapter - &quot;The Knight Sets Forth: Chaucer, Chrétien and Durer&quot; (pp. 64-93) - discusses &quot;madness, complaint and violence&quot; in KnT, focusing on exploration of the &quot;reasons for destructiveness in people so committed to order.&quot; Tambling compares Arcite&#039;s melancholy to the love-madness in Chrétien&#039;s &quot;Yvain,&quot; reads the &quot;modern instances&quot; of MkT as a critique of KnT, and comments on relations between KnT and Albrecht Durer&#039;s print &quot;The Knight, Death and the Devil.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264837">
    <dcterms:title><![CDATA[Allegory in the &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[The much-disputed allegorical criticism of CT is a fairly recent phenomenon.  Chaucer&#039;s allegories maybe either &quot;formal&quot; (e.g., ClT) or &quot;informal&quot; (e.g., KnT)--both styles deriving from &quot;a reservoir of established menaings shared by the poet and his audience.&quot;]]></dcterms:description>
    <dcterms:description><![CDATA[Reprinted from the first (1968) edition, with updated bibliography.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264473">
    <dcterms:title><![CDATA[Allegory, Allegoresis, and the Deallegorization of Language: The &#039;Roman de la Rose,&#039; the &#039;De planctu naturae&#039; and the &#039;Parlement of Foules&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Distinguishing the process of allegory from the nature of allegoresis, Chaucer deallegorizes his sources.  He addresses not a reader but an &quot;auditor,&quot; who is not asked to judge his own interpretive procedures.  Jean de Meun defends the use of slang for explaining the truth; Chaucer bases his defense on verisimilitude.  PF is deliberately unallegorical.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269128">
    <dcterms:title><![CDATA[Allegory, Irony, Despair: Chaucer&#039;s Pardoner&#039;s and Franklin&#039;s Tales and Spenser&#039;s Faerie Queene, Books I and III]]></dcterms:title>
    <dcterms:description><![CDATA[Explores intertextual relations between Spenser&#039;s Faerie Queene and Chaucer&#039;s PardPT and FranT. Archimago and Despair from Spenser&#039;s Book 1 gain dimension in light of the Pardoner and the Old Man of PardT; in Book 3, Spenser explores the &quot;emotional plight&quot; of Chaucer&#039;s Dorigen by dividing it into several parts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262929">
    <dcterms:title><![CDATA[Allegory: The Dynamics of an Ancient and Medieval Technique]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the interplay between allegory as a &quot;strategy for interpreting texts&quot; and allegory as a &quot;method for composing&quot; in classical and medieval literature.  Touches on HF, MerT, and PF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275004">
    <dcterms:title><![CDATA[Allusion and Quotation in Chaucerian Annotation, 1687-1798.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes a kind of annotation used by eighteenth-century editors that links an edited poet to literary tradition by reference to or quotation from other poets. Focuses on the practice in Speght&#039;s 1687 edition of Chaucer; Dryden&#039;s Fables (1700); and the editions of John Urry (1721), Thomas Morrell (1737), and Thomas Tyrwhitt (1775), concluding that through this device Chaucer, who was becoming antiquated, gained status and familiarity through association with the likes of Homer, Shakespeare, Dryden, Pope, Gay, and Gray.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273353">
    <dcterms:title><![CDATA[Allusion in Chaucer&#039;s Merchant&#039;s Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[Investigates the &quot;plurality of meaning&quot; in a number of Biblical and classical allusions in MerT, comments on sources, and discusses the setting of the Tale and the names of its characters, arguing that the cultural context of the Tale is a major aspect of its mode of meaning. Includes comparison of Chaucer&#039;s and Dante&#039;s allusive techniques]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276830">
    <dcterms:title><![CDATA[Allusions to Chaucer in Stow&#039;s &quot;Summarye of the Chronicles of England,&quot; 1570. ]]></dcterms:title>
    <dcterms:description><![CDATA[Locates three references to Chaucer in Stow&#039;s 1570 &quot;Summarye,&quot; not found in the 1565 edition and not included in Caroline Spurgeon compendium of Chaucer&#039;s allusions. Points out that death dates given for Chaucer vary in two of the reference (1400 and 1402).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267031">
    <dcterms:title><![CDATA[Alma Redemptoris Mater, Gaude Maria, and the Prioress&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses Chaucer&#039;s use of &quot;Alma Redemptoris&quot; rather than &quot;Gaude Maria&quot; in PrT, arguing that the choice may have influenced his characterization of the clergeon. The option was available in Chaucer&#039;s sources.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261853">
    <dcterms:title><![CDATA[Alpha and Omega: Of Chaucer and Joyce]]></dcterms:title>
    <dcterms:description><![CDATA[Similarities abound in the writings of Chaucer and Joyce, e.g., concern with English as an appropriate language for literature and with authorial presence in fiction.  Most importantly, Chaucer and Joyce, both immersed in the Catholic ethos, share a Catholic comic vision of the universe.]]></dcterms:description>
</rdf:Description></rdf:RDF>