<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262518">
    <dcterms:title><![CDATA[Alceste and Chaucer&#039;s View of Poetry in the &#039;Legend of Good Women&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[In LGWP, Alceste is a more complicated character than is suggested by references to her in TC:  &quot;Alceste&#039;s truth, goodness, and faithfulness are offset in the Prologue by her obstinance, petulance, and fickleness.&quot;  Critical readings ignore the &quot;multiplicity of her roles&quot; in LGWP as &quot;protector and patron of the poet and as audience and literary critic of his work.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265884">
    <dcterms:title><![CDATA[Alceste the Washerwoman]]></dcterms:title>
    <dcterms:description><![CDATA[One key to recognizing the parody of hagiography in LGW is the identification of Alceste as Alice de Cestre in LGWP.]]></dcterms:description>
    <dcterms:description><![CDATA[  Alice was a washerwoman of the royal household--perhaps a prostitute--and the double identity of Alceste-Alice establishes a &quot;flexible morality&quot; for the poem, &quot;a model of moral relativism and tolerance.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262497">
    <dcterms:title><![CDATA[Alchemical Discourse in the &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Most scholarly treatments of Chaucer and alchemy deal with whether Chaucer believed in alchemy or whether he condemned it, but Chaucer&#039;s primary concern with alchemy was to use it as &quot;symbolic language,&quot; especially in SNT and CYT.  This salvific language links the spiritual and the physical, God and humanity.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276056">
    <dcterms:title><![CDATA[Alchemical Language: Latin and the Vernacular in the Poetry of Thomas Norton and John Gower.]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on Norton and Gower, but closes with a comparison of Gower&#039;s &quot;linking of alchemy and language&quot; with Chaucer&#039;s in CYT and suggests that Gower combines Latin and English to &quot;produce poetic truths&quot; while Chaucer emphasizes &quot;combinations of various registers within the vernacular.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274207">
    <dcterms:title><![CDATA[Alchemical Satire in George Ripley&#039;s &quot;Compound of Alchemy&quot;: The Chaucerian Legacy]]></dcterms:title>
    <dcterms:description><![CDATA[Traces the influence of CYPT on the &quot;writings of late medieval alchemical works,&quot; focusing on George Ripley&#039;s &quot;Compound of Alchemy&quot; and discussing a variety of motifs, from alchemists&#039; attire and associations, to the jargon and dangers of alchemy, its negative affiliation with clergy, and its strategies of &quot;deception and secrecy.&quot; Includes an edition of the fifth &quot;Gate&quot; of the Compound.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277538">
    <dcterms:title><![CDATA[Alchemists Behaving Badly in Chaucer&#039;s &quot;Canon&#039;s Yeoman&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the &quot;moral value for Chaucer&#039;s audience&quot; of CYPT and articulates &quot;alchemical connections&quot; elsewhere in CT, especially SNT. Focuses on the diction and imagery of CYP, on CYT as a negative exemplum, and on the Yeoman&#039;s final rejection of alchemy as evidence of Chaucer&#039;s disclosure of &quot;the misuse of power and human intellect and the impact of moral blindness.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272334">
    <dcterms:title><![CDATA[Alchemy and the English Literary Imagination: 1385-1633]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the literary treatment of alchemy from Chaucer&#039;s CYT through works by John Donne and Ben Jonson; presents CYT as the foundational text in the &quot;long tradition of alchemical satire.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269662">
    <dcterms:title><![CDATA[Alchemy and the Metamorphosis of History in Chaucer&#039;s House of Fame]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that an &quot;individual&#039;s knowledge of history&quot; is presented in HF in a way that is metaphorically linked to alchemical transformation--with &quot;tydynges&quot; either substantially transformed or flying into uncontrollable energy. CYT shows Chaucer&#039;s knowledge of alchemy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267321">
    <dcterms:title><![CDATA[Alchemy and Transformation in the Works of Chaucer, Jonson and Shakespeare]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses alchemy in Chaucer&#039;s CYT, Jonson&#039;s &quot;The Alchemist,&quot; and Shakespeare&#039;s &quot;The Tempest.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276199">
    <dcterms:title><![CDATA[Alchemy and Verse in Late-Medieval England.]]></dcterms:title>
    <dcterms:description><![CDATA[Studies the portrayals of alchemy and alchemists in fourteenth-and fifteenth-century English verse, including discussion of Chaucer&#039;s negative depiction of alchemy and its practitioners in CYPT, and John Gower&#039;s positive view in &quot;Confessio Amantis.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277009">
    <dcterms:title><![CDATA[Alcohol, Community, and Chaucer&#039;s Pardoner: Ale as a Populist Antidote to Alienating Avant-Gardism.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses references to ale and wine in PardPT as they reflect the Pardoner&#039;s &quot;submerged desire&quot; to bond with the Host and his simultaneous attempt to compete with Harry as leader of the pilgrimage. Argues that &quot;the metaphorical ale-stake associated with the Summoners&#039; body&quot; in GP frames the ale-stake of PardP, setting the Pardoner&#039;s &quot;conflicted masculinity&quot; in competition for and against the &quot;hyper-masculine&quot; Host, who repudiates the Pardoner&#039;s over-reaching efforts to reach and outreach him.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275191">
    <dcterms:title><![CDATA[Alcyone&#039;s Grave: Inscription and Intertextuality in Chaucer, Spenser, and Ovid.]]></dcterms:title>
    <dcterms:description><![CDATA[Highlights the thematic centrality of memorialization, tombs, and inscription in the Ceyx and Alcyone story from Ovid to Chaucer to Spenser. The intertextual relations among these versions is predicated not on the principle of genealogical succession but on transhistorical contiguity imagined as touch.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272660">
    <dcterms:title><![CDATA[Aldous Huxley Speaking Personally]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; the WorldCat records indicate that this is an interview of Huxley with John Chandos, recorded July 7, 1961, and includes discussion of Chaucer and psychology. First published in 1964.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264785">
    <dcterms:title><![CDATA[Alexander Pope and Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Hunter describes a copy of the 1602 edition of Chaucer in his possession signed &quot;A. Pope.&quot;  The volume is defective, lacking the first gathering.  The signature comes at the beginning of gathering B.  There are no marginalia.  Presumably this was a duplicate in Pope&#039;s library.  In the Hurd library at Hartlebury Castle, Worcestershire, there is a copy of the 1598 Chaucer inscribed &quot;Ex libris Alexandri Popei&quot; with marginal annotations.  Presumably this was Pope&#039;s working copy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272177">
    <dcterms:title><![CDATA[Algunas Analogias Entre El Arcipreste de Hita y Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Tallies various similarities between Chaucer&#039;s works and that of Juan Ruiz, the Archpriest of Hita, comparing techniques  and concerns of Ruiz&#039;s &quot;Libro de Buen Amor&quot; with CT, TC, and other Chaucerian works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268347">
    <dcterms:title><![CDATA[Alice de Bath o el Poder de la Palabra]]></dcterms:title>
    <dcterms:description><![CDATA[Feminist narratological analysis of WBPT reveals that the Wife&#039;s arguments, based in traditional misogyny, overwhelm this misogyny through dynamic engagement of it.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262171">
    <dcterms:title><![CDATA[Alice in Iceland: An Image of the Wife of Bath in Nordic Myth]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the imagery of beautiful feet in Deschamps, Homer, the Old Irish tale of Derdriu, and Nordic myth.  Using the motif of Jankin&#039;s attractive legs and feet, Taylor draws correspondences between the Wife of Bath&#039;s choice of the fifth husband and a similar motif in Icelandic myth.  &quot;Scathe,&quot; which appears in Chaucer only in association with Alison, may have connections to the Old Norse giantess Skadi (from ON &quot;skadi&quot; (harmer)).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274455">
    <dcterms:title><![CDATA[Alice of Bath: Her &quot;Secte&quot; and &quot;Gentil Text.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Accepts that the first eighty-eight lines of WBP are a late addition, and argues that they reflect comic awareness of the unorthodox movement, the Brotherhood of the Free Spirit, echoing its valorization of sexual activity and multiple marriages, especially as it interprets the Biblical enjoinder to &quot;wexe and multiplye,&quot; (WBP 3.28), and part of the reason that the Clerk responds so directly to the Wife.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267357">
    <dcterms:title><![CDATA[Alice of Bath&#039;s Astral Destiny : A Re-Appraisal]]></dcterms:title>
    <dcterms:description><![CDATA[Medieval astrological-medical texts underlie the characterization of the Wife of Bath in both GP and WBP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270829">
    <dcterms:title><![CDATA[Alice on the Couch: A 21st Century Psychoanalytic Interpretation of the Wife of Bath]]></dcterms:title>
    <dcterms:description><![CDATA[Mruk mines details and perspectives in the Wife of Bath materials to imagine the Wife as a real patient undergoing therapy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262700">
    <dcterms:title><![CDATA[Alison and the Swallow]]></dcterms:title>
    <dcterms:description><![CDATA[The comparison of Alison to a swallow in MilT 3257-58 may refer to the story of Procne.  The tale (from Ovid) is mentioned both in Gower&#039;s &quot;Confessio Amantis&quot; and in Chaucer&#039;s TC; it suggests the very sort of material woe found in MiltT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274514">
    <dcterms:title><![CDATA[Alison Identified (&quot;The Miller&#039;s Tale,&quot; 3234). [Three parts]]]></dcterms:title>
    <dcterms:description><![CDATA[Explores anatomical and associative parallels between Alison of MilT and the weasel, an animal to which she is likened via simile (1.3234); maintains that the connections lend symbolic depth to the characterization.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262709">
    <dcterms:title><![CDATA[Alison of Bath Accused of Murder: Case Dismissed]]></dcterms:title>
    <dcterms:description><![CDATA[No case can be made that the Wife of Bath murdered her fourth husband.  Such claims are made only by readers who invent for her an extratextual history and psychology or who believe that she &quot;merely fulfills antifeminist expectations rather than reassessing the tradition.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272473">
    <dcterms:title><![CDATA[Alison, una Figura Femenina Controvertia Prólogo de las Esposa de Bath en Los Cuentos de Canterbury, de Geoffrey Chaucer&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Spanish version of Arboleda Guirao&#039;s essay &quot;Chaucer&#039;s &#039;Wife of Bath&#039;s Prologue&#039; in &#039;The Canterbury Tales.&#039; The Wife&#039;s Personality, Language and Life: Revisiting Feminism,&quot; published in 2011.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262973">
    <dcterms:title><![CDATA[Alison&#039;s Incapacity and Poetic Instability in the Wife of Bath&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Galled by clerical antifeminism (woman is weak and hence evil), the power-obsessed Alison turns for her tale to courtly romance (woman is weak and hence good).  Thus, ultimately she subverts the conventions of estates, gender, and genre, proving herself inconsistent.]]></dcterms:description>
</rdf:Description></rdf:RDF>
