<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270218">
    <dcterms:title><![CDATA[Abstractions of Evidence in the Study of Manuscripts and Early Printed Books]]></dcterms:title>
    <dcterms:description><![CDATA[Includes a study that details the bibliographical and physical instability of two variants of the 1542 Chaucer edition--the Reynes imprint and the Bonham imprint--as they exist in the Hoe, the Chew, and the Hagen-Clark copies, paying particular attention to the title pages. Dane argues, with George Kane and against Skeat and Robinson, that the Cambridge MS Gg LGWP is a variant of the F version, rather than an authorial revision. Unlike Kane, Dane attributes radical textual variation to catastrophic manuscript damage rather than to ordinary scribal practice.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261877">
    <dcterms:title><![CDATA[Abuse of Authority in Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Theoretical &quot;auctoritee&quot; and &quot;auctoritee&quot; as misunderstood by characters in Chaucer are worlds apart.  Chaucer was more interested in the violability than in the inviolability of &quot;auctoritee.&quot;  Many of the Canterbury Tales depend on cases which jeopardize formal social arrangements.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262174">
    <dcterms:title><![CDATA[Academic Study in a Deconstructive Age, or What if the Wife of Bath Had Read Harold Bloom?]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that writers or works or periods can offer alternatives to modern critical theory.  O&#039;Brien&#039;s view that Chaucer presents union (in particular, love and marriage) as an overarching theme of CT encourages us to see that views other than deconstruction may provide a new way of looking at the great tradition of literature.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275548">
    <dcterms:title><![CDATA[Accounting for Affect in the &quot;Reeve&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that RvT reworks its fabliau sources alongside then-contemporary texts about manorial control and operation such as &quot;Walter of Henley,&quot; and traces this depiction of an &quot;affective economy.&quot; Analysis helps to foreground how the Reeve&#039;s manorial background can help illuminate the affective workings of his tale.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270877">
    <dcterms:title><![CDATA[Accounting for Salvation in Middle English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Discussing fiscal metaphors for the state of the soul in the Middle English period, O&#039;Neill suggests that Ret is Chaucer&#039;s effort to escape &quot;the imperatives of stewardship,&quot; evoking instead &quot;a relationship of mutual intercession with his readers.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267086">
    <dcterms:title><![CDATA[Accounting in Chaucer&#039;s Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Documents Chaucer&#039;s knowledge of medieval accounting practice, explaining the principal-agent relation of the Reeve and his lord in GP and discussing debt in the description of the Merchant. Examines the role of accounting in ShT and demonstrates that, though Chaucer probably was not familiar with double-entry accounting, the Tale &quot;can be read as a series of transactions expressible in terms of debits and credits.&quot; Provides a chart of these transactions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269690">
    <dcterms:title><![CDATA[Acedia as a Motive in Troilus&#039; Tragedy]]></dcterms:title>
    <dcterms:description><![CDATA[In Korean, with English abstract.]]></dcterms:description>
    <dcterms:description><![CDATA[Inactivity is Troilus&#039;s &quot;tragic flaw,&quot; but it is also what makes his love noble and &quot;ideal.&quot; His inactivity is contrasted by the &quot;practical&quot; and ignoble activity of both Pandarus and Diomedes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274217">
    <dcterms:title><![CDATA[Acerca de Chaucer&#039;s &quot;House of Fame.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Presents HF as a poetic and rhetoric reflection, as well as a reaction to the desire to have (versus the desire to be) and the belief in popular opinion (versus the belief in truth).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273973">
    <dcterms:title><![CDATA[Ackroyd&#039;s Deviant Character: Translation and Target Cultures.]]></dcterms:title>
    <dcterms:description><![CDATA[Utilizes Peter Ackroyd&#039;s &quot;&#039;The Canterbury Tales&#039;: A Retelling&quot; and argues that modern English prose translations of CT are valuable teaching tools for contemporary students.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275670">
    <dcterms:title><![CDATA[Acorns and Other Stories: Portrayals of Everyday Life.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes a prose retelling of PardT entitled &quot;Three Rioters: The Pardoner&#039;s Tale,&quot; which closes with a return to the &quot;eternal journey&quot; of the Old Man.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270722">
    <dcterms:title><![CDATA[Acquiring Wisdom: Teaching Texts and the Lore of the People]]></dcterms:title>
    <dcterms:description><![CDATA[Explores differences between traditional &quot;wisdom&quot; literature and popular lore in Old and Middle English, discussing clashes between the &quot;worlds of book learning and popular wisdom&quot; in CT, especially in WBP and MilT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268210">
    <dcterms:title><![CDATA[Acquiteth Yow Now: Textual Contradiction and Legal Discourse in the Man of Law&#039;s Introduction]]></dcterms:title>
    <dcterms:description><![CDATA[MLP &quot;stages a confrontation&quot; between the legal and the poetic that reveals the &quot;degree of Chaucer&#039;s investment in the latter as well as his need for the former.&quot; The textual uncertainties of MLE and the Host&#039;s appropriation of legal language reflect Chaucer&#039;s ambiguous fusion of legal and poetic concerns, as well as his anxieties about the discursive power of the law.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276114">
    <dcterms:title><![CDATA[Across Time and Space: Teaching Chaucer in a Modern Classroom.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores relations between word and deed, deception and truth in CT as examples of how fiction can help high-school students learn &quot;critical thinking skills, self-reflection, perseverance, the value and danger of duplicity, and the power of language.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276392">
    <dcterms:title><![CDATA[Acrostics, Anagrams, and Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Introduces literary acrostics and anagrams as examples of &quot;unkeyed&quot; transposition ciphers, clarifying some terminology of cryptography, and applying technical analysis to invalidate Ethel Seaton&#039;s claims (1957) about &quot;so-called double acrostic anagrams&quot; in PF and Purse.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264875">
    <dcterms:title><![CDATA[Actes du 2e Colloque de langue et de litterature ecossaises (moyen age et renaissance)]]></dcterms:title>
    <dcterms:description><![CDATA[Search for the  title of this volume under Alternative Title for individual essays that pertain to Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271732">
    <dcterms:title><![CDATA[Action and Passion in Chaucer&#039;s &#039;Troilus&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that TC &quot;gains psychological interest and what may be called a novelistic effect&quot; through adaptation of the &quot;to do and to suffer&quot; topos. Troilus is &quot;a man of passion who suffers,&quot; Pandarus is &quot;a man of action who contrives,&quot; and Criseyde &quot;alternately suffers and acts,&quot; seeking to act without ever achieving agency.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264107">
    <dcterms:title><![CDATA[Acts of Interpretation: The Text in its Contexts, 700-1600: Essays on Medieval and Renaissance Literature in Honor of E. Talbot Donaldson]]></dcterms:title>
    <dcterms:description><![CDATA[For ten essays that pertain to Chaucer, search for Acts of Interpretation under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270746">
    <dcterms:title><![CDATA[Acts of Recognition: Essays on Medieval Culture]]></dcterms:title>
    <dcterms:description><![CDATA[Ten essays by Patterson on historical criticism, teaching medieval studies, Clanvowe, Hoccleve, Lydgate, Chaucer, Saint Francis, etc.; nine of the ten essays are reprinted. For the one essay published here for the first time that pertains to Chaucer, see &quot;Genre and Source in &#039;Troilus and Criseyde&#039;.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270636">
    <dcterms:title><![CDATA[Adam Pinkhurst and the Copying of British Library, MS Additional 35287 of the B Version of Piers Plowman]]></dcterms:title>
    <dcterms:description><![CDATA[Palaeographical differences between the hands of the Hengwrt and Ellesmere manuscripts of CT and of Additional 35287 are more compelling than are the similarities. Horobin suggests that Pinkhurst &quot;was not Chaucer&#039;s personal copyist&quot; and focuses on the probability that there was &quot;more cooperation between independent scriveners than we have traditionally allowed.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270635">
    <dcterms:title><![CDATA[Adam Pinkhurst, Geoffrey Chaucer, and the Hengwrt Manuscript of the Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[A petition in the hand of Pinkhurst requesting that a permanent deputy be appointed to relieve Chaucer of his duties as controller of the wool custom establishes their connection in 1385. However, codicological evidence suggests that the poet &quot;was no longer available for consultation&quot; on the production of Hengwrt even as it provides further proof of collaborative scribal practice in late medieval London.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273982">
    <dcterms:title><![CDATA[Adam Pinkhurst&#039;s Short and Long Forms.]]></dcterms:title>
    <dcterms:description><![CDATA[Presents and discusses tabular data from the Hengwrt and Ellesmere manuscripts of CT, copied by Adam Pinkhurst, to show how &quot;codicological and palaeographical context&quot; can affect orthography and abbreviation in late medieval English manuscripts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271576">
    <dcterms:title><![CDATA[Adam Pynkhurst&#039;s &#039;Necglygence and Rape&#039; Reassessed]]></dcterms:title>
    <dcterms:description><![CDATA[The author addresses the question whether Chaucer had Adam Pynkhurst in mind when berating his scribe Adam for his sloppy work and, on the basis of palaeographical evidence, seeks to determine whether Pynkhurst&#039;s performance improved afterwards.  To round off her argument, Sánchez-Marti further discusses the possibility that the &quot;Gawain&quot; scribe may have taken part in the supervision of the Ellesmere MS.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274892">
    <dcterms:title><![CDATA[Adam Scriveyn and Chaucer&#039;s Metrical Practice.]]></dcterms:title>
    <dcterms:description><![CDATA[Exemplifies how metrical phonology (&quot;the linguistic forms that fill out metre&quot;) supports A. S. G. Edwards&#039;s claim (in &quot;Chaucer and &#039;Adam Scriveyn,&#039; &quot; MÆ 81 [2002]) that Chaucer may not have written the lyric Adam. In line 3, &quot;longe&quot; and &quot;lokkes&quot; scan as monosyllables, but Chaucer&#039;s use of these and similar words is disyllabic elsewhere, and such disyllabic usage was for Chaucer &quot;virtually non-negotiable.&quot; Metrical evidence suggests fifteenth-century authorship, and the rime royal stanza suggests the era&#039;s &quot;nascent cult of Chaucer.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268745">
    <dcterms:title><![CDATA[Adam Scriveyn and the Falsifiers of Dante&#039;s Inferno : A New Interpretation of Chaucer&#039;s Wordes]]></dcterms:title>
    <dcterms:description><![CDATA[Associates Adam with Dante&#039;s &quot;counterfeiter,&quot; Adam of Brescia. The two characters share a name, the same thematic occupation, and a disease: scale.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276698">
    <dcterms:title><![CDATA[Adam Scriveyn in Cyberspace: Loss, Labour, Ideology, and Infrastructure in Interoperable Reuse of Digital Manuscript Metadata.]]></dcterms:title>
    <dcterms:description><![CDATA[Advocates &quot;a book historical approach to digitized texts,&quot; seeking &quot;to promote a codicology of the &#039;digital&#039; medieval book,&quot; exposing various problems and inconsistencies in the uses of metadata in digital medieval studies. Refers to Adam and to TC 5.1793-99 as concerned with analogous problems.]]></dcterms:description>
</rdf:Description></rdf:RDF>