<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275735">
    <dcterms:title><![CDATA[The Routledge Anthology of Poets on Poetry: Poetic Responses to English Poetry from Chaucer to Yeats.]]></dcterms:title>
    <dcterms:description><![CDATA[An anthology of &quot;English poets&#039; commentary on their English peers,&quot; with a &quot;selection of the poets&#039; more general reflections on their art.&quot; The section on Chaucer (pp. 72-82) includes comments from Hoccleve through Wordsworth, and the volume&#039;s topical indexes includes numerous citations to Chaucer on poetry and to Chaucerian reception. Originally published by Routledge in 1990 under the title &quot;English Poetry.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275734">
    <dcterms:title><![CDATA[Geoffrey Chaucer: 1340?-1400.]]></dcterms:title>
    <dcterms:description><![CDATA[Anthologizes nine critical essays or excerpts from books published between 1970 and 1997 on issues of gender and sexuality in Chaucer&#039;s works, with a brief introduction.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275733">
    <dcterms:title><![CDATA[Geoffrey Chaucer: 1340?-1400.]]></dcterms:title>
    <dcterms:description><![CDATA[Reprints forty-eight examples of critical commentary on Chaucer and his poetry, from Deschamps, Gower, and Caxton to 1989, some excerpted and some complete essays, with an annotated list of suggestions for further reading. The Introduction (pp. 42-44) comments on Chaucer&#039;s life and principal works, with a chronological listing of editions. For updates and additions, search for Literature Criticism from 1400 to 1800 under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275732">
    <dcterms:title><![CDATA[The House of Fame: Geoffrey Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Reprints twenty essays on HF published between 1896 and 2006. The introduction by Ludwig (pp. 37-39) summarizes the plot and characters of HF, and comments on its plot and sources, major themes, and critical reception. Includes a selected bibliography of Chaucer&#039;s works and editions, and annotated suggestions for further reading about HF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275731">
    <dcterms:title><![CDATA[The Book of the Duchess: Geoffrey Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Reprints twelve essays on BD published between 1934 and 2007. The introduction by Ludwig (pp. 1-4) summarizes the plot and characters of BD, and comments on its plot and sources, major themes, and critical reception. Includes a selected bibliography of Chaucer&#039;s works and editions, and annotated suggestions for further reading about BD.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275730">
    <dcterms:title><![CDATA[A Language for Ethics and Eloquence: Politics and Linguistic Order in Chaucer&#039;s &quot;Lak of Stedfastnesse.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines how Sted is a poem not only about political issues, but also about the relationship between the local and the universal.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275729">
    <dcterms:title><![CDATA[&quot;Far semed her hart from obeysaunce&quot;: Strategies of Resistance in &quot;The Isle of Ladies.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Reads &quot;The Isle of Ladies&quot; for its &quot;covert feminine resistance,&quot; arguing that such resistance is evident through the &quot;divided, ambivalent lens&quot; of the half-asleep dream vision of a city of ladies--perhaps influenced by Christine de Pizan&#039;s &quot;Le livre de la Cité des Dames.&quot; The English poem discloses &quot;networks and desires sustained by women&quot; that are &quot;lesbian-like,&quot; and its narrator participates in these networks, including literary production, and leads readers to &quot;desire to reenter the isle of women.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275728">
    <dcterms:title><![CDATA[The Tour of the &quot;Court of Love&quot;: The Tradition of Amatory Poetry and Its Readjustments in Chaucerian Apocrypha.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the literary conventions and intellectual context of &quot;The Court of Love,&quot; a sixteenth-century poem thought to be by Chaucer until the twentieth century. Emphasizes early modern modifications of medieval amatory verse, and includes comments on Alceste of LGW as one of the poem&#039;s sources.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275727">
    <dcterms:title><![CDATA[Queer Blood.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the iconography of Thomas Becket&#039;s blood in Canterbury Cathedral and its &quot;Christomimetic&quot; associations, and explores parallels between Becket&#039;s blood and the Pardoner&#039;s blood in the &quot;Canterbury Interlude&quot; that precedes the &quot;Tale of Beryn,&quot; suggesting the latter can be read as a queer, &quot;deviant strain of . . . redemptive blood&quot; and analyzing the implications of this suggestion.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275726">
    <dcterms:title><![CDATA[Mapping Desire in Chaucer&#039;s &quot;To Rosemounde,&quot; Shakespeare&#039;s &quot;Rape of Lucrece,&quot; and Donne&#039;s &quot;A Valediction: Of Weeping.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the &quot;thematic sexualization of the mappaemundi&quot; in Ros, Shakespeare&#039;s &quot;Lucrece,&quot; and Donne&#039;s &quot;Weeping,&quot; providing interpretive background for the imagery, explaining the poets&#039; familiarity with T-O maps, and exploring the range of implications in each of the poems, including comparison of Chaucer&#039;s treatment with that in Ranulf Higden&#039;s &quot;Polychronicon.&quot; Three color illustrations.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275725">
    <dcterms:title><![CDATA[Three Chaucer Songs (1926): Merciless Beauty for Soprano and String Quartet.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat records indicate that this vocal–piano score, composed by Bennett for Percy E. Fletcher, was edited by Janet Schlein Somers and Paul Mack Somers. Sets MercB to music in three parts: &quot;Captivity,&quot; &quot;Rejection,&quot; and &quot;Escape,&quot; evidently in modern translation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275724">
    <dcterms:title><![CDATA[Protocol, or the &quot;Chivalry of the Object.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on how protocol, a term for systems of rules allowing communication and behavior, is frequently used in digital environments, and builds on Alexander Galloway&#039;s comparison of internet protocol to chivalry in &quot;Protocol: How Control Exists after Decentralization&quot; (2004). Argues that internet protocols reveal the medievalism of digital culture. Distinguishes protocol (based on behavioral norms) from regulation (based on rules, which if broken incur penalties) and compares protocol to chivalry as the latter is described in Gent.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275723">
    <dcterms:title><![CDATA[Forms and Celestial Motion in Chaucer&#039;s &quot;Complaint of Mars.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Reads the relations between the planetary event and perspectives on it in Mars as analogous to those between form and interpretation in new formalist literary analysis. In Mars the celestial motion of the geocentric universe is subject to the &quot;standards of individual perception,&quot; enabling &quot;a metacommentary on the [literary] forms that emerge&quot; during close reading and generating awareness of the &quot;temporary impressions that poetry produces as it is read and the larger patterns that actually govern its structure.&quot; Includes comments on Troilus&#039;s watching the moon in TC, V.648–51.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275722">
    <dcterms:title><![CDATA[Green May in &quot;Against Women Unconstant.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Offers a new interpretation of Wom Unc, a lyric attributed to Chaucer. Argues for different punctuation in the poem, and claims that the lady and subject of the poem is green herself rather than dressed in green, thus symbolizing May. The poem, then, contrasts green and blue throughout as the speaker settles into the stable love symbolized by blue.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275721">
    <dcterms:title><![CDATA[Queer Environments: Reanimating &quot;Adam Scrivyen.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Integrates queer theory and ecocriticism to reassess historical manuscript concepts of Adam, including contemporary print and digital media examples. Examines &quot;medieval homosocial networks of textual production&quot; and applies ecotheoretical viewpoints of &quot;&#039;trans-corporeality&#039; and &#039;distributed agency&#039;&quot; to digital media and textual items of production. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275720">
    <dcterms:title><![CDATA[&quot;Love that oughte ben secree&quot;: Secrecy and Alternate Endings in Chaucer&#039;s &quot;Troilus and Criseyde.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Uses the competing discourses of secrecy resulting from the play of genres in TC to ask questions about the power dynamics, knowledge, and narrative in the text.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275719">
    <dcterms:title><![CDATA[Tied in &quot;lusty leese&quot;: Gender and Determinism in &quot;Troilus and Criseyde.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Situates Criseyde and her agency in discussions of freewill and the effect of secular society on Boethian notions of the highest good, and argues that Chaucer&#039;s depiction of Criseyde throughout the poem undercuts her apparent agency. The poem&#039;s undermining of Criseyde&#039;s agency emphasizes the lack of female free will and highlights the inescapability of male violence in this secular order.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275718">
    <dcterms:title><![CDATA[&quot;Fully his entente&quot;: The Allegory of Chaucer&#039;s Pandarus.]]></dcterms:title>
    <dcterms:description><![CDATA[Treats Pandarus as a figure or personification of lust in TC, counterpointing courtly love as manifested in Troilus. Examines Pandarus&#039;s rhetoric, along with Troilus&#039;s and Criseyde&#039;s interpretations of it, arguing that Chaucer&#039;s use of allegory is &quot;self-reflexive&quot; and makes readers &quot;complicit&quot; in making meaning.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275717">
    <dcterms:title><![CDATA[Pandarus and Troilus&#039;s Bromance: Male Bonding, Sodomy, and Incest in Chaucer&#039;s &quot;Troilus and Criseyde.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Clarifies the meanings and applications of the term &quot;bromance&quot; and applies it to Troilus and Pandarus&#039;s relationship in TC, &quot;wherein an incestuous act between Pandarus and Criseyde is among the many ways the poem utilizes heterosexuality to counter the homoerotic implications between the two men.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275716">
    <dcterms:title><![CDATA[What&#039;s in Criseyde&#039;s Book?]]></dcterms:title>
    <dcterms:description><![CDATA[Questions the identity of the book that is being read to Criseyde in Book II of TC, arguing that the answer, the title itself, cannot be known. Examines the descriptions of the book, from both Criseyde and Pandarus, and argues that the unknowability of the title mirrors Chaucer&#039;s own engagement with his sources.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275715">
    <dcterms:title><![CDATA[The Semantics of Chaucer&#039;s Speech Representation (2): The Present Tense in the Narrative Parts; &quot;Troilus and Criseyde&quot; 5.176-96.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the semantics of the use of the present tense in the narrative parts of TC using V.176-96 as an example and applying the &quot;four-layered semantic structures (referential, textual, expressive and metalinguistic)&quot; proposed by Fleischman (1990). In Japanese, with English abstract.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275714">
    <dcterms:title><![CDATA[Drinking Sorrow and Bathing in Bliss: Liquid Emotions in Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Associates the liquidity of emotions in medieval literature with the Galenic theory of humours, exploring &quot;the different uses of liquidity to represent emotions in Chaucer&#039;s work,&quot; especially TC, where emotions such as sorrow and joy can be variously cried, drunk, bathed in, written in ink, and more. Includes comments on Bo, ClT, MLT, SNT, and WBT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275713">
    <dcterms:title><![CDATA[Troilus&#039;s Future: Perspectives on Futurity in &quot;Troilus and Criseyde.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the &quot;temporal perspectives&quot; of futurity in TC, combining an Augustinian conceptualization of time with Michel de Certeau&#039;s spatial notion of &quot;strategy,&quot; looking closely at three perspectives that are posed in the poem and undermined in Book V: &quot;the narrative, the strategic, and the prophetic&quot; ideas of the future.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275712">
    <dcterms:title><![CDATA[Varianten des Tragischen in Chaucers &quot;Troilus and Criseyde.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores tragic fate and the genre of tragedy in TC, arguing that the &quot;double sorwe&quot; of the opening of the poem (I.1) anticipates the &quot;tragedye&quot; mentioned at the end (V.1786) and that each applies to Criseyde as well as to Troilus. Includes discussion of the Theban allusions in the story, pparticularly the narrative of the siege read in the &quot;paved parlour&quot; (II.82).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275711">
    <dcterms:title><![CDATA[&quot;Us from visible and invisible foon / Defende&quot; (&quot;Troilus and Criseyde,&quot; V, 1866–67): A Previously Unrecognized Liturgical Echo.]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies liturgical echoes in Chaucer&#039;s reworking of Dante at the end of Book V of TC, arguing that it exemplifies David Lawton&#039;s theory of voice and &quot;public<br />
interiorities.&quot;]]></dcterms:description>
</rdf:Description></rdf:RDF>