<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273322">
    <dcterms:title><![CDATA[A Speculation Concerning the Grain in Chaucer&#039;s &quot;Prioress&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Proposes that the &quot;greyn&quot; in the mouth of the clergeon in PrT (7.622) may be related to a common medieval medical prescription for various maladies, including loss of speech: a &quot;castorea.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276166">
    <dcterms:title><![CDATA[A Spirit of Another Sort: The Evolution and Transformation of the Fairy King from Medieval Romance to Early Modern Prose, Poetry, and Drama.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes commentary on the &quot;figure of Pluto&quot; in MerT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269768">
    <dcterms:title><![CDATA[A Statistical Study of &#039;shall&#039; and &#039;will&#039; in Chaucer&#039;s &#039;Canterbury Tales&#039; and its Relevance to Style]]></dcterms:title>
    <dcterms:description><![CDATA[Tabulates the &quot;frequency and percentage&quot; of the modal auxiliaries shall/will and should/would in CT, presenting in eight tables the statistical data in relation to grammar (types of sentences and clauses, person, etc.), mode (poetry and prose), and style (conventional, naturalistic, mixed, and didactic). Comments on the implications of the data and calls for greater attention to Chaucer&#039;s language.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262951">
    <dcterms:title><![CDATA[A Story of Athens: Chaucer&#039;s Critique of Classical Ideals in the &#039;Knight&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[In KnT, the medieval view of the deficiencies of classical ideals is demonstrated through the tacit presence of Christianity.  In its light, the ancient order breaks down; thus, KnT fills a significant place in CT as Christian pilgrimage.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261376">
    <dcterms:title><![CDATA[A Structural Interpretation of the Knight&#039;s Tale--Chaucerian Triangle in the Global Perspective]]></dcterms:title>
    <dcterms:description><![CDATA[A narratological description of the love triangle in KnT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271714">
    <dcterms:title><![CDATA[A Structuralist Analysis of the &#039;Knight&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Uses the analytic methods of anthropologist Claude Lévi-Strauss to argue that KnT &quot;embodies in the syntax of its plot the basic rules and taboos of a perfectly structured and unchallenged social and cosmological order&quot;--in short, a &quot;mythic structure.&quot; Within its own frame, the balanced hierarchies, harmonious oppositions, and circular pattern of KnT are inviolable, but this mythic perfection is challenged by parody in MilT (and RvT) in the broader frame of CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275880">
    <dcterms:title><![CDATA[A Student Guide to Chaucer&#039;s Middle English.]]></dcterms:title>
    <dcterms:description><![CDATA[Offers instructions for pronunciation and phonetic transcription of passages from Chaucer&#039;s works, with an introduction to the history and grammar of his Middle English dialect, and a glossary of his basic vocabulary. Designed for classroom use, with exercises and advice.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273382">
    <dcterms:title><![CDATA[A Study in the Sources and Rhetoric of Chaucer&#039;s &quot;Legend of Good Women&quot; and Ovid&#039;s &quot;Heroides.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Reads LGW as a comic &quot;parody . . . partially directed at sentimental readings of the Ovidian complaint&quot; found in &quot;Heroides,&quot; focusing on the palinode, love vision, and characters of LGWP and the &quot;humorous inconsistencies&quot; of the legends.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272030">
    <dcterms:title><![CDATA[A Study of &#039;Invidia&#039; in Medieval and Renaissance English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Considers Chaucer&#039;s (and others&#039;) treatment of envy as a Deadly Sin as background to the Renaissance understanding of the vice, which was influenced by classical tradition as well.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272034">
    <dcterms:title><![CDATA[A Study of Character Motivation in Chretien&#039;s &#039;Cligés,&#039; Chaucer&#039;s &#039;Troilus and Criseyde,&#039; and Malory&#039;s &#039;Morte D&#039;Arthur&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Proposes that the private motivations of Chaucer&#039;s Troilus help us to understand why critics have &quot;tended to exclude&quot; TC from the romance genre.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267377">
    <dcterms:title><![CDATA[A Study of Chaucer&#039;s Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Includes eight essays pertaining to CT, examining the similarities between the narrative structure of CT and the multi-layered system particular to Gothic aesthetics.]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272878">
    <dcterms:title><![CDATA[A Study of Chaucer&#039;s Use of Time in &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores how narrative time in TC interacts with the theme of time in the poem, considering the epilogue to have its own, third time scheme.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272690">
    <dcterms:title><![CDATA[A Study of Chaucerian Narrators (Parts 1 and 2)]]></dcterms:title>
    <dcterms:description><![CDATA[Items not seen; the WorldCat records indicate that these studies were published in English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272879">
    <dcterms:title><![CDATA[A Study of the &#039;Book of the Duchess&#039;: Problems in Chaucer&#039;s Relationships with His Audience]]></dcterms:title>
    <dcterms:description><![CDATA[Treats BD as oral &quot;entertainment,&quot; considering its possible performance at court and how such a performance affects the meaning of the poem.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261257">
    <dcterms:title><![CDATA[A Study of the Final -e in Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Compares several theories of Middle English pronunciation, arguing that Chaucer&#039;s rhymes require pronunciation of final -e (in Korean with English abstract).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273366">
    <dcterms:title><![CDATA[A Study of the Host in &quot;The Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Traces the character development of the Host in CT (following the Ellesmere ordering of the parts) and reads NPT as his &quot;turning point&quot; when he abandons comic &quot;crudity, violence, and carelessness&quot; for &quot;capable leadership.&quot; Assesses Harry Bailly&#039;s role throughout CT, including in GP where he is impressive, &quot;greater than life.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272274">
    <dcterms:title><![CDATA[A Study of the Literary Garden Tradition and Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the rise of the garden topos in western literary traditions--classical and medieval, idealized and courtly. Then assesses Chaucer&#039;s uses of the traditional iconography of garden conventions in Rom, BD, PF, LGWP, HF, TC, and CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277612">
    <dcterms:title><![CDATA[A Study of the Modes of Imagination.]]></dcterms:title>
    <dcterms:description><![CDATA[Contemplates &quot;fantasy, identification, and the imagination itself&quot; as response modes in the process of reading, exploring their &quot;distinctive epistemological implications and significance for identity.&quot; Includes comments on works by Chaucer (especially FranT) and Franz Kafka to exemplify how irony can deflect or disrupt &quot;the natural impulse to identify ourselves with a narrator&quot; and &quot;blind us to his or her unreliability.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277239">
    <dcterms:title><![CDATA[A Study of the Textual Affiliations of Chaucer&#039;s &quot;Melibeus&quot; Considered in Its Relation to the French Source.]]></dcterms:title>
    <dcterms:description><![CDATA[Compares &quot;the accepted and variant readings of &#039;Melibeus&#039; with the corresponding passages in the French source, &#039;Le Livre de Melibee et Prudence&#039;,&quot; assessing variants from fifty-seven manuscriptsof Mel and arguing that there was &quot;an earlier version of &#039;Melibeus&#039; by Chaucer in general circulation during the time the manuscripts we now have were copied.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267114">
    <dcterms:title><![CDATA[A Study on Chaucer&#039;s Animals : Monkey and Horse]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes animal images and their effects in the works of Chaucer. In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277566">
    <dcterms:title><![CDATA[A Study on Chaucer&#039;s Description of Nature in &quot;Troilus and Criseyde&quot; from the Perspective of Adjectives.]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes nature-related adjectives in TC. Key findings include Chaucer&#039;s enhancement of Venus&#039;s role, symbolic natural imagery reflecting Criseyde&#039;s betrayal, and a sympathetic tone toward her in descriptions of animals and plants.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277619">
    <dcterms:title><![CDATA[A Study on the Adjectives Modifying Criseyde.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the characterization of Criseyde in TC in light of the adjectives she uses and those used of her by the narrator, Troilus, and Pandarus, helping to characterize them as well. Includes comparable data from Boccaccio&#039;s &quot;Filostrato.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263058">
    <dcterms:title><![CDATA[A Suggestion for Emending the Epilogue of &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Four stanzas that seem out of place in the conclusion can be removed and reinserted, resulting in improved syntactic and thematic continuity.  There is no manuscript authority for the mistaken position (all manuscripts have the order of the received text), but the manuscripts do suggest that elsewhere Chaucer was constantly revising as he composed the poem.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266222">
    <dcterms:title><![CDATA[A Sumonour Was Ther with Us in That Place]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the structure of the medieval ecclesiastical court system and the role of the summoner, or apparitor, within that system.  The Summoner and the summoner of FrT, as portraits of &quot;two damned souls,&quot; reflect Chaucer&#039;s knowledge of the &quot;duties and corruptions of the apparitor.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264680">
    <dcterms:title><![CDATA[A Survey of Chaucerian scholarship]]></dcterms:title>
    <dcterms:description><![CDATA[Some typical references are introduced to classify the characteristics of each period of Chaucerian scholarship from the fourteenth century to the present time.  The paper also shows the necessity of trying a religious approach especially to CT to appreciate Chaucer&#039;s mind.]]></dcterms:description>
</rdf:Description></rdf:RDF>