<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270577">
    <dcterms:title><![CDATA[A Parlor Game for Teaching Imagery]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on selected images in &quot;Beowulf,&quot; Langland&#039;s &quot;Piers Plowman,&quot; and MilT, where the &quot;imagery of holiness&quot; can be seen to align Nicholas and Alisoun&#039;s love-making with divine pattern. Also includes a classroom exercise to sensitize students to imagery.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268126">
    <dcterms:title><![CDATA[A Perfect Marriage on the Rocks: Geoffrey and Philippa Chaucer, and the Franklin&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[In its concerns with social rank and professional distractions, the marriage of Arveragus and Dorigen in FranT mirrors that of Chaucer and Philippa. The theme of the Tale (that true love cannot be maintained without outside considerations) might mirror what the poet and his wife came to learn, and its genre (Breton lai), by convention concerned with the growing pains of love over time and ultimate optimism, is perfectly suited for a union such as Chaucer may have had.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277264">
    <dcterms:title><![CDATA[A Performer&#039;s Guide to Selected Tenor Songs of Ralph Vaughan Williams.]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes &quot;the literary and musical tools used by Ralph Vaughan Williams to aid in an informed performance&quot; of songs composed by Vaughan to various texts; includes discussion of MercB, accompanied by musical score and commentary.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275272">
    <dcterms:title><![CDATA[A Perpetual Prison: The Design of Chaucer&#039;s &quot;The Knight&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Article not seen; no abstract available.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268556">
    <dcterms:title><![CDATA[A Piers Plowman Manuscript by the Hengwrt/Ellesmere Scribe and Its Implications for London Standard English]]></dcterms:title>
    <dcterms:description><![CDATA[Attributes Trinity College, Cambridge, MS B.15.17 (which includes the B-text of &quot;Piers Plowman,&quot; Richard Rolle&#039;s &quot;Form of Living,&quot; and a devotional poem) to the Hengwrt/Ellesmere scribe (Scribe B), summarizing and illustrating the graphetic features of his hand.]]></dcterms:description>
    <dcterms:description><![CDATA[Spelling features of the manuscript parallel those of Hengwrt and Ellesmere, indicating that such features are idiosyncratic rather than evidence of a rising standard. The scribe (like Scribe D) was probably a &quot;full-time&quot; textwriter or a freelance scribe.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265229">
    <dcterms:title><![CDATA[A Pilgrimage Through Medieval Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Twenty-seven articles on Chaucer, Langland, Malory, and others. For fourteen essays that pertain to Chaucer, search for Pilgrimage Through Medieval Literature under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269677">
    <dcterms:title><![CDATA[A Place Among the Leaves: The Manuscript Contexts of Chaucer&#039;s Parliament of Fowls]]></dcterms:title>
    <dcterms:description><![CDATA[Using the fourteen extant manuscripts of PF as points of reference, Preston questions reductive thematic approaches to compilations and argues that other factors--authorial attribution and class, for instance--are equally plausible as explanations for compilation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270868">
    <dcterms:title><![CDATA[A Play of Opposites in the &#039;Nun&#039;s Priest&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Through its &quot;aversion to binary opposites,&quot; NPT promulgates &quot;an inclusive perspective that avoids fixed interpretations&quot; of notions of poverty, gender, free will, and authenticity.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261425">
    <dcterms:title><![CDATA[A Plug for Pluralism? A Note on the Manciple&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Critical attempts to find a single meaning for ManT reveal the tale&#039;s own defiance of any didactic or schematized moral.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270446">
    <dcterms:title><![CDATA[A Poet&#039;s Choice]]></dcterms:title>
    <dcterms:description><![CDATA[A selection of Jennings&#039; personal favorites among English poems, beginning with selections from GP (lines 1-78, 101-62, 219-330, 411-76, and 822-35), in Middle English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262246">
    <dcterms:title><![CDATA[A Poetics of Personification]]></dcterms:title>
    <dcterms:description><![CDATA[Although personification is currently devalued, analysis of its poetic codes of invention reveals its complexity in the works of Prudentius, Langland, Spenser and Chaucer (HF and PF).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276328">
    <dcterms:title><![CDATA[A Poetry Anthology.]]></dcterms:title>
    <dcterms:description><![CDATA[An introduction to poetry for classroom use, with an anthology that includes MercB, Ros, Truth, and Purse, with notes and glosses, based on the edition of F. N. Robinson.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271618">
    <dcterms:title><![CDATA[A Polish Analogue of the &#039;Man of Law&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Summarizes the plot of the sixteenth-century Polish romance, &quot;Historia o Cesar zu Otone,&quot; observing how a number of its motifs are paralleled in vernacular analogues, including MLT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268608">
    <dcterms:title><![CDATA[A Political Pamphleteer in Late Medieval England : Thomas Fovent, Geoffrey Chaucer, Thomas Usk, and the Merciless Parliament of 1388]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the identity and political career of Thomas Fovent (Favent), author of the polemical treatise on the Merciless Parliament--&quot;Historia Mirabilis Parliament&quot;--arguing that the treatise is best regarded as a &quot;pamphlet,&quot; an index to the public opinion of the age, not partisan propaganda. Oliver compares and contrasts Fovent&#039;s political savvy and caution with those of Chaucer and Usk.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265027">
    <dcterms:title><![CDATA[A Possible Pun on Chaucer&#039;s Name]]></dcterms:title>
    <dcterms:description><![CDATA[The word &quot;soutere&quot; (shoemaker) in CT 1.3904 may possibly be a pun on &quot;Chaucer&quot; (Fr. &quot;chaussier&quot;, shoemaker).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262981">
    <dcterms:title><![CDATA[A Possible Source for Chaucer&#039;s &#039;Summoner&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[A late-fifteenth-century French collection of riddles (Musee Conde Bibliotheque MS 654) may point to an origin of SumT in a familiar riddle rather than in the iconography of Pentecost.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262044">
    <dcterms:title><![CDATA[A Possible Source of Chaucer&#039;s Error in the &#039;Legend of Hypermnestra&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[The progenitor of error may have been Lactantius Placidus&#039; commentary on the &quot;Thebaid&quot;.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274061">
    <dcterms:title><![CDATA[A Postmodern Chaucer or a Postmodern Coloring? &quot;The Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys commentary on Chaucer&#039;s uses of postmodern techniques in CT, focusing on his experimentation and evasiveness, and his concern with meaning and with the possibilities whereby literature may or may not be considered literal. Discusses metafictive aspects of CT as &quot;a cavalcade of language users.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266907">
    <dcterms:title><![CDATA[A Postmodern Performance: Counter-Reading Chaucer&#039;s Clerk&#039;s Tale and Maxine Hong Kingston&#039;s &#039;No Name Woman&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Both ClT and Kingston&#039;s &quot;No Name Woman&quot; reveal how patriarchal culture operates to disguise male complicity in women&#039;s repression, and both connect issues of knowledge and power with the construction of subjectivity, showing how these are intimately tied up with the construction of sexual difference.]]></dcterms:description>
    <dcterms:description><![CDATA[The Clerk takes issue with Petrarch&#039;s religious moral that erases gender, and argues that clerks-the class that controls knowledge-choose not to tell of women&#039;s suffering and forbearance. Kingston tells the story despite familial collusion in her father&#039;s desire to erase her aunt&#039;s existence.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275398">
    <dcterms:title><![CDATA[A Postscript to Chaucer Studies.]]></dcterms:title>
    <dcterms:description><![CDATA[Responds to critiques of two books previously published by the author--&quot;Some Types of Narrative in Chaucer&#039;s Poetry&quot; (1954) and &quot;The Golden Mirror: Studies on Chaucer&#039;s Descriptive Technique and Its Literary Background&quot; (1955)--seeking to clarify goals and emphases and to justify methodologies.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265653">
    <dcterms:title><![CDATA[A Pragmatic Approach to the Wife of Bath&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Pragmatic analysis suggests that the Wife of Bath in WBP and the loathly lady in WBT flout the &quot;Quality and Quantity maxims of the Cooperative Principle&quot; and the &quot;maxims of Tact&quot; of the &quot;Politeness Principle.&quot;  Targets of Chaucer&#039;s satire, the two characters seek to &quot;manipulate rather than cooperate.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275321">
    <dcterms:title><![CDATA[A Preface to Chaucer: Studies in Medieval Perspectives.]]></dcterms:title>
    <dcterms:description><![CDATA[Articulates an allegorical approach to medieval literature (also called patristic, exegetical, Augustinian, historical, or iconographical criticism), clarifying its assumptions and methods and applying them to Chaucer&#039;s works and to works that precede or influenced him by Boethius, Jean de Meun, Alain de Lille, Andreas Capellanus, and others. Provides methodological background and source material for allegorical interpretations derived from Scripture, scriptural and classical commentaries, visual arts, medieval literary and aesthetic theories, and &quot;doctrines&quot; of love. Assesses the Christian meanings of most of Chaucer&#039;s works, with the most sustained attention given to TC, KnT, MilT, and WBP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268340">
    <dcterms:title><![CDATA[A Previously Unnoticed Fragment of Chaucer&#039;s Treatise on the Astrolabe]]></dcterms:title>
    <dcterms:description><![CDATA[Eagleton identifies a fragment of Astr washed from MS 358 in the Royal College of Physicians, London. Reproduces the explicit that names Chaucer as author; six photographs; and two tables.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267282">
    <dcterms:title><![CDATA[A Previously Unnoticed Manuscript of Chaucer&#039;s Treatise on the Astrolabe]]></dcterms:title>
    <dcterms:description><![CDATA[Trinity College, Cambridge MS R.14.52 contains a late-fifteenth-century fragment of Astr. Its contents help illuminate previous copies of Astr and show Chaucer as a &quot;compiler,&quot; creating a treatise out of which &quot;other such treatises could be put together.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268560">
    <dcterms:title><![CDATA[A Project for a Comprehensive Collation of the Hengwrt and Ellesmere Manuscripts of The Canterbury Tales : The General Prologue]]></dcterms:title>
    <dcterms:description><![CDATA[Project proposal for a computer-assisted comparison of the Hengwrt and Ellesmere manuscripts of CT, focusing on how the manuscripts represent compound words, the use of double and single letters, the omission and addition of letters, the use of abbreviations and expanded forms, and the use of capital or noncapital letters.]]></dcterms:description>
</rdf:Description></rdf:RDF>