<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277665">
    <dcterms:title><![CDATA[An Unusual Meaning of &#039;Win&#039; in Chaucer&#039;s &quot;Troilus and Criseyde.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that &quot;wynne&quot; in TC 1.390 means to &quot;complain,&quot; connecting it with rare but similar usage in Old and Middle English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277664">
    <dcterms:title><![CDATA[Old Age and Chaucer&#039;s Reeve.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the Reeve&#039;s sword is rusty (GP 1.618) &quot;because the Reeve is past the age for using it.&quot; Suggests that he wears it as a symbol of his desire for youth and comments on Chaucer&#039;s multiple uses of signifying details.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277663">
    <dcterms:title><![CDATA[The Theory and Practice of Poetic Elision from Chaucer to Milton with Special Emphasis on Milton.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the &quot;the bulk of Milton&#039;s system of elision was a part of the traditional mechanics of English syllabic verse,&quot; detailing the tradition that precedes Milton and Milton&#039;s own practices. Chapter 2 analyzes Chaucer&#039;s practices in elision, with attention to textual and morphological difficulties in pursuing such analysis (especially uncertainty about final -e), maintaining that Chaucer&#039;s practice was &quot;almost certainly the exemplar for . . , later development.&quot; Chapter 3 addresses the practices of the fifteenth-century Chaucerians. Includes an appendix on &quot;Chaucer&#039;s Truncated Iambic Line.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277662">
    <dcterms:title><![CDATA[The Moral of the Manciple&#039;s Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that the expansive moralizing about silence at the end of ManT is &quot;directed&quot; by the Manciple &quot;toward the inebriated Cook,&quot; effectively linking the GP description of the Manciple, ManP, and ManT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277661">
    <dcterms:title><![CDATA[Essays in Honor of Walter Clyde Curry.]]></dcterms:title>
    <dcterms:description><![CDATA[Collects nineteen essays by various authors on topics in medieval and early modern English literature, accompanied by Harden Craig&#039;s appreciative essay, &quot;Walter Clyde Curry and Contemporary Scholarship,&quot; and a bibliography of Curry&#039;s publications compiled by John W. Stevenson. For five essays that pertain to Chaucer, search for Essays in Honor of Walter Clyde Curry under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277660">
    <dcterms:title><![CDATA[Hayne&#039;s Adaptation of Chaucer&#039;s Franklin&#039;s Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[Shows how Paul Hamilton Hayne adapted FranT in his narrative poem &quot;The Wife of Brittany&quot; (1870), addressing his acknowledgement of Chaucer&#039;s influence, and his claims of originality. Focuses on modifications of the main characters, simplification of plot, and reduction of digression.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277659">
    <dcterms:title><![CDATA[Narrator&#039;s Point of View in the Portrait-sketches, Prologue to the &quot;Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the &quot;free-ranging points of view&quot; of the narrator of GP, identifying its conventionality modeled on the &quot;Roman de la Rose&quot; and arguing that Chaucer&#039;s various manipulations of first-person and omniscient perspectives in individual descriptions generally convey the &quot;complex nature of actuality.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277658">
    <dcterms:title><![CDATA[Love and Grace in Chaucer&#039;s &quot;Troilus.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores parallels and tensions between earthly and heavenly love in TC, investigating how the theological &quot;doctrine&quot; of grace--inflected by ideas of merit, hope, and despair--is adapted to courtly, earthly conventions in the poem. Focuses on uses of religious language, imagery, and sentiment to depict Troilus&#039;s love and Criseyde&#039;s responses.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277657">
    <dcterms:title><![CDATA[Browning&#039;s &quot;Childe Roland&quot; and Chaucer&#039;s &quot;House of Fame.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies parallels between Browning&#039;s &quot;Childe Roland&quot; and HF, evinces Browning&#039;s familiarity with Chaucer&#039;s poem, and indicates that, thematically, &quot;Roland&#039;s quest&quot; represents the &quot;lifelong struggle of a poet in search of lasting fame.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277656">
    <dcterms:title><![CDATA[The Center of the Parlement of Foules.]]></dcterms:title>
    <dcterms:description><![CDATA[Reads PF as Chaucer&#039;s &quot;most voluptuous poem,&quot; a love poem with the Garden of Love as its unifying center where Nature and Priapus serve as its &quot;presiding deities.&quot; Comments on the poem&#039;s range of attitudes toward love and its source materials.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277655">
    <dcterms:title><![CDATA[Geoffrey Chaucer: 1343?-1400.]]></dcterms:title>
    <dcterms:description><![CDATA[Anthologizes GP, PardPT, PrPT, MilT, WBPT, ClT, FranT, NPT, and Ret., each with a brief introduction and bottom-of-page glosses. Also introduces Chaucer&#039;s life, works, literary techniques, and language, with suggestions for further reading.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277654">
    <dcterms:title><![CDATA[Chaucer&#039;s Miller&#039;s Tale, A 3483-6.]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests on textual and etymological grounds that &quot;verye&quot;/&quot;werye&quot; in MilT 1.3485 be emended to &quot;nerye,&quot; reading the line to mean &quot;May the White Pater Noster save (us) from (the perils of the) night.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277653">
    <dcterms:title><![CDATA[Chaucer the Pilgrim.]]></dcterms:title>
    <dcterms:description><![CDATA[Distinguishes between Chaucer the poet. and Chaucer the pilgrim-narrator of CT, characterizing the &quot;persona&quot; of the latter as &quot;shy&quot; but &quot;gregarious,&quot; one who admires the &quot;values&quot; of high society, the &quot;material prosperity&quot; of the bourgeoisie, and good company--an amiable fellow able to &quot;recognize&quot; and &quot;deplore&quot; rascals, but also appreciate &quot;genuine virtue.&quot; Focuses on the comic &quot;fallible first person singular&quot; point of view in the GP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277652">
    <dcterms:title><![CDATA[The Secular Tradition in Chaucer and Jean de Meun.]]></dcterms:title>
    <dcterms:description><![CDATA[Provides background to Chaucer&#039;s &quot;championship of the secular clergy . . . and his satire of the fraternal orders,&quot; and considers how this attitude reflects a general, &quot;secular tradition,&quot; appreciative of allegorical poetry and found in works by Jean de Meun and by Chaucer, particularly NPT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277651">
    <dcterms:title><![CDATA[A Reference to Music in Chaucer&#039;s &quot;House of Fame.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Clarifies--etymologically and musicologically--that &quot;cordes&quot; mentioned in HF 696 refers to instrumental strings, not to musical chords. the latter being anachronistic in Chaucer&#039;s era.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277650">
    <dcterms:title><![CDATA[The Major Poets: English and American.]]></dcterms:title>
    <dcterms:description><![CDATA[Chronological anthology of English and American poetry, beginning with selections from Chaucer (Truth, Gent, GP 1-30, and NPT), with bottom-of-page glosses and notes. Text from F. N. Robinson&#039;s edition; preceded by a brief &quot;Note on Reading Chaucer&#039;s English.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277649">
    <dcterms:title><![CDATA[Love and Marriage in Chaucer&#039;s Poetry.]]></dcterms:title>
    <dcterms:description><![CDATA[Challenges the critical &quot;platitude&quot; that love and marriage are incompatible in Chaucer. Identifies a number of instances in Chaucer&#039;s works where love and marriage clearly coincide, and argues that TC is only an &quot;apparent exception&quot; in this regard. Discusses how the plot or &quot;matière&quot; of Chaucer&#039;s poem is &quot;illicit&quot; love, but its &quot;sen,&quot; or meaning, is a celebration of virtuous, &quot;honorable&quot; love.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277648">
    <dcterms:title><![CDATA[Chaucer&#039;s &#039;Complaint of Mars.&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests intertextual connections among Hyginus&#039;s &quot;Poetica Astronomica,&quot; Boccaccio&#039;s &quot;De Genealogia Deorum,&quot; and aspects of Chaucer&#039;s Mars.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277647">
    <dcterms:title><![CDATA[Chaucer&#039;s Millers and Their Bagpipes.]]></dcterms:title>
    <dcterms:description><![CDATA[Provides historical background for Chaucer&#039;s associations of millers with bagpipes in GP 1.565 and in RvT 1.3927, assessing them as an important characterizing details--vivid, realistic, appropriate, and symbolically suggestive of lechery and gluttony.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277646">
    <dcterms:title><![CDATA[Yeats&#039; Use of Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that Chaucer&#039;s astrological references in FranT and PF, particularly the deterministic &quot;phases of the moon, &quot; the Great Year, and the depiction of Scipio, are likely to have influenced W. B. Yeats&#039; prose treatise, &quot;A Vision&quot; (1925; rev. 1937).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277645">
    <dcterms:title><![CDATA[Deux Contributions à l&#039;Histoire des Pratiques Contraceptives, II: Chaucer et Mme de Sévigné.]]></dcterms:title>
    <dcterms:description><![CDATA[Contrasts lack of commentary on birth control in ParsT with its presence in the letters of Marie de Rabutin-Chantal, Marquise de Sévigné, arguing that Chaucer was pre-Malthusian (&quot;prémalthusien&quot;) rather than proto-Malthusian (&quot;protomalthusien&quot;). Reads ParsT as a standard view of sexual activities in Chaucer&#039;s age.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277644">
    <dcterms:title><![CDATA[Chaucer and Shakespeare: The Dramatic Vision,]]></dcterms:title>
    <dcterms:description><![CDATA[Anthologizes a selection of works by Chaucer and by Shakespeare, with a brief general introduction to each and bottom-of-page glosses and notes. The selection from Chaucer, edited by Bethurum and based on the text by Walter W. Skeat, includes GP, NPPT, PardPT, and FranPT. This material is also included in Bethurum and Stewart&#039;s more expansive &quot;Living Masterpieces of English Literature&quot; (1954).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277643">
    <dcterms:title><![CDATA[The Knight&#039;s Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[Edits KnT, with an Introduction, bottom-of-page textual notes, end-of-text explanatory notes and glossary, and appendices (by R. T. Davies, reprinted), on Chaucer&#039;s language and meter, astrology and astronomy, and suggestions for further reading. The text is based on the Ellesmere manuscripts, and the Introduction includes sections on Chaucer&#039;s life and work (by R. T. Davies, reprinted), the relation of KnT to CT and its sources, and a summary of Boccaccio&#039;s &quot;Teseide.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277642">
    <dcterms:title><![CDATA[Canterbury Tales A 24.]]></dcterms:title>
    <dcterms:description><![CDATA[Reconsiders possible explanations for the evident inaccuracy of the number of pilgrims given in GP 1.24 as twenty-nine. Suggests two possibilities: the Squire may have been a later addition and/or the addition of the &quot;last five pilgrims&quot; might have been accompanied by textual error in recording the tally.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277641">
    <dcterms:title><![CDATA[Symbol and Theme in Chaucer&#039;s Vision Poems.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the imagery, symbols, and themes of BD, HF, PF, and LGW, focusing on the themes of love (courtly and spiritual) and the poet&#039;s responsibilities in depicting love, with attention to various aspects of style, form, and structure, and recurrent attention to source materials.]]></dcterms:description>
</rdf:Description></rdf:RDF>