<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276131">
    <dcterms:title><![CDATA[The Monsters of Geoffrey Chaucer: The Miller in &quot;The General Prologue&quot; and the Miller in &quot;The Reeve&#039;s Tale&quot; in &quot;The Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the rebelliousness and animal imagery associated with the GP Miller and Symkyn of RvT, the in-between social status of medieval millers, and depictions of millers in accounts of the Revolt of 1381, arguing that medieval millers were depicted as &quot;defiant monstrous Others.&quot; Includes an abstract in Turkish.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276130">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;Miller&#039;s Tale&quot; and the Spiritual Side of Race.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores relations among rhetorical and philosophical principles of contrariety, Alison&#039;s &quot;freedom from consequences&quot; in the plot of MilT, blackness and whiteness in physiognomy, and the black and white imagery in the description of Alisoun&#039;s clothing in MilT (3235–56). Argues that Alisoun&#039;s clothing represents &quot;a call for a nuanced interpretive process that registers blackness as an epistemic tool fundamental to the production of meaning.&quot; Also comments on the complementary contrariety of black and white in TC, I.638ff.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276129">
    <dcterms:title><![CDATA[&quot;Kultour&quot; Meets &quot;Cul&quot;: More Wordplay in Chaucer&#039;s &quot;Miller&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies a pun on &quot;cul,&quot; meaning &quot;the rump; a buttock,&quot; and the four uses of &quot;kultour&quot; in MilT, connecting it with the analogous &quot;Bèrenger au lonc cul.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276128">
    <dcterms:title><![CDATA[A Victim of Prudishness: Chaucer&#039;s &quot;Miller&#039;s Tale&quot; Retold over the Centuries.]]></dcterms:title>
    <dcterms:description><![CDATA[Reviews translations of MilT from the eighteenth century forward, and offers a &quot;translatological analysis&quot; of four twentieth-and twenty-first-century versions, focusing on the sexual attitudes and activities in the plot and on the lexicons used by Chaucer and his translators, suggesting that amelioration and expurgation have been excessive.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276127">
    <dcterms:title><![CDATA[Chaucer&#039;s Biblical Turn.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines biblical images, allusions, themes, and narrative patterns in MilPT, exploring various ways that the Miller and Nicholas appropriate the Bible&#039;s &quot;authority for personal rhetorical ends.&quot; Chaucer&#039;s providence-like control of his material is also anchored in biblical (rather than classical) precedent and it reflects the late medieval literary authority of Scripture, a concern Chaucer pursues elsewhere in CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276126">
    <dcterms:title><![CDATA[Alle Schall Be Wele? In Search of Unhappy Emotions in Middle English Metrical Romances.]]></dcterms:title>
    <dcterms:description><![CDATA[Aligns happy endings with the &quot;rhetoric of bliss&quot; in Middle English romances and includes discussion of jealousy as the crux of KnT, arguing that the &quot;happy closure&quot; of the narrative can only come about when the jealousy between Palamon and Arcite is &quot;suppressed.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276125">
    <dcterms:title><![CDATA[Subterranean Archives: Surfacing Resilience in the Middle Ages.]]></dcterms:title>
    <dcterms:description><![CDATA[Studies caves in medieval literature as &quot;agential bodies&quot; that challenge &quot;us to reconsider the stories of the women, monsters and marginalized beings who are made to inhabit subterranean spaces&quot; Includes discussion of Emelye&#039;s address to Diana as goddess of the underworld in KnT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276124">
    <dcterms:title><![CDATA[Social Flux in the &quot;Knight&#039;s Tale&quot;: Chaucer&#039;s Fourteenth-Century Reworking of a Romance.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses KnT in light of conventions of the romance genre and Boccaccio&#039;s &quot;Teseida,&quot; arguing that the tale engages tensions &quot;between a traditional communal feudal ideology and a newer more individualist and commercial outlook present in Chaucer&#039;s society.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276123">
    <dcterms:title><![CDATA[Chaucer&#039;s Fantasy of Pity.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines pity and the construction of pity in KnT in particular to show how Chaucer&#039;s use of and changes to the &quot;Teseida &quot;produce a desire for female autonomy that doesn&#039;t threaten male patriarchy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276122">
    <dcterms:title><![CDATA[The Yeoman&#039;s &quot;Pecok Arwes.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Corrects errors in the discussion of the Knight&#039;s Yeoman in criticism by offering a discussion of the Yeoman and his weapons in GP, and &quot;contextualizes the peacock fletching of the Yeoman&#039;s arrows by explicating birdwing anatomy, the appearance of various peacock feathers, medieval fletching practices, and historical references to peacock fletched arrows.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276121">
    <dcterms:title><![CDATA[Horse-Riding Storytellers and Distributed Cognition in Chaucer&#039;s &quot;Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Exemplifies how the interactive and &quot;enactive&quot; process of reading details of the frame narrative of CT (GP and links between tales) prompts cognition in ways that are analogous to the &quot;distributed cognition&quot; of human sensorimotor operations. Focuses on how the riding styles of individual pilgrims (Knight, Yeoman, Squire, Monk, Summoner, and Host) and the ways they carry artifacts suggest movement, the perception of which is the fundamental operation of the brain.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276120">
    <dcterms:title><![CDATA[Mobility and Identity in Chaucer&#039;s &quot;Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores &quot;expressions of mobility&quot; in the frame narrative and tales of CT to show how physical and metaphorical mobilities are shaped by &quot;geographical, ecological, sociopolitical, and gendered identities.&quot; ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276119">
    <dcterms:title><![CDATA[Penitentials to Poetry: The Literary Critique of Avarice in Fourteenth-Century England.]]></dcterms:title>
    <dcterms:description><![CDATA[Addresses the &quot;challenge posed to Christian ethics due to the proliferation of urban markets and increased personal wealth in medieval England,&quot; examining various aspects of avarice in &quot;Piers Plowman&quot;; John Gower&#039;s &quot;Confessio Amantis&quot;; and CT, especially GP, WBP, PardP, and CYP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276118">
    <dcterms:title><![CDATA[The Unwilling Wife: Marital Rape in the &quot;Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines marital rape across CT, acknowledging that, while marital rape was impossible in medieval English law, it was a topic discussed and handled throughout CT. Gives particular attention to MerT, SNT, MkT, WBPT, and ShpT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276117">
    <dcterms:title><![CDATA[The Canterbury Tales Handbook.]]></dcterms:title>
    <dcterms:description><![CDATA[Offers comprehensive introduction to CT, focusing on language, genres, forms, historical background, and critical history related to Chaucer. Provides exercises, strategies, and ideas for teaching Chaucer in undergraduate courses.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276115">
    <dcterms:title><![CDATA[Becket&#039;s Wounds and Canterbury: Echoes of Trauma in a Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on CT as a &quot;text born in trauma,&quot; observing &quot;numerous wounds&quot; in KnT and MkT and linking them with James Comey&#039;s 2017 testimony before the US Senate Intelligence Committee.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276114">
    <dcterms:title><![CDATA[Across Time and Space: Teaching Chaucer in a Modern Classroom.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores relations between word and deed, deception and truth in CT as examples of how fiction can help high-school students learn &quot;critical thinking skills, self-reflection, perseverance, the value and danger of duplicity, and the power of language.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276113">
    <dcterms:title><![CDATA[Win/Loss.]]></dcterms:title>
    <dcterms:description><![CDATA[Approaches the tale-telling contest of CT as its &quot;ludonarrative framework&quot; and analyzes its &quot;gaming elements,&quot; arguing that--complicating the win/loss binary--the work queers victory, depicts the &quot;abundant pleasures of defeat,&quot; and reformulates &quot;the meaning of gender and masculinity in narrative games of erotic one-upmanship.&quot; Treats the fabliaux as the most game-like of the tales, and assesses inconclusiveness, unknowability, and open-endedness as challenges to the &quot;telos of ludonarrativity.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276111">
    <dcterms:title><![CDATA[Slow Pilgrimage Ecopoetics.]]></dcterms:title>
    <dcterms:description><![CDATA[Contemplates similarities and analogies between reading and walking and between medieval and modern pilgrimage narratives, commenting on ecopoetics, biopoetics, and topopoetics, and on relations between design and contingency, human and nonhuman encounters, and vernacularity and amendment. Refers recurrently to CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276110">
    <dcterms:title><![CDATA[&quot;Bidding with Beowulf, Dicing with Chaucer, and Playing Poker with King Arthur&quot;: Neomedievalism in Modern Board-Gaming.<br />
Culture.]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys &quot;(neo)medievalism in contemporary board-game culture,&quot; including discussion of two games inspired by CT: the &quot;roll-and-move&quot; &quot;Hazard: From the Canterbury Tales&quot; and &quot;The Road to Canterbury.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276109">
    <dcterms:title><![CDATA[Hysteria, Perversion, and Paranoia in &quot;The Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Uses psychoanalysis as a &quot;pedagogical tool&quot; to understand Chaucer&#039;s pilgrims in CT. Begins with the &quot;spectacle of hysteria&quot; to explore &quot;ways that conflicts with the Oedipal law erupt on the body and in language&quot; in CT. Discusses &quot;perversions of festishism, masochism, and sadism&quot; in GP, WBPT, PrT, PardT, MLT, ClT, and PhyT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276108">
    <dcterms:title><![CDATA[Crimen atrocissimum: Enjuiciamiento y castigo de delitos atroces y su representación en &quot;Los cuentos de Canterbury.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines &quot;exceptional crimes&quot; in CT in the context of the main English legal texts that regulated, prosecuted, and punished medieval criminals. The procedural singularities of this type of prosecution are explored first through the analysis of the trial and execution of Hugh Le Despenser and then through the study of the literary elaboration of the rape theme in Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276107">
    <dcterms:title><![CDATA[The Bethel Tales.]]></dcterms:title>
    <dcterms:description><![CDATA[A frame-tale narrative modeled on and adapted from CT, with tales told by a range of individuals traveling by bus in 1969 to attend the &quot;Woodstock Music and Art Fair.&quot; The introduction acknowledges Chaucer&#039;s inspiration in form, styles, and technique; the bus-riders&#039; professions echo those of the pilgrims, and most of the prologues and tales follow Chaucer&#039;s plots, although modernized in setting and action.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276106">
    <dcterms:title><![CDATA[Marcus Boxhorn&#039;s Misattribution of Verses from Chaucer&#039;s &quot;Canterbury Tales&quot; to John Gower.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines sources that Boxhorn drew upon for quoting GP and for (mis)identifying its author to show that, contrary to what scholars have believed, this seventeenth-century Dutch professor of history and rhetoric &quot;was acquainted with neither Chaucer nor Gower.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276105">
    <dcterms:title><![CDATA[Den Rahmen sprengen: Die &quot;Canterbury Tales&quot; von Geoffrey Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines features of CT that make it difficult to fit the work into the modern &quot;frame&quot; of teleological development, medieval to modern. Focuses on &quot;postmodern&quot; features of the work, its tensions between allegory and realism, and its game-like narrative techniques--all provocative, and difficult to reduce to conventionality.]]></dcterms:description>
</rdf:Description></rdf:RDF>