<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276181">
    <dcterms:title><![CDATA[El control de los cuerpos en &quot;The Physician&#039;s Tale&quot; y &quot;The Wife of Bath&#039;s Tale,&quot; de Geoffrey Chaucer (c. 1343–1400).]]></dcterms:title>
    <dcterms:description><![CDATA[Explores interrelations among youth, old age, virginity, and chastity in PhyT and WBPT as they &quot;reveal the links between eroticism and control over bodies.&quot; Includes an abstract in English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276180">
    <dcterms:title><![CDATA[Medieval Hybrid and Mimic Identities: Geoffrey Chaucer&#039;s Franklin in &quot;The Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the Franklin as a &quot;hybrid and mimic who is caught in between the medieval acknowledged identities of the commoners and the nobility,&quot; striving upward, and searching for &quot;for a recognisable identity&quot; in his changing medieval society. Includes an abstract in Turkish.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276179">
    <dcterms:title><![CDATA[&quot;Which was the mooste fre&quot;: Chaucer&#039;s Realistic Humour and Insight into Human Nature, as Shown in &quot;The Frankeleyns Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Seeks to answer the &quot;demande d&#039;amour&quot; of FranT (1622), first eliminating Dorigen and the magician from consideration of who is most &quot;fre,&quot; and then arguing that Aurelius and Arveragus have effectively equal claim to be named--a complicated balance &quot;not untypical&quot; of Chaucer. Compares Chaucer&#039;s version with analogues in &quot;Sanskrit Vetula-stories&quot; and Boccaccio&#039;s &quot;Filocolo.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276178">
    <dcterms:title><![CDATA[Scabs and Sovereignty in the &quot;Franklin&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Traces the figure of the &quot;sursanure&quot; in FranT, demonstrating that this superficially healed wound is an apt metaphor for Chaucer/s soft or &quot;sunken&quot; sources.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276177">
    <dcterms:title><![CDATA[The Possibilities of Medieval Fiction.]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on marvels in medieval literature, and argues that medieval readers appreciated indeterminacy of the marvelous. Some attention to FranT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276176">
    <dcterms:title><![CDATA[The Body in Wonder: Affective Suspension and Medieval Queer Futurity.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes &quot;premodern theories of affect rooted in humoral theory and faculty psychology,&quot; and explores the affects of wonder and shame in FranT as well as its queered futurity, focusing on Aurelius&#039;s brother, who occupies &quot;the position of the fourth-person singular&quot; and the &quot;space of singular vitality,&quot; and who &quot;offers wonder as a mode of maximum attention that queers thinking and feeling.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276175">
    <dcterms:title><![CDATA[Who Could Tell the Joy that Is between a Husband and His Wife? Feeling with the Good Wife in the &quot;Franklin&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Traces the struggles of Dorigen in FranT as a kind of conduct literature for wives, as Dorigen&#039;s pain in Arveragus&#039;s absence is linked to &quot;two contemporary French conduct texts--&#039;Le Livre du chevalier de la Tour Landry&#039; (1371) and &#039;Le Mesnagier de Paris&#039; (1394).&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276174">
    <dcterms:title><![CDATA[&quot;Ycrammed ful of cloutes and of bones&quot;: Chaucer&#039;s Queer Cavities.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Traces Chaucer&#039;s uses of purses and other cavities in PardPT as sites of queer reproduction. Throughout, &quot;locates the &#039;purs&#039; as a gendered, sexualized, and economized site of social exchange.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276173">
    <dcterms:title><![CDATA[Resisting Sex and Species in &quot;The Squire&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Reassesses the role and value of the falcon and the mechanical horse in SqT. Demonstrates through these depictions that SqT creates &quot;interspecies and intrasexual relationships of care outside of the gendered human norms of chivalric romance.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276172">
    <dcterms:title><![CDATA[Flying, Hunting, Reading: Rethinking Falcon–Woman Comparisons.]]></dcterms:title>
    <dcterms:description><![CDATA[Observes how the &quot;tension between control and release&quot; in premodern falconry is &quot;salient for feminist approaches to representations of gender when birds stand in for women&#039;s sexual bodies,&quot; exploring the implications of associations between women and hunting birds in medieval art and literature, and concluding with discussion of how a &quot;feminist poetics&quot; emerges from consideration of the interaction between Canacee and the falcon in SqT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276171">
    <dcterms:title><![CDATA[&quot;Compassion and Benignytee&quot;: A Reassessment of the Relationship between Canacee and the Falcon in Geoffrey Chaucer&#039;s &quot;Squire&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the &quot;bond&quot; between Canacee and the falcon in SqT is &quot;grounded in the theme of female friendship&quot; although seen from the &quot;avian perspective&quot;--an &quot;intersectional&quot; approach that &quot;interprets Canacee as avian, rather than the falcon as humanlike.&quot; Treats the tale as something of a &quot;sequel&quot; to PF, even while the Squire reveals himself to be &quot;decidedly uncomfortable with women on an individual level.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276170">
    <dcterms:title><![CDATA[Chaucer and Crusader Ethics: Youth, Love, and the Material World.]]></dcterms:title>
    <dcterms:description><![CDATA[Shows how late medieval &quot;anxieties over the corruption of chivalry&quot; and criticism of the morals, motives, and conduct of crusaders&quot; are reflected in the pairing of the GP descriptions of the Squire and Knight, and in KnT and SqT. Argues that &quot;Chaucer&#039;s critique of crusaders is not . . . effected through the Knight, but through the Squire,&quot; evident in comparisons with romances and treatises about the crusades, including that of Henry Despenser.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276169">
    <dcterms:title><![CDATA[Medieval English Travel: A Critical Anthology.]]></dcterms:title>
    <dcterms:description><![CDATA[Gathers secular and religious travel narratives of England <br />
 and France. The volume is divided into three sections: critical essays; twenty-six texts, or excerpts, from narratives, including SqT; and supporting bibliographies.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276168">
    <dcterms:title><![CDATA[Saint Omobono of Cremona and the English Merchant on Page and Stage.]]></dcterms:title>
    <dcterms:description><![CDATA[Clarifies the life and tradition of St. Omobono as a &quot;merchant saint&quot; and &quot;patron of businesspeople and entrepreneurs,&quot; incorporating discussion of &quot;early literary representation of the merchant character in Chaucer and Shakespeare.&quot; Includes comments on Chaucer&#039;s personal knowledge of merchants and his negative characterization of the Merchant in GP as a figure of &quot;negotium,&quot; i.e., someone who is overly committed to material goods and business affairs.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276167">
    <dcterms:title><![CDATA[Ignoring Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Promotional materials indicate that this essay analyzes a  cryptic mystery of the encomium on marriage in MerT (1267ff.), considers previous critical studies, and discloses a new interpretation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276166">
    <dcterms:title><![CDATA[A Spirit of Another Sort: The Evolution and Transformation of the Fairy King from Medieval Romance to Early Modern Prose, Poetry, and Drama.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes commentary on the &quot;figure of Pluto&quot; in MerT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276165">
    <dcterms:title><![CDATA[Una visió epicúria de la vellesa a &quot;El conte explicat pel mercader&quot; de Geoffrey Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the depiction of old age in MerT from a philosophical perspective, with particular emphasis on Epicureanism as it was understood during the Middle Ages. In Catalan.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276164">
    <dcterms:title><![CDATA[Las jornadas de Griselda: Imitatio y Cornice de Boccaccio a Timoneda.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes treatments of the Griselda story from Boccaccio&#039;s &quot;Decameron&quot; to Joan Timoneda&#039;s &quot;El patrañuelo&quot; (1567), tracing its transformation from a story intended to present Griselda as a model for humankind to a &quot;manual for wives-to-be,&quot; including discussion of ClT; works by Petrarch, Christine de Pizan, and Bernat Metge; and the anonymous &quot;Castigos y doctrinas que un sabio daba a sus hijas.&quot; Includes an abstract in English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276163">
    <dcterms:title><![CDATA[Regendering Griselda on the London Stage.]]></dcterms:title>
    <dcterms:description><![CDATA[Observes that ClT sets its view of marriage in opposition to WBPT, suggesting that this reflects Chaucer&#039;s familiarity with Boccaccio&#039;s &quot;Decameron&quot; and inspired &quot;the reversal of Griselda&#039;s gender&quot; in two early modern English plays, analyzed here: &quot;The Pleasant Comedie of Patient Grissil&quot; by Thomas Dekker, Henry Chettle, and William Haughton; and &quot;The Honest Whore, Part I&quot; by Thomas Middleton and Thomas Dekker.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276162">
    <dcterms:title><![CDATA[Slow Practice as Ethical Aesthetics: The Ecocritical Strategy of Patience in Geoffrey Chaucer&#039;s &quot;The Clerk&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Draws on debates about slow cinema to suggest how ClT evokes a &quot;slow eco-aesthetics&quot; with an ethical impact. Based on the notion that medieval pilgrimage texts evoke a slow aesthetic, the strategies of slowness and patience in the tale of Patient Griselda are assessed as fundamentally ecocritical.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276161">
    <dcterms:title><![CDATA[Insistent, Persistent, Resilient: The Negative Poetics of Patient Griselda.]]></dcterms:title>
    <dcterms:description><![CDATA[Uses &quot;lessons from trauma studies concerning silence, as well as new materialist and ecocritical approaches,&quot; to explore the resistance of Griselda&#039;s patient silence. &quot;[T]hrough a preponderant use of negative words&quot;--a &quot;poetics of negation&quot;--Griselda enacts agency and &quot;undermines&quot; her vow not to &quot;grucche&quot; against Walter&#039;s treatment of her. She reinforces her &quot;covert silence&quot; with body language, and her &quot;naying [of] Walter&#039;s ye&quot; resonates in the figure of Echo in the Envoy to ClT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276160">
    <dcterms:title><![CDATA[Reconsidering the Use of Gender Stereotypes in Medieval Romance: Figures of Vulnerability and of Power.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores how medieval romances convey stereotypes that &quot;often appear as a feature of tales of identity in which the male subject position of active self-affirmation is partly developed in relation to female figures&quot; of vulnerability. Includes comments on how, in ClT, &quot;Griselda&#039;s Christ-like and Job-like qualities give her a masculine authority and an actively complicit role in her testing which disturbs the gender politics of wifely submission to a husband&#039;s will.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276159">
    <dcterms:title><![CDATA[&quot;Following Echo&quot;: Speech and Common Profit in Chaucer&#039;s &quot;Clerk&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Extends discussions of ClT as a &quot;political fable,&quot; focusing on the theme of common profit and on the Clerk as a philosopher, assessing both in light of Bo as an &quot;account of the philosopher&#039;s duty to the common profit.&quot; Rejects the &quot;Griseldean values of abject obedience and self-abnegation,&quot; arguing that ClT and its comic envoy affirm the need to speak reasonably against political absolutism and to resist &quot;bad Boethianism&quot; and nostalgic Petrarchan eloquence.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276158">
    <dcterms:title><![CDATA[Chaucer&#039;s Cautionary Tale: Critical Thinking and Pranking.]]></dcterms:title>
    <dcterms:description><![CDATA[Juxtaposes modern pedagogical views of critical thinking and the Thomastic contrast between &quot;studiositas&quot; and &quot;curositas&quot; as background to discussing how SumT can &quot;be used to help students to think critically about the nature of their own critical thinking.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276157">
    <dcterms:title><![CDATA[Simon Magus and his &quot;Miseri Seguaci&quot;: Dante&#039;&#039; Simonists and Chaucer&#039;s &quot;Summoner&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Dante in Canto XIX of his &quot;Inferno,&quot; and Chaucer in SumT, &quot;show essentially the same pervasive effects of simony in essentially the same manner,&quot; using similar &quot;images of and parodic allusions to&quot; the sin. However, the poets differ in their &quot;inverse use of friars [which] is likely a result of their differing political and ecclesiastical environments.&quot;]]></dcterms:description>
</rdf:Description></rdf:RDF>