<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276389">
    <dcterms:title><![CDATA[The Changing English Language, Illustrated by Translations of the Bible, and Changing Literary Style, Illustrated by the Arthurian Legend: Readings in Old, Middle, and Modern English.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes various readings by Dunn that illustrate changes in the English language and English literary style, among them, a reading of Book III.m9 of Bo (Side 1, band 9; 41 sec.). Text from F. N. Robinson&#039;s edition of Chaucer complete works (1957).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276388">
    <dcterms:title><![CDATA[Chaucer and the Horse.]]></dcterms:title>
    <dcterms:description><![CDATA[Investigates the &quot;equestrian vocabulary&quot; used by Chaucer, with particular attention to GP, but including his other references to horses, their tackle, colors, names, conditions, movements, etc., clarifying the denotations of the terminology. Includes b&amp;w reproductions of thirteen of the pilgrim-portraits from the Ellesmere manuscript, interleaved and unpaginated, with commentary on these portraits in an Appendix.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276387">
    <dcterms:title><![CDATA[Dante En Angleterre: Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[The first two in a series of essays Dédéyan published on Dante in England in Les Lettres Romanes, volumes 12-15 (1958-1961). The first surveys references, allusions, and uses of Dante in TC, PF, and HF. The second continues the discussion of HF, and also considers LGW and CT, addressing echoes in MLT, PrP, FrT, MerT, and SqT, along with more sustained resonances in MkT (Hugolino), WBT, and SNP. Includes discussion of Gent and comments on Dante&#039;s &quot;Canzone&quot; and &quot;Convivio&quot; as well as his &quot;Comedy.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276386">
    <dcterms:title><![CDATA[Lyrics of the Middle Ages.]]></dcterms:title>
    <dcterms:description><![CDATA[Anthologizes samples of Greek, Latin, Provençal, French, Portuguese, Spanish, Italian, Welsh, Irish, Norse, Danish, Dutch, German, and Old and Middle English verse--generally in modern English translation--from the fifth to the fifteenth century. The three samples from Chaucer (ballade from LGWP, rondel from PF, and Pity) are in Middle English, with sidebar glosses.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276385">
    <dcterms:title><![CDATA[Chaucer and Two Elizabethan Pseudo-Sciences.]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies an early modern allusion to Chaucer and CYT (by Hugh Platt) and one on dreams and, possibly, NPT (by William Vaughan), neither previously noted.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276384">
    <dcterms:title><![CDATA[The Franklin&#039;s &quot;Sop in Wyn.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Clarifies the Franklin&#039;s &quot;morning dish&quot; of a &quot;wine-sop,&quot; suggesting dietary or medicinal implications necessary to compensate for his culinary excesses.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276383">
    <dcterms:title><![CDATA[&quot;After His Ymage&quot;: The Central Ironies of the &quot;Friar&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Reads FrT as &quot;one of Chaucer&#039;s more carefully worked and closely unified poems, and, . . . one of his most dramatic.&quot; Focuses on the poem&#039;s &quot;Faustian situation,&quot; its &#039;&quot;unusual withholding of the denouement,&quot; and &quot;its moral implication,&quot; exploring characterization and stylistic irony, particularly dramatic irony, and a &quot;pervasive duality of phrasing&quot; and imagery.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276382">
    <dcterms:title><![CDATA[Chaucer&#039;s General Prologue, A 163.]]></dcterms:title>
    <dcterms:description><![CDATA[Explicates GP 1.673 (not 1.163, as in title), adding depth to the multiple, generally sexual innuendoes of the &quot;stif burdoun&quot; borne by the Summoner to accompany the Pardoner&#039;s song.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276381">
    <dcterms:title><![CDATA[Chaucer&#039;s Point of View as Narrator in the Love Poems.]]></dcterms:title>
    <dcterms:description><![CDATA[Traces developments in Chaucer&#039;s &quot;attitude to love&quot; as reflected in his narrative personae in BD, LGWP, PF, HF, and TC, assessing this attitude in light of the courtly, Chartrian, and neo-Platonic standards of works by Alain de Lille, Jean de Meun, Guillaume de Machaut, and others, and arguing that Chaucer deeply appreciated the world and love in the world, even though he accepted their subordination to divine standards which requires humans to strive beyond their limitations.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276380">
    <dcterms:title><![CDATA[The Concept of Order in the &quot;Franklin&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Attributes the disruption of order in the plot of FranT to Dorigen&#039;s pride and &quot;indecisiveness&quot; and to Aurelius&#039;s &quot;moral flaw&quot; and use of &quot;unlawful&quot; magic. Order is reinstated by means of seriatim &quot;self-sacrifice&quot; triggered by the &quot;manly firmness&quot; of Arveragus.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276379">
    <dcterms:title><![CDATA[Daun Piers, Monk and Business Administrator.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the &quot;key fact&quot; in Chaucer&#039;s satiric GP description of the Monk is that he is an &quot;outrider,&quot; allowing leeway for suggestive details about diet, hunting, and other worldly concerns. Fabricates a fictional dialogue between the Monk and the GP narrator, based on medieval monastic prohibitions, to show how the details might have been revealed in a way that, ironically, encouraged the narrator to approve of the Monk&#039;s opinions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276378">
    <dcterms:title><![CDATA[The Complex Personality of Chaucer&#039;s Reeve and the Problems of Subjectivity Represented in His &quot;Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the Reeve&#039;s efforts to represent himself as respectable are mirrored in the characterization of Symkin in RvT, and Malyne&#039;s &quot;repressed subjectivity&quot; reveals Symkin&#039;s over-simplified, patristic notions self-definition. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276377">
    <dcterms:title><![CDATA[Through a Glass Darkly; or, the Emergence of Mind in Medieval Narrative.]]></dcterms:title>
    <dcterms:description><![CDATA[Shows that modern understandings of and distinctions among speech, thought, and signifying gesture do not necessarily obtain in Middle English discourse, and that Middle English literature &quot;displays much more extensive narrative depictions of subjectivity and interiority&quot; than usually assumed, Analyzes illustrative examples from several works in Middle English, including KnT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276376">
    <dcterms:title><![CDATA[Canterburyjske Priče.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. Worldcat record indicates this is a translation of CT into Croatian.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276375">
    <dcterms:title><![CDATA[The Specter of Dido: Spenser and Virgilian Epic.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes discussion of how Chaucer&#039;s influence on Spenser&#039;s works inflects the Virgilian &quot;epic paradigm&quot; of the Renaissance poet, observing how in his treatments of Dido in HF and LGW Chaucer &quot;figures his poetic identity . . . in terms of intertextual dialogue&quot; and interpretive dilemmas, and demonstrating how in &quot;Shepheardes Calender&quot; Spenser honors Chaucer/Tityrus &quot;primarily as a moralist,&quot; whereas in &quot;Faerie Queene&quot; (especially Book 3), he incorporates the &quot;plurality of voices and ethical stances&quot; of Chaucerian fabliaux into his epic frame.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276374">
    <dcterms:title><![CDATA[The Language of Chance.]]></dcterms:title>
    <dcterms:description><![CDATA[Tallies possible evidence of &quot;early probability calculus&quot; in Middle English literature and its lexicon, including discussion of examples from John Gower, John Lydgate, and PardT. In the latter, line 6.653, chances in dicing are &quot;events which had the same weight or probability.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276373">
    <dcterms:title><![CDATA[Winchester Works: &quot;The Canterbury Pilgrims,&quot; &quot;St Paul&#039;s Voyage to Melita&quot; and &quot;The Blacksmiths.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Includes appreciative summary-description of Dyson&#039;s 1931 choral arrangement, &quot;The Canterbury Pilgrims,&quot; with comments on its reception and relationship with GP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276372">
    <dcterms:title><![CDATA[The &quot;Canterbury Tales&quot; and Fourteenth-Century Peasant Unrest.]]></dcterms:title>
    <dcterms:description><![CDATA[Shows how close is the &quot;bond between literary culture and the ideology and practice of domination enshrined in judicial controls&quot; in late-medieval England after the Black Death. Summarizes statues of labor, taxation, and responses to the Uprising of 1381, reading MilT and RvT as expressions of &quot;aristocratic contempt&quot; for lower-class pretensions and clerical abuse, with PardT reflecting anxieties about plague.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276371">
    <dcterms:title><![CDATA[Objects and Anxiety in Late Medieval English Writing.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the agency of objects in medieval understanding, focusing on this concern in books of hours, Margery Kempe, the Tale of Albinus and Rosemund in Gower&#039;s &quot;Confessio Amantis,&quot; and the stone idol in SNT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276370">
    <dcterms:title><![CDATA[Marlowe&#039;s Soldiers: Rhetorics of Masculinity in the Age of the Armada.]]></dcterms:title>
    <dcterms:description><![CDATA[In a section exploring &quot;epic masculinity&quot; in the age of Marlowe, suggests that Chaucer&#039;s depiction of Aeneas in LGW and HF anticipates humanist &quot;rethinking&quot; about the hero, that Chaucer &quot;greatly influenced&quot; Marlowe&#039;s depiction of him in &quot;Dido, Queen of Carthage,&quot; and that Marlowe &quot;extends Chaucer&#039;s reversal of the usual conclusion that passion corrodes duty.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276369">
    <dcterms:title><![CDATA[The Fictions of Language and the Languages of Fiction: The Linguistic Representation of Speech and Consciousness.]]></dcterms:title>
    <dcterms:description><![CDATA[Offers a theoretical model for representing language--both oral and literary--and analyzes various modes of discourse such as direct discourse, free indirect discourse, dual voicing, etc. Observes at one point (p. 369) that &quot;Chaucer&#039;s free indirect discourse has been . . .  stubbornly ignored and . . . persistently dismissed as quite the real thing after all&quot; (p. 369), referring to evidence cited earlier in sections 2.2 and 3.4.3, the latter analyzing a number of quotations from Chaucer to exemplify the &quot;uncertainty of tense usage&quot; in Middle English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276368">
    <dcterms:title><![CDATA[The Christian Tempest: A Symbolic Motif in Medieval Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes discussion of relations between &quot;storm motifs&quot; and &quot;traditional attitudes towards love (conceived broadly as the relationship between man and the objects of his desire)&quot; in various medieval texts, including BD, TC, MilT, MLT, and ABC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276367">
    <dcterms:title><![CDATA[Laments for the Dead in Medieval Narrative.]]></dcterms:title>
    <dcterms:description><![CDATA[Studies the backgrounds and characteristics of literary laments for the dead and includes a survey of Chaucer&#039;s knowledge of and uses of the topos: his reference to Geoffrey Vinsauf&#039;s lament for Richard in NPT 7.3347ff., and several brief instances in BD, LGW, and MkT. Identifies other instances where Chaucer might have but does not use the topos and argues that, generally, he &quot;considered it to be an unsatisfactory embellishment.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276366">
    <dcterms:title><![CDATA[Literary Conventions of Courtly Love.]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the conventions of English and French courtly literature, emphasizing backgrounds, setting, plot structure, the contributions of Machaut and Froissart, and the influence of the &quot;Pearl.&quot; A closing chapter on BD explores how and in what ways Chaucer reacted to &quot;didactic courtly love poetry&quot; that has &quot;lost touch with reality.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276365">
    <dcterms:title><![CDATA[Proverbs, Sentences, and Proverbial Phrases from English Writings Mainly Before 1500.]]></dcterms:title>
    <dcterms:description><![CDATA[Lists proverbs, proverbial phrases, and sententia from early English writings, arranged alphabetically by topic, with quotations and citations of multiple occurrences in chronological order and indexes of important words and proper nouns. Chaucer is cited on nearly every page, often multiple times.]]></dcterms:description>
</rdf:Description></rdf:RDF>