<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267991">
    <dcterms:title><![CDATA[Statius in English, 1648-1767]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys various translations of Statius into English and comments briefly on how Chaucer&#039;s use of Statius is reflected in later English tradition.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274704">
    <dcterms:title><![CDATA[Statues, Bodies, and Souls: St. Cecilia and Some Medieval Attitudes toward Ancient Rome.]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses SNT as Chaucer&#039;s only hagiographical work to evaluate the medieval perception of art. Contrasts the medieval devotion to earthly relics in relation to St. Cecilia&#039;s desire to shed the physical and enter the spiritual, while paralleling her life with artistic representations of her cult.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276961">
    <dcterms:title><![CDATA[Stealing Shives: &quot;Titus Andronicus&quot; as Chaucerian Anti-Romance.]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies narrative, linguistic, and thematic similarities between Chaucer&#039;s KnT, MilT, and RvT and Shakespeare&#039;s &quot;Titus Andronicus,&quot; and argues that the brutal treatment of Lavinia in Shakespeare&#039;s play resonates with the aspects of courtly love depicted and refracted in Chaucer&#039;s three tales and in TC, thereby &quot;blurring the lines&quot; between &quot;violent &#039;Roman&#039;&quot; and &quot;courtly&#039; Romance.&#039;&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274220">
    <dcterms:title><![CDATA[Stellification and Poetic Ascent in the &quot;House of Fame.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on HF, 584–92, clarifying the meaning and implications of &quot;stellifye,&quot; arguing that the narrator&#039;s fear of stellification reflects Chaucer&#039;s concerns about social and poetic ascent, and describing how the allusion to Ganymede evokes a complex, sexualized representation of &quot;the possibilities and pitfalls engendered through [a] quest for poetic fame.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266345">
    <dcterms:title><![CDATA[Stemmatic Analysis of the Fifteenth-Century Witnesses to the Wife of Bath&#039;s Prologue]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes textual variants of WBP, using the data and computer analysis available on Robinson&#039;s &quot;The Wife of Bath&#039;s Prologue on CD-ROM&quot;.  Corroborates Manly and Rickert&#039;s A, B, C, and D groupings and their affiliations, suggests two more (E, F) that are affiliated, and identifies several independent lines of descent.]]></dcterms:description>
    <dcterms:description><![CDATA[Confirms the preeminence of Hengwrt and describes the implications of characteristic variants of each manuscript grouping.  Clarifies the two exemplars of Ellesmere and describes in detail the source and transmission of the so-called added passages.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262994">
    <dcterms:title><![CDATA[Step Parallelism in Chaucer&#039;s &#039;Franklin&#039;s Tale&#039;: Meaning Through Structure]]></dcterms:title>
    <dcterms:description><![CDATA[That theme relates to numerical structures is apparent not only in &quot;Sir Gawain and the Green Knight&quot; but also in FranT,where each of the three parts reveals a pattern of A (&quot;a major trouthe&quot;), B (complaint), and C (helpful human intervention).  Thus, Boethian order in society is restored through &quot;gentilesse.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269903">
    <dcterms:title><![CDATA[Steppin&#039; Out: On Making an Animated Opera Called &#039;The Loathly Lady&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Personal narrative about Steiner&#039;s composition of an opera inspired by WBT, intended for production as a full-length animated film. Includes sketches and storyboards by John Kindness.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273465">
    <dcterms:title><![CDATA[Stepping Out and Stepping Over: The Figure of Hyperbation.]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses the stylistic device of inverting or rearranging word order for poetic effect. Highlights the writing of William Dunbar, who acknowledged Chaucer to be included among the &quot;masters who by making were remade.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266757">
    <dcterms:title><![CDATA[Stereotyped Comparisons in the Language of Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Traces the classical and colloquial origins of Chaucer&#039;s stereotyped comparisons (e.g., &quot;as stille as any ston,&quot; &quot;white as chalk&quot;); describes their syntax; and assesses the functions of grammar, alliteration, and prosody in the development of terms of comparison.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271267">
    <dcterms:title><![CDATA[Still More Englishes]]></dcterms:title>
    <dcterms:description><![CDATA[The section entitled &quot;Authentic Languages&quot; includes a sub-section on Chaucer that raises questions about modern ability to gauge the authenticity of the northern literary dialect in RvT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275086">
    <dcterms:title><![CDATA[Stone: An Ecology of the Inhuman.]]></dcterms:title>
    <dcterms:description><![CDATA[An extended essay in &quot;thinking beyond anthropocentrality&quot; by appreciating &quot;lithic&quot; ontology and &quot;geophilia&quot; (&quot;geology without dispassion&quot;), an example of posthumanist, object-oriented consideration that seeks to dislodge assumptions about human/nonhuman binaries. Explores the imagery of, and stories about, rocks, stones, and gems in scriptural, classical, and medieval traditions as they differ from and are, at times, similar to modern geophysical understanding and instrumental views about nature. Includes commentary on Form Age and CT, especially FranT, where Dorigen perceives &quot;lithic agency&quot; in the black rocks.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277576">
    <dcterms:title><![CDATA[Storia della Letteratura Inglese: La Tradizione Letteraria dell&#039;Inghilterra Medioevale.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes a brief biography of Chaucer and a lengthy chronological work-by-work introduction to his oeuvre. Also includes a chapter on Chaucerian apocrypha, relations with Gower, and influence on later poets.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275507">
    <dcterms:title><![CDATA[Stories in Stanza&#039;d English: A Cross-Cultural &quot;Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Agbabi&#039;s personal account of adapting Chaucer&#039;s poetry in her &quot;Telling Tales&quot; (2014) and in her contribution to the anthology &quot;Refugee Tales&quot; (2016)--an adaptation of FranT entitled &quot;Makar.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277100">
    <dcterms:title><![CDATA[Stories Said and Not: Patience and Accommodation in the &quot;Clerk&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the frequent mention of Griselda&#039;s face in ClT, as compared to his sources, and simultaneously argues that Chaucer&#039;s version highlights Griselda&#039;s interiority and how she maintains her patience.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273437">
    <dcterms:title><![CDATA[Stories, Secular and Sacred: What&#039;s at Stake.]]></dcterms:title>
    <dcterms:description><![CDATA[Within the framework of examining Chaucer and Dostoevsky, discusses critical approaches to literary examples in relationship to teaching the Bible as literature.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264930">
    <dcterms:title><![CDATA[Storm Imagery in &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[The storm imagery in TC reinforces the emotional turmoil revealed in the narrative.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261402">
    <dcterms:title><![CDATA[Story and Discourse in Sir Gawain and The Franklin&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Observes similarities of form and theme in FranT and Sir Gawain and the Green Knight, particularly the focus on trawthe/trouthe in each, arguing that they transcend the romance genre.  Contrasts FranT with Menedon&#039;s Question in Boccaccio&#039;s Filocolo to clarify that Dorigen is Chaucer&#039;s protagonist.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267336">
    <dcterms:title><![CDATA[Story and Wisdom in Chaucer : The Physician&#039;s Tale and The Manciple&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Examines how narrative and sententiousness interact in The Physician&#039;s Tale and The Manciple&#039;s Tale as examples of Chaucer&#039;s explorations of the nature of this interaction. PhyT is a &quot;story in search of a moral,&quot; while  ManT is a &quot;collection of morals in search of a story.&quot; The two Tales enable us to see Chaucer&#039;s interest in the &quot;clash and contest&quot; of these two kinds of discourse. Welsh contrasts the tales with their analogues in Gower&#039;s Confessio Amantis.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271841">
    <dcterms:title><![CDATA[Story Kit]]></dcterms:title>
    <dcterms:description><![CDATA[Experimental retelling of the story of Dido and Aeneas that opens with references to HF and LGW, among other works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273436">
    <dcterms:title><![CDATA[Storytelling as Preaching in Marguerite de Navarre&#039;s &quot;Heptameron.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Marguerite in the context of other historical writers of &quot;framed short fiction,&quot; including Chaucer, and suggests commonalities with CT, and ClT, in particular.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267072">
    <dcterms:title><![CDATA[Storytelling, Exchange, and Constancy : East and West in Chaucer&#039;s Man of Law&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer uses East and West to signify differences in storytelling in MLT: chivalric vs. travel romance; hagiography vs. history; linear narrative vs. apostrophe and prayer. Chaucer leads his readers to see the Tale as &quot;trapped in Western chauvinism,&quot; which continuously campaigns against the &quot;Other.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268541">
    <dcterms:title><![CDATA[Stow&#039;s Books Bequeathed : Some Notes on William Browne (1591-c. 1643) and Peter Le Neve (1661-1729)]]></dcterms:title>
    <dcterms:description><![CDATA[Driver assesses &quot;Stow&#039;s pervasive intellectual influence on two later antiquarian readers of Chaucer.&quot; To Browne and Le Neve, Stow&#039;s edition was &quot;a highly regarded and trusted exemplar, used to supply omissions, correct errors, and add notes.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271192">
    <dcterms:title><![CDATA[Strange Bedfellows: The Chaucerian Dream Vision and the Neoconservative &#039;Nightmare&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Describes medieval dream visions, characterizes Chaucer&#039;s examples as simultaneously concerned with destabilizing assumptions and containing dissent, and compares aspects of Chaucer&#039;s dream visions with the &quot;postmodern&quot; horror movie series, &quot;A Nightmare on Elm Street.&quot; Available at &lt;http://irishgothichorrorjournal.homestead.com/Thevault.html&gt;.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263757">
    <dcterms:title><![CDATA[Strange Images of Death]]></dcterms:title>
    <dcterms:description><![CDATA[In PardT, Death is assimilated to man&#039;s moral being.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271518">
    <dcterms:title><![CDATA[Strangers in a Familiar Land: The Medieval and African-American Literary Tradition]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests parallels between medieval literature and African-American literature, with particular attention to Layamon and August Wilson (stories of origin), Gloria Naylor&#039;s &quot;Linden Hills&quot; and Dante (a suppressive desire for harmony), and Naylor&#039;s &quot;Bailey&#039;s Café&quot; and CT (polyvocality).]]></dcterms:description>
</rdf:Description></rdf:RDF>