<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273583">
    <dcterms:title><![CDATA[Remediated Verse: Chaucer&#039;s &quot;Tale of Melibee&quot; and Patience Agbabi&#039;s &quot;Unfinished Business.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on the &quot;mirroring structure&quot; of Agbabi&#039;s &quot;Unfinished Business,&quot; from&quot;Telling Tales&quot; (2015), and Mel. Also reflects on the inherent &quot;problematizing of translation&quot; that accompanies transforming Mel into contemporary poetry.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271150">
    <dcterms:title><![CDATA[Remember, Remember (The Fifth of November): The History of Britain in Bite-Sized Chunks]]></dcterms:title>
    <dcterms:description><![CDATA[Gift-book of historical information about Britain, arranged chronologically. The entry for Chaucer, entitled &quot;Geoffrey Chaucer&#039;s Canterbury Tales, 1387&quot; (p. 63), summarizes his literary career, focuses on CT, and labels him &quot;the greatest English poet of the period.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275182">
    <dcterms:title><![CDATA[Remember.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Anel &quot;proffers lessons about memory and progress&quot; that can help survivors of modern cancer victims to achieve &quot;intergenerational&quot; memory, an ethical and therapeutic notion that derives from Paul Davies&#039;s contested theory that cancer cells carry memory. Includes attention to memory, &quot;thirling,&quot; and cycles of history in Anel.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269473">
    <dcterms:title><![CDATA[Remembering and Forgetting in Late Medieval and Early Reformation English Literature: A Study of Remnants]]></dcterms:title>
    <dcterms:description><![CDATA[Interdependence of parts and wholes in Chaucer&#039;s works anticipates a sustained concern with fragments and remnants in later literature, especially among Reformation bibliophiles who were struggling to &quot;re-member&quot; the past as a form of nascent nationalism.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269336">
    <dcterms:title><![CDATA[Remembering the Game: Debating the Legend&#039;s Women]]></dcterms:title>
    <dcterms:description><![CDATA[McCormick outlines game theory and summarizes the medieval rhetorical tradition in which debate and dream vision were memorial and ethical media. She describes how exempla were used in the &quot;Querelle des Femmes,&quot; arguing that LGW engages the &quot;Querelle&quot; as a game and uses exempla in ways that evoke ethical responsibility from the reader.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275436">
    <dcterms:title><![CDATA[Remembering Things: Transformative Objects in Texts About Conflict, 1160-1390.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes a chapter on PrT and three of its analogues that considers the &quot;greyn&quot; in Chaucer&#039;s version.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267755">
    <dcterms:title><![CDATA[Rememorative Reconstruction]]></dcterms:title>
    <dcterms:description><![CDATA[Strohm calls for renewed sensitivity to historical particularity in the study of literature, especially Chaucer. Such study must acknowledge the limits of modernist empiricist assumptions and maintain deep respect for the past and its mutually constitutive relations with the present. Includes comments on the development of the New Chaucer Society.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277399">
    <dcterms:title><![CDATA[ReMixing Chaucer in a 21st-Century Undergraduate Classroom.]]></dcterms:title>
    <dcterms:description><![CDATA[Offers &quot;an imaginary conversation between myself and the texts that feature on a final-year Undergraduate Module that I teach in a UK university,&quot; a course called &quot;ReMix: Chaucer in the Then and Now.&quot; The course readings feature TC, CT, Lavinia Greenlaw&#039;s &quot;A Double Sorrow&quot; (2014), Patience Agbabi&#039;s &quot;Telling Tales&quot; (2014), and the first volume of &quot;Refugee Tales&quot; (2016), edited by David Herd and Anna Pincus.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275509">
    <dcterms:title><![CDATA[Remodeling Authorship in Lydgate&#039;s &quot;Fall of Princes.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines authorship and literary authority in the frame narrative of John Lydgate&#039;s &quot;Fall of Princes,&quot; considering his references to Chaucer as well as to other poets, and arguing that Lydgate did not give a &quot;disproportionate amount of literary authority&quot; to Chaucer, despite referring to him as &quot;maistir&quot; and giving him more lines than the others. More generally, Lydgate&#039;s references to predecessors construct &quot;a community of fellow authors who participate in a non-competitive model of authorship.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267821">
    <dcterms:title><![CDATA[Removable Feasts : Liturgical Inclusion in Late-Medieval English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[The Sarum liturgy provokes powerful emotional response, as evident in PardT and in &quot;Piers Plowman&quot; (Passus 15; Passus 19).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268001">
    <dcterms:title><![CDATA[Remythologizing The Knight&#039;s Tale: A Midsummer Night&#039;s Dream and The Two Noble Kinsmen]]></dcterms:title>
    <dcterms:description><![CDATA[Traces the &quot;progressive desacralization&quot; of the &quot;Matter of Thebes&quot; from KnT to Shakespeare&#039;s A Midsummer Night&#039;s Dream and The Two Noble Kinsmen. The gods have power in KnT, but they diminish comically and then tragically disappear in Shakespeare&#039;s plays.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264101">
    <dcterms:title><![CDATA[Renaissance and Renewal in the Twelfth Century]]></dcterms:title>
    <dcterms:description><![CDATA[Treats what was new, what traditional, in the period and provides a valuable soruce for the intellectual, spiritual, and aesthetic background]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263418">
    <dcterms:title><![CDATA[Renaissance Chaucer and Father Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Two lectures condense Spearing&#039;s book (Medieval to Renaissance in English Poetry).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275544">
    <dcterms:title><![CDATA[Renaissance Texts, Medieval Subjectivities: Rethinking Petrarchan Desire from Wyatt to Shakespeare.]]></dcterms:title>
    <dcterms:description><![CDATA[Chapter 2, &quot;Chaucerian Melancholy in Renaissance England,&quot; explores how in &quot;Astrophel and Stella&quot; Sir Philip Sidney &quot;reactivates: the melancholic and ambivalent &quot;poetics of selfhood&quot; of BD, as mediated in the &quot;Petrarchan and anti-Petrarchan poetry&quot; of Henry Howard, earl of Surrey. Attends to the &quot;slippages of identity&quot; in BD and links them with &quot;melancholy theory from Aristotle to Kristeva.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274677">
    <dcterms:title><![CDATA[Renaissance Texts, Medieval Subjectivities.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the Petrarchism commonly held to have begun in English with Wyatt and Surrey is, instead, an alteration of a tradition already prevalent among English writers such as Chaucer, Gower, Hoccleve, and Lydgate. In particular, claims that Langland&#039;s ideas of physical and artistic reward directly influence Wyatt&#039;s sonnets and Spenser&#039;s &quot;Amoretti&quot;; Chaucer&#039;s BD undergirds Henry Howard and Philip Sidney&#039;s &quot;Astrophil and Stella&quot;; Lydgate&#039;s &quot;Temple of Glas&quot; and &quot;Complaynte of a Louers Lyfe&quot; become points of departure for Samuel Daniel&#039;s &quot;Delia&quot; and Michael Drayton&#039;s &quot;Idea&quot;; and Hoccleve&#039;s &quot;La male regle&quot; and Henryson&#039;s &quot;Testament of Cresseid&quot; position pathological affect to emerge in Shakespeare&#039;s sonnets. Additionally, Chaucer&#039;s early engagement with Petrarchan constructions frustrates the usual assertion that the Renaissance is a break-point with the past.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271410">
    <dcterms:title><![CDATA[Renaissance World-Alientaion]]></dcterms:title>
    <dcterms:description><![CDATA[Proposes that &quot;purposeful&quot; alienation that was characteristic of humanist thinking between the twelfth and seventeenth centuries:  contempt for the world that belies an underlying fascination with it. Assesses the presence of the sentiment in several literary and philosophical works, including &quot;Sir Gawain and the Green Knight&quot; and the ending of TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262411">
    <dcterms:title><![CDATA[Renaming the Sins: A Homiletic Topos of Linguistic Instability in the &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[From preaching tradition Chaucer borrowed the &quot;topos&quot; of renaming the sins &quot;to make them seem more attractive to sinners,&quot; a &quot;topos&quot; that took two major forms:  &quot;a narrative &quot;exemplum&quot; about the Devil&#039;s unmarriageable daughters,&quot; and a &quot;non-narrative exposition about whitewashing sin by euphemistically renaming it.&quot;]]></dcterms:description>
    <dcterms:description><![CDATA[Chaucer&#039;s narrative technique causes reader ambiguity about the point of view:  Chaucer&#039;s, Geoffrey&#039;s, or the pilgrims&#039;,as is demonstrated in the GP Friar, MerT, ShT, MLP, WBP, SumT, and in Harry Bailly, the Host.  CT &quot;presents a linguistically unreliable world...dominated by euphemistic language and self-justifying rhetoric&quot; coupled with a &quot;continual deferring of moral conclusion.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263768">
    <dcterms:title><![CDATA[Renard the Fox: The Misadventures of an Epic Hero]]></dcterms:title>
    <dcterms:description><![CDATA[Source for NPT translated from old French.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261972">
    <dcterms:title><![CDATA[Reopening the &#039;Prioress&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[PrT is influenced by the Sarum rite mass and the affective piety in late medieval prose meditations.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269600">
    <dcterms:title><![CDATA[Repainting the Lion: &#039;The Wife of Bath&#039;s Tale&#039; and a Traditional British Ballad]]></dcterms:title>
    <dcterms:description><![CDATA[Wollstadt explores similarities between WBT and the ballad &quot;The Knight and the Shepherd&#039;s Daughter,&quot; considering the rape motif, concern with &quot;authority and victimization,&quot; the possibility that the ballad was transmitted by female oral singers, and the conflation in the ballad of the raped maiden and the wife.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265524">
    <dcterms:title><![CDATA[Repainting the Lion: Chaucer&#039;s Profeminist Narrative]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s adjustments of his source materials in LGW produce narratives in which &quot;Marriage, whether secured or desired, motivates and ennobles all the deaths for love.&quot;  Experimenting with creating archetypically false men, Chaucer idealizes female dedication to &quot;wyfhod,&quot; and though such a notion is reductionist by modern standards, it underlies Chaucer&#039;s earnest--if often humorous--endeavor to celebrate women.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265919">
    <dcterms:title><![CDATA[Repentance and Retribution: The Use of the Book of Daniel in Old and Middle English Texts]]></dcterms:title>
    <dcterms:description><![CDATA[Mentions how the Susannah story was used in MLT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263221">
    <dcterms:title><![CDATA[Repetition and Design in the &#039;Wife of Bath&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Prologues are simply framing devices.  WBT is not a device to explicate the Wife&#039;s character; it amplifies and creates variations on a theme in KnT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269753">
    <dcterms:title><![CDATA[Repetition and Revision in Shakespeare&#039;s Tragic Love Plays]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that Chaucer&#039;s TC influenced Shakespeare&#039;s &quot;Romeo and Juliet&quot; before serving as the source of the playwright&#039;s &quot;Troilus and Cressida.&quot;  Shakespeare explores ways to respond to source material in the two works. His &quot;Troilus,&quot; in particular, is an experimental work.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271882">
    <dcterms:title><![CDATA[Report of the Chaucer Library Committee]]></dcterms:title>
    <dcterms:description><![CDATA[Owing to waning interest, the Chaucer Library, which had sought to present the works Chaucer knew, will cease following the publication of Boccaccio&#039;s &quot;Teseida.&quot;]]></dcterms:description>
</rdf:Description></rdf:RDF>