<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266807">
    <dcterms:title><![CDATA[Inducing the Hole: Paratactic Structure and the Unwritten Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that gaps and &quot;narratorial subversions&quot; make Chaucer&#039;s works (and much of medieval aesthetic theory) &quot;postmodern,&quot; comparing them with the definition of postmodernism by Ihab Hassan.]]></dcterms:description>
    <dcterms:description><![CDATA[Unreliable signs and indeterminate language compel Chaucer&#039;s audience to produce meaning.]]></dcterms:description>
    <dcterms:description><![CDATA[Lindley discusses the Pardoner&#039;s sexuality, the sketch of the Prioress, WBP, and Ret.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266806">
    <dcterms:title><![CDATA[Hyperion and the Hobbyhorse: Studies in Carnivalesque Subversion]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses how select literary works &quot;encode subversive possibilities within orthodox gestures.&quot;]]></dcterms:description>
    <dcterms:description><![CDATA[An opening essay explores the possibilities of the carnivalesque within an Augustinian framework, and subsequent essays examine such possibilities in WBT (revised reprint of SAC 16 [1994], no. 193); &quot;Sir Gawain and the Green Knight&quot;; Marlowe&#039;s works, especially &quot;Tamburlaine&quot; and &quot;Dr. Faustus&quot;; Elizabethan tragedy, especially &quot;Hamlet&quot; and &quot;The Revenger&#039;s Tragedy&quot;; and &quot;Antony and Cleopatra&quot;.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266805">
    <dcterms:title><![CDATA[Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Despite his bookishness, Chaucer is an oral poet, trained in medieval rhetorical tradition, which is rooted in oratory, and successful in his efforts to render oral narratives in literature.]]></dcterms:description>
    <dcterms:description><![CDATA[Includes several suggestions for teaching Chaucer as an oral poet.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266804">
    <dcterms:title><![CDATA[Chaucer, Joyce, Lacan, and Their &#039;We-Men&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Both Chaucer and Joyce are incapable of depicting women because the language they use is solipsisticly male and logocentric.]]></dcterms:description>
    <dcterms:description><![CDATA[Liang uses the theories of Jacques Lacan and Jacques Derrida to explore the intrinsic ambiguity of logocentrism, the interpenetrability it prompts, and analogies between such interpenetrability and incest.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266803">
    <dcterms:title><![CDATA[Hoccleve and the National Language]]></dcterms:title>
    <dcterms:description><![CDATA[Compares the multilingual conditions of late-medieval England with modern conditions in Korea, Kenya, and Quebec. Then argues that Hoccleve&#039;s poetic career resulted from Lancastrian encouragement of a national English language imitating Chaucer&#039;s model.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266802">
    <dcterms:title><![CDATA[Seen and Sometimes Heard: Piteous and Pert Children in Medieval English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the diverse portrayals of children in medieval literature, commenting on how Chaucer questions the innocence of the &quot;clergeoun&quot; in PrT and how in LGW and MkT his pathos is more restrained than in his sources.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266801">
    <dcterms:title><![CDATA[&#039;Narwe in Cage&#039;: Teaching Medieval Women in the First Half of the British Literature Survey]]></dcterms:title>
    <dcterms:description><![CDATA[Recommends incorporating MilT and WBPT into a sophomore-level survey of early British literature.]]></dcterms:description>
    <dcterms:description><![CDATA[Along with works by Margery Kempe and Julian of Norwich, these Tales can help make writings about and by medieval women &quot;an essential part of what we teach.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266800">
    <dcterms:title><![CDATA[The Medieval Concepts of the Poet, Narrator, and Reader Related to the Poet, Narrator, and Reader Found in Chaucer&#039;s Poetry]]></dcterms:title>
    <dcterms:description><![CDATA[Examining passages from BD, TC, and CT, Kim contrasts Chaucer&#039;s uses of multiple narrative voices with the ways other medieval writers write themselves and their readers into their texts.]]></dcterms:description>
    <dcterms:description><![CDATA[In Korean.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266799">
    <dcterms:title><![CDATA[Langlandian Reading Circles and the Civil Service in London and Dublin, 1380-1427]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that William Langland&#039;s readership may have been more like Chaucer&#039;s (and John Gower&#039;s) than has been assumed in the past, presenting evidence that readers of these authors included scribes and bureaucratic clerks such as Thomas Usk, Thomas Hoccleve, James le Palmer, John But, James Yonge, and others. These clerks make up the coteries of the poets.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266798">
    <dcterms:title><![CDATA[&#039;And out of Fables Gret Wysdom Men May Take&#039;: Middle English Animal Fables as Vehicles of Moral Instruction]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses how the narrative strategies and implied audiences of animal fables produce the didactic impact of the tales, assessing &quot;The Owl and the Nightingale&quot; and fables by Chaucer (NPT and ManT), Gower, Langland, Lydgate, and Henryson. Also explores the history of the genre.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266797">
    <dcterms:title><![CDATA[Language and Literary Expression]]></dcterms:title>
    <dcterms:description><![CDATA[A survey of genres and topics in Middle English literature, including Chaucer&#039;s &quot;diversity of literary forms and [the] strategies he took to negotiate literary authority.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266796">
    <dcterms:title><![CDATA[Jerusalem: Essays on Pilgrimage and Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Ten essays and a personal testimony by the author on the interrelated topics of pilgrimage and exile in works from Homer and Plato to James Joyce. Focuses on the Middle Ages, with essays on female saints and mystics, &quot;Song of Roland,&quot; Dante, Langland, and Chaucer. For a newly published essay that pertains to Chaucer, search for Jerusalem: Essays on Pilgrimage and Literature under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266795">
    <dcterms:title><![CDATA[Boethius in the Middle Ages: Latin and Vernacular Traditions of the Consolatio Philosophiae]]></dcterms:title>
    <dcterms:description><![CDATA[Twelve essays by various authors on the reception of Boethius&#039;s Consolatione Philosophiae--its medieval glosses, commentaries, and translations. Four essays pertain to the Middle Dutch tradition.  Passim references to Chaucer&#039;s Bo. For an essay that pertains directly to Chaucer, search for Boethius in the Middle Ages under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266794">
    <dcterms:title><![CDATA[Moralized Beasts: The Development of Medieval Fable and Bestiary, Particularly from the Twelfth Through the Fifteenth Centuries in England and France]]></dcterms:title>
    <dcterms:description><![CDATA[Fables present a worldlier view than do Christian bestiaries, and neither genre presented a worldview full enough for Chaucer or other writers. Fable became more Christian, developing witty moralization, sharply drawn personae, and more vivid style (shown in a wide variety of English and French writers).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266793">
    <dcterms:title><![CDATA[The Political Use of Chaucer in Twentieth-Century America]]></dcterms:title>
    <dcterms:description><![CDATA[Recent works of Chaucer scholarship depict a bourgeois Chaucer articulating contemporary American ideology; thus, they work to reproduce that ideology.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266792">
    <dcterms:title><![CDATA[Reflecting Pools: The Thematic Construction of Gender in Medieval Romance]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the motif of the reflecting pool in works by Chretien de Troyes, Guillaume de Lorris, Jean de Meun, Chaucer, and John Gower.]]></dcterms:description>
    <dcterms:description><![CDATA[These works indicate that gender stereotypes become more rigid through time and that representations of feminine power faded in Western tradition.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266791">
    <dcterms:title><![CDATA[&#039;Al Nys but Conseil&#039;: The Medieval Idea of Counsel and the Poetry of Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Describes classical, biblical, and patristic notions of &quot;counsel&quot; as background to Chaucer&#039;s &quot;transcendentalizing notion of counsel.&quot;]]></dcterms:description>
    <dcterms:description><![CDATA[Considers counsel in BD, PF, Mel, TC, KnT, NPT, WBPT, MerT, ManT, and ParsT, arguing that Chaucer aligns human counsel with &quot;consilium Dei&quot; and that he indicates human inability to achieve this ideal.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266790">
    <dcterms:title><![CDATA[Before the Closet: Same-Sex Love from Beowulf to Angels in America]]></dcterms:title>
    <dcterms:description><![CDATA[Examines same-sex love in English literature and culture between 600 and 1200, with commentary on later tradition.]]></dcterms:description>
    <dcterms:description><![CDATA[  Contains recurrent references to Chaucer&#039;s works, including GP, RvT, ParsT, and, especially, MLT.]]></dcterms:description>
    <dcterms:description><![CDATA[Although Chaucer &quot;made nothing of&quot; the love between Custance and Hermengyld, &quot;it is same-sex love.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266789">
    <dcterms:title><![CDATA[Analytical Survey 2: We Are Not Alone: Psychoanalytic Medievalism]]></dcterms:title>
    <dcterms:description><![CDATA[Questions the claim that psychoanalytical medievalism is insufficiently historical. Surveys a selection of articles that may consciously or unconsciously use psychoanalytical principles, including articles that address TC and portions of CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266788">
    <dcterms:title><![CDATA[Middle English Miscellany: From Vocabulary to Linguistic Variation]]></dcterms:title>
    <dcterms:description><![CDATA[Fifteen essays by various authors from the 1994 conference on Middle English held in Rydzyna, Poland. Individual essays consider lexicographical topics such as Middle English sexual vocabulary, plant names, and words associated with fate; morphological studies of weak verbs, plural markers, locatives, and the relations between derivational and inflectional endings; and comparative studies of Anglo-French/Middle English relations and Middle English reflexes in modern English. For two essays that pertain to Chaucer, search for Middle English Miscellany under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266787">
    <dcterms:title><![CDATA[Old &#039;Stories&#039; and New Trojans: The Gendered Construction of English Historical Identity]]></dcterms:title>
    <dcterms:description><![CDATA[Examines fictional representations of Troy as England&#039;s mythic ancestor in TC, HF, Gower&#039;s Vox Clamantis, Sir Gawain and the Green Knight, and other works. Since Troy was thought to have led to later empires only through its fall, the city is an ambivalent ideal, providing authors with a fantasy space, which they interpreted and adapted to their goals.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266786">
    <dcterms:title><![CDATA[Popular Chaucer and the Academy]]></dcterms:title>
    <dcterms:description><![CDATA[Shows that the steady growth in understanding of the historical context of Chaucer&#039;s poetry has coexisted with a tendency, on the part of scholars as well as popularizers, to view Chaucer as the jovial poet of &quot;merrie England.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266785">
    <dcterms:title><![CDATA[Oxford in English Literature: The Making, and Undoing, of &quot;The English Athens&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys depictions of and reactions to Oxford in English literature, from legends of St. Frideswide to modern fiction and screenplays.]]></dcterms:description>
    <dcterms:description><![CDATA[Treats MilT (pp. 19-26) as &quot;the first Oxford novel&quot;; its wealth  of details and Chaucer&#039;s sympathetic representation of Oxford clerks reflect the poet&#039;s familiarity with the medieval town and university.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266784">
    <dcterms:title><![CDATA[Les saisons et les mets a la fin du Moyen Age en Angleterre et en France]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the diet of the poor widows in CT and the extravagant menus of the Franklin, the numerous recipes in &quot;Le menagier de Paris,&quot; and &quot;The Boke of Nurture&quot; by John Russell.]]></dcterms:description>
    <dcterms:description><![CDATA[Describes various ways of preparing dishes, preserving food, and producing food and drink, emphasizing the importance of season, weather, geography, religion, and tricks to bypass inconveniences.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266783">
    <dcterms:title><![CDATA[Medieval Scholarship: Biographical Studies on the Formation of a Discipline. Volume 2: Literature and Philology]]></dcterms:title>
    <dcterms:description><![CDATA[Thirty-two essays by various authors, sketching the biographies   and intellectual achievements of scholars who have helped shape medieval studies. Of greatest interest to Chaucerians are the essays on Frederick J. Furnivall (by Derek Pearsall), Walter William Skeat (Charlotte Brewer), George  Lyman Kittredge (John C. McGalliard), and John Matthews Manly and Edith Rickert (Elizabeth Scala).]]></dcterms:description>
</rdf:Description></rdf:RDF>