<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267532">
    <dcterms:title><![CDATA[Chaucer&#039;s Contribution to The Tempest : A Reappraisal]]></dcterms:title>
    <dcterms:description><![CDATA[Cites echoes of FranT in Shakespeare&#039;s &quot;The Tempest&quot; as evidence of Chaucer&#039;s influence, focusing on the &quot;generous view of diminished art&quot; in both.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267531">
    <dcterms:title><![CDATA[The &#039;Prive Scilence&#039; of Thomas Hoccleve]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses aspects of &quot;Regement of Princes&quot; to demonstrate Hoccleve&#039;s poetic subtlety, especially the ways he capitalizes on the idea that as a member of the &quot;emergent administrative class,&quot; he had &quot;restricted information.&quot; Discusses Pandarus of TC as a precursor to the old man of Regement.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267530">
    <dcterms:title><![CDATA[A Way to Group Paintings : Chaucer&#039;s Canterbury Pilgrimage Iconographies]]></dcterms:title>
    <dcterms:description><![CDATA[Comprehensive description of four paintings pertaining to The Canterbury Tales: Blake&#039;s (1810), Stothard&#039;s (1807), Corbould&#039;s (1840), and Mileham&#039;s (1924).]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267529">
    <dcterms:title><![CDATA[Forum : Many Aspects of Chaucer in English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses the reception history of Chaucer, ranging from Spenser through Shakespeare to the English Romantics. Panelists include Nahoko Miyamoto, Yoshiko Kobayashi, and Atsuhiko Hirota.]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267528">
    <dcterms:title><![CDATA[Dreams in The Kingis Quair and the Duke&#039;s Book]]></dcterms:title>
    <dcterms:description><![CDATA[Compares Charles&#039;s &quot;Fortunes Stabilnes&quot; with James I&#039;s &quot;Kingis Quair,&quot; focusing on their dream visions and the narrators&#039; responses to dreams. James&#039;s poem is more distinctly Chaucerian in its political and philosophical implications, while Charles&#039;s is &quot;a literary fiction of a private life,&quot; more loosely organized, more playful, and more artificial.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267527">
    <dcterms:title><![CDATA[The Making of the English Literary Canon : From the Middle Ages to the Late Eighteenth Century]]></dcterms:title>
    <dcterms:description><![CDATA[Describes development of the English literary canon in light of two parallel developments or &quot;epistemological shifts&quot;: the development from a &quot;rhetorical&quot; to a &quot;modern &#039;objectivist&#039; culture&quot; and the shift from an idea of &quot;canonicity based on production&quot; to &quot;canonicity based on consumption.&quot; In a discussion of &quot;Early Gestures&quot; toward canon formation (beginning with &quot;Widsith&quot;), Ross discusses Chaucer&#039;s claims to poetic identity in HF, TC, Ret, and elsewhere. He then records passim the reception and status of Chaucer in the development of the English canon up to the Romantics.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267526">
    <dcterms:title><![CDATA[Did John Donne Read Chaucer, and Does It Matter?]]></dcterms:title>
    <dcterms:description><![CDATA[Both Donne (&quot;The Sun Rising&quot;) and Chaucer (TC 3.1415-1527) were familiar with Ovid&#039;s Amores 1.13), but Chaucer may well have influenced the Renaissance poet directly. Such intertextual issues are complicated by the fact that Renaissance editors had constructed a Chaucer different from ours.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267525">
    <dcterms:title><![CDATA[Old Saints and Young Lovers: Keats&#039;s Eve of St. Mark and Popular Culture]]></dcterms:title>
    <dcterms:description><![CDATA[Comments briefly on Cecilia of SNT as background to an allusion to her in &quot;Eve of St. Mark&quot; and on the &quot;quaintly Chaucerian lines&quot; in Keats&#039;s poem.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267524">
    <dcterms:title><![CDATA[Carterbury Tales : Romances of Disenchantment in Geoffrey Chaucer and Angela Carter]]></dcterms:title>
    <dcterms:description><![CDATA[Compares Chaucer&#039;s manipulation of romance conventions with Carter&#039;s postmodern use of romance to challenge rationalist discourse. In its portrayal of mercantile challenge to feudal aristocracy, CT is a medieval modernist text.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267523">
    <dcterms:title><![CDATA[&#039;Nor Yet Redeemed from Scorn&#039;: Wordsworth and the Jews]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the latent anti-Semitism in Wordsworth&#039;s &quot;Song for a Wandering Jew,&quot; his &quot;A Jewish Family,&quot; and his translation of Chaucer&#039;s PrT. The translation and contemporary reviews of it reflect nineteenth-century understanding of Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267522">
    <dcterms:title><![CDATA[Paronomasia e Mito : La Nuclearit Genealogica come Discorso di Origine]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Rudyard Kipling&#039;s story &quot;The Wish House&quot; was influenced by WBP. Key words in Chaucer&#039;s text (&quot;daunger,&quot; &quot;chep&quot;) and connotations of the word &quot;ash&quot; (part of the surname of Kipling&#039;s leading character, Ashcroft) reveal that Chaucer&#039;s work constantly and consciously underlies &quot;The Wish House.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267521">
    <dcterms:title><![CDATA[Shakespeare&#039;s Reading]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the literature with which Shakespeare was familiar, as reflected in his works, their sources, their allusions, etc. Discusses the relationship of Two Noble Kinsmen to KnT and of Troilus and Cressida to TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267520">
    <dcterms:title><![CDATA[Courtly Letters in the Age of Henry VIII : Literary Culture and the Arts of Deceit]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses various aspects of Tudor political and literary culture (e.g., privacy and voyeurism, theatricality, letter-writing and -reading), discussing Pandarus and the Renaissance reception of TC as tropes for understanding such concerns. Tudor literary subjectivity existed at the intersection of courtly power and intrigue, sexuality, and inward awareness--all qualities associated with Pandarus, who fascinated Tudor readers. Lerer discusses the &quot;Pandaric&quot; features of commonplace books (Devonshire manuscript and Humphrey Wellys), Henry VIII&#039;s letters to Anne Boleyn, court reports of Luiz Carroz (Spanish ambassador), and poetry by Stephen Hawes, John Skelton, and Thomas Wyatt.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267519">
    <dcterms:title><![CDATA[&#039;An Elusive Rhythm&#039; : The Great Gatsby Reclaims Troilus and Criseyde]]></dcterms:title>
    <dcterms:description><![CDATA[Fitzgerald&#039;s The Great Gatsby rehabilitates the Chaucerian treatment of the love story of Troilus and Criseyde (TC) and counters the less positive depictions of Henryson and Shakespeare.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267518">
    <dcterms:title><![CDATA[Chaucer and the Elizabethan Invention of &#039;Self&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Several Chaucerian poems--especially the multiple voices and amatory perspectives of CT and the request for patronage in Purse--helped &quot;later writers invent the social person of &#039;selfe.&#039;&quot; Fowler suggests comparisons for pedagogical purposes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267517">
    <dcterms:title><![CDATA[Chaucer at Large : The Poet in the Modern Imagination]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys twentieth-century manifestations of Chaucer and his works outside of academe, considering the Kelmscott Chaucer and various other reflections of popular perception: occasional essays, translations, audio and visual reproductions of his life and works, Chaucer in performance, Chaucer in popular novels and children&#039;s literature, perceptions of Chaucer&#039;s Englishness, etc. Despite his foundational role in English literature, Chaucer has been obscured because his language is difficult, because he has been appropriated by academics and subordinated to Dante, because he lacks overt patriotism, and because his persona invites a patronizing response.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267516">
    <dcterms:title><![CDATA[Multilingualism in Later Medieval Britain]]></dcterms:title>
    <dcterms:description><![CDATA[Thirteen essays on the interactions of English, French, Latin, and Welsh in late-medieval English records-literary, mercantile, religious, and governmental. One essay pertains to Chaucer:  William Rothwell, &quot;Aspects of Lexical and Morphosyntactical Mixing in the Languages of Medieval England.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267515">
    <dcterms:title><![CDATA[Chaucer and the Development of the Modal Auxiliary Ought in Late Middle English]]></dcterms:title>
    <dcterms:description><![CDATA[Tabulates late-medieval uses of ought (owe) as a past form and as a modal auxiliary and explores the forms of infinitives used after ought. Compares Chaucer&#039;s uses with those of other late-medieval writers to show that his uses reflect the &quot;unsettled but actual use of his time,&quot; which was not unlike that of modern English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267514">
    <dcterms:title><![CDATA[Placing Middle English in Context]]></dcterms:title>
    <dcterms:description><![CDATA[Twenty-seven essays by various authors, addressing issues of linguistic history, dialect, lexicon, syntax, and prosody. Includes an introduction by the editors and a subject index. For six essays that pertain to Chaucer, search for Placing Middle English in Context under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267513">
    <dcterms:title><![CDATA[Naming and Avoiding Naming Objects of Terror : A Case Study]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the role of taboo on the semantic shift of the term &#039;bug&#039; from an object of terror to an insect. Assesses the occurrence of the word in the Delaware manuscript at NPT 7.2936, where other manuscripts have devils.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267512">
    <dcterms:title><![CDATA[The Letters S and Z in South-Eastern Middle English]]></dcterms:title>
    <dcterms:description><![CDATA[PardT and Boece provide examples of voiced &quot;s&quot; as equivalent of &quot;z.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267511">
    <dcterms:title><![CDATA[A Chaucerian Narratology : &#039;Storie&#039; and &#039;Tale&#039; in Chaucer&#039;s Narrative Practice]]></dcterms:title>
    <dcterms:description><![CDATA[Computer-assisted analysis of &quot;storie&quot; and &quot;tale&quot; in context indicates that Chaucer uses them differently. &quot;Storie&quot; typically appears in relation to the historical, courtly, and clerical, associated with public memory and authority. &quot;Tale&quot; refers to the present external world, suggesting common daily life.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267510">
    <dcterms:title><![CDATA[The Use of Bid as a Functionalized Verb in Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Describes seventy-five Chaucerian examples of the verb &quot;bid&quot; from semantic and syntactic points of view, and examines the extent to which it is a causative or an auxiliary.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267509">
    <dcterms:title><![CDATA[Metatextual Moments in Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[In The General Prologue, Troilus and Criseyde, The Legend of Good Women Prologue, The Friar&#039;s Tale, and The Summoner&#039;s Tale, Chaucer probes the indeterminacy of language and his own precarious use of words as means to truth. Discusses Diomede&#039;s use of &quot;ambage&quot; (TC 5.897), Pandarus as a &quot;metalinguistic sign of the inadequacy of signs,&quot; the efficacy of cursing, and Chaucer&#039;s anxieties about using--and abusing--language. Surveys medieval rhetorical, philosophical, and theological attitudes to polyvalence.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267508">
    <dcterms:title><![CDATA[The World of English Historical Corpora : From Cædmon to the Computer Age]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys electronic databases for the historical study of English; includes a one-page summary of Old and Middle English corpora, including those with Chaucer texts, accompanied by web addresses.]]></dcterms:description>
</rdf:Description></rdf:RDF>