<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274645">
    <dcterms:title><![CDATA[Nostalgic Temporalities in &quot;Greenes Vision.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Describes how Chaucer and John Gower appear as two poets/storytellers in &quot;Greenes Vision&quot; (1592), offering &quot;authorization and legitimization&quot; to Robert Greene&#039;s work &quot;within a specifically English tradition,&quot; colored by &quot;ambivalent nostalgia for an idealised literary past.&quot; Comments on Greene&#039;s possible knowledge of Ret, on his possible familiarity with portraits of Chaucer and Gower, and on &quot;The Cobbler of Canterbury&quot; as a &quot;burlesque&quot; of CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274610">
    <dcterms:title><![CDATA[Not Diane: The Risk of Error in Chaucerian Classicism.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores scribal errors in copying and comprehending details regarding classical characters and classical allusions in poetry, and how poets&#039; phrasing implies awareness of those risks and seeks to mitigate them. These problems in transmission reveal how classicism, which later became a monumental tradition, was a risky interaction in some of its earliest phases. These problems also suggest the risks of writing for scribal transmission in general.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276492">
    <dcterms:title><![CDATA[Not Exactly Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Fictional account of twenty-one Australian tourists telling self-disclosing stories, modeled on CT, with many echoes, e.g., character-names such as Tony Knight, Giles Sumner, Barbara Bath, etc.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270888">
    <dcterms:title><![CDATA[Not Just &#039;Chaucer&#039;s England&#039; Anymore: Reassessing John Clanvowe&#039;s &#039;Boke of Cupide&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Also named &quot;The Cuckoo and the Nightingale,&quot; &quot;Boke of Cupide&quot; was once considered one of Chaucer&#039;s great poems until it fell into obscurity when it was removed from the canon. The essay considers stylistic similarities to Chaucer&#039;s dream visions, the implications of the work&#039;s critical history, and its parallels with the themes of courtly language, use of the vernacular, and truth telling in SqT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273577">
    <dcterms:title><![CDATA[Not Yet: Chaucer and Anagogy.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores aspects of anagogical reading practices and their relations with social prediction and prophecy. Reformation readers perceived predestinarian and prophetic themes in spurious Chaucerian texts, although Chaucer himself seems to distrust prophecy and certainty about the future. However, PardT is prophetic &quot;in a variety of ways,&quot; reflecting Chaucer&#039;s fears of civic disruption that he anticipated when contemplating the breakdown of the sacramental system of penance. Also comments on anagogy in Julian of Norwich, &quot;Piers Plowman,&quot; and &quot;Pearl.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267613">
    <dcterms:title><![CDATA[Notable Bindings XVI]]></dcterms:title>
    <dcterms:description><![CDATA[Describes a Yale University copy of the Kelmscott Chaucer (1896) printed on vellum and elaborately bound (apparently by Douglas Bennett Cockerell) in pigskin stamped with designs by William Morris. Includes 2 figures.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269483">
    <dcterms:title><![CDATA[Notas a tres personajes mitológicos en Chaucer: Ascálafo, Cánace y Midas]]></dcterms:title>
    <dcterms:description><![CDATA[Classifies approximately 220 mythological characters that appear in Chaucer&#039;s works: supernatural creatures, human beings, and other classical references. Describes and analyzes the presence of Ascalafo, Canace, and Midas in Chaucer, focusing especially on Midas.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273862">
    <dcterms:title><![CDATA[Note on Chaucer&#039;s Roundels and His French Models.]]></dcterms:title>
    <dcterms:description><![CDATA[Maintains that &quot;rondeaux tercet&quot; is the precise name for the verse form of the three stanzas of MercB and of the song at the end of PF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266055">
    <dcterms:title><![CDATA[Notes and Documents: The Bindings of the Ellesmere Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses the disbinding, preservation, and rebinding of Huntington Library MS El 26C9.  Provides new information regarding earlier bindings, inks, pigments, the relationship of text and decoration, repairs, etc.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267929">
    <dcterms:title><![CDATA[Notes on Cambridge University Library MS Ff.1.6]]></dcterms:title>
    <dcterms:description><![CDATA[A short list of caveats for users of the 1977 photographic facsimile of the Findern manuscript, together with transcriptions of marginalia previously unprinted. Note 1 includes an extensive bibliography of scholarship on the manuscript.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274384">
    <dcterms:title><![CDATA[Notes on Chaucer&#039;s &quot;The Knight&#039;s Tale.&quot; ]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274385">
    <dcterms:title><![CDATA[Notes on Chaucer&#039;s &quot;The Nonne Preestes Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271017">
    <dcterms:title><![CDATA[Notes on Chaucer&#039;s &quot;The Pardoner&#039;s Tale&quot;]]></dcterms:title>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261913">
    <dcterms:title><![CDATA[Notes on Chaucer&#039;s Millers Tale, A 3216 and 3320]]></dcterms:title>
    <dcterms:description><![CDATA[Nicholas&#039; seduction of Alisoun is an impudent parody of the Annunciation, of which he sings in the &quot;Angelus ad virginem.&quot;  Absolon is clad &quot;ful smal,&quot; i.e., in a tight-fitting garment, as a sign of his lechery and vanity.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274389">
    <dcterms:title><![CDATA[Notes on Chaucer&#039;s Nun&#039;s Priest&#039;s Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274382">
    <dcterms:title><![CDATA[Notes on Chaucer&#039;s Prologue to the Canterbury Tales. ]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274387">
    <dcterms:title><![CDATA[Notes on Chaucer&#039;s The Franklin&#039;s Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274386">
    <dcterms:title><![CDATA[Notes on Chaucer&#039;s The Knight&#039;s Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274383">
    <dcterms:title><![CDATA[Notes on Chaucer&#039;s The Miller&#039;s Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270295">
    <dcterms:title><![CDATA[Notes on Chaucer&#039;s The Nun&#039;s Priest&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Textbook edition of NPPT in modern translation, lineated as verse, with brief introduction to Chaucer&#039;s life and language, and critical commentary keyed to sections of the narrative. The commentary includes summaries of the narrative sections, brief explanatory notes on allusions, glosses on some Middle English phrases, and several &quot;essay questions&quot; for student use.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274388">
    <dcterms:title><![CDATA[Notes on Chaucer&#039;s the Wife of Bath&#039;s Prologue and Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262975">
    <dcterms:title><![CDATA[Notes on Experience, Authority, and Desire in the Wife of Bath&#039;s Recital]]></dcterms:title>
    <dcterms:description><![CDATA[By omitting details about the Wife&#039;s experiences of work and travel, Chaucer deliberately reduces her complexity.  His failure to express her social or psychological reality results from his own experience and desires mediated by gender, social position, religious tendency, and choice of authorities.  The tale itself may be the fantasy of the Wife, or of the courtier poet personally familiar with rape and betrayal.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276525">
    <dcterms:title><![CDATA[Notes on Experimentation, June 2020.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the need for experimentation in current educational endeavors, considered in light of the provocative &quot;failure&quot; of the &quot;Strawberry Creek College&quot; (officially, the &quot;Collegiate Seminar Program&quot;) of University of California, Berkeley, and the essential activist role of Chaucerian Charles Muscatine and the &quot;Muscatine Report,&quot; officially known as &quot;Education at Berkeley.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264757">
    <dcterms:title><![CDATA[Notes on Gramstylistic Analysis: With Reference to Articles on Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[In Japanese, with English summary, 141-42.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261314">
    <dcterms:title><![CDATA[Notes on Some Medieval Mystical, Magical, and Moral Cats]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys medieval treatment of cats in science, witchcraft, bestiaries, proverbs, fables, and literature.  Notes Chaucer&#039;s occasional references to cats in MilT, WBP, and SumT.]]></dcterms:description>
</rdf:Description></rdf:RDF>