<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267932">
    <dcterms:title><![CDATA[Representing Caxton&#039;s Chaucer: Wynken de Worde and the Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Studies Wynken de Worde&#039;s use of copy texts for his edition of CT. Although de Worde used Caxton&#039;s second edition, he also turned to an undetermined manuscript or manuscripts to improve the ordinatio of the work. The changes do not, however, indicate concern with textual accuracy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267931">
    <dcterms:title><![CDATA[Die Geschichten der Canterbury Tales von Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[German verse translation of CT in iambic tetrameter.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267930">
    <dcterms:title><![CDATA[Linguistic Features of the Hammond Scribe]]></dcterms:title>
    <dcterms:description><![CDATA[Similarities of orthography and copying habits indicate that the Hammond scribe copied the following manuscripts: BL Additional 34360, BL Harley 2251, Trinity College Cambridge R.14.52, and Royal College of Physicians 113 [Py]. This scribe&#039;s spelling system is an idiosyncratic combination of Chancery forms and his own Kentish idiolect, evidence of the process of standardization.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267929">
    <dcterms:title><![CDATA[Notes on Cambridge University Library MS Ff.1.6]]></dcterms:title>
    <dcterms:description><![CDATA[A short list of caveats for users of the 1977 photographic facsimile of the Findern manuscript, together with transcriptions of marginalia previously unprinted. Note 1 includes an extensive bibliography of scholarship on the manuscript.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267928">
    <dcterms:title><![CDATA[The Chronicles of Saints and Kings of England&#039;: Two Occurrences of the Middle English Prose Brut&#039;s &#039;Peculiar Version&#039; in MSS of the Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Adds the Cardigan MS (University of Texas) and British Library Egerton MS 2864 to Matheson&#039;s list of manuscripts that include &quot;peculiar versions&quot; of Brut.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267927">
    <dcterms:title><![CDATA[Papers Briquet: The Charles-MoÎse Briquet Archive in Geneva]]></dcterms:title>
    <dcterms:description><![CDATA[Mossser describes a watermark archive and a plan to mount the collection&#039;s data on the WWW, exemplifying the utility of the archive by identifying watermarks (and dates) of the paper stock in three manuscripts of CT: Cambridge MS Dd.4.24 [Dd], British Library Egerton MS 2864 [En3], and Bodleian Library MS Rawlinson C.86 [Ra4].]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267926">
    <dcterms:title><![CDATA[Chaucer&#039;s Syntactic Variants and What They Tell Us]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that scribes altered Chaucer&#039;s modal auxiliaries, dative verb constructions, infinitives, and negations, simplifying Chaucer&#039;s syntax and making his stylistic compactness apparent by contrast.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267925">
    <dcterms:title><![CDATA[Mary Shelton and Her Tudor Literary Milieu]]></dcterms:title>
    <dcterms:description><![CDATA[Remley describes the Devonshire manuscript (British Library Additional 17492) and assesses the role and purposes of Shelton&#039;s writing it-e.g., protesting the incarceration of Margaret Douglas and Thomas Howard, reflecting Tudor practices of &quot;making&quot; poetry, and indicating the role of printed texts in Tudor manuscript anthologies. Shelton&#039;s pastiche of Chaucerian works (excerpts from TC, Anel, and apocrypha) derives from Thynne&#039;s edition and offers a &quot;defense of its subjects&#039; right to love at will.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267924">
    <dcterms:title><![CDATA[New Methods of Editing, Exploring, and Reading &#039;The Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the history, goals, and methods of The Canterbury Tales Project, explaining how the electronic data have been organized and how the data can be accessed. Focuses on WBP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267923">
    <dcterms:title><![CDATA[The Use of Manuscript Variants for the Study of Chaucer&#039;s Ye and Thou (with Special Reference to the Wife of Bath&#039;s Prologue)]]></dcterms:title>
    <dcterms:description><![CDATA[Examines scribal uses of ye versus thou in manuscripts of WBP, excluding the so-called &quot;additional&quot; passages. Variants indicate that second-person pronouns were subject to individual manipulation for &quot;interpersonal goals or creative effects.&quot;]]></dcterms:description>
    <dcterms:description><![CDATA[Originally published in the Goken Forum (Waseda University) 8 (1997).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267922">
    <dcterms:title><![CDATA[A New Manuscript by the Hengwrt/Ellesmere Scribe? Aberystwyth, National Library of Wales, MS. Peniarth 393D]]></dcterms:title>
    <dcterms:description><![CDATA[Stubbs contends that the Hengwrt/Ellesmere scribe had a hand in making the copy of Bo in Peniarth 393D.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267921">
    <dcterms:title><![CDATA[Putting It Right: The Corrections of Huntington Library MS Hm 128 and BL Additional MS 35287]]></dcterms:title>
    <dcterms:description><![CDATA[Uses the metropolitan scribe of the Hengwrt and Ellesmere manuscripts as a benchmark to assess corrections to Langlandian manuscripts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267920">
    <dcterms:title><![CDATA[William Worcester Reads Chaucer&#039;s Boece]]></dcterms:title>
    <dcterms:description><![CDATA[Augments history of Cambridge, Pembroke College, MS 215 by identifying William Worcester, Sir John Fastolf&#039;s secretary, as an annotator.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267919">
    <dcterms:title><![CDATA[The Genius to Improve an Invention: Literary Transitions]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses Chaucer&#039;s adaptations of his sources and his influences on later tradition, examining his uses of Dante in TC (Paolo and Francesca, idea of gentility, and Paradiso 33) and tracing the transformations of the characters of KnT (particularly Palamon and Arcite) through Boccaccio, Chaucer, Shakespeare and Fletcher, and Dryden.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267918">
    <dcterms:title><![CDATA[Sources and Analogues of the Canterbury Tales : Vol. 1]]></dcterms:title>
    <dcterms:description><![CDATA[An anthology of the sources and analogues to selections from CT. Each section comments on source-and-analogue relations, edits the materials in a form close to what Chaucer might have known, and provides facing-page translations of non-English material. Sections include the frame (Helen Cooper), RvT (Peter G. Beidler), CkT (John Scattergood), FrT (Peter Nicholson), ClT (Thomas J. Farrell and Amy W. Goodwin), SqT (Vincent DiMarco), FranT (Robert R. Edwards), PardPT (Mary Hamel), Mel (William R. Askins), MkT (Thomas H. Bestul), NPT (Edward Wheatley), SNPT (Sherry L. Reames), and ParsT (Richard Newhauser). The volume includes an index of names and titles.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267917">
    <dcterms:title><![CDATA[Chaucer and the Translation of the Jewish Scriptures]]></dcterms:title>
    <dcterms:description><![CDATA[Wycliffite translation of Jewish Scripture and the glosses and prologues that supplemented it often reflect curiosity about Jewish scholarship. Chaucer may have read the translation and may have admired the reading practices of the Jews.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267916">
    <dcterms:title><![CDATA[Chaucer and Boccaccio: Antiquity and Modernity]]></dcterms:title>
    <dcterms:description><![CDATA[Boccaccio provided Chaucer with a means for understanding and configuring antiquity and modernity. Chapter 1 focuses on kinds of love, tensions in Theseus&#039;s rule, and the subjugation of women in KnT. Chapter 2 explores how chroniclers, Boccaccio, and Chaucer&#039;s TC represent human choices, historical necessity, and erotic determinism.]]></dcterms:description>
    <dcterms:description><![CDATA[Chapter 3 argues that Chaucer&#039;s narrative of Dido (HF) and the women of LGW critique antiquity and pit women who believe in courtly and aristocratic ideals against men who manipulate them. Chapter 4 examines horizontal associations among members within a tenacious hierarchy, as well as the mercantile ethic in MilT, RvT, ShT and PardT.]]></dcterms:description>
    <dcterms:description><![CDATA[Chapter 5 compares the hermeneutics of Boccaccio&#039;s, Petrarch&#039;s and Chaucer&#039;s renderings of the Griselda story, and Chapter 6 analyzes Boccaccio&#039;s and Chaucer&#039;s versions of Menedon&#039;s story in the Decameron and FranT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267915">
    <dcterms:title><![CDATA[Chaucer&#039;s Italian Tradition]]></dcterms:title>
    <dcterms:description><![CDATA[Developing Walter Benjamin&#039;s model of translation and seeking to &quot;rethink the dynamics of cross-cultural translation,&quot; Ginsberg explores how Chaucer&#039;s borrowings from and dependencies on Italian literature &quot;disarticulate&quot; the legacy of Dante, Boccaccio, and Petrarch. Chaucer negotiated much larger political and cultural differences in his translations of Italian than in his translations of French. Rather than simply following Italian tradition, he created his own Italian tradition, in which translation is hermeneutic and transformative and in which allegory and irony are interdependent. Ginsberg assesses the interactions among the Florentine poets (and Dante&#039;s use of Ovid), discussing how Chaucer reinterprets them in ManPT, MkT, ClT, and TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267914">
    <dcterms:title><![CDATA[Annotated Chaucer Bibliography, 1986-1996]]></dcterms:title>
    <dcterms:description><![CDATA[More than 3,200 annotated entries, compiled and edited from the annual bibliographies published in Studies in the Age of Chaucer, newly arranged and cross-listed in topical categories. Includes author and subject indexes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267913">
    <dcterms:title><![CDATA[Middle English: Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[A discursive bibliography of Chaucer studies for 2000, divided into four subcategories: general, CT, TC, and other works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267912">
    <dcterms:title><![CDATA[An Annotated Chaucer Bibliography, 2000]]></dcterms:title>
    <dcterms:description><![CDATA[Continuation of SAC annual annotated bibliography (since 1975); based on contributions from an international bibliographic team, independent research, and MLA Bibliography listings. 399 items, plus listing of reviews for 84 books. Includes an author index.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267911">
    <dcterms:title><![CDATA[Chaucer, Suicide, and the Agencies of Memory : Troilus and the Death Drive]]></dcterms:title>
    <dcterms:description><![CDATA[Goldstein assesses the &quot;rhetoric of Troilus&#039;s suicidal death wish&quot; in TC 1, 4, and 5, comparing passages with Boccaccio&#039;s version and challenging critical traditions that view Troilus&#039;s thoughts as merely rhetorical or absurd. Also evident in LGW and MLP, Chaucer&#039;s depictions of suicide or thoughts of suicide should be taken as earnest.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267910">
    <dcterms:title><![CDATA[Sartorial Signs in Troilus and Criseyde]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer employs &quot;costume signs&quot; in TC, affecting plot and characterization. Signature costumes assigned to each character shed light on significant parts of the plot, as do the reversal and degeneration of costume patterns. Characterization through costume is one of Chaucer&#039;s artistic methods.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267909">
    <dcterms:title><![CDATA[Traitor Calchas in Chaucer&#039;s and Shakespeare&#039;s Versions of the Troilus-Criseyde/Cressida Story]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer presents Calchus as both a father in misery and a &quot;sheer opportunist,&quot; enabling us to see Criseyde&#039;s decision as her own. Shakespeare&#039;s Calchus is a manipulator; his Cressida, the object of manipulation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267908">
    <dcterms:title><![CDATA[Lose Heart, Gain Heaven : The False Reciprocity of Gain and Loss in Chaucer&#039;s Troilus and Criseyde]]></dcterms:title>
    <dcterms:description><![CDATA[Dividing TC into eighteen episodes highlights a series of analogous and oppositional relations centering on &quot;ethical debt&quot;; in addition, the poem&#039;s action can be charted through four cycles. Similar patterns, in some instances less symmetrical, underlie MilT, RvT, and WBT.]]></dcterms:description>
</rdf:Description></rdf:RDF>