<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276642">
    <dcterms:title><![CDATA[Images of the Prophet Muhammad in English Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes commentary on depictions of Islam and Muhammad in MLT and GP: despite the pejorative naming of the Prophet in MLT, GP is &quot;the inaugural English text which set in motion cross-cultural understanding between the West and the Muslim world.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276641">
    <dcterms:title><![CDATA[Analyzing Syntax through Texts: Old, Middle, and Early Modern English.]]></dcterms:title>
    <dcterms:description><![CDATA[Classroom textbook of examples for syntactical analysis in English language history, with texts reproduced in color manuscript, original-language transcriptions, and modern translations, plus commentary on significant features of language and presentation for placing the date, dialect, and register of the samples as well as with their places in the development of English. Chapter 5.2 examines Astro 1.1-5 from Houghton Library, Harvard University, MS English 920.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276640">
    <dcterms:title><![CDATA[Opowieści Kanterberyjskie: Wybór]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat records indicate this is a Polish translation of selections from the CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276638">
    <dcterms:title><![CDATA[Poetry and Authority:  Chaucer, Vernacular Fable and the Role of Readers in Fifteenth-Century England.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. From publisher&#039;s website: &quot;This study argues that the vernacular fable constituted a productive site for negotiating scholastic poetics in late medieval England. On the basis of a close reading&quot; of NPT and ManT, &quot;the book analyses how the concept of textual authority came to be both challenged and vindicated in the face of the growing importance of an empowered vernacular readership. Thus, the fables of John Lydgate and the presentation of Chaucer&#039;s texts in some of the earliest printed editions&quot; of CT &quot;indicate the development of a Chaucerian poetics that was grounded in Chaucer&#039;s own critical reflection on the scholastic account of poetic fiction. University of Leipzig dissertation, 2018.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276637">
    <dcterms:title><![CDATA[The Performance of Social Class: Domestic Violence in the Griselda Story.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the late-medieval and early modern popularity of the &quot;story of Griselda&quot; as an exploration of the &quot;paradox of her non-noble status and her fitness to hold the moral high ground&quot; and a reflection of anxiety &quot;about marriages based on unequal social status.&quot; Examines social class and domestic abuse in ClT, versions by Boccaccio and Petrarch, and later adaptations, considering emphases, similarities, and differences]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276636">
    <dcterms:title><![CDATA[The More Things Change: Maria Edgeworth&#039;s &quot;The Modern Griselda.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines ClT and Maria Edgeworth&#039;s &quot;The Modern Griselda&quot; in light of their respective contemporaneous conduct manuals for women, arguing that the protagonist of each narrative becomes &quot;monstrous&quot; in &quot;fulfilling too completely the ideals of womanhood extolled by their particular cultural milieus.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276635">
    <dcterms:title><![CDATA[Griselda and Her Virtues.]]></dcterms:title>
    <dcterms:description><![CDATA[Compares nine versions of the Griselda narrative (including ClT), exploring what virtues in addition to patience are emphasized in each and arguing that shifts in emphasis account for the story&#039;s medieval and early modern popularity. ClT emphasizes pathos, Griselda&#039;s &quot;status as wife&quot; (recurrent uses of &quot;wifely&quot;), and her constancy (recurrent uses of &quot;sad&quot;).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276634">
    <dcterms:title><![CDATA[Pynson&#039;s Chaucers of 1526: Reading Cues and Reading Practices.]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on Pynson&#039;s woodcuts in his 1526 editions of CT, TC, and an anthology headed by HF, assessing them and other paratextual materials (table of contents, incipits, etc.) for the ways they pose a variety of reader strategies. Contrasts Pynson&#039;s approaches with those of Caxton and Wynken de Worde, and corrects earlier interpretations of the woodcut that accompanies HF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276633">
    <dcterms:title><![CDATA[&quot;As Far as Resoun Axeth&quot;: Chaucer&#039;s Challenge to the Griselda Tradition.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses ClT in comparison with its sources to argue that Chaucer&#039;s version critiques Griselda&#039;s complete submission of her will to Walter&#039;s, disclosing its ethical invalidity as lacking right reason.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276632">
    <dcterms:title><![CDATA[The Status of Women in the Patriarchal Society of Chaucer&#039;s &quot;The Knight&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses female silence as resistance to masculine power in KnT, arguing that the strategy is limited. In KnT women succeed when they &quot;express their need&quot; for male protection, but not when they oppose or resist patriarchy. Includes an abstract in Arabic.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276631">
    <dcterms:title><![CDATA[Brubury Tales.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat record indicates this collection of stories in verse emulates CT as a tale-telling contest, conducted by security guards after riots in Los Angeles.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276630">
    <dcterms:title><![CDATA[The Cloak of Romance: Love and Death in &quot;The Knight&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores nuances of Boethian Providence, fortune, destiny, and human perceptions of them in KnT, along with relations between death and love in their worldly and spiritual manifestations. Argues that in KnT Chaucer burlesques the &quot;romantic sensibility&quot; that ignores &quot;the natural reality over which death--at once the end of Fortune&#039;s caprice and the end of Providence&#039;s plan for man&#039;s communion with a loving God--presides.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276629">
    <dcterms:title><![CDATA[Expressing the Middle English &quot;I.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys uses of first-person narrative in late medieval English literary texts, agreeing with and extending earlier critics&#039; arguments that find in this literature notions of selfhood often attributed to the early modern period. Observes how and where medieval subjectivity is distinguishable from modern autobiography and rooted in Christian and late Antique writing--Boethius and Augustine especially. Assesses generally comic effects of Chaucer&#039;s first-person voice in CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276628">
    <dcterms:title><![CDATA[Amor Vincit Omnia (How the Tales came to be told).]]></dcterms:title>
    <dcterms:description><![CDATA[Verse dialogue in iambic pentameter couplets in which the Wife of Bath recommends to a convalescent Chaucer the idea of writing CT and offers to tend him while he writes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276627">
    <dcterms:title><![CDATA[&quot;Un-English&quot; Chaucer: Macaronic Verse and Codicological Form in Cambridge University Library, MS Gg.4.27.]]></dcterms:title>
    <dcterms:description><![CDATA[Uncouples Chaucer&#039;s fifteenth-century reception from &quot;monolingual nationalist ideas of Englishness,&quot; focusing on rhetorical and codicological features of two trilingual love lyrics in Cambridge University Library, MS Gg.4.27 (Gg): &quot;De amico ad amicam&quot; and &quot;Responcio.&quot; Argues that the poems are &quot;integral&quot; to Gg and that their forms and presentation &quot;mobilize the permeability and fungibility of languages in contact,&quot; aligning Chaucer with a &quot;multilingual future&quot; rather than monolingual Englishness. Suggests that a Gg illustration may be a Chaucer portrait. Includes comments on the use of French in manuscript copies of PF, and epistolary form in LGW and TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276626">
    <dcterms:title><![CDATA[&quot;Proverbs&quot; and Chaucer&#039;s Metrical Practice.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Prov, although attributed to Chaucer in medieval manuscripts and in the Riverside Chaucer, contains verse forms not found elsewhere in Chaucer&#039;s oeuvre.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276625">
    <dcterms:title><![CDATA[Chaucer and the Color Adjective &quot;blew.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Chaucer&#039;s limited use of &quot;blew&quot;/&quot;blue&quot; in depictions of color, focusing on the phrase &quot;teres blewe&quot; in Mars, 8. Notes that the connotation of &quot;blue&quot; with melancholy surfaces later, and traces Chaucer&#039;s usage of &quot;blewe&quot; to its Gallo-Romance ancestor &quot;bloi.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276624">
    <dcterms:title><![CDATA[Poetry &amp; Money: A Speculation.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the &quot;metaphors, paradoxes, contradictions, and mysteries which link&quot; poetry and money, including description of Purse among examples of fourteenth-to-twentieth-century poetry &quot;in which money is the theme and its absence the concern.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276623">
    <dcterms:title><![CDATA[Retórica forense y literatura: El &quot;orator perfectus&quot; y la obra literaria como instrumento de defensa jurídica.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores general connections between literature and law, with specific reference to Purse. Claims that Chaucer&#039;s understanding of &quot;classics, rhetoric, and law&quot; sets up Purse as a &quot;literary defense or vindication&quot; and uses &quot;love poetry&quot; to create a lighter tone.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276622">
    <dcterms:title><![CDATA[&quot;And biddeth ek for hem that ben despeired&quot;: Chaucer&#039;s Bidding Prayer for Lovers as an Example of (Mock)religious Discourse.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chaucer&#039;s alterations to Boccaccio&#039;s &quot;Filostrato&quot; in TC, I.22–49, were influenced by liturgical &quot;bidding prayers,&quot; and that the God-centered Boethianism of the passage works with the ending of Chaucer&#039;s poem to &quot;frame&quot; its recurrent concern with religious, cosmic love that is higher than and preferable to courtly or worldly love.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276621">
    <dcterms:title><![CDATA[&quot;Olde feble wymmen with perseuerance ouercome many longe pilgrimages&quot;: Mapping the Feminine in &quot;Disce mori.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Discloses how compilations of devotional literature such as &quot;Disce mori&quot; can help us to recognize a &quot;female textual subjectivity,&quot; exploring the work&#039;s makeup as compilation, and commenting on how &quot;references [in it] to passages and characters from secular-lovebestsellers&quot;--including TC--&quot;assume a familiarity&quot; with such works andindicate a pervasive &quot;femin ization of the self.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276620">
    <dcterms:title><![CDATA[Criseyde, Consent, and the #MeToo Reader.]]></dcterms:title>
    <dcterms:description><![CDATA[Confronts the humor and &quot;problematic sexual biases evident&quot; in TC. Focuses on the consummation scene of Book III and the ways that &quot;#MeToo activism&quot; can inform a conversational pedagogy for engaging with the text, including analysis of the narrator&#039;s &quot;victim-blaming&quot; of Criseyde, Pandarus&#039;s &quot;surreptitious coercion,&quot; and Troilus&#039;s susceptibility to biased gender assumptions--all viewed in light of comparative examples drawn from modern media and legal proceedings.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276619">
    <dcterms:title><![CDATA[Chaucer&#039;s Speech and Thought Representations through Their Reporting Verbs: The Case of &quot;Troilus and Criseyde.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the structure and function of reporting verbs, such as  &quot;seyde&quot; and &quot;quod, &quot;in representing speech and thought in TC from a variety of viewpoints, including syntactical position of the reporting verbs, balance of direct and indirect speeches, and subjectivity. In Japanese, with English abstract.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276618">
    <dcterms:title><![CDATA[Song in Reverse: The Medieval Prosimetrum and Lyric Theory]]></dcterms:title>
    <dcterms:description><![CDATA[Treats prosimetrum as &quot;a unique medieval genre that mixes not only prose and verse but also narrative and lyric,&quot; and studies its implications for theorizations of the lyric mode, particularly the opposition between the Romantic notion of lyrics as expression of individual subjectivities and the medieval idea of a given &quot;song&#039;s unique arrangement&quot; of rhetorical conventions of genre and mode. Links these concerns with the &quot;twelfth-century discovery of self&quot; and explores broad-ranging examples, with recurrent attention to Italian, French, and English writing, including examples from BD and LGWP, with extended explication of Troilus&#039;s Petrarchan song embedded in TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276617">
    <dcterms:title><![CDATA[The Concept of Love in Medieval Literature: The Idea of Love in Chaucer&#039;s &quot;Troilus and Criseyde.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Observes several traditional conventions of love in TC, especially Troilus&#039;s suffering and Pandarus&#039;s role as go-between.]]></dcterms:description>
</rdf:Description></rdf:RDF>