<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267982">
    <dcterms:title><![CDATA[Structure, Source, and Meaning in A Midsummer Night&#039;s Dream]]></dcterms:title>
    <dcterms:description><![CDATA[Includes discussion of the influence of KnT on Shakespeare&#039;s play, focusing on the play&#039;s structure and its concern with &quot;reconciling a faith in cosmic order with our experience of life&#039;s apparent chaos&quot; (256).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267981">
    <dcterms:title><![CDATA[Chaucerian Comedy and Shakespearean Tragedy]]></dcterms:title>
    <dcterms:description><![CDATA[TC inspired both Albert Brooke&#039;s The Tragicall Historye of Romeus and Juliet and Shakespeare&#039;s Romeo and Juliet. Shakespeare&#039;s play is a &quot;more serious and comprehensive reading&quot; of TC, particularly its fusion of comedy and tragedy, than is Shakespeare&#039;s later Troilus and Cressida.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267980">
    <dcterms:title><![CDATA[Blake v. Cromek: A Contemporary Reading]]></dcterms:title>
    <dcterms:description><![CDATA[Mertz describes documents and commentary that relate to the illustrations of the Canterbury pilgrims by William Blake and Thomas Stothard, the latter published by Robert Hartley Cromek. The materials belonged to antiquarian Francis Douce (1757-1834) and reflect Douce&#039;s preference for Blake&#039;s work over Stothard&#039;s, unusual at the time.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267979">
    <dcterms:title><![CDATA[Chaucer&#039;s Pandarus and the Sententious Friar Lawrence]]></dcterms:title>
    <dcterms:description><![CDATA[Friar Lawrence of Shakespeare&#039;s Romeo and Juliet echoes Pandarus of TC. As rhetors, both are fond of apothegms; dramatically, each acts as a go-between; thematically, each reflects how truth escapes human efforts to capture it in fiction.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267978">
    <dcterms:title><![CDATA[Here&#039;s Unfortunate Revels : War and Chivalry in Plays and Shows at the Time of Prince Henry Stuart]]></dcterms:title>
    <dcterms:description><![CDATA[Mulryne assesses attitudes toward chivalry in early seventeenth-century shows and plays, including discussion of how Shakespeare and Fletcher&#039;s Two Noble Kinsmen reflects the magnificence and human pain of KnT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267977">
    <dcterms:title><![CDATA[Hoccleve&#039;s Regiment of Princes : Counsel and Constraint]]></dcterms:title>
    <dcterms:description><![CDATA[Perkins examines the narrative strategies Hoccleve adopts--advisor, servant, court outsider, autobiographer, moralist, petitioner--as responses to the politically charged context of &quot;Lancastrian poetry.&quot; This study identifies the political context in which Hoccleve wrote and assesses how he negotiated this context in his mirror for princes addressed to Henry IV, with recurrent attention to the influences of Gower, Lydgate, and especially Chaucer. Also discusses Hoccleve&#039;s portrait of Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267976">
    <dcterms:title><![CDATA[Declaiming Chaucer to a Field of Cows : Three Twentieth-Century Glimpses of the Poet]]></dcterms:title>
    <dcterms:description><![CDATA[Explicates works by three twentieth-century poets who have made Chaucer the subject of their work: Benjamin Brawley&#039;s sonnet &quot;Chaucer&quot; (1922), e. e. cummings&#039;s untitled sonnet from his collection &quot;Xaipé&quot; (1950), and Ted Hughes&#039;s &quot;Chaucer&quot; (1998). These diverse poets present Chaucer as an emblem of &quot;what poetry can and should be&quot; (18).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267975">
    <dcterms:title><![CDATA[Thomas Usk : Testament of Love]]></dcterms:title>
    <dcterms:description><![CDATA[Critical edition of Usk&#039;s Testament, with introduction, commentary, and apparatus, including the source of Book 3--Anselm of Canterbury&#039;s treatise on divine foreknowledge and human free will. The introduction and commentary document the author&#039;s life and the autobiographical aspects of the poem and clarify where and how the Testament, long attributed to Chaucer, was influenced by HF, TC, and Bo.]]></dcterms:description>
    <dcterms:description><![CDATA[Based on the edition by John Leyerle.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267974">
    <dcterms:title><![CDATA[Literary Authority as Cultural Criticism in Aemilia Lanyer&#039;s The Author&#039;s Dreame]]></dcterms:title>
    <dcterms:description><![CDATA[In her poem &quot;The Author&#039;s Dreame,&quot; Lanyer uses the medieval dream vision, allusions to Chaucer (HF) and other poets, and Renaissance and biblical tropes to criticize as well as praise her patrons; however, her authority is threatened by the use of these very sources.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267973">
    <dcterms:title><![CDATA[Out of the Authority of Ancient and Late Writers : Ben Jonson&#039;s Use of Textual Sources in The Masque of Queens]]></dcterms:title>
    <dcterms:description><![CDATA[Classical and medieval allusions in Jonson&#039;s masque, particularly to Chaucer&#039;s HF, suggest a complicated, ambivalent understanding of fame.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267972">
    <dcterms:title><![CDATA[Shakespeare&#039;s Use of Marlowe in As You Like It]]></dcterms:title>
    <dcterms:description><![CDATA[Staunton describes Shakespeare&#039;s allusions to Marlowe in As You Like It. Touchstone&#039;s and Rosalind&#039;s references to Troilus as a lover engage TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267971">
    <dcterms:title><![CDATA[Certaynly his noble sayenges can I not amende : Thomas Usk and Troilus and Criseyde]]></dcterms:title>
    <dcterms:description><![CDATA[Usk borrowed from TC for his Testament of Love, often using quotations to describe his spiritual love for Margarite. Usk is a kind of Pandarus (deceiving, flattering, and self-serving), and his employment as a clerk sheds light on the reception and understanding of Chaucer&#039;s poem.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267970">
    <dcterms:title><![CDATA[Spenser&#039;s Dialogic Voice in Book 1 of The Faerie Queene]]></dcterms:title>
    <dcterms:description><![CDATA[Bakhtinian analysis of allusions in The Faerie Queene, including the allusions to PF-particularly the catalog of trees.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267969">
    <dcterms:title><![CDATA[Chaucer in Shakespeare : The Case of The Nun&#039;s Priest&#039;s Tale and Troilus and Cressida]]></dcterms:title>
    <dcterms:description><![CDATA[Walker assesses the three allusions to the Trojan War in NPT and argues that they underlie parallel concerns in Shakespeare&#039;s play. Shakespeare emulates Chaucer&#039;s skeptical attitude toward the Trojan War.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267968">
    <dcterms:title><![CDATA[Mythological References in Two Painted Inscriptions of David Jones]]></dcterms:title>
    <dcterms:description><![CDATA[Wilcockson examines the eclectic allusiveness of inscriptions painted by David Jones, one of which echoes lines 1003-12 of Chaucer&#039;s Rom.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267967">
    <dcterms:title><![CDATA[Fifteenth-Century Rhythmical Changes]]></dcterms:title>
    <dcterms:description><![CDATA[Cable laments deterioration in the understanding of Chaucer&#039;s meter. He argues that too little attention has been paid to the loss of final -e in the fifteenth century, leading to misreading the poetry of Lydgate, Hoccleve, Barclay, and Hawes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267966">
    <dcterms:title><![CDATA[Issues for a New History of English Prosody]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys twentieth-century developments in describing and analyzing the prosody of early English poetry, summarizing and assessing the views of Wimsatt and Beardsley, Halle and Keyser, Kiparsky, and others on meter, stress, ictus and their relations. The regularity of Chaucer&#039;s and Gower&#039;s verse is a function of stress shift.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267965">
    <dcterms:title><![CDATA[A Rejoinder to Youmans and Li]]></dcterms:title>
    <dcterms:description><![CDATA[Critiques Youmans and Li&#039;s assessment of Chaucer&#039;s verse (in this same volume, pp. 153-75), urging metricists to avoid &quot;importing phonological analyses&quot; into theory of meter.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267964">
    <dcterms:title><![CDATA[Chaucer and Skelton]]></dcterms:title>
    <dcterms:description><![CDATA[Close reading of KnT, focusing on elements such as syntax, diction, and imagery, shows Chaucer&#039;s dexterous use of high, middle, and low styles. The variety and combination of elements produce the tone of the poem and &quot;naturalize&quot; its philosophical concerns. Gilbert also assesses passages from BD and GP, comparing them with selections from poems by John Skelton.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267963">
    <dcterms:title><![CDATA[&#039;A Picture of Such Beauty in Their Minds&#039;: The Medieval Rhetoricians, Chaucer, and Evocative Effictio]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chaucer and several rhetoricians deliberately construct verbal portraits of the female body and feminize language to engage readers in the pursuit of textual pleasure; this engagement is predicated on a particular way of looking at, defining, and responding to woman.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267962">
    <dcterms:title><![CDATA[What Chaucer&#039;s Language Is]]></dcterms:title>
    <dcterms:description><![CDATA[Proposes a Wittgensteinian approach to Chaucer&#039;s language that eschews the inherent limitations of linguistic description and stylistic analysis. The poet&#039;s works are about language.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267961">
    <dcterms:title><![CDATA[Final -e and Spelling Habits in the Fifteenth-Century Versions of the Wife of Bath&#039;s Prologue and Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Examines all fifteenth-century witnesses of WBP, which are available on CD-Rom (SAC 20 [1998], no.11). Some scribes still had a system for the use of final -e, here studied in strong and weak adjectives in early, mid-, and late-fifteenth-century copies.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267960">
    <dcterms:title><![CDATA[Col-blak and snow-whit: Chaucer&#039;s Noun-Adjective Compounds]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the variety of ways Chaucer uses noun-adjective compounds to produce &quot;strong connotations or heightened effects.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267959">
    <dcterms:title><![CDATA[Chaucer&#039;s Church: A Dictionary of Religious Terms in Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Lists Chaucer&#039;s religious, ecclesiastical, and liturgical terms and proper names (about 500), alphabetically arranged by Chaucer&#039;s spelling and cross-listed. Many terms are defined at greater length than in a lexical dictionary. Others are lengthier still, providing historical background, occasional bibliography, and sometimes commentary on Chaucer&#039;s usage. .]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267958">
    <dcterms:title><![CDATA[Geoffrey Chaucer: An Exhibition Commemorating the Six Hundredth Anniversary of His Death, 13 September-3 November 2000. Selections from the Library of Robert Raymo]]></dcterms:title>
    <dcterms:description><![CDATA[Brief descriptions of the 93 items in the exhibition, intended to present a &quot;comprehensive view of modern representations of Chaucer and his work&quot; (ii). Also includes a brief chronology of Chaucer&#039;s life, an index of major editions (between 1447 and 1995), and a list of fine and private press books (between 1896 and 1998).]]></dcterms:description>
    <dcterms:description><![CDATA[Items in the exhibition included early editions and facsimiles, limited and illustrated editions, and other Chauceriana.]]></dcterms:description>
</rdf:Description></rdf:RDF>