<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268257">
    <dcterms:title><![CDATA[Rough Love: Notes Toward an Erotics of The Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[A &quot;bodily economy of piercing men and pierced women&quot; can be found throughout CT. Lovemaking is associated with cutting, stabbing, bleeding, and dying. The only accounts of lovemaking not connected to stabbing or bloodletting occur in the musical interlude of MilT and at the end of WBT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268256">
    <dcterms:title><![CDATA[What Chaucer&#039;s &#039;Good Women&#039; Dared Not Say]]></dcterms:title>
    <dcterms:description><![CDATA[Three concerns in LGW--space in &quot;Thisbe,&quot; rhetoric in &quot;Lucrece,&quot; and the exchange of women in &quot;Hypsipyle and Medea&quot;--demonstrate that the power of apparently passive women lies in their moral superiority over men.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268255">
    <dcterms:title><![CDATA[Teaching the Squire&#039;s Tale as an Exercise in Literary History]]></dcterms:title>
    <dcterms:description><![CDATA[Ambrisco describes teaching SqT as an &quot;unsolved problem in Chaucerian reception&quot;--SqT is a work favored by the Franklin and early readers such as Spenser and Milton, but decried or ignored by formalist critics. Opening class discussion to the Orientalism of SqT, this approach empowers students to develop their own understanding of the Tale and of other works of medieval literature.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268254">
    <dcterms:title><![CDATA[Sex and Power in Thebes and Babylon: Oedipus and Semiramis in Classical and Medieval Texts]]></dcterms:title>
    <dcterms:description><![CDATA[Archibald surveys accounts of Oedipus and of Semiramis in classical and medieval texts, focusing on their concern or lack of concern with incest. Recurrent mention of Dante, Boccaccio, Christine de Pizan, and Chaucer-in particular TC, MLT, PF, and LGW.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268253">
    <dcterms:title><![CDATA[Bridging the Difference: Reconceptualising the Angel in Medieval Hagiography]]></dcterms:title>
    <dcterms:description><![CDATA[Uses Luce Irigaray&#039;s notion of the &quot;ethics of alterity&quot; to explore the fusion of masculine and feminine in the depiction of angels in several medieval narratives, including Marian accounts and Chaucer&#039;s and Bokenham&#039;s stories of St. Cecilia. In SNT and elsewhere, angels are masculine constructs, associated with sight, but also feminized symbols associated with smell, sound, and touch.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268252">
    <dcterms:title><![CDATA[Chaucer, Medieval Drama and a Newly Discovered Seventeenth-Century Play: The Survival of Medieval Stereotypes?]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that a seventeenth-century play, &quot;The Wisest Have Their Fools About Them,&quot; may reflect the influence of Chaucerian fabliau and some late-medieval stage traditions. Baldwin&#039;s analysis focuses on stereotypical characters.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268251">
    <dcterms:title><![CDATA[Secularizing the Word: Conversion Models in Chaucer&#039;s Troilus and Criseyde]]></dcterms:title>
    <dcterms:description><![CDATA[Conversions in TC are modeled ironically on those of St. Paul and St. Augustine. Like Paul, Troilus cannot escape his fate; he can only accept and serve. Like Augustine, Criseyde vainly tries to master the narrative that is out of her control.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268250">
    <dcterms:title><![CDATA[Avoid the Edifice Complex and Enjoy Teaching Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Pedagogical approach to CT for an eleventh-grade honors survey of British literature, combining popular twentieth-century music with activities related to CT: analysis of GP descriptions, story-telling, and writing assignments.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268249">
    <dcterms:title><![CDATA[The Syntax of Chaucer&#039;s of-Phrase: Its Variability]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the syntactic variability of Chaucer&#039;s &quot;of-phrase,&quot; focusing on its capability of being transposed and separated from its modifying head.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268248">
    <dcterms:title><![CDATA[The Textual Variants of Chaucer&#039;s Troilus and Criseyde and the Question of Readings]]></dcterms:title>
    <dcterms:description><![CDATA[Textual variants in Chaucer&#039;s TC can indicate ambiguous interpretations.]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268247">
    <dcterms:title><![CDATA[The Wife of Bath&#039;s &#039;Wandrynge by the Weye&#039; and Conduct Literature for Women]]></dcterms:title>
    <dcterms:description><![CDATA[The Wife of Bath&#039;s &quot;wanderings&quot; reflect the multivalent meanings of the word. She contravenes the codes governing female behavior, including the standards for governing noble women and the values involved in &quot;What the Good Wife Taught Her Daughter.&quot; In WBP, she travesties deportment literature, and she holds up unruliness as a model in her revised mini-conduct book.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268246">
    <dcterms:title><![CDATA[Chaucer Illustrated: Five Hundred Years of the Canterbury Tales in Pictures]]></dcterms:title>
    <dcterms:description><![CDATA[Includes an introduction by the editors and ten essays and three appendices by various authors, who describe and discuss visual depictions of the Canterbury pilgrims and their tales in books and paintings, from the Ellesmere manuscript into the twentieth century. Appendix 1 reprints the Chaucer portion of A Descriptive Catalogue of Pictures, Poetical and Historical Inventions, Painted by William Blake . . . (1809). The volume includes an index. For individual essays, search for Chaucer Illustrated under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268245">
    <dcterms:title><![CDATA[Albion: The Origins of the English Imagination]]></dcterms:title>
    <dcterms:description><![CDATA[Ackroyd discusses Chaucer within the larger context of describing and defining the distinctive qualities of English imagination, focusing on Chaucer&#039;s themes of remembrance, science, and truth as part of the process of becoming English. Considers HF, LGW, PF, TC, BD, CT, and RvT. Includes a bibliography and index.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268244">
    <dcterms:title><![CDATA[On Two Editions of Chaucer&#039;s Works-(I) The Parliament of Fowls (1)]]></dcterms:title>
    <dcterms:description><![CDATA[Ajiro investigates editorial differences in manuscript readings between Robinson&#039;s second edition of PF and the text in Benson&#039;s The Riverside Chaucer; considers what manuscripts were used in their editing.]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268243">
    <dcterms:title><![CDATA[Poets in Paradise: Chaucer, Pound, Eliot]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on Chaucer&#039;s, Pound&#039;s, and Eliot&#039;s indebtedness to Dante.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268242">
    <dcterms:title><![CDATA[An Annotated Chaucer Bibliography, 2001]]></dcterms:title>
    <dcterms:description><![CDATA[Continuation of SAC annual annotated bibliography (since 1975); based on contributions from an international bibliographic team, independent research, and MLA Bibliography listings. 295 items, plus listing of reviews for 85 books. Includes an author index.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268241">
    <dcterms:title><![CDATA[A New Rime Concordance to The Canterbury Tales Based on Blake&#039;s Text Edited from the Hengwrt Manuscript]]></dcterms:title>
    <dcterms:description><![CDATA[A comprehensive rhyming dictionary showing a full line for each rhyme word (showing seven lines for rhyme royal), based on Blake&#039;s text from the Hengwrt manuscript.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268240">
    <dcterms:title><![CDATA[On Two Editions of Chaucer&#039;s Works-(I) The Parliament of Fowls (2)]]></dcterms:title>
    <dcterms:description><![CDATA[Examines differences in punctuation between Robinson&#039;s second edition of PF and the text in Benson&#039;s The Riverside Chaucer. Concludes that modern punctuation might sometimes distort Middle English style, especially in colloquial speech.]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268239">
    <dcterms:title><![CDATA[A Semantic Note on the Middle English Phrase As He/She That]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses the semantic possibility of the Middle English phrase &quot;as he/she that&quot; in comparison with its Old French original &quot;com cil/cele qui.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268238">
    <dcterms:title><![CDATA[The Semantics of Chaucer&#039;s Moot / Moste: A Focus on Its External Causals]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses external causals, one of the pragmatic features in the use of Chaucer&#039;s moot / moste. Clarifies the fusion of fate, divine intervention, and the speaker&#039;s subjective factors.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268237">
    <dcterms:title><![CDATA[The Semantics of Shal / Sholde in Troilus and Criseyde: An Aspect of the Semantic Unity of Chaucer&#039;s Modal Auxiliaries]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses the semantic unity of shal / sholde in TC, focusing on degrees of subjectivity on the part of the speaker.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268236">
    <dcterms:title><![CDATA[Silent Retribution in Chaucer: The Merchant&#039;s Tale, the Reeve&#039;s Tale, and the Pardoner&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Clearly implied but not stated, May&#039;s pregnancy in MerT results from having sex with Damian and helps to punish January&#039;s foolishness. In similarly covert ways, the parson of RvT is punished by the pregnancy of Malyne, and all pardoners are criticized through the Host&#039;s response at the end of PardT. Such covert meanings indicate Chaucer&#039;s sympathies with Wycliffite thought.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268235">
    <dcterms:title><![CDATA[Social-Linguistic Tension as Evidenced by Moot / Moste in Chaucer&#039;s Troilus and Criseyde]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses Chaucer&#039;s uses of moot / moste, focusing on the fusion of social objective factors and the speaker&#039;s subjective implications.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268234">
    <dcterms:title><![CDATA[The Structure of Chaucer&#039;s Ambiguity: A Focus on &#039;God loveth &#039; in Troilus and Criseyde 3.12-14]]></dcterms:title>
    <dcterms:description><![CDATA[Explores ambiguity arising from the polysemy of love in TC, with a comparative note on charite and amor/ous.]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268233">
    <dcterms:title><![CDATA[Syntactic Ambiguity in Chaucer&#039;s Troilus and Criseyde]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the syntactic fluidity that parallels Criseyde&#039;s shifting psychology.]]></dcterms:description>
</rdf:Description></rdf:RDF>