<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268307">
    <dcterms:title><![CDATA[Drama and the Culture of Commercial Hospitality in Early Modern England]]></dcterms:title>
    <dcterms:description><![CDATA[Clark mentions Chaucer in the context of conceptions of &quot;drinking-house culture.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268306">
    <dcterms:title><![CDATA[Medieval Identity Machines]]></dcterms:title>
    <dcterms:description><![CDATA[Bodies in medieval literature are depicted as rhizomatic, unfinished identity machines invented by texts, such as TC, CT, and others. Commentary draws on theories of Gilles Deleuze, Felix Guattari, and others. Particular references to SqT, WBP, PardT, MLT, and especially GP, with a close comparison to the opening of &quot;The Sultan of Babylon.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268305">
    <dcterms:title><![CDATA[Paratextual Chaucerianism: Naturalizing French Texts in Early Printed Verse]]></dcterms:title>
    <dcterms:description><![CDATA[In the course of &quot;Englishing&quot; certain foreign texts, some early printers used Chaucerian &quot;paratexts,&quot; evoking Chaucer&#039;s works, allusions, or style in efforts to bridge the gap between one literary period and the next and to express nostalgia for a late-medieval mode.]]></dcterms:description>
    <dcterms:description><![CDATA[Such paratexts served as advertising &quot;book jackets,&quot; authorizing the work and creating the impression of &quot;literary continuity across time and across the boundaries and nation.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268304">
    <dcterms:title><![CDATA[The Disappointments of Criseyde]]></dcterms:title>
    <dcterms:description><![CDATA[In TC, Criseyde&#039;s appeals to Hector for clarification of her status in Troy suggest that Criseyde seeks a romantic response from Hector rather than the official response she receives. This disappointment acts as a catalyst for future behavior in the narrative.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268303">
    <dcterms:title><![CDATA[Chaucerian Poetics]]></dcterms:title>
    <dcterms:description><![CDATA[The Anglo-French duality of Chaucer&#039;s literary roots underlies the complexity of his representations of the self and others. In this light, HF should likely be dated later than it traditionally is.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268302">
    <dcterms:title><![CDATA[After Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on Chaucer as a translator (especially his adaptations of Dante in HF and MkT) and on the reception of his works over time as a legacy of translating and adapting him. Cooper details Chaucer&#039;s influence and adaptations of his works in the 1590s. Includes a text of the ballad The Wanton Wife of Bath.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268301">
    <dcterms:title><![CDATA[Chaucerian Representation]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the evolution of critical appropriations and pictorial representations of Chaucer from the fifteenth to the twenty-first centuries, suggesting that oversimplifications of Chaucer recur because he is so deeply concerned with the generative processes of literature. Cooper confronts the question, &quot;What is it that Chaucer imitates or represents?&quot; Recurrent attention to PF, Th, and imitations of Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268300">
    <dcterms:title><![CDATA[The Cock, the Priest, and the Poet]]></dcterms:title>
    <dcterms:description><![CDATA[In NPT, the Nuns&#039; Priest (Nonnes is plural) confesses his own temptations of lust and pride, under the guise of Chauntecleer. The priest is another persona of Chaucer the poet, interested in the same topics (dreams, astronomy, free will, the biter bit) and apprehensive about the effects of rhetoric.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268299">
    <dcterms:title><![CDATA[Performative Passivity and Fantasies of Masculinity in the Merchant&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[The comedy in MerT is produced by May herself, whose &quot;conduct demonstrates that the feminine passivity upon which the masculine performance of agency depends is of course an act.&quot; May exposes the ridiculous nature of all claims to masculine authority, and hence Chaucer demonstrates the collaboration of men and women to make fictions of gender convincing.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268298">
    <dcterms:title><![CDATA[The Quiring System in Cambridge University Library MS Dd.4.24 of Chaucer&#039;s Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[The arrangement of quires in this early fifteenth-century manuscript indicates that the scribe was working from an unrubricated text, the order of CT was not yet stable, and the scribe may have helped create the Ellesmere ordering.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268297">
    <dcterms:title><![CDATA[The Myth of Print Culture: Essays on Evidence, Textuality, and Bibliographical Method. Studies in Book and Print Culture]]></dcterms:title>
    <dcterms:description><![CDATA[Wide-ranging discussion of the opposition between evidence (physical materials) and discourse (abstractions covered by the word &quot;text&quot;) in bibliographical and literary study, with sustained attention to editions of Chaucer and their methods and assumptions.]]></dcterms:description>
    <dcterms:description><![CDATA[Dane demonstrates the methodology of collation with several versions of the epitaph on Chaucer&#039;s tomb. He interrogates the usefulness and consistency of the concept &quot;basis of collation&quot; as used in the service of predilections that underlie Skeat&#039;s edition, Manly and Rickert&#039;s edition, the Variorum edition, and Caxton&#039;s Canterbury Tales on CD-ROM.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268296">
    <dcterms:title><![CDATA[Du Vivant à l&#039;Image et Inversement]]></dcterms:title>
    <dcterms:description><![CDATA[Dauby examines the transformations from living characters to artifacts and vice versa, the interplay between life and art. A comparative study of &quot;Sir Degrevant,&quot; Lancelot, the Tristan legend, and poems by Chaucer leads to a typology of the metamorphoses into art: ornamental though relevant scenery, animated works of art, the retrieval of past experience, the intrusion of the future.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268295">
    <dcterms:title><![CDATA[The Generation Gap in The Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Most of the pilgrims seem to be about the same age, but the problem of age is not ignored: e.g., old and young husbands (WBPT); the relationship between father and son (Knight and Squire, Franklin, Chauntecleer) or daughter (RvT); and the relationship between parents and children (CIT, MLT). Comparisons with Molière set off Chaucer&#039;s attitude.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268294">
    <dcterms:title><![CDATA[Code-Switching and Authority in Late Medieval England]]></dcterms:title>
    <dcterms:description><![CDATA[Examples from &quot;The Chronicle of Peter Langtoft,&quot; &quot;Piers Plowman,&quot; and CT (WBP and PardP) indicate how patterns of mixed-language speech reflect the social motivations of the speakers, especially their efforts to construct authority and restrict social membership.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268293">
    <dcterms:title><![CDATA[Chaucer: Guida ai Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[An introduction to CT, including discussion of Chaucer&#039;s life, the structure of CT, plots and themes of the tales, analyses of the pilgrims and major characters in their tales, and Chaucer&#039;s language and meter. Includes bibliographies for each chapter and a list of further readings.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268292">
    <dcterms:title><![CDATA[Letteratura e Legge nel Trecento Inglese]]></dcterms:title>
    <dcterms:description><![CDATA[Examines law and literature in the works of Chaucer, Gower, and Langland, focusing on three major topics: marriage, crime, and covenants. An introductory chapter explores the relations between law and literature. Throughout, there is comparison of canon law and civil law, as well as separation from Latin tradition.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268291">
    <dcterms:title><![CDATA[New Approaches to Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Dinshaw contemplates recent critical trends in medieval studies in light of the events of September 11, 2001, tracing the developments of feminist, queer, and postcolonial approaches to Chaucer&#039;s works by focusing on MLT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268290">
    <dcterms:title><![CDATA[The Sheela-na-Gig: An Incongruous Sign of Sexual Purity?]]></dcterms:title>
    <dcterms:description><![CDATA[Dor links the exhibitionist sheela-na-gig with the widespread Celtic mythological motif of Lady Sovereignty that has been identified with the transformation motif in WBT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268289">
    <dcterms:title><![CDATA[Virgile et Ovide métamorphosés: Didon sanctifiée par Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[In LGW, Chaucer questions his two major sources--Virgil&#039;s Aeneid and Ovid&#039;s Heroides--to express the naked text of the myth and, simultaneously, to assert his own authority. Aeneas is selfish and irresponsible in LGW (Chaucer&#039;s third treatment after BD and HF); Dido is a saint of love who combines the attributes of the heroine of a medieval romance with those of a martyr.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268288">
    <dcterms:title><![CDATA[The Legend of Good Women]]></dcterms:title>
    <dcterms:description><![CDATA[Boffey and Edwards confront several scholarly and critical issues that pertain to LGW: date, occasion, sources and models, patronage, and the relation of the F and G versions of LGWP. The authors emphasize the variety in the legends themselves and suggest that the narrator grows impatient as the legends accumulate.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268287">
    <dcterms:title><![CDATA[Cambridge Companion to Chaucer. 2d ed]]></dcterms:title>
    <dcterms:description><![CDATA[Revised version of the 1986 original, now with seventeen essays, five of which are new. Revised pieces are &quot;The Social and Literary Scene in England&quot; (Paul Strohm); &quot;Chaucer&#039;s Italian Inheritance&quot; (David Wallace); &quot;Old Books Brought to New Life in Dreams: The Book of the Duchess, the House of Fame, the Parliament of Birds&quot; (Piero Boitani); &quot;Telling the Story in Troilus and Criseyde&quot; (Mark Lambert); &quot;Chance and Destiny in Troilus and Criseyde and the Knight&#039;s Tale&quot; (Jill Mann); &quot;The Canterbury Tales: Personal Drama or Experiments in Poetic Variety?&quot; (C. David Benson); essays on romance, comedy, pathos, and exemplum and fable in CT by J. A. Burrow, Derek Pearsall, Robert Worth Frank, Jr., and A. C. Spearing, respectively; and a bibliography of further reading by Joerg O. Fichte. For the five new essays, search for Cambridge Companion to Chaucer under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268286">
    <dcterms:title><![CDATA[Caxton&#039;s Canterbury Tales: The British Library Copies. The Canterbury Tales Project]]></dcterms:title>
    <dcterms:description><![CDATA[Includes full-color facsimiles of the first and second editions of CT: the Royal copy of the first edition and the Grenville copy of the second, i.e., British Library 167.c.26 and C.21.d.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268285">
    <dcterms:title><![CDATA[The Phylogeny of the Order in the Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Bordalejo uses traditional and electronic methods to explore the various orders of the tales in manuscripts of CT, concluding that the order was affected by accident in some cases but by scribal intervention in others.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268284">
    <dcterms:title><![CDATA[Dimensions of Judgment in the Canterbury Tales: Friar, Summoner, Pardoner, Wife of Bath]]></dcterms:title>
    <dcterms:description><![CDATA[Wycliffite elements of SumT and of the GP description of the Friar are submerged, but Chaucer sympathized with Wycliffite thought and believed that the Summoner&#039;s friar was damned. Borroff surveys anti-fraternal tradition, comments on Fals-Semblant of Roman de la Rose as a source of Chaucer&#039;s Friar Hubert and Friar John (and of Chaucer&#039;s Pardoner), and notes Wycliffite elements both in WBP (helping to unify Part 3 of CT) and in the GP description of the Parson.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268283">
    <dcterms:title><![CDATA[Traditions and Renewals: Chaucer, The Gawain-Poet, and Beyond]]></dcterms:title>
    <dcterms:description><![CDATA[Ten essays by the author, three of them published here for the first time. Topics include CT, &quot;Pearl,&quot; &quot;Sir Gawain and the Green Knight,&quot; and Shakespeare&#039;s &quot;Hamlet.&quot; For two new essays that pertain to Chaucer, search for Traditions and Renewals under Alternative Title.]]></dcterms:description>
</rdf:Description></rdf:RDF>