<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277019">
    <dcterms:title><![CDATA[Medieval Literature and Social Politics: Studies of Cultures and Their Contexts.]]></dcterms:title>
    <dcterms:description><![CDATA[Anthologizes seventeen essays by Knight, &quot;written over several decades focused on the social and political contexts of medieval literature,&quot; three previously unpublished, one of which pertains to Chaucer: Chapter 14, &quot;Chaucer&#039;s Fabliaux and Late Medieval Structures of Feeling.&quot; It shows ways in which &quot;socio-political challenge&quot; is a &quot;key element&quot; in Chaucer&#039;s uses of the fabliau genre, assessing the forms and structures of challenge in MilT, RvT, CkT, and the apocryphal &quot;Tale of Gamelyn,&quot; with briefer comments on fabliau elements and socio-political challenge elsewhere in CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268600">
    <dcterms:title><![CDATA[Medieval Literature for Children]]></dcterms:title>
    <dcterms:description><![CDATA[Sixteen essays by various authors, most of them addressing individual texts as literature written for children--for example, &quot;The Babees Book,&quot; &quot;Sir Gowther,&quot; Aelfric&#039;s &quot;Colloquy,&quot; and selections from the &quot;Gesta Romanorum&quot; and from Gower&#039;s &quot;Confessio Amantis.&quot;]]></dcterms:description>
    <dcterms:description><![CDATA[In his introduction, Kline assesses &quot;the history and definition of medieval children&#039;s literature.&quot; Includes references to Chaucer throughout. For two essays that pertain to Chaucer, search for Medieval Literature for Children under Alterative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270733">
    <dcterms:title><![CDATA[Medieval Literature Through the Lens of Translation Theory: Bridging the Interpretive Gap]]></dcterms:title>
    <dcterms:description><![CDATA[Investigates whether modern translation theory can be usefully applied to the Middle Ages, when the &quot;skopos&quot; or &quot;wider development of the literary culture&quot; differed so widely from today&#039;s cultures. Long uses &quot;skopos&quot; theory and &quot;polysystems&quot; theory to explore reconstructing the purposes and audiences of &quot;three of Chaucer&#039;s translation projects&quot;: Bo, TC, and Astr.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267121">
    <dcterms:title><![CDATA[Medieval Literature, Style, and Culture : Essays by Charles Muscatine]]></dcterms:title>
    <dcterms:description><![CDATA[Fourteen previously printed pieces by Muscatine, including articles, sections of books, and reviews. The four essays that pertain to Chaucer are &quot;The Canterbury Tales: Style of the Man and Style of the Work&quot; (1966), &quot;Chaucer&#039;s Religion and the Chaucer Religion&quot; (1990; SAC 14 [1992], no. 9), &quot;Chaucer in the Age of Criticism&quot; (1964), and &quot;&#039;What Amounteth Al This Wit?&#039; Chaucer and Scholarship&quot; (1981; SAC 5 [1983], no. 89)]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274149">
    <dcterms:title><![CDATA[Medieval Literature: A Very Short Introduction.]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the emergence of earliest literature in Britain and Ireland, including well-known texts, such as &quot;Beowulf&quot; and CT, and less familiar manuscript and print works. Includes discussion of CT, LGW, and TC. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273095">
    <dcterms:title><![CDATA[Medieval Literature: Criticism and Debates.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes thirty-eight essays, new and previously printed. by various authors who examine debates within  English medieval literary studies on topics that focus on gender and sexuality, politics, language, nationhood, science, and  desire.  For six new essays that pertain to Chaucer, search for Medieval Literature: Criticism and Debates under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263111">
    <dcterms:title><![CDATA[Medieval Literature: Criticism, Ideology, and History]]></dcterms:title>
    <dcterms:description><![CDATA[Ten essays by various hands.  For six essays that pertain to Chaucer, search for Medieval Literature: Criticism, Ideology, and History under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261475">
    <dcterms:title><![CDATA[Medieval Literature: Texts and Interpretation]]></dcterms:title>
    <dcterms:description><![CDATA[In addition to the introduction, this collection contains nine original essays focusing on the interrelations between textual and interpretive studies of late Middle English literature.  The authors discuss the effect of editorial decisions on literary history, the interpretive information latent in medieval manuscripts, and the nature of medieval literary texts.  All major genres (romance, drama, the lyric) and writers (Chaucer, Langland, Lydgate) are examined.]]></dcterms:description>
    <dcterms:description><![CDATA[Search collection title for individual essays on Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275618">
    <dcterms:title><![CDATA[Medieval Literature: The Basics.]]></dcterms:title>
    <dcterms:description><![CDATA[Introduces western medieval literature and latter-day medievalism, focusing on multiple modes and genres and selected authors (Dante, Boccaccio, the &quot;Gawain&quot;-poet, Chaucer, Christine de Pizan, and Sir Thomas Malory). Designed for classroom use, seeks to &quot;break down the sense of alterity&quot; by opening with the media and gaming of medievalism, cited throughout. The final chapter on &quot;extreme&quot; authors includes description of Chaucer&#039;s diversity, quantity of work, accessibility, popularity, and secondary literature, voting him the &quot;Most Extreme&quot; of the selected authors. The volume includes recommendations for further reading in each section, a bibliography, web resources, and an index.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264365">
    <dcterms:title><![CDATA[Medieval Liturgical Drama: &#039;The Commedia&#039;, &#039;Piers Plowman&#039;, and the &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Recent Princeton performances of the &quot;Officium Peregrinorum&quot; (from Luke 24) reveal probable echoes in CT of the liturgical drama of Christ&#039;s pilgrimage to Emmaus in the pilgrimage frame itself, in the poet who like Christ uses &quot;lying&quot; fables to present truth, and in the motif of the naive narrator.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275709">
    <dcterms:title><![CDATA[Medieval Lyric: A Translatable or Untranslatable Zone?]]></dcterms:title>
    <dcterms:description><![CDATA[Reexamines theories of Auerbach and Spitzer through the lens of issues of translatability and untranslatability in medieval lyrics. Argues that medieval lyric poetry &quot;shows the power of untranslatability to disrupt and re-make literary history.&quot; Examines Troilus&#039;s song in Book I of TC as a translation of Petrarch deliberately changed by Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269373">
    <dcterms:title><![CDATA[Medieval Lyric: Middle English Lyrics, Ballads, and Carols]]></dcterms:title>
    <dcterms:description><![CDATA[A classroom anthology with notes, marginal glosses, introductions, bibliographical citations, and occasional illustrations. Fifty poems arranged by topic into ten categories, with three appendices of additional poems, including one appendix titled &quot;Some Lyrics of Geoffrey Chaucer.&quot; Includes Truth, Purse, Ros, Sted, Adam, and two lyrics embedded in narratives (MLT 2.841-54 and MerT 4.2138-48).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268502">
    <dcterms:title><![CDATA[Medieval Maidens: Young Women and Gender in England, 1270-1540]]></dcterms:title>
    <dcterms:description><![CDATA[Examines how the &quot;experiences and voices&quot; of young, unmarried women in late-medieval England reflect ideals of femininity and the social processes of becoming adult women. Focuses on social history and literature, with recurrent mention of CT, TC, and LGW.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272222">
    <dcterms:title><![CDATA[Medieval Malpractice and Chaucer&#039;s Physician]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chaucer&#039;s Physician is idealized, &quot;a splendid representative of both medieval physician and medieval surgeon.&quot; Uses evidence from medieval malpractice cases, and comments on various &quot;transportable medicozodiacal instruments.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267051">
    <dcterms:title><![CDATA[Medieval Man-Eaters: Cannibalism and Community in Middle English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[In medieval thinking, cannibalism became a marker setting off the Christian West from the barbarian East. Gradually, cannibalism came to be perceived sometimes figuratively, involving both the self and the other and a sense of identity. Ambrisco reads SqT as a consuming of Eastern culture to promote English identity and language.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267588">
    <dcterms:title><![CDATA[Medieval Manuscripts and Electronic Media : Observations on Future Possibilities]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the Internet and CD-ROMs as tools in the study and teaching of manuscript research, summarizing the potential and limitations of each. Comments on the impact of a number of projects, products, and Web sites, focusing on the Canterbury Tales Project and its media impact.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267186">
    <dcterms:title><![CDATA[Medieval Manuscripts at the National Library of Wales]]></dcterms:title>
    <dcterms:description><![CDATA[Brief remarks on the provenance of two CT manuscripts: &quot;Hengwrt&quot; (Peniarth 392 D) and NLW 21972D.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277452">
    <dcterms:title><![CDATA[Medieval Marvels and Fictions in the Latin West and Islamic World.]]></dcterms:title>
    <dcterms:description><![CDATA[Studies marvels, wonders, and human imagination in medieval natural philosophy and literature, especially romance and travel narratives of western European and Islamic communities. Refers to several of the CT and links aspects of FranT with &quot;Sir Orfeo&quot; and &quot;Mandeville&#039;s Travels,&quot; in particular the way each work groups &quot;separate legends about dancing ladies, knights jousting, and men hunting&quot; and connects imagination and the<br />
reification of illusion.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267039">
    <dcterms:title><![CDATA[Medieval Masculinities and Modern Interpretations : The Problem of the Pardoner]]></dcterms:title>
    <dcterms:description><![CDATA[By making the Pardoner offensive, Chaucer &quot;established a negative stereotype of the effeminate male in Western literature.&quot; Modern critical tradition perpetuates the negative stereotype, often ignoring the fact that the Canterbury society tolerates the Pardoner.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273934">
    <dcterms:title><![CDATA[Medieval Masterpieces.]]></dcterms:title>
    <dcterms:description><![CDATA[Features the beauty and importance of the Luttrell Psalter and Caxton&#039;s second edition of CT, with commentary on book production and the sociohistorical importance of the featured texts. Four sections pertain to Chaucer: &quot;Commercial Printing&quot; (2:30), &quot;Caxton&#039;s 2nd Edition&quot; (3:42), &quot;Chaucer&#039;s Approach&quot; (3:04), and &quot;Chaucer&#039;s Satire&quot; (2:59), each with scholarly commentary. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275414">
    <dcterms:title><![CDATA[Medieval Masterpieces.]]></dcterms:title>
    <dcterms:description><![CDATA[Introduces the manuscript of the Luttrell Psalter and the Oxford copy of William Caxton&#039;s second edition of CT (with hand-colored woodcuts), with extensive visual representation of the codices (panning many details) and their library settings, explained and appreciated by a team of expert curators and scholars. Focuses on the religious iconography and &quot;political vision&quot; of the Psalter, and on the production, reception, and social variety of the Caxton volume and its text.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276761">
    <dcterms:title><![CDATA[Medieval Materialism: A Manifesto.]]></dcterms:title>
    <dcterms:description><![CDATA[Redresses neglect of medieval views in recent materialism studies, arguing that &quot;that medieval definitions of matter, both hylomorphic and humoral, constitute their own versions of &#039;materialism,&#039; versions that can help us to historicize later understandings of the term.&quot; Includes analysis of Chaucer&#039;s uses of &quot;philo-hylomorphic&quot; metaphors in LGW and TC as examples of the &quot;dialogic nature of matter and form&quot; in medieval poetics as well as in Aristotelian natural philosophy. Offers an example from Gower&#039;s &quot;Confessio Amantis&quot; that is, by contrast, &quot;Neoplatonic.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268724">
    <dcterms:title><![CDATA[Medieval Medievalism and the Onset of the Modern]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses the use of space and physical objects in TC, arguing that the poem&#039;s movements among exterior and interior spaces reveal how characters manipulate such spaces--and even furniture--to negotiate relationships with one another and to chart their courses through life.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274393">
    <dcterms:title><![CDATA[Medieval Mercenaries: The Business of War.]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys relations among mercenary practice, war, and the monetization of war-making in Western Europe.  Includes comments on the &quot;traditional&quot; idealized view of the Knight and his Tale, attributing these views to John Aubrey in the seventeenth century, and describes Terry Jones&#039;s challenge to this view. Also includes comments on the Squire and his Tale.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265522">
    <dcterms:title><![CDATA[Medieval Misogyny and the Invention of Western Romantic Love]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the scriptural roots of medieval attitudes toward women, focusing on how various kinds of abstraction and aestheticizing led to fundamentally misogynistic contradictions.  Examines French romances, lays, and lyrics for the ways they elevate women to debase them.  A section on PhyT (pp. 101-12) argues that Chaucer&#039;s praise of Virginia assaults her in ways similar to Appius&#039;s lustful gaze.]]></dcterms:description>
</rdf:Description></rdf:RDF>