<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266429">
    <dcterms:title><![CDATA[Medieval Heritage: Essays in Honour of Tadahiro Ikegami]]></dcterms:title>
    <dcterms:description><![CDATA[In Japanese and English. For eight essays that pertain to Chaucer; search for Medieval Heritage under Alternative Title. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274375">
    <dcterms:title><![CDATA[Medieval Hunting: Fact and Fancy.]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the attitudes toward and conditions of hunting in late-medieval society, describing practices, laws, criminal offense, social variety, and artistic representations in literature and visual art. Includes brief comments on KnT, BD, and the GP descriptions of the Monk and the Yeoman]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276180">
    <dcterms:title><![CDATA[Medieval Hybrid and Mimic Identities: Geoffrey Chaucer&#039;s Franklin in &quot;The Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the Franklin as a &quot;hybrid and mimic who is caught in between the medieval acknowledged identities of the commoners and the nobility,&quot; striving upward, and searching for &quot;for a recognisable identity&quot; in his changing medieval society. Includes an abstract in Turkish.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263461">
    <dcterms:title><![CDATA[Medieval Ideas of Order: Selections from Four Basic Texts]]></dcterms:title>
    <dcterms:description><![CDATA[Compares Chaucer&#039;s treatment of order in KnT with the concept in &quot;De consolatione philosophiae&quot; of Boethius, the &quot;Confessions&quot; of Saint Augustine, and the &quot;Commedia&quot; of Dante.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268306">
    <dcterms:title><![CDATA[Medieval Identity Machines]]></dcterms:title>
    <dcterms:description><![CDATA[Bodies in medieval literature are depicted as rhizomatic, unfinished identity machines invented by texts, such as TC, CT, and others. Commentary draws on theories of Gilles Deleuze, Felix Guattari, and others. Particular references to SqT, WBP, PardT, MLT, and especially GP, with a close comparison to the opening of &quot;The Sultan of Babylon.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267566">
    <dcterms:title><![CDATA[Medieval Illuminations : Patterns of Medievalism in the Fiction of Jeanette Winterson, Iris Murdoch, and John Fowles]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the medievalism of three contemporary English writers; includes discussion of Chaucerian echoes in John Fowles&#039;s &quot;A Maggot.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268625">
    <dcterms:title><![CDATA[Medieval Images, Icons, and Illustrated English Literary Texts : From Ruthwell Cross to the Ellesmere Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Six related essays on the interaction of words and images in English literary tradition: a theoretical introduction, plus essays on the Ruthwell Cross, Anglo-Saxon art, the Auchinleck and Vernon manuscripts, the manuscript of &quot;Pearl,&quot; and the Ellesmere manuscript of CT.]]></dcterms:description>
    <dcterms:description><![CDATA[The latter essay (pp. 160-99) shows how Ellesmere illustrations &quot;advance concepts of good government&quot; and encourage viewers to regard the real goal of pilgrimage as spiritual, expanding their &quot;aristocratic space&quot; in ways that imply &quot;celestial space.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261341">
    <dcterms:title><![CDATA[Medieval Interpretation: Models of Reading in Literary Narrative, 1100-1500]]></dcterms:title>
    <dcterms:description><![CDATA[Stressing the role of the reader in finding meaning, Sturges traces the development of a &quot;belief in an indeterminacy of literary meaning.&quot;  Alongside Neo-Platonism and the &quot;directed vision&quot; typical of the early Middle Ages, a &quot;new mind set emphasized a multiplicity of meanings in the world and in language.&quot;  Authoritative truths no longer could be revealed through allegorical interpretation.  ]]></dcterms:description>
    <dcterms:description><![CDATA[  Chretien, for example, &quot;rejects allegory in favor of ambiguity,&quot; and by the fourteenth century &quot;semantic indeterminacy in love and in reading was expected, conventional, and enjoyable.&quot;  In chapter four, &quot;Communication and Interpretation: Three States in Chaucer&#039;s Career,&quot; Sturges analyzes BD, TC, and WBP.  BD opposes interpretation to communication; TC correlates textuality and alienation; WBP presents people as texts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274039">
    <dcterms:title><![CDATA[Medieval into Renaissance: Essays for Helen Cooper.]]></dcterms:title>
    <dcterms:description><![CDATA[Presents a collection of essays that respond to and commemorate Helen Cooper&#039;s &quot;contribution to the study of medieval and Renaissance literature, literary history and periodisation.&quot; For an essay that pertains to Chaucer, search for Medieval into Renaissance under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264131">
    <dcterms:title><![CDATA[Medieval Irony]]></dcterms:title>
    <dcterms:description><![CDATA[Although lacking the modern consciousness of irony, the Middle Ages was ironic both in its Christian view of the world and in its literary expression.  Examines the &quot;concordantia oppositorum&quot; in art and literature.  &quot;The constant possibility of irony&quot; (Zumthor) makes the antinomies of &quot;ernest&quot;/&quot;game&quot; and &quot;mirth&quot;/&quot;doctryne&quot; in Chaucer both convoluted and significant.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276855">
    <dcterms:title><![CDATA[Medieval Italian Vernacular Literature and Geoffrey Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Provides an overview of the literary influence of Dante, Petrarch, and Boccaccio on Chaucer. Refers to Italian analogues to PardT. In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271435">
    <dcterms:title><![CDATA[Medieval Latin and Middle English Literature: Essays in Honour of Jill Mann]]></dcterms:title>
    <dcterms:description><![CDATA[For six essays that pertain to Chaucer, search for Medieval Latin and Middle English Literature under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276856">
    <dcterms:title><![CDATA[Medieval Latin Literature and Geoffrey Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the history of Latin literature from Carolingian Renaissance to the twelfth century and enumerates the Latin texts that Chaucer undoubtedly read or his works directly draw on. The final passage focuses on Boccaccio, Petrarch, and ClT. In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270811">
    <dcterms:title><![CDATA[Medieval Laws and Views on Wife-Beating]]></dcterms:title>
    <dcterms:description><![CDATA[Documents where wife beating was both allowed and forbidden in medieval canon and civil law, often presented in analogies to bishops&#039; treatment of clerics and lords&#039; treatment of slaves. Kelly comments on instances in CT, particularly in WBP. Reprinted in Kelly&#039;s Law and Religion in Chaucer&#039;s England (Burlington, Vt.: Ashgate, 2010).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273942">
    <dcterms:title><![CDATA[Medieval Lego.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the historical events of the Middle Ages, illustrated by LEGO scenes. Includes brief chapter on Chaucer&#039;s life, with mention of BD.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268336">
    <dcterms:title><![CDATA[Medieval Literary Careers: The Theban Track]]></dcterms:title>
    <dcterms:description><![CDATA[The twin rubrics of succession and invention guide Statius&#039;s response to Virgil and, in turn, Boccaccio&#039;s response to Statius, Chaucer&#039;s responses to Boccaccio, and Lydgate&#039;s response to Chaucer. By exploiting the silences of their predecessors, the medieval authors of Thebes create dynamic rather than teleological careers for themselves. In Anel and KnT, Chaucer suppresses Boccaccio&#039;s eroticism and reclaims Statian political concerns; in Siege of Thebes, Lydgate advocates abandoning the heroic enterprise.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273232">
    <dcterms:title><![CDATA[Medieval Literary Parody]]></dcterms:title>
    <dcterms:description><![CDATA[Defines parody and surveys &quot;all of the major literary parodies in Middle English, Old French, and Middle German,&quot; including &quot;three little-known anti-courtly parodies by Hermann von Sachsenheim and Geoffrey Chaucer.&quot; Includes comments on ManT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262281">
    <dcterms:title><![CDATA[Medieval Literary Politics: Shapes of Ideology]]></dcterms:title>
    <dcterms:description><![CDATA[A collection of essays previously published, to which Delany has added a new essay, &quot;Run Silent, Run Deep: Heresy and Alchemy as Medieval Versions of Utopia,&quot; to examine utopian discourse in the Middle Ages.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262649">
    <dcterms:title><![CDATA[Medieval Literary Theory and Criticism c. 1100-c. 1375: The Commentary Tradition]]></dcterms:title>
    <dcterms:description><![CDATA[Treats &quot;the tradition of systematic commentary on authors both sacred and profane, Latin and vernacular, &#039;ancient&#039; and &#039;modern,&#039; from around 1100 until around 1375.&quot;  Selections are descriptive, evaluative, and critical.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276999">
    <dcterms:title><![CDATA[Medieval Literary Voices: Embodiment, Materiality and Performance.]]></dcterms:title>
    <dcterms:description><![CDATA[Twelve essays by various authors on the concept of &quot;voice&quot; in medieval literature, with an introduction by the editors, an appreciative tribute to David Lawton by John M. Ganim, and a comprehensive index. Generally, the essays focus on the literature of late medieval England. For two essays that pertain to Chaucer, search for Medieval Literary Voices under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273529">
    <dcterms:title><![CDATA[Medieval Literature 1300–1500.]]></dcterms:title>
    <dcterms:description><![CDATA[Provides close readings of canonical medieval texts, including &quot;Piers Plowman,&quot; Malory&#039;s &quot;Morte Darthur,&quot; and CT. Emphasizes KnT, GP, MilT, PrT, SumT, PardT, and FrT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262699">
    <dcterms:title><![CDATA[Medieval Literature and Contemporary Critical Theory, a Symposium: Introduction]]></dcterms:title>
    <dcterms:description><![CDATA[The discourse presented by KnT and MilT is a paradigm for the discourse between traditional medieval theorists and contemporary theorists.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269478">
    <dcterms:title><![CDATA[Medieval Literature and Culture]]></dcterms:title>
    <dcterms:description><![CDATA[A guide to Old and Middle English literature, its contexts, and its reception. Separate sections address political and social contexts; literary genres and the communities that produced them; reception from the Renaissance to current debates; and several &quot;resources for independent study&quot;: datelines, glossary, royal genealogy, suggestions for further reading, and an index. Refers to Chaucer recurrently.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272836">
    <dcterms:title><![CDATA[Medieval Literature and Folklore Studies: Essays in Honor of Francis Lee Utley]]></dcterms:title>
    <dcterms:description><![CDATA[Twenty-five essays, by various authors, on medieval literature and medieval and modern folklore.  For five essays that pertain to Chaucer, search for Medieval Literature and Folklore Studies under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267704">
    <dcterms:title><![CDATA[Medieval Literature and Historical Inquiry : Essays in Honor of Derek Pearsall]]></dcterms:title>
    <dcterms:description><![CDATA[Nine essays on medieval English literature, a preface by Derek Brewer, an introduction by Aers, and a bibliography of Pearsall&#039;s publications through 1998. For two essays that pertain to Chaucer, search for Medieval Literature and Historical Inquiry under Alternative Title.]]></dcterms:description>
</rdf:Description></rdf:RDF>