<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268656">
    <dcterms:title><![CDATA[The Wild Woman and Her Sisters in Medieval English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Considers various tamed and untamed wild women in medieval literature, including two of Chaucer&#039;s characters: the Wife of Bath, and Emelye of KnT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268655">
    <dcterms:title><![CDATA[Three Readings of the Wife of Bath]]></dcterms:title>
    <dcterms:description><![CDATA[An autobiographical reading of WBPT by a woman who was for a time an abused wife. Black records three different responses to Chaucer&#039;s materials at three different stages in her life, focusing on the Wife&#039;s responses to abuse by her husbands.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268654">
    <dcterms:title><![CDATA[The Geopolitics of Incest in the Age of Conquest : Gerald of Wales Through Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[English political claims to Wales depended in part on claims of Welsh incest; Millersdaughter discusses various texts (including MLT) in which this &quot;heterogeneous, colonialist discourse&quot; is evident.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268653">
    <dcterms:title><![CDATA[Beauty and the East, a Modern Love Story: Women, Children, and Imagined Communities in The Man of Law&#039;s Tale and Its Others]]></dcterms:title>
    <dcterms:description><![CDATA[Heng assesses MLT as an account of a &quot;feminized crusade&quot; that involves &quot;sexual martyrdom&quot; on the part of Custance and reveals the power of her &quot;reproductive sexuality.&quot; The fusion of hagiography and romance in MLT is also evident in ClT, but while both Tales show how the &quot;politics of emotion undergirds the nationalist imaginary,&quot; MLT also indicates how (as in &quot;King of Tars&quot;) race challenges ideas of community.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268652">
    <dcterms:title><![CDATA[Rome and Its Anti-pole in the Man of Law&#039;s and the Second Nun&#039;s Tale: Cristendom and Hethenesse]]></dcterms:title>
    <dcterms:description><![CDATA[Fichte explores Rome in CT, both as an actual place and as a symbol. Focuses on Rome versus Syria in MLT and Christianity versus paganism in SNT, with comments on the Wife of Bath&#039;s and the Pardoner&#039;s connections with Rome, as well as orientalism in GP, SqT, and Th.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268651">
    <dcterms:title><![CDATA[&#039;Loi&#039; and &#039;Foi&#039; in The Man of Law&#039;s Introduction, Prologue, and Tale]]></dcterms:title>
    <dcterms:description><![CDATA[The various parts of MLPT &quot;cohere around the multiple meanings of &#039;law,&#039;&quot; although the &quot;Introduction&quot; was still being shaped.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268650">
    <dcterms:title><![CDATA[Mirabile Translatu: Translating Women and the Miraculous in the Later Middle Ages]]></dcterms:title>
    <dcterms:description><![CDATA[Considers MLT and SqT in a study of female xenoglossia (the ability to use or comprehend foreign tongues) in the later Middle Ages.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268649">
    <dcterms:title><![CDATA[Women&#039;s Patronage and the Writing of History: Nicholas Trevet&#039;s &#039;Les Cronicles&#039; and Geoffrey Chaucer&#039;s &#039;Man of Law&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Barefield contrasts the characterizations of Constance in &quot;Les Cronicles&quot; and MLT, focusing on how female patronage (by Mary of Woodstock) may have encouraged the character&#039;s active role in Trevet&#039;s version.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268648">
    <dcterms:title><![CDATA[Symkyn&#039;s Place in the Reeve&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[RvT is &quot;concerned with breaking the ranks of social hierarchy&quot; and what causes individuals to desire such breaks. The clerks, the women, Bayard, and especially Symkyn all experience &quot;frustrated desire,&quot; which leads Symkyn &quot;to expand into outer or inner space, because he is unable to accept the nature of his own small space.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268647">
    <dcterms:title><![CDATA[The Faerie Queene, Book V, and the Politics of the Text]]></dcterms:title>
    <dcterms:description><![CDATA[Introduces the 2002 Kathleen Williams Lecture on the sexual politics of FQ with an anecdote about a Smith College professor&#039;s delicacy with language in MilT and RvT; connects RvT with acquaintance rape.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268646">
    <dcterms:title><![CDATA[Sociolinguistics, Literature, and the Reeve&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[In light of sociolinguistic categories such as register, distance-solidarity, and dialect, Allman contends, RvPT and the Reeve&#039;s portrait in GP stand as sustained examinations of failed sociality and unsatisfied desire at both dramatic and narrative levels.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268645">
    <dcterms:title><![CDATA[A Little Chat on Chaucer&#039;s &#039;The Miller&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[A fanciful conversion between Chaucer and the author about MilT, touching on questions of genre and theme. Chaucer&#039;s portion of the dialogue is in mock Middle English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268644">
    <dcterms:title><![CDATA[Chaucer&#039;s Absolon and Boccaccio&#039;s Decameron]]></dcterms:title>
    <dcterms:description><![CDATA[The &quot;basic conception and function&quot; of Absolon in MilT were inspired by Decameron 8.2, which also influenced ShT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268643">
    <dcterms:title><![CDATA[Geoffrey Chaucer and the Cosmic Text : Rejecting Analogy]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses Nicholas&#039;s manipulation of language and signs in MilT as Chaucer&#039;s embedded analysis of typological or analogical thinking. The references to mystery plays in MilT counterpoint the &quot;poetics of a trickster clerk&quot; whose manipulations embody a challenge to analogical thinking.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268642">
    <dcterms:title><![CDATA[Now Deere Lady: Absolon&#039;s Marian Couplet in the Miller&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[In MilT, John is not jealous of Absolon&#039;s song to Alison because he hears in it a song to the Virgin, asking her for mercy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268641">
    <dcterms:title><![CDATA[&#039;Ratio Amoris&#039; and &#039;Amor Rationis&#039;: The Struggle for Supremacy Between Love and Reason in &#039;The Romance of the Rose&#039; and &#039;The Knight&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Thompson traces parallels among several dichotomies--eros and agape, cupiditas and caritas, love and reason--arguing that Chaucer was unsatisfied with the simple dichotomies he found in the &quot;Roman de la Rose.&quot; In KnT, love is &quot;reprimanded&quot; as folly, but the supremacy of reason is challenged as well.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268640">
    <dcterms:title><![CDATA[Lo solemne y lo festivo: Contrastes y paralelismos en le primer ciclo de historias Los cuentos de Canterbury]]></dcterms:title>
    <dcterms:description><![CDATA[Compares and contrasts the plots, characters, and themes of KnT and MilT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268639">
    <dcterms:title><![CDATA[Domesticating Amazons in The Knight&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the &quot;postcolonial uneasiness visible&quot; in KnT, particularly in Hippolyta&#039;s subversive mimicry in the face of efforts by Theseus and the Knight to westernize her &quot;Amazon-ness.&quot; Emelye&#039;s powerful gaze upon the victorious Arcite reveals similar slippage.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268638">
    <dcterms:title><![CDATA[What Dryden Did to Chaucer&#039;s The Knight&#039;s Tale, or Translation as Ideological Input]]></dcterms:title>
    <dcterms:description><![CDATA[Dryden&#039;s translation of KnT &quot;tidies, clarifies, and modernizes&quot; the text for its eighteenth-century readers, turning Chaucer&#039;s &quot;subversive parodies back into the illusory heroic idealizations&quot; of Statius and Boccaccio. Greenwood focuses on the characterizations of Theseus and Emelye.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268637">
    <dcterms:title><![CDATA[Textual Variation and the Alliterative Tradition : Canterbury Tales I.2602-2619, the D Group and Takamiya MS 32]]></dcterms:title>
    <dcterms:description><![CDATA[Examines manuscript variants in KnT 1.2616-17 in relation to Chaucer&#039;s awareness of alliterative tradition and its lexicon, suggesting that &quot;hurtleth&quot; is preferable to &quot;hurteth&quot; at 2616 and that &quot;born&quot; (D Group) for &quot;hurt&quot; at 2617 may have been influenced by the preceding line.]]></dcterms:description>
    <dcterms:date><![CDATA[2004]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268636">
    <dcterms:title><![CDATA[Three Readings of The Knight&#039;s Tale: Sir John Clanvowe, Geoffrey Chaucer, and James I of Scotland]]></dcterms:title>
    <dcterms:description><![CDATA[Three variants of KnT--Sir John Clanvowe&#039;s reading of the story of Palamon and Arcite, Chaucer&#039;s KnT, and &quot;The Kingis Quair&quot; of James I--provide insight into the shifting ideologies of chivalric performance and the establishment of Chaucer as a literary author during the Ricardian and Lancastrian periods.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268635">
    <dcterms:title><![CDATA[Women in Chaucer&#039;s Male Universe: Literary Critics Coping with Misogynism]]></dcterms:title>
    <dcterms:description><![CDATA[Antifeminism is prevalent throughout CT in depictions of women, assumptions about them, and attitudes toward female-male relations. Nevertheless, CT is still considered a &quot;master-piece&quot; of literature, evidence that critics have not completed the work of feminist intervention.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268634">
    <dcterms:title><![CDATA[Geoffrey Chaucer : The Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Re-issue of the 1989 edition, with a revised guide to further reading. See original enrty.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268633">
    <dcterms:title><![CDATA[&#039;Lat us werken thriftily&#039; : Rethinking Identity and Social Organization in Chaucer&#039;s Fabliaux]]></dcterms:title>
    <dcterms:description><![CDATA[Discussing MilPT, ShT, WBP, and SumT, Ward Mather argues that &quot;Chaucer engages with the medieval genre of fabliau&quot; to &quot;develop a new theory of identity and social order.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268632">
    <dcterms:title><![CDATA[Gender and Time in Chaucer&#039;s Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s male narrators and characters are obsessed with ideas of linear/finite time, progression, arrival, and teleology. His female characters either silently subscribe to the male obsession or are dominated by cyclical/monumental and transcendent time. The Wife of Bath is the antithesis of the allegorical figure of Temperantia.]]></dcterms:description>
</rdf:Description></rdf:RDF>