<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268833">
    <dcterms:title><![CDATA[Chaucer and the Lyric Tradition]]></dcterms:title>
    <dcterms:description><![CDATA[Arguing that &quot;Chaucer changed the direction of the Middle English lyric,&quot; Robbins comments on Chaucer&#039;s lyrics, on fifteenth-century lyrics, and on the influence of TC on the latter.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268832">
    <dcterms:title><![CDATA[Chaucer and Free Love]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the reception of Chaucer by William Morris (the Kelmscott Chaucer) and Virginia Woolf (&quot;The Pastons and Chaucer&quot;), arguing that the responses of both individuals are deeply autobiographical and indications of how &quot;modernity privatizes the premodern.&quot;]]></dcterms:description>
    <dcterms:description><![CDATA[Woolf&#039;s essay is a &quot;dry run&quot; for &quot;Orlando and its imagining of a subversive past,&quot; while Morris&#039;s edition (especially in Burne-Jones&#039;s illustrations) combines innocence and fatalism in ways that reflect Morris&#039;s troubled marriage.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268831">
    <dcterms:title><![CDATA[The Textual Archaeology of The Plowman&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that The Plowman&#039;s Tale was composed in a complex process of interpolations and revisions (evident in various metrical schemes) that reflect various political and doctrinal agendas. Walker suggests a five-stage process of composition that began ca. 1400 and extended into the 1530s.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268830">
    <dcterms:title><![CDATA[Reforming Chaucer: Margins and Religion in an Apocryphal Canterbury Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Studies the marginalia printed with the 1606 edition of &quot;The Plowman&#039;s Tale,&quot; arguing that it challenges both Papal authority and the Church of England, encouraging Puritanism. Also discusses the place of this edition in the tradition of Chaucer reception.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268829">
    <dcterms:title><![CDATA[Parcours initiatique d&#039;un jeune truand : Beryn]]></dcterms:title>
    <dcterms:description><![CDATA[The Tale of Beryn shows that bargaining is essential in the mercantile world. It uses the &quot;biter bit&quot; pattern and--unusual in CT--reflects the moral growth of an individual. First shown misbehaving like the rioters in PardT, Beryn undergoes a true initiation process.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268828">
    <dcterms:title><![CDATA[The Need for Re-editing Gamelyn]]></dcterms:title>
    <dcterms:description><![CDATA[Justifies the need for a new edition of the &quot;Tale of Gamelyn&quot; on the grounds that previous editions rely on limited manuscript authority and reflect various editorial biases.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268827">
    <dcterms:title><![CDATA[La complémentarité du prologue de Beryn et des Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Though posed as a continuation of CT, the Prologue to the Tale of Beryn emphasizes a return from Canterbury to London, from the sacred to the profane. Sentence and solaas are reduced to the merely &quot;glad and merry.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268826">
    <dcterms:title><![CDATA[(K)ein Chaucer-Sonett?]]></dcterms:title>
    <dcterms:description><![CDATA[Weinstock constructs a pseudo-sonnet from Chaucerian couplets and submits it to translation, analysis, and commentary. First publishesd in Peter L. Oesterrich and Thomas O. Sloane, eds. Rhetorica Movet: Studies in Historical and Modern Rhetoric in Honour of Heinrich F. Plett (Leiden: Brill, 1999), pp. 159-70.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268825">
    <dcterms:title><![CDATA[The Flower and the Leaf and the Assembly of Ladies: A Revisitation]]></dcterms:title>
    <dcterms:description><![CDATA[Reads the two title poems in the context of contemporary court activities and conventions as &quot;attempts to present a moralized version of love within an allegorical framework.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268824">
    <dcterms:title><![CDATA[The Tavistock Boethius : One of the Earliest Examples of Provincial Printing]]></dcterms:title>
    <dcterms:description><![CDATA[Lewis assesses challenges confronted by printer Thomas Richard when, in 1525, he produced John Walton&#039;s translation of Boethius&#039;s &quot;Consolation of Philosophy,&quot; especially those challenges that resulted from interspersing intermittent commentary in a smaller typeface. The commentary derives from Bo, and the volume may have been modeled on Caxton&#039;s edition of Bo.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268823">
    <dcterms:title><![CDATA[Sources of the Boece]]></dcterms:title>
    <dcterms:description><![CDATA[The book presents hypothetical source texts for Bo, seeking to reconstruct as closely as possible what was accessible to Chaucer when he translated Boethius into Middle English. Provides an edition of Boethius&#039;s Latin original and, on facing pages, Jean de Meun&#039;s French translation of the Latin.]]></dcterms:description>
    <dcterms:description><![CDATA[Accompanying notes include selections from Nicholas Trevet&#039;s Latin commentary and various interlinear glosses &quot;from the Remigian tradition,&quot; i.e., those attributed to Remigius himself and &quot;later expansions thereof.&quot; The introduction surveys critical discussions of the sources of Bo, describes pertinent manuscript traditions, and explains textual methods. Includes collations for the Latin and French texts and a bibliography.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268822">
    <dcterms:title><![CDATA[Le vocabulaire savant du Boece est-il universitaire?]]></dcterms:title>
    <dcterms:description><![CDATA[Studies Chaucer&#039;s Bo to determine which texts, versions, and commentaries Chaucer might have used and which modifications he might have introduced and to what purposes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268821">
    <dcterms:title><![CDATA[Late-Medieval Prison Writing and the Politics of Autobiography]]></dcterms:title>
    <dcterms:description><![CDATA[Summers assesses the commonalities and differences among Usk&#039;s &quot;The Testament of Love,&quot; &quot;The King&#039;s Quair&quot; of James I of Scotland, Charles d&#039;Orléans&#039; &quot;English Book of Love,&quot; the &quot;Testimony&quot; of William Thorpe, the &quot;Trial&quot; of Richard Wyche, and George Ashby&#039;s &quot;A Prisoner&#039;s Reflections.&quot; Explores the influences on these of Boethius&#039;s &quot;Consolation of Philosophy,&quot; often mediated by Chaucer&#039;s translation, Bo.]]></dcterms:description>
    <dcterms:description><![CDATA[Also explores the influences of Chaucer and Gower on the creation of narrative personae in these works, raising questions about how and to what extent prisoner literature can be thought to constitute a genre or to contribute to the development of literary creations of identity.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268820">
    <dcterms:title><![CDATA[One Hundred Years of English Philology: Retrospect and Prospect [Waga Kuni no Eigogaku : Kaiko to Tenbo 100-wen ]]]></dcterms:title>
    <dcterms:description><![CDATA[Tajima discusses the status of English study in Japan, providing a discursive bibliography of studies on linguistic topics: parts of speech, metrics, onomastics, etc. Addresses Old English to Modern English, with significant attention to Chaucer. Includes an index. [In Japanese]]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268819">
    <dcterms:title><![CDATA[Middle English: Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[A discursive bibliography of Chaucer studies for 2003, divided into four subcategories: general, CT, TC, and other works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268818">
    <dcterms:title><![CDATA[Identifying Chaucer Allusions, 1991-2000 : An Annotated Bibliography]]></dcterms:title>
    <dcterms:description><![CDATA[Tabulates and annotates fifty-seven studies that identify or discuss allusions to Chaucer, presented as a continuation of Caroline Spurgeon&#039;s Five Hundred Years of Chaucer Criticism and Allusion (1925). Includes a name and title index for the studies.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268817">
    <dcterms:title><![CDATA[A Bibliography of Writings on Chaucer&#039;s English]]></dcterms:title>
    <dcterms:description><![CDATA[A selective bibliography of Chaucer studies, covering linguistic approaches through 1993, arranged topically under ten headings: Bibliographies (30 items); Manuscripts, Facsimiles, and Editions (26); Textual Criticism (53); English Linguistic Background (53); Medieval Rhetoric and Poetics (26); Dictionaries and Concordances (55); Phonology and Grammar (111); Lexicon (142); Meter and Versification (80); and Style and Rhetoric (130). Updates versions published in 1989 and 1990.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268816">
    <dcterms:title><![CDATA[An Annotated Chaucer Bibliography, 2003]]></dcterms:title>
    <dcterms:description><![CDATA[Continuation of SAC annual annotated bibliography (since 1975); based on contributions from an international bibliographic team, independent research, and MLA Bibliography listings. 304 items, plus listing of reviews for 68 books. Includes an author index.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268815">
    <dcterms:title><![CDATA[Words and Literature : Essays in Honour of Professor Masa Ikegami]]></dcterms:title>
    <dcterms:description><![CDATA[For four essays that pertain to Chaucer, search for Words and Literature under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268814">
    <dcterms:title><![CDATA[Walking Through Cathedrals : Scholars, Pilgrims, and Medieval Tourists]]></dcterms:title>
    <dcterms:description><![CDATA[Distinguishes among &quot;various ways in which medieval English religious sites are mediated for visitors,&quot; from cathedrals (including Canterbury) to the Canterbury Tales Visitor Attraction. Assesses the authenticity of visitors&#039; experiences in light of theories of tourism, comments on Brian Helgeland&#039;s movie &quot;A Knight&#039;s Tale,&quot; and concludes that there is no pure &quot;medieval&#039; separate from medievalism.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268813">
    <dcterms:title><![CDATA[Textual Subjectivity : The Encoding of Subjectivity in Medieval Narratives and Lyrics]]></dcterms:title>
    <dcterms:description><![CDATA[Spearing counters the assumption that all medieval narration implies a narrator. Medieval literature is permeated with subjectivity, but it is often &quot;subjectless subjectivity,&quot; better compared to painting than to oral storytelling. Similar to twentieth-century experiments in disembodied perception, medieval fiction was just beginning to explore the possibility of representing unified consciousness.]]></dcterms:description>
    <dcterms:description><![CDATA[Examination of linguistic phenomena, such as deixis, shows how subjectivity is encoded in medieval lyrics and narratives, even though it is not represented as the product of a unitary speaking voice. Spearing considers TC, MLT, and Pity, as well as other works of Middle English literature.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268812">
    <dcterms:title><![CDATA[A Test of the Nature of Friendship : Lydgate, Chaucer and Others]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the portrayal of friendship in works by Chaucer, Lydgate, and Petrus Alfonsi.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268811">
    <dcterms:title><![CDATA[Swete harm : Chivalry and the Consent to Violence in the Works of Geoffrey Chaucer and Jean Froissart]]></dcterms:title>
    <dcterms:description><![CDATA[Nachtwey argues that chivalry was &quot;a pragmatic institution&quot; that created a framework for understanding/controlling knightly violence. Further argues that this concept of chivalry is apparent in the works of Froissart and Chaucer (especially in TC and CT), as well as in a host of chivalric manuals.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268810">
    <dcterms:title><![CDATA[Studies in Late Medieval and Early Renaissance Texts in Honour of John Scattergood : The key of all good remembrance]]></dcterms:title>
    <dcterms:description><![CDATA[Twenty-four essays by various authors and a bibliography of Scattergood&#039;s publications. For eight essays that pertain to Chaucer, search for Studies in Late Medieval and Early Renaissance Texts under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268809">
    <dcterms:title><![CDATA[The State of Medieval Studies : A Tale of Two Universities]]></dcterms:title>
    <dcterms:description><![CDATA[Recounts the author&#039;s experiences as chair of the English departments at the University of Missouri and the University of Illinois.]]></dcterms:description>
</rdf:Description></rdf:RDF>