<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268933">
    <dcterms:title><![CDATA[Geoffrey Chaucer&#039;s Canterbury Tales : Gender in the Middle Ages (ca. 1388-1400)]]></dcterms:title>
    <dcterms:description><![CDATA[The stereotypes depicted in Cecilia, the Wife of Bath, and Griselda reflect the continuing conflict between women who want to escape submissive roles and those who accommodate abusive relationships. Cornelius encourages classroom discussion of SNT, WBPT, and ClT in quantitative and qualitative terms.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268932">
    <dcterms:title><![CDATA[Fables, Cupiditas, and Vessels of Tree : Chaucer&#039;s Use of The Epistles to Timothy]]></dcterms:title>
    <dcterms:description><![CDATA[Considers citations of Paul&#039;s epistles to Timothy in WBPT, PardPT, and ParsPT, reading them in light of late fourteenth-century concern with preaching and pastoral care--Lollard and anti-Lollard, mendicant and antimendicant. Chaucer was concerned with the performative force of language.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268931">
    <dcterms:title><![CDATA[Juan Ruiz, Boccaccio, Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Comparative analysis of the themes, techniques, and intertextual relationships of Ruiz&#039;s &quot;Libro de buen amor,&quot; Boccaccio&#039;s &quot;Decameron,&quot; and CT. Topics include world view, love and passion, nascent humanism, satire and irony, and narrative structures. Recurrent emphasis on the innovations of Ruiz.]]></dcterms:description>
    <dcterms:description><![CDATA[In Spanish]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268930">
    <dcterms:title><![CDATA[The Dialogue of Love, Marriage and &quot;Maistrie&quot; in Chaucer&#039;s &quot;Canterbury Tales&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the relationships between power (&quot;maistrie&quot;) and gender in CT as these relationships are reflected in conversation and the dialogue of spouses and lovers in seven Tales: MilT, WBT, ClT, MerT, FranT, ShT, and Mel. Using techniques of historical pragmatics, Pakkala-Weckstrom examines such matters as politeness strategies, forms of address, pronoun usage, and speech acts--especially as they operate under a variety of conditions, including literary genre and the status of medieval women.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268929">
    <dcterms:title><![CDATA[Chaucer&#039;s Canterbury Tales and the Auchinleck MSl : Analogous Collections?]]></dcterms:title>
    <dcterms:description><![CDATA[Manuscript compilations, especially the Auchinleck MS, are structural analogues to CT. Manuscripts segmented into booklets parallel the fragments in CT in four ways: segments vary considerably in size and shape; common subjects and themes link portions that are not contiguous; segments evince multiple &quot;voices&quot; in scribal hands and literary styles; and portions are incomplete or unfinished.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268928">
    <dcterms:title><![CDATA[Chaucer, Gower and the Vox Populi : Interpretation and the Common Profit in The Canterbury Tales and Confessio Amantis]]></dcterms:title>
    <dcterms:description><![CDATA[CT--in part a reaction to Gower&#039;s conservative conception of vernacular literature in &quot;Confessio Amantis&quot;--is a text encouraging interpretive autonomy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268927">
    <dcterms:title><![CDATA[Studies in Chaucer [Chaucer Kenkyu ]]]></dcterms:title>
    <dcterms:description><![CDATA[A selection of essays on Chaucer&#039;s works, with attention to structure and meaning, focusing on CT.]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268926">
    <dcterms:title><![CDATA[A Book Arts Pilgrimage : Arts and Crafts Socialism and the Kelmscott Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[In his Kelmscott Chaucer, Morris presents Chaucer as a proponent of anti-capitalist socialism, consistent with Morris&#039;s own arts and crafts movement. The essay comments on the heteroglot voices of the Canterbury pilgrims and the Kelmscott illustrations of Chaucer that frame CT in this edition; compares these features with Morris&#039;s own interests and activities.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268925">
    <dcterms:title><![CDATA[Anger in the Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Anger &quot;rises to the level of a philosophical and ethical problem for Chaucer.&quot; An understanding of the role anger plays in the formation of self and community is useful in understanding the communities Chaucer creates and examines in CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268924">
    <dcterms:title><![CDATA[Polysemy in Middle English &#039;Embosen&#039; and the Hart of The Book of the Duchess]]></dcterms:title>
    <dcterms:description><![CDATA[Critics generally gloss &quot;embosen&quot; as either &quot;concealed in the woods&quot; or &quot;exhausted from the hunt.&quot; Examination of the word determines its precise meaning as a hunting term and also sheds light on Octovyen&#039;s hunt.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268923">
    <dcterms:title><![CDATA[Politeness and Privacy: Chaucer&#039;s Book of the Duchess]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the concept of &quot;civil inattention&quot; (&quot;a desire not to intrude on privacy&quot;) as it helps to explain the behavior of the dreamer toward the Black Knight in BD. The concept is described in modern sociology and occurs in several medieval romances besides BD: TC, Chretien&#039;s Yvain, and the work of Malory.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268922">
    <dcterms:title><![CDATA[&#039;Peynted . . . text and [visual] glose&#039;: Primitivism, Ekphrasis, and Pictorial Intertextuality in the Dreamers&#039; Bedrooms of Roman de la Rose and Book of the Duchess]]></dcterms:title>
    <dcterms:description><![CDATA[Reads descriptions of the bedchamber in the Roman de la Rose as a source for the bedchamber scene in BD, arguing that Chaucer&#039;s &quot;visual/verbal intertextuality&quot; reveals his preference for civilization over primitivism.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268921">
    <dcterms:title><![CDATA[&#039;My first matere I wil yow telle&#039;: Losing (and Finding) Your Place in Chaucer&#039;s Book of the Duchess]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the narrator&#039;s digressions and &quot;digression-returns&quot; in BD, arguing that they are part of Chaucer&#039;s indications of the inexpressibility of grief.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268920">
    <dcterms:title><![CDATA[Medieval Dream Visions : Chaucer&#039;s Book of the Duchess]]></dcterms:title>
    <dcterms:description><![CDATA[Quinn defines the genre of dream vision, surveys &quot;standard readings&quot; of BD, and offers a &quot;re-vision&quot; of the poem that reconciles its humor and sadness by imagining it as a performance some years after the death of Blanche. The poem may have been performed on the occasion of Gaunt&#039;s betrothal to Constanza of Castile or in acknowledgment of his love of Katherine Swynford.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268919">
    <dcterms:title><![CDATA[Le chevalier, le poète, et le petit chien : La présence animale dans Le livre de la duchess]]></dcterms:title>
    <dcterms:description><![CDATA[Considers BD as a partition between the mythical and fictional worlds and reality, as a textual space of transition where poetic experience and real life are intertwined.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268918">
    <dcterms:title><![CDATA[Chaucer&#039;s Narrators and Audiences : Self-Deprecating Discourse in Book of the Duchess and House of Fame]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer constructed a self-deprecating narrator in BD and in HF in response to audience expectations. These constructions, in turn, shaped how people in Chaucer&#039;s own society regarded Chaucer and how his personality has been recorded historically.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268917">
    <dcterms:title><![CDATA[Chaucer&#039;s Book of the Duchess : A Proposal]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the manuscript and editorial traditions of BD to argue for a new edition, based on MS Tanner 346, sensitive to the poem&#039;s octosyllabic meter and aware of scribal contamination. Suggests a number of emendations.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268916">
    <dcterms:title><![CDATA[Arithmetic and Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[North summarizes medieval arithmetic theory and practice, describes Chaucer&#039;s professional familiarity with arithmetic, and explores arithmetic allusions and structuring in BD, particularly its shape as an abacus.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268915">
    <dcterms:title><![CDATA[Apocalypse and Memory in Pearl]]></dcterms:title>
    <dcterms:description><![CDATA[Considers BD and Pearl as case studies in the search for &quot;an appropriate, adequate language of commemoration,&quot; as opposed to prior models of elegiac language.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268914">
    <dcterms:title><![CDATA[An Aesthetic of Permeability : Three Transcapes of the Book of the Duchess]]></dcterms:title>
    <dcterms:description><![CDATA[Horowitz assesses the aesthetic value of BD by focusing on three &quot;transcapes&quot; (through visions): that of the narrator as a literary medium; that of the work&#039;s interwoven sources and time spans; and that of the gendered landscape, which is both unstable and constant. The transcapes constitute a closely woven (but simultaneously open) work that is always open to interpretation and in a constant state of flux.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268913">
    <dcterms:title><![CDATA[Pace in Chaucer. The proverbe seith: He hasteth wel that wisely kan abyde (Melibee, 1054)]]></dcterms:title>
    <dcterms:description><![CDATA[Windeatt compares several of Chaucer&#039;s works and their sources to show that through variations in narrative pace and increased attention to pinpointing time, Chaucer makes something quite new. Considers PF, MLT, TC, KnT, and several of the tales in LGW.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268912">
    <dcterms:title><![CDATA[A New Look at Chaucer and the Rhetoricians]]></dcterms:title>
    <dcterms:description><![CDATA[First published in 1964, the essay is reprinted here with original pagination, along with a number of other essays by Murphy. Murphy argues that Chaucer was not likely to have been directly influenced by rhetoricians such as Geoffrey of Vinsauf.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268911">
    <dcterms:title><![CDATA[Most conservatif the soun&#039; : Chaucer&#039;s Troilus Metre]]></dcterms:title>
    <dcterms:description><![CDATA[Examines manuscript evidence and compares the verse of TC with that of Boccaccio&#039;s &quot;Filostrato,&quot; arguing that Chaucer&#039;s decasyllabic lines, adapted to rhyme-royal stanzas, are characterized by greater flexibility of caesura than in English four-stress verse and by more varied syllable numbers and stress patterns than in strict iambic pentameter.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268910">
    <dcterms:title><![CDATA[Constraining S and Satisfying Fit]]></dcterms:title>
    <dcterms:description><![CDATA[Zonneveld examines factors associated with iambic stress in the octosyllabic Dutch poem &quot;Het Leven van St. Lutgart&quot; [Life of St. Lutgart], comparing them with conditions in early English. Considers the &quot;uncertain status of schwa syllables&quot; in Chaucer&#039;s poetry and in Shakespeare&#039;s plays.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268909">
    <dcterms:title><![CDATA[Sources and Analogues of the Canterbury Tales: Vol. 2]]></dcterms:title>
    <dcterms:description><![CDATA[An anthology of the sources and analogues for selections from CT. Each section comments on source-and-analogue relations, edits the materials in a form close to what Chaucer might have known, and provides facing-page translations of non-English material. Sections include GP (Robert R. Raymo), KnT (William E. Coleman), MilT (Peter G. Beidler), MLPT (Robert M. Correale), WBP (Ralph Hanna and Traugott Lawler),]]></dcterms:description>
    <dcterms:description><![CDATA[WBT (John Withrington and P. J. C. Field), SumPT (Christine Richardson-Hay), MerT (N. S. Thompson), PhyT (Kenneth Bleeth), ShT (John Scattergood), PrPT (Laurel Broughton), Th (Joanne A. Charbonneau), CYT (Carolyn P. Collette and Vincent DiMarco), ManT (Edward Wheatley), and Ret (Anita Obermeier). The volume includes an index of names and titles. For vol. 1, see SAC 26 (2004), no. 47.]]></dcterms:description>
</rdf:Description></rdf:RDF>