<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269131">
    <dcterms:title><![CDATA[A Companion to Medieval Scottish Poetry]]></dcterms:title>
    <dcterms:description><![CDATA[Thirteen essays by various authors and an introduction by the editors. Topics include studies of individual poets and poems (Henryson, Dunbar, Douglas, Lyndsay, Richard Holland&#039;s &quot;Buke of Howlat,&quot; Gilbert Hay&#039;s &quot;Buik of King Alexander the Conqueror&quot;); the Selden manuscript (including works by Chaucer); historical writing; romance; and literary contexts. Includes a &quot;Guide to Further Reading,&quot; an index of manuscript references, and a general index. References to Chaucer recur throughout, addressing his influence on individual works and on broader traditions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269130">
    <dcterms:title><![CDATA[Writing About Love in Late Medieval Scotland]]></dcterms:title>
    <dcterms:description><![CDATA[Bawcutt surveys love poetry of medieval Scotland in various genres, emphasizing the variety of tones and exploring the importance of Chaucer&#039;s influence.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269129">
    <dcterms:title><![CDATA[Chaucer, Virginia Woolf and Between the Acts]]></dcterms:title>
    <dcterms:description><![CDATA[Woolf deleted a description of Chaucer and one of the Pointz Hall library when revising materials for &quot;Between the Acts,&quot; reflecting her growing belief that books were no longer the center of culture in 1939-40. Traces references and allusions to Chaucer in Woolf&#039;s writings, published and unpublished.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269128">
    <dcterms:title><![CDATA[Allegory, Irony, Despair: Chaucer&#039;s Pardoner&#039;s and Franklin&#039;s Tales and Spenser&#039;s Faerie Queene, Books I and III]]></dcterms:title>
    <dcterms:description><![CDATA[Explores intertextual relations between Spenser&#039;s Faerie Queene and Chaucer&#039;s PardPT and FranT. Archimago and Despair from Spenser&#039;s Book 1 gain dimension in light of the Pardoner and the Old Man of PardT; in Book 3, Spenser explores the &quot;emotional plight&quot; of Chaucer&#039;s Dorigen by dividing it into several parts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269127">
    <dcterms:title><![CDATA[Books and Authority]]></dcterms:title>
    <dcterms:description><![CDATA[Yeager summarizes Chaucer&#039;s education and career for the purpose of identifying the books, languages, and classical and vernacular literatures with which Chaucer was clearly acquainted. Discusses Chaucer&#039;s strategies for keeping literary authority at &quot;stave&#039;s length&quot; through a narrative persona and the dream vision, and his techniques for &quot;asserting a claim upon it&quot; in his most mature works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269126">
    <dcterms:title><![CDATA[&#039;And to the herte she hireselven smot&#039;: The Loveris Maladye and the Legitimate Suicides of Chaucer&#039;s and Gower&#039;s Exemplary Lovers]]></dcterms:title>
    <dcterms:description><![CDATA[Victims of lovesickness, lovers who commit suicide in Chaucer and Gower do so by stabbing themselves in the heart, an action not found in their sources. Nor is there medical precedent for regarding the heart as the central organ of the circulatory system. Love melancholy and love mania were regarded as serious medical conditions that helped to legitimate suicide within the courtly tradition. Sobecki draws examples from HF, KnT, LGW, and Confessio Amantis.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269125">
    <dcterms:title><![CDATA[Chaucer as an English Writer]]></dcterms:title>
    <dcterms:description><![CDATA[Smith traces various threads of Chaucer&#039;s relationships with English poetic tradition: GP and Langland&#039;s &quot;Piers Plowman&quot;; Th and native romance; echoes of Sir &quot;  Orfeo&quot;; alliterative verse in Chaucer; and the complex concerns of native tradition, interrelations, incest, and mercantilism in MLPT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269124">
    <dcterms:title><![CDATA[Chaucer as a European Writer]]></dcterms:title>
    <dcterms:description><![CDATA[Simpson explores Chaucer&#039;s absorption of and reactions to Continental influences (Latin, French, and Italian), emphasizing the recurrent influence of Ovid as a source and a model. BD is a poem of deference to Gaunt and to French tradition; HF and PF are &quot;manifesto&quot; poems in response to Dante.]]></dcterms:description>
    <dcterms:description><![CDATA[TC and KnT are darker versions of Boccaccio, more attentive than Boccaccio to suffering. LGW is a work of pretended compliment to Cupid (and Richard II?); and in CT Chaucer makes himself a &quot;modern Ovid&quot; by questioning literary and political structures.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269123">
    <dcterms:title><![CDATA[A Feel for the Game: Bourdieu, Source Study, and the Legend]]></dcterms:title>
    <dcterms:description><![CDATA[Uses game theory and Pierre Bourdieu&#039;s theory of &quot;radical contextualization&quot; to encourage more deeply engaged source-in-context analysis of LGW.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269122">
    <dcterms:title><![CDATA[&#039;He Knew Nat Catoun&#039;: Medieval School-Texts and Middle English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Mann describes the composition and influence of the &quot;Liber Catonis,&quot; a composite of six Latin texts that served as a school-text in medieval education, and considers it in light of other medieval school-texts. Identifies places where works that constitute the &quot;Liber Catonis&quot; are echoed in CT and in Langland&#039;s Piers Plowman.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269121">
    <dcterms:title><![CDATA[Two &#039;English Fabliaux&#039;: Chaucer&#039;s &#039;Merchant&#039;s Tale&#039; and &#039;Shipman&#039;s Tale&#039; and Italian &#039;Novelle&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Heffernan discusses the nature, origins, and development of Italian &quot;novelle&quot;; Boccaccio&#039;s innovations with the form; and the likelihood that Chaucer had direct knowledge of The Decameron. Argues that the influence of Italian novelle generally, and of The Decameron specifically, on MerT and ShT has been underestimated.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269120">
    <dcterms:title><![CDATA[&#039;I wolde hyt here write&#039;: Mythologically Speaking About Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses the uses and functions of classical myth in Chaucer&#039;s works from a double perspective: Chaucer&#039;s knowledge of the different stories and his creative adaptations of this material.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269119">
    <dcterms:title><![CDATA[The Afterword of Origins : A Response]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the implications of source study and its revitalization in response to recent theory, raising questions about its (possibly irreconcilable) relationships with intertextuality, &quot;genetic criticism,&quot; invention, translation, and electronic research.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269118">
    <dcterms:title><![CDATA[Introduction [Colloquium : The Afterlife of Origins].]]></dcterms:title>
    <dcterms:description><![CDATA[Cites Chaucer&#039;s self-awareness in attention to his sources, comments on the role of &quot;source study&quot; in Chaucer criticism, and introduces eight brief essays first presented at the 2004 congress of The New Chaucer Society in Glasgow. For the eight essays that pertain to Chaucer, search for Colloquium: The Afterlife of Origins under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269117">
    <dcterms:title><![CDATA[Reading Chaucer Through Philippe de Mézières: Alchemy, the Individual, and the Good Society]]></dcterms:title>
    <dcterms:description><![CDATA[Collette reads the end of CT against Philippe de Mézières&#039; &quot;Songe du vieil pelerin,&quot; indicating Chaucer&#039;s connections with contemporary Anglo-French literature and exploring the relations between politics and morality in four Tales: alchemy as a trope in SNT and CYT; speech in ManT; and critique of aristocratic excess in ParsT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269116">
    <dcterms:title><![CDATA[Lay Literacy and the Medieval Bible]]></dcterms:title>
    <dcterms:description><![CDATA[Caie describes how lay people gained access to the Bible in the late Middle Ages through sermons, compendia, and florilegia. Explores how Chaucer characterizes speakers through their uses of the Bible in CT (e.g., quotation, misquotation, selection, allusion), concentrating on the Wife of Bath and glosses to WBP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269115">
    <dcterms:title><![CDATA[New Terminology for Sources and Analogues : Or, Let&#039;s Forget the Lost French Source for The Miller&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Beidler proposes a refined taxonomy of terms to designate the relationships between a work and its sources (hard source, soft source, hard analogue, soft analogue, and lost source) and argues that--for lack of evidenc--criticism should dispense with the notion of a lost French source for MilT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269114">
    <dcterms:title><![CDATA[New Perspectives on &#039;The Chaucer Ascription in Trinity College, Dublin MS D.2.8&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Trinity College, Dublin, MS 389 (formerly D.2.8) includes three alchemical texts that are Chaucerian apocrypha. Timmerman corrects Gareth W. Dunleavy&#039;s 1965 discussion of this manuscript.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269113">
    <dcterms:title><![CDATA[Manuscripts and Ghosts : Essays on the Transmission of Medieval and Early Renaissance Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Reprints fifteen previously published essays by Scattergood, plus a sixteenth, original essay, &quot;The Copying of Medieval and Early Renaissance Manuscripts&quot; (pp. 21-82). The latter--which discusses the habits and status of medieval scribes, early printers, and attitudes among these conveyors of literature--comments on Chaucer and his transmission. Among the reprinted essays is Scattergood&#039;s &quot;The Jongleur, the Copyist, and the Printer: The Tradition of Chaucer&#039;s Wordes unto Adam, His Own Scriveyn.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269112">
    <dcterms:title><![CDATA[The Name of the Scribe: Solving a Mystery Behind the Huntington&#039;s Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Announces Linne R. Mooney&#039;s identification of Adam Pinkhurst as the scribe of the Ellesmere manuscript of CT, held at the Huntington library.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269111">
    <dcterms:title><![CDATA[The Scribe(s) of British Library MSS Egerton 2864 and Additional 5140 : To &#039;Lump&#039; or &#039;Split&#039;?]]></dcterms:title>
    <dcterms:description><![CDATA[A combination of linguistic and paleographical evidence suggests a single scribe for Egerton 2864 who differs from the scribes of Additional 5140. Mosser documents his article with illustrations.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269110">
    <dcterms:title><![CDATA[What&#039;s in a Margin? Some Observations on the Function and Content of Margins in Medieval Literary Manuscripts]]></dcterms:title>
    <dcterms:description><![CDATA[Studies the contents, significance, and function of medieval manuscripts, commenting briefly on WBP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269109">
    <dcterms:title><![CDATA[Scribes as Authors : Substantive Variation in Some Late Middle English Manuscripts]]></dcterms:title>
    <dcterms:description><![CDATA[Morrison examines textual transmission before print, referring to Chaucer as evidence of authors&#039; concerns about deficient scribal copying.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269108">
    <dcterms:title><![CDATA[Chaucer&#039;s Scribe]]></dcterms:title>
    <dcterms:description><![CDATA[Mooney surveys the manuscripts and life records of Adam Pinkhurst, identified as the scribe addressed in Chaucer&#039;s Adam and as the scribe of the Hengwrt and Ellesmere manuscripts, among others. Includes a chronology of manuscripts Pinkhurst is known to have copied, an outline of his career, and an appendix with detailed analysis of Pinkhurst&#039;s hand, including ten reproductions sampling his work.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269107">
    <dcterms:title><![CDATA[A Sixth Hand in Cambridge, Trinity College, MS R.3.19]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies characteristics of a sixth scribe (Scribe F) of MS R.3.19, copyist of the &quot;whole of fol. 42, recto and verso.&quot;]]></dcterms:description>
</rdf:Description></rdf:RDF>