<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269206">
    <dcterms:title><![CDATA[What Was Medievalism? Medieval Studies, Medievalism, and Cultural Studies]]></dcterms:title>
    <dcterms:description><![CDATA[Explores historical formulations of &quot;medieval studies&quot; and &quot;medievalism,&quot; arguing that they are inseparable, and encouraging awareness of their interdependencies. Draws examples from Tyrwhitt&#039;s edition of CT and Helgeland&#039;s film, &quot;A Knight&#039;s Tale,&quot; among other works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269205">
    <dcterms:title><![CDATA[The Yale Companion to Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[An introduction and ten essays by various authors, with several appendices (chronology, a guide to textual studies, order and pattern within CT, and maps), plus a bibliography and an index. Aimed at an American audience, the volume seeks to &quot;combine interpretation with information.&quot; The introduction by Lerer (pp. 1-28) considers the &quot;linguistic condition&quot; and the nature of book production in Chaucer&#039;s time. For individual essays, search for Yale Companion to Chaucer under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269204">
    <dcterms:title><![CDATA[Chaucer&#039;s Oneiric Medicine: Dreams, Disease, Healing, and Literary Endeavor]]></dcterms:title>
    <dcterms:description><![CDATA[Lenz considers the collision/juxtaposition of dreams and medical knowledge in BD, HF, PF, TC and NPT. Argues that this confluence offers a previously neglected dimension of Chaucer&#039;s work.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269203">
    <dcterms:title><![CDATA[Representing the Peasants&#039; Revolt]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses John Gower&#039;s &quot;Vox Clamantis,&quot; with passing mention of Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269202">
    <dcterms:title><![CDATA[Naked Wordes in Englissh]]></dcterms:title>
    <dcterms:description><![CDATA[Ten essays selected from the papers presented at the Third Medieval English Studies Symposium in Poznan, Poland, in November 2004, focusing on Old and Middle English language and literature. For two essays that pertain to Chaucer, search for Naked Wordes in Englissh under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269201">
    <dcterms:title><![CDATA[Dreaming]]></dcterms:title>
    <dcterms:description><![CDATA[Kruger summarizes medieval dream theory and argues that Chaucer exploits &quot;the complexities, ambiguities, and uncertainties of dreams, their causes, and their interpretation.&quot; Dreams pose interpretive problems in NPT and TC. As dream visions, BD, HF, PF, and LGWP take up psychological or personal concerns and address philosophical and theological questions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269200">
    <dcterms:title><![CDATA[Chaucer Criticism and Its Legacies]]></dcterms:title>
    <dcterms:description><![CDATA[Knapp surveys trends in academic critical approaches to Chaucer, focusing on interactions and tensions between philological study and interpretive criticism. Summarizes Chaucer&#039;s place in the rise of university curricula and explores landmark New Critical discussions of his realism, irony, and allegory. Closes with comments on the influences of New Historicism, feminism, queer theory, and psychoanalysis.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269199">
    <dcterms:title><![CDATA[Books Under Suspicion: Censorship and Tolerance of Revelatory Writing in Late Medieval England]]></dcterms:title>
    <dcterms:description><![CDATA[Studies the cultural, literary, and codicological contexts for English late medieval works of revealed writing - apocalyptic, visionary, mystical, prophetic, etc. - considering the reception of Continental works in England and works composed in English. Clarifies how works by Joachim of Fiore, William de St. Amour, Peter Olivi, William of Ockham, the &quot;Opus arduum,&quot; and others are related to and separate from Wyclifitte writings, concentrating on their status as heretical texts and their influences on Middle English literature: Margery Kempe, Julian of Norwich, &quot;Piers Plowman,&quot; and several of Chaucer&#039;s works. Reads Rom (part C) in light of orthodoxy and the Roman de la Rose; HF as a &quot;teasing satire of the revelatory&quot; (especially Langland&#039;s Piers); ClT and NPT on free will and God&#039;s power; and Ret as a conservative withdrawal of humanist fiction. Contains a useful &quot;Chronology&quot; of non-Wycliffite cases of heresy and related events (xix-lii), plus three related appendices.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269198">
    <dcterms:title><![CDATA[Language and Text: Current Perspectives on English and Germanic Historical Linguistics and Philology]]></dcterms:title>
    <dcterms:description><![CDATA[Twenty-four essays by various authors, presented as a festschrift for Klaus Dietz. Includes a wide variety of topics within German and English linguistics and medieval studies. For two essays that pertain to Chaucer; search for Language and Text under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269197">
    <dcterms:title><![CDATA[Creators: From Chaucer and Dùrer to Picasso and Disney]]></dcterms:title>
    <dcterms:description><![CDATA[Appreciative discussion of the accomplishments of individual artists, designers, musicians, and authors, emphasizing their labors and the nature of their accomplishments. Chapter 2, &quot;Chaucer: The Man in the Fourteenth-Century Street,&quot; discusses Chaucer&#039;s life, his linguistic innovation, and the social variety of his works, characterizing him as &quot;probably the first man, and certainly the first writer, to see the English nation as a unity.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269196">
    <dcterms:title><![CDATA[Falconry in Literature: The Symbolism of Falconry in English Literature from Chaucer to Marvell]]></dcterms:title>
    <dcterms:description><![CDATA[An illustrated guide to raptors in English literature (fourteenth century to seventeenth century), which explains their symbolic value in terms of historical training and hunting practices and rituals. Recurrent references to Chaucer&#039;s works, including PF, SqT, and WBP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269195">
    <dcterms:title><![CDATA[Printing Power: Selling Lydgate, Gower, and Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Explores why Chaucer was more marketable than either Gower or Lydgate in sixteenth-century England: Chaucer&#039;s variety, flexibility, and malleability made him more adaptable to various publics and therefore more attractive to early printers than other writers were.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269194">
    <dcterms:title><![CDATA[Non-European Women in Chaucer: A Postcolonial Study]]></dcterms:title>
    <dcterms:description><![CDATA[Applies postcolonial theory to explore how Chaucer represents non-European women as Other in both gender and culture and how Chaucer reflects his own position as a poet and his career in historical context. Treats KnT, MLT, SqT, MkT, HF, and LGW.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269193">
    <dcterms:title><![CDATA[Reflections on D. W. Robertson, Jr., and &#039;Exegetical Criticism&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[A search of contemporary Chaucerian criticism for signs of whether D. W. Robertson&#039;s &quot;exegetical criticism&quot; continues to generate important work yields the conclusion &quot;no, yes, and perhaps&quot;: &quot;no,&quot; in the wake of the ascendance of historicist criticism; &quot;yes,&quot; in the form of work that establishes new exegetical categories; and &quot;perhaps,&quot; in work that corrects, &quot;deconstructs,&quot; and provides &quot;new syntheses&quot; of Robertson&#039;s legacy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269192">
    <dcterms:title><![CDATA[Cheapside in the Age of Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Processions and spectacles were attempts to contain rivalries between and within the official and unofficial hierarchies of late medieval London (city and crown, wards, crafts, and trades). Recurrently depicting a stable city, Chaucer also depicts urban tensions at times: in the House of Rumor of HF, the description of the Guildsmen in GP, and CkT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269191">
    <dcterms:title><![CDATA[An Anatomy of Trade in Medieval Writing: Value, Consent, and Community]]></dcterms:title>
    <dcterms:description><![CDATA[Farber examines the &quot;idea of trade . . . in medieval writing from the middle of the twelfth to the early fifteenth century,&quot; examining theoretical treatises and literary depictions of trade and its relations to valuation, marital exchanges, and ideals of community. Assesses &quot;Precarious Value in Chaucer&#039;s Shipman&#039;s Tale and Franklin&#039;s Tale&quot; (pp. 68-83) - a discussion of surplus and the impermanence of value in ShT and of the precariousness of value in FranT - and reprints &quot;The Creation of Consent in Chaucer&#039;s Physician&#039;s Tale.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269190">
    <dcterms:title><![CDATA[Heralds and Heraldry in English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Explores relationships between heralds and poets as reflected in works by Chaucer (including HF and KnT), Malory, Skelton, and Spenser. These works &quot;reveal complex concerns about literary and political authority, the public status of the poet, and the stability of both visual and written discourses of fame and reputation.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269189">
    <dcterms:title><![CDATA[Medieval Cultural Studies: Essays in Honour of Stephen Knight]]></dcterms:title>
    <dcterms:description><![CDATA[Seventeen essays by various authors on topics such as Robin Hood, Chaucer, medieval romance, medievalism, cultural studies, and modern crime fiction. Includes an introduction (pp. 1-6) and a bibliography of Knight&#039;s publications (pp. 269-77). For six essays that pertain to Chaucer, search for Medieval Cultural Studies under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269188">
    <dcterms:title><![CDATA[The Production of Space in Chaucer&#039;s London]]></dcterms:title>
    <dcterms:description><![CDATA[Reads Chaucer&#039;s London in relationship to three topics: social space, Plato&#039;s order of the city, and the political tie between sovereign and subjects.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269187">
    <dcterms:title><![CDATA[One Third of the Earth? Europe Seen and Unseen in the Middle English Chronicles of the Fourteenth Century]]></dcterms:title>
    <dcterms:description><![CDATA[Traces conceptualizations of Europe available to fourteenth-century English chroniclers and then explores the use of these by the chroniclers, especially Robert Mannyng and John Trevisa. TC and LGW reflect a tradition that sees Europe as a territory whose inhabitants traced their lineage to &quot;Europa.&quot; MLT uses Europe as panegyric.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269186">
    <dcterms:title><![CDATA[Love Before Troilus]]></dcterms:title>
    <dcterms:description><![CDATA[Before TC and KnT, most romances in England were Anglo-Norman and largely uninfluenced by the conventions of courtly love and the Petrarchan tradition. The reputation of Chaucer&#039;s works overshadows that of these other works and their more practical ethos of love.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269185">
    <dcterms:title><![CDATA[Writings on Love in the English Middle Ages]]></dcterms:title>
    <dcterms:description><![CDATA[Eleven essays by various authors, an introduction by the editor, and an index. Topics include the theory of courtly love, love and social class, romance depictions of love, and readings of individual works. For seven essays that pertain to Chaucer, search for Writings on Love in the English Middle Ages under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269184">
    <dcterms:title><![CDATA[Medieval English Literary and Cultural Studies]]></dcterms:title>
    <dcterms:description><![CDATA[Includes five essays that pertain to Chaucer; for the individual essays search for Medieval English Literary and Cultural Studies under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269183">
    <dcterms:title><![CDATA[Twentieth-Century Chaucer Studies and Theories of Audience]]></dcterms:title>
    <dcterms:description><![CDATA[Cawsey examines the impact of assumptions about audience in the criticism of six twentieth-century Chaucer scholars (Kittredge, Lewis, Donaldson, Robertson, Dinshaw, and Patterson). These assumptions include whether the audience is diachronic or synchronic, the level of audience trust, and the audience&#039;s homogeneity.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269182">
    <dcterms:title><![CDATA[Chaucer and the City]]></dcterms:title>
    <dcterms:description><![CDATA[Twelve essays by various authors under the rubrics &quot;Locations,&quot; &quot;Communities,&quot; &quot;Institutions,&quot; and &quot;Afterlife.&quot; The introduction argues that any consideration of city life is an act of recovering the past. Chaucer allows the audience to hear and see medieval London. For individual essays, search for Chaucer and the City under Alternative Title.]]></dcterms:description>
</rdf:Description></rdf:RDF>