<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269384">
    <dcterms:title><![CDATA[Chaucer&#039;s Man Show: Anachronistic Authority in Brian Helgeland&#039;s A Knight&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[The characterization of Chaucer in Helgeland&#039;s film reinforces the film&#039;s concerns with authority and masculinity, ultimately revealing that &quot;canonical authority&quot; is &quot;anachronistic.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269383">
    <dcterms:title><![CDATA[The Pardoners Tale, The Frankeleyns Tale, The Nonne Preestes Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Middle English reading of PardPT (6.327-966), FranPT (complete), and NPT (complete), with introductory notes by Derek Brewer in accompanying booklet. Read by Richard Bebb; edited by Sarah Butcher. Recorded at Motivation Sound Studios, London.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269382">
    <dcterms:title><![CDATA[Perception du Moyen Âge au cinéma Mises en scène des Canterbury Tales de Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Blandeau explores how three films capture the spirit if not the letter of CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269381">
    <dcterms:title><![CDATA[Critical Companion to Chaucer: A Literary Reference to His Life and Work]]></dcterms:title>
    <dcterms:description><![CDATA[Revised, expanded version of the author&#039;s &quot;Chaucer A to Z. The Essential Reference to His Life and Works&quot; (1999; SAC 23 [2001], no. 5), with a more extensive biographical introduction to Chaucer, critical summaries of each of his works, and a more comprehensive survey of encyclopedic entries on Chaucerian topics. Appendices include a dateline, a list of works, a map of the Canterbury route, a brief bibliography, and an index to the volume.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269380">
    <dcterms:title><![CDATA[All Things Chaucer: An Encyclopedia of Chaucer&#039;s World. 2 vols. 1: A-J; 2: K-Z]]></dcterms:title>
    <dcterms:description><![CDATA[Nearly 200 encyclopedia entries on wide-ranging topics, allusions, and sociohistorical contexts, many with illustrations and all with suggestions for further reading. Does not include entries for individual works by Chaucer but surveys them in the biographical introduction, which is printed in each volume. The second volume includes appendices: genealogy of Edward III, map of the route from London to Canterbury, bibliography, and comprehensive index.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269379">
    <dcterms:title><![CDATA[A Companion to Medieval English Literature and Culture, c.1350-c.1500]]></dcterms:title>
    <dcterms:description><![CDATA[Thirty-eight essays by various authors, arranged in seven subheadings: &quot;Overviews&quot;; &quot;The Production and Reception of Texts&quot;; &quot;Language and Literature&quot;; &quot;Encounters with Other Cultures&quot;; &quot;Special Themes&quot;; &quot;Genres&quot;; &quot;and Readings.&quot; Each essay includes suggestions for further reading, and the volume is indexed. Includes recurrent references to Chaucer; for two essays that pertain to Chaucer, search for Companion to Medieval English Literature and Culture under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269378">
    <dcterms:title><![CDATA[Middle English : Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[A discursive bibliography of Chaucer studies for 2005, divided into four subcategories: general, CT, TC, and other works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269377">
    <dcterms:title><![CDATA[An Annotated Chaucer Bibliography, 2005]]></dcterms:title>
    <dcterms:description><![CDATA[Continuation of SAC annual annotated bibliography (since 1975); based on contributions from an international bibliographic team, independent research, and MLA Bibliography listings. 333 items, plus listing of reviews for 85 books. Includes an author index.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269376">
    <dcterms:title><![CDATA[The Pardoner in Canterbury: Class, Gender, and Urban Space in the Prologue to the Tale of Beryn]]></dcterms:title>
    <dcterms:description><![CDATA[Sturges assesses the Pardoner and Kit from the Prologue to Beryn as &quot;comic critiques&quot; of fifteenth-century urban concerns about class and gender. Three metaphors define urban space in the narrative: cathedral, walls, and tavern.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269375">
    <dcterms:title><![CDATA[London and Money: Chaucer&#039;s &#039;Complaint to His Purse&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s begging poem reflects his anxieties about money within the complex moneyed economy of fourteenth-century London. Reprinted in Scattergood&#039;s Occasions for Writing: Essays on Medieval and Renaissance Literature, Politics, and Society (Portland, Ore.: Four Courts, 2010).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269374">
    <dcterms:title><![CDATA[Lyrics and Short Poems]]></dcterms:title>
    <dcterms:description><![CDATA[Holsinger explores each of Chaucer&#039;s lyrics and short poems, explicating tensions of form and theme and explaining Chaucer&#039;s &quot;cagey manipulation&quot; of metrical and lyric conventions - English, French, and Italian. Rarely an inventor, Chaucer was a lyric innovator who experimented with relationships between emotion and form.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269373">
    <dcterms:title><![CDATA[Medieval Lyric: Middle English Lyrics, Ballads, and Carols]]></dcterms:title>
    <dcterms:description><![CDATA[A classroom anthology with notes, marginal glosses, introductions, bibliographical citations, and occasional illustrations. Fifty poems arranged by topic into ten categories, with three appendices of additional poems, including one appendix titled &quot;Some Lyrics of Geoffrey Chaucer.&quot; Includes Truth, Purse, Ros, Sted, Adam, and two lyrics embedded in narratives (MLT 2.841-54 and MerT 4.2138-48).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269372">
    <dcterms:title><![CDATA[Forms of Standardization in Terms for Middle English Lyrics in the Fourteenth Century]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the terms - &quot;song,&quot; &quot;dite,&quot; &quot;tretyse,&quot; etc. - used for short poems in Middle English, including terms in Chaucer&#039;s works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269371">
    <dcterms:title><![CDATA[&#039;Thus gan he make a mirour of his mynde&#039; . . . Marges, marginalité, et jeux optiques dans le Livre I du Troilus and Criseyde de Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Yvernault explores the relationships among marginal spaces, architectural frames, sense, and self-assertion.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269370">
    <dcterms:title><![CDATA[Espaces réels, espaces imaginaires dans le Troilus and Criseyde de Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the metaphors of space and architecture in relation to textual construction in TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269369">
    <dcterms:title><![CDATA[Troilus and Criseyde: Love in a Manner of Speaking]]></dcterms:title>
    <dcterms:description><![CDATA[Windeatt assesses the uncertainties and experiences of love in TC and considers aspects of Chaucer&#039;s humanism and experimentalism. Rather than condemning worldly love, TC explores its many variations.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269368">
    <dcterms:title><![CDATA[Troilus and Criseyde]]></dcterms:title>
    <dcterms:description><![CDATA[Book-by-book examination of TC, with consistent concern for the characters (especially Criseyde) and the construction of their subjectivities. Summit explores the poem&#039;s ongoing concern with how textuality and literary transmission are deeply related to issues of sexuality and the inner lives of people.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269367">
    <dcterms:title><![CDATA[Cousin to Fortune: On Reading Chaucer&#039;s Criseyde]]></dcterms:title>
    <dcterms:description><![CDATA[Sell identifies &quot;verbal parallels&quot; and &quot;ontological similarities&quot; between Criseyde and Chaucer&#039;s version of Boethius&#039;s Fortune. Association with Fortune undermines &quot;sentimental views of Criseyde&quot; that Chaucer the narrator may share though Chaucer himself may not.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269366">
    <dcterms:title><![CDATA[Love and the Making of the Self : Troilus and Criseyde]]></dcterms:title>
    <dcterms:description><![CDATA[Saunders traces elements of Chaucer&#039;s &quot;rarefied treatment of love&quot; to Marie de France, Chrétien de Troyes, troubadours, trouvères, and Ovid, arguing that Chaucer developed a notion of &quot;fin&#039; amors&quot; to treat philosophical questions as well as the comic aspects of love. Criseyde is the &quot;central enigma&quot; of TC, but Troilus&#039;s experience as lover shapes the narrative, incapacitates him, and offers him a near mystical experience. Criseyde&#039;s perspective is &quot;more pragmatic and perhaps ultimately more tragic.&quot; Also considers Pandarus&#039;s disturbing role, the narrator&#039;s partiality for Criseyde, and Boethian philosophical ideas.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269365">
    <dcterms:title><![CDATA[Casting Light on Clandestine Marriage in Il Filostrato]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that, despite critics&#039; dismissal of the idea, a clandestine marriage is as likely in Boccaccio&#039;s &quot;Il Filostrato&quot; as in TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269364">
    <dcterms:title><![CDATA[Apollo&#039;s Holy Laurel: Troilus and Criseyde III, 542-43]]></dcterms:title>
    <dcterms:description><![CDATA[Troilus&#039;s reference to Apollo speaking &quot;out of a tree&quot; (TC 3.543) is likely not a reflection of Chaucer&#039;s misunderstanding Ovid. Numerous authors Chaucer may have read, including Bartholomaeus Anglicus, provide grounds for the conclusion that the oracle of Apollo was expressed through a laurel tree.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269363">
    <dcterms:title><![CDATA[Chaucer&#039;s Poetics of Dwelling in Troilus and Criseyde]]></dcterms:title>
    <dcterms:description><![CDATA[Troy is insistently present in TC as a model of subjective citymaking.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269362">
    <dcterms:title><![CDATA[The Structure of Chaucer&#039;s Ambiguity with a Focus on Troilus and Criseyde 5.1084]]></dcterms:title>
    <dcterms:description><![CDATA[Briefly sketches the methodology of Nakao&#039;s 2004 study The Structure of Chaucer&#039;s Ambiguity, proposes a framework to describe how Chaucer&#039;s ambiguity may occur, and examines TC 5.1084 within that framework.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269361">
    <dcterms:title><![CDATA[&#039;O brotel wele of mannes joie unstable!&#039;: Gender and Philosophy in Troilus and Criseyde]]></dcterms:title>
    <dcterms:description><![CDATA[Explores Criseyde&#039;s &quot;Boethian pragmatism&quot; and her agency in TC, considering how they conflict with social gender-based social constraints and the constraints of the romance genre. The &quot;incompatibility of Boethian philosophy and the romance genre result in Criseyde&#039;s exclusion from the poem&#039;s ending.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269360">
    <dcterms:title><![CDATA[The Tragic Argument of Troilus and Criseyde]]></dcterms:title>
    <dcterms:description><![CDATA[Morgan contends that TC is coherent; it has no sudden reversals, palinodes, or &quot;unresolved dialectics.&quot; He discourages attention to Andreas Capellanus&#039;s theory of courtly love and encourages viewing TC in light of Dante&#039;s &quot;Commedia,&quot; demonstrating the latter&#039;s central importance in understanding key aspects of TC. Further, Morgan argues, the presence of Boccaccio&#039;s &quot;Il Filostrato&quot; is felt in every stanza, negating any need for critical concern with &quot;medievalisation&quot; in Chaucer&#039;s art. Above all, TC develops an argument that reflects medieval theological, philosophical, and ethical ideas.]]></dcterms:description>
</rdf:Description></rdf:RDF>