<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271653">
    <dcterms:title><![CDATA[Geoffrey Chaucer (c1343-1400)]]></dcterms:title>
    <dcterms:description><![CDATA[A series of interlinked webpages that pertain to the study of Chaucer, including works, biography, selected quotations, audio clips, images, and a variety of essays and studies, including web-published student essays, external links, and more. Much of the material is reprinted, interspersed with original commentary.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267728">
    <dcterms:title><![CDATA[Geoffrey Chaucer (ca. 1342-1400)]]></dcterms:title>
    <dcterms:description><![CDATA[Addressed to high school students. Surveys Chaucer&#039;s life and works, with emphasis on CT, emphasizing Chaucer&#039;s counterpoint between romance and realism.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269080">
    <dcterms:title><![CDATA[Geoffrey Chaucer (ca. 1342-1400)]]></dcterms:title>
    <dcterms:description><![CDATA[An introduction to Chaucer and his works, with attention to his sources and influences. Includes a brief bibliography.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271144">
    <dcterms:title><![CDATA[Geoffrey Chaucer [c. 1340-1400]: The Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Summarizes Chaucer&#039;s life and the plot and themes of CT; then gives &quot;something of the flavor&quot; of the CT by assessing the theological perspectives of pilgrims from differing social classes, treating KnT, WBP, PardPT, and NPT. Closes with a description of the &quot;critical reception&quot; of Chaucer, focusing on how he has been the &quot;victim&quot; of &quot;ideological criticism,&quot; particularly efforts to &quot;de-Christianize&quot; him by secular humanists.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270120">
    <dcterms:title><![CDATA[Geoffrey Chaucer and &quot;The Canterbury Tales.&quot;<br />
Chaucer: Road to Canterbury.]]></dcterms:title>
    <dcterms:description><![CDATA[Introduction to late medieval social and literary history, focusing on Chaucer. Illustrated with modern footage and reproductions from medieval life and narrated by Peter Morgan Jones. Interspersed with portions of an interview with Terry Jones that emphasizes Chaucer&#039;s biography and the possibility that Chaucer was executed in 1402 by direction of Archbishop Arundel.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274997">
    <dcterms:title><![CDATA[Geoffrey Chaucer and Dante Alighieri.]]></dcterms:title>
    <dcterms:description><![CDATA[Audio recording of a lecture that aligns the achievements of Dante and Chaucer, focusing on their attention to individuals and uses of their vernacular languages. The discussion of CT emphasizes Chaucer&#039;s social variety as it contrasts traditional notions of the three estates. An accompanying booklet includes excerpts from the lecture (pp. 127–33).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266626">
    <dcterms:title><![CDATA[Geoffrey Chaucer and Middle English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Introduces the themes and genres of major works of Middle Engish, with special emphasis on Chaucer and CT.  Narrated by Protase Woodford; produced by Stephen Mantell.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267005">
    <dcterms:title><![CDATA[Geoffrey Chaucer and Other Contributors to the Treatise on the Astrolabe]]></dcterms:title>
    <dcterms:description><![CDATA[The status of Astr as an unfinished scientific treatise encouraged its manuscript compilators to finish or add to it in a number of ways: responding to the descriptive prologue included by Chaucer, adding to or reordering its materials, and placing it in various kinds of assemblage.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268643">
    <dcterms:title><![CDATA[Geoffrey Chaucer and the Cosmic Text : Rejecting Analogy]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses Nicholas&#039;s manipulation of language and signs in MilT as Chaucer&#039;s embedded analysis of typological or analogical thinking. The references to mystery plays in MilT counterpoint the &quot;poetics of a trickster clerk&quot; whose manipulations embody a challenge to analogical thinking.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261441">
    <dcterms:title><![CDATA[Geoffrey Chaucer and the Equatorie of the Planetis]]></dcterms:title>
    <dcterms:description><![CDATA[The Cambridge, Peterhouse MS.75.I, containing Equat, is a Chaucer holograph, perhaps the author&#039;s rough draft, since it contains copious revisions, both in content and style.  The manuscript&#039;s notation, &quot;Radix chaucer,&quot; was also written by the poet, referring to the precise date of his calculations.  Spelling and punctuation consistent with Hengwrt and Ellesmere confirm Chaucer&#039;s authorship.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266657">
    <dcterms:title><![CDATA[Geoffrey Chaucer and the Manuscripts of &#039;The Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Describes uncertainties related to the manuscripts of CT and surveys critical efforts to resolve them--uncertainties about the state of Chaucer&#039;s papers at the time of his death and the circulation of tales before his death, the order and authenticity of the tales, and the dates and chronological sequence of the manuscripts.  Argues that Hengwrt and perhaps other manuscripts should be dated before Chaucer&#039;s death in 1400, suggesting that the author may have overseen revision of the works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265239">
    <dcterms:title><![CDATA[Geoffrey Chaucer and the Medieval Science: Centered upon &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys Chaucer&#039;s use of astrological, alchemical, and physiognomic details as devices of narration and characterization.]]></dcterms:description>
    <dcterms:description><![CDATA[In Korean with English abstract.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269815">
    <dcterms:title><![CDATA[Geoffrey Chaucer and the Mother Tongue, 1387]]></dcterms:title>
    <dcterms:description><![CDATA[Appreciative commentary on CT. Chaucer&#039;s &quot;cheery and companionable writing&quot; in the vernacular &quot;sets out the ideas&quot; for the rest of Lacey&#039;s volume of anecdotal history.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269821">
    <dcterms:title><![CDATA[Geoffrey Chaucer and the Poetics of Disguise]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies how and where Chaucer&#039;s poetry engages contemporary society and politics, as well as how it adjusts to changes in these arenas. As a court poet, Chaucer was knowledgeable about worldly affairs but unwilling to comment or criticize openly. Close reading of BD, HF, and PF shows how Chaucer used the dream-vision form to speak out &quot;without seeming to.&quot; In TC, LGW, and Anel, he used &quot;the distant past as a cover for his reflections on his own time.&quot;]]></dcterms:description>
    <dcterms:description><![CDATA[Developing &quot;new forms of disguises&quot; in CT, he strove to avoid censure while commenting on courtly imbroglios and general ethical concerns. Quinn discusses several of Chaucer&#039;s short poems (especially Pity, Mars, Purse, and the Boethian poems) and comments on the chronological development of Chaucer&#039;s &quot;poetics of disguise.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271280">
    <dcterms:title><![CDATA[Geoffrey Chaucer and the Prologue to the Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; cited in WorldCat.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273501">
    <dcterms:title><![CDATA[Geoffrey Chaucer av. 1346 –v. 1400.]]></dcterms:title>
    <dcterms:description><![CDATA[Reviews issues of justice in Sted and explores how Chaucer&#039;s irony reveals his bias against medieval judicial practices in ABC. Also, questions the relationship among Church/Rome/nation, political vs. religious law(s), and ascending vs. descending authority in the language of MLT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275570">
    <dcterms:title><![CDATA[Geoffrey Chaucer et le dédale de Renommée.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores Chaucer&#039;s uses of &quot;fama,&quot; perhaps reflecting his ambiguous relationship with the concept. At times, he seems to switch from desire of acknowledgment to a more bitter view.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276720">
    <dcterms:title><![CDATA[Geoffrey Chaucer Goes to School.]]></dcterms:title>
    <dcterms:description><![CDATA[Excerpts and re-titles a portion of chapter two of Chute&#039;s 1946 &quot;Geoffrey Chaucer on England,&quot; describing the nature of Chaucer&#039;s education and the books he likely encountered in his early studies.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270716">
    <dcterms:title><![CDATA[Geoffrey Chaucer Hath a Blog: Medieval Studies and the New Media]]></dcterms:title>
    <dcterms:description><![CDATA[An eclectic collection of materials related to new-media play that focuses on Chaucer, including the following: a faux poem by &quot;John Gower&quot;; an introduction, by Bonnie Wheeler, to play and parody among medievalists at the conferences of the Medieval Institute; Bryant&#039;s brief history of his blog, &quot;Geoffrey Chaucer Hath a Blog&quot;; Jeffrey Jerome Cohen&#039;s description of the playful presence of medieval studies in the new media; and a &quot;comic diary&quot; by Robert W. Hanning of his own parodies, limericks, snipes, etc., written in playful response to academic seriousness. The bulk of the volume is an anthology of the &quot;key 2006-2009 postings&quot; from the Chaucer blog, slightly revised, plus a new expansion of an account of Chaucer&#039;s visit (with Richard II) to the United States.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276082">
    <dcterms:title><![CDATA[Geoffrey Chaucer in Context.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes fifty brief essays that offer &quot;historical and conceptual information and perspectives&quot; to aid in understanding Chaucer&#039;s works: J. A. Burrow, &quot;What Was Chaucer Like?&quot;; Andrew Galloway, &quot;Chaucer&#039;s Life and Literary &#039;Profession&#039;&quot;; Jeremy J. Smith, &quot;Chaucer&#039;s Linguistic Invention&quot; and &quot;Chaucer and London English&quot;; Rhiannon Purdie, &quot;Manuscripts and Manuscript Culture&quot;; Wendy Scase, &quot;Chaucer&#039;s Books&quot; and &quot;Chaucer&#039;s Competitors&quot;; Mishtooni Bose, &quot;Authority&quot;; Ian Johnson, &quot;Literary Theory and Literary Roles&quot;; Ad Putter, &quot;Metre and Versification&quot;; Sarah James, &quot;Dialogue&quot;; Stephen H. A. Shepherd, &quot;Romance&quot;; Corinne Saunders, &quot;Love&quot;; Vincent Gillespie, &quot;Chaucer and the Classics&quot;; Stephanie A. Viereck Gibbs Kamath, &quot;The French Context&quot;; K. P. Clarke, &quot;The Italian Tradition&quot;; Marion Turner, &quot;The English Context&quot;; Tim William Machan, &quot;Boethius&quot;; Ryan Perry, &quot;Chaucer&#039;s God&quot;; Marlene Villalobos Hennessy, &quot;Holiness&quot;; Alastair Minnis, &quot;Secularity&quot;; Valerie Allen, &quot;The Self &quot;; Rosalynn Voaden, &quot;Women&quot;; Bruce Holsinger, &quot;Sex and Lust&quot;; Gillian Rudd, &quot;Animals in Chaucer&quot;; Nicholas Orme, &quot;Childhood and Education&quot;; Stephen Penn, &quot;Philosophy&quot;; Seb Falk, &quot;The Medieval Universe&quot;; Samantha Katz Seal, &quot;Medicine and the Mortal Body&quot;; Richard W. Ireland, &quot;The Law&quot;; Julian Luxford, &quot;Art&quot;; Richard Fawcett, &quot;Architecture&quot;; Katie Stevenson, &quot;Heraldry, Heralds and Chaucer&quot;; John H. Arnold, &quot;Dissent and Orthodoxy&quot;; Rob Lutton, &quot;The Church, Religion and Culture&quot;; Anne Curry, &quot;England at Home and Abroad&quot;; Anthony Bale, &quot;Chaucer&#039;s Borders&quot;; Chris Given-Wilson, &quot;Rank and Social Orders&quot;; Craig Taylor, &quot;Chivalry&quot;; Gwilym Dodd, &quot;Chaucer and the Polity&quot;; Christopher Dyer, &quot;The Economy&quot;; Mark Bailey, &quot;Towns, Villages and the Land&quot;; John J. Thompson, &quot;Chaucer&#039;s London: A Psychogeography&quot;; Wendy Childs, &quot;Everyday Life&quot;; Peter Fleming, &quot;Household and Home&quot;; Sally Dixon-Smith, &quot;Marriage&quot;; Laura F. Hodges, &quot;Dress&quot;; Robert J. Meyer-Lee, &quot;The First Chaucerians: Reception in the 1400s&quot;; Alex Davis, &quot;The Reception of Chaucer in the Renaissance&quot;; Bruce E. Graver, &quot;The Reception of Chaucer from Dryden to Wordsworth&quot;; David Matthews, &quot;The Reception of Chaucer from the Victorians to the Twenty-First Century&quot;; and Stephen Kelly, &quot;Cyber-Chaucer.&quot; The volume includes an index and offers suggestions for further reading for each essay.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273718">
    <dcterms:title><![CDATA[Geoffrey Chaucer on the Subject of Men, Women, Marriage, and &quot;Gentilesse.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Considers &quot;gentilesse&quot; (the &quot;quality that makes human relationships most proper and ennobling&quot;) to be the main theme of the &quot;Marriage Group&quot; in CT, commenting on the virtue as it is presented in Mel, NPT, WBPT, ClT, MerT, and FranT, and exploring its relations with sovereignty in marriage.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271645">
    <dcterms:title><![CDATA[Geoffrey Chaucer Website]]></dcterms:title>
    <dcterms:description><![CDATA[A series of interlinked webpages that provides a variety of texts, translations, glossaries, selected essays and graphics, instructional aids, and supporting information about language, analogues, social conditions, and other backgrounds to Chaucer&#039;s works. Focuses on CT, but involves a wide range of Middle English texts. Originally designed for classroom use at Harvard University and for self-instruction. Includes a link to Derek Pearsall&#039;s &quot;Thirty-Year Working Bibliography for Chaucer and Middle English Literature, 1970-2000.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269804">
    <dcterms:title><![CDATA[Geoffrey Chaucer y el mecenazgo femenino en la corte inglesa bajomedieval]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Chaucer&#039;s works, particularly BD and LGW, in connection to female patronage networks in the late fourteenth century in England, France, and the Iberian Peninsula. Argues that the new cultural and political role of many aristocratic women had an impact on Chaucer&#039;s depiction of female characters and amorous subjects.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263676">
    <dcterms:title><![CDATA[Geoffrey Chaucer--Der Dichter der Liebe]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer explores complex psychology of love in TC and CT, juxtaposing carnal with spiritual, crude with refined, translating the ideal into the everyday, synthesizing French and Italian traditions.]]></dcterms:description>
    <dcterms:description><![CDATA[In German. Also printed in Rita Schober, Realismus und Literarische Kommunikation (Berlin: Akademie-Verlag, 1985), pp. 61-77.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264900">
    <dcterms:title><![CDATA[Geoffrey Chaucer, &#039;Die Erzahlung des Nonnenpriesters&#039;: Zeilenkommentar]]></dcterms:title>
    <dcterms:description><![CDATA[A line-by-line commentary on NPT reveals that the primary difficulties of the poem are not linguistic, but lie rather in the tremendous range of subjects from which Chaucer draws in the work:  medicine, theology, astrology, and music, among others.]]></dcterms:description>
</rdf:Description></rdf:RDF>
