<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270558">
    <dcterms:title><![CDATA[Chaucer, Geoffrey (1344?-1400)]]></dcterms:title>
    <dcterms:description><![CDATA[Summary of Chaucer&#039;s life and poetic career, emphasizing his familiarity with a &quot;world of noble and festive pageantry&quot; and the &quot;traditional customs&quot; alluded to in his poetry.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270557">
    <dcterms:title><![CDATA[Birthday Letters.]]></dcterms:title>
    <dcterms:description><![CDATA[A series of husband-to-wife [Hughes to Sylvia Plath] love poems in free verse, including two poems that refer to Chaucer: &quot;St Botolph&#039;s&quot; (pp. 14-15) which connects Chaucer with Dante and astrology, and &quot;Chaucer&quot; (pp. 51-52) which commemorates a declamation of Chaucer&#039;s poetry [by Plath] to a &quot;field of cows.&quot; Another poem, &quot;Remission&quot; (109-10) refers to the &quot;Wfy of Bath.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270556">
    <dcterms:title><![CDATA[Romancing the Goddess: Three Middle English Romances about Women]]></dcterms:title>
    <dcterms:description><![CDATA[Anthologizes three Middle English &quot;woman-centered&quot; romances--&quot;Emaré,&quot; &quot;Le Bone Florence of Rome&quot; (Part 2), and MLT--in rhymed modern English, and discusses their common theme of castaway queens, their sources and analogues, and modern reflexes of the motif of the &quot;Goddess of the Human Dawn.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270555">
    <dcterms:title><![CDATA[Justifying Love: The Classical &#039;Rucusatio&#039; in Medieval Love Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on &quot;recusatio&quot; (&quot;&#039;refusal&#039; to obey&quot;) as a rhetorical device used in classical tradition to justify the &quot;poetic legitimacy of amatory subjects&quot; and broadened in medieval tradition to enable &quot;new types of courtly literature emphasizing private and secular experience.&quot; Discusses examples in works by Propertius, Ovid, troubadour poets, Chrétien de Troyes, Boccaccio, and Chaucer in TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270554">
    <dcterms:title><![CDATA[Making Sense of Medieval Culinary Records: Much Done, But Much More to Do]]></dcterms:title>
    <dcterms:description><![CDATA[Corrects a number of misconceptions about medieval recipes and includes clarification of the meaning of &quot;gyngebreed&quot; in Th (CT 7.854).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270553">
    <dcterms:title><![CDATA[&#039;Femme sole&#039; and mercantile writing in late medieval England]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the social and economic status of the &quot;femme sole&quot; in late medieval England, and discusses the role of the figure in select Paston letters, the Book of Margery Kempe, and CT, particularly the Guildsmen, the WBPT, MerT, ShT, and the Host/Pardoner altercation at the end of PardT. Includes an appendix of texts that define the &quot;femme sole.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270552">
    <dcterms:title><![CDATA[Las &#039;Sententiae&#039; en Don Juan Manuel y Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Tallies instances where Mel shares lexical similarities with several of the exempla in Juan Manuel&#039;s &quot;El Conde Lucanor,&quot; especially in proverbs.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270551">
    <dcterms:title><![CDATA[Un Análogo Español para un Cuento de Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Presents evidence that Juan Manuel&#039;s &quot;El Conde Lucanor&quot; 50 is an analogue to WBT, focusing primarily on their parallel structures as exempla.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270550">
    <dcterms:title><![CDATA[Thomas Usk&#039;s &#039;Perdurable Letters&#039;: The &#039;Testament of Love&#039; from Script to Print]]></dcterms:title>
    <dcterms:description><![CDATA[Working from the editions by Thynne and Skeat, Middleton seeks to correct the text of Usk&#039;s &quot;Testament of Love&quot; (first printed by Thynne as Chaucer&#039;s), particularly its misplaced portions in Book 3. Makes several suggestions about the nature of the lost manuscript, and includes recurrent attention to the acrostic of the initial letters of each chapter and Usk&#039;s &quot;tribute to Chaucer.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270549">
    <dcterms:title><![CDATA[Contes de Canterbury]]></dcterms:title>
    <dcterms:description><![CDATA[Listed in WorldCat as a Spanish translation of CT. Volume not seen.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270548">
    <dcterms:title><![CDATA[Looking for Love in All the Wrong Places: Henryson&#039;s &#039;TheTestament of Cresseid&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Henryson&#039;s &quot;Testament of Cresseid&quot; is fundamentally Boethian in its castigation of &quot;inconstant Venereal love,&quot; and suggests that Henryson links his poem to TC in order to &quot;underscore the Boethian view of love.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270547">
    <dcterms:title><![CDATA[Teaching Medieval Literature in a Museum]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the pedagogical use of museum objects (from the Snite Museum of Art at the University of Notre Dame) in support of a Freshman Seminar in medieval literature, with particular focus on CT, Santiago de Compostela, and pilgrimage.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270546">
    <dcterms:title><![CDATA[Old and Middle English Texts with Accompanying Textual and Linguistic Apparatus]]></dcterms:title>
    <dcterms:description><![CDATA[A pedagogical anthology designed for use in classes on the History of the English Language.  The materials that pertain to Chaucer (pp. 81-115) include Bo 2m5 (&quot;The Former Age&quot;), a guide to pronunciation, lines 1-42 of GP, and PardPT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270545">
    <dcterms:title><![CDATA[The Wife of Bath&#039;s Prologue and Tale from The Canterbury Tales by Geoffrey Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Middle English edition of WBPT and GP description of the Wife of Bath, with end-of-text notes and glossary. The Introduction (pp. 1-32) discusses sources, the relation of WBP to WBT, themes, etc. Includes Chaucer&#039;s Gent and a selection from &quot;Theophrastus on Marriage&quot; as appendices. First edition published in 1965.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270544">
    <dcterms:title><![CDATA[Narrative Fiction: An Introduction and Anthology]]></dcterms:title>
    <dcterms:description><![CDATA[Pedagogical anthology designed to demonstrate the range of narrative fiction:  ancient and modern; eastern and western; short stories, novels, and their predecessors in myth, epic, romance, tales, and narrative poetry. Includes Theodore Morrison&#039;s verse translation of NPT (pp. 216-33) as an example of a &quot;Literary Tale,&quot; with a brief introduction and study questions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270543">
    <dcterms:title><![CDATA[The Seven Deadly Sins: Society and Evil]]></dcterms:title>
    <dcterms:description><![CDATA[Studies the &quot;sociology of evil,&quot; organizing the discussion by the traditional Seven Deadly Sins and exploring social, psychological, historical, legal, and political concepts of evil. The section on pride includes &quot;A Medieval Excursus: Chaucer&#039;s &#039;Parson&#039;s Tale&#039; and the Waste and Obscenity in Prideful Dress&quot; (pp. 143-49); Lyman elsewhere refers to the Parson&#039;s comments on sloth.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270542">
    <dcterms:title><![CDATA[Five Hundred Years of English Poetry: Chaucer to Arnold]]></dcterms:title>
    <dcterms:description><![CDATA[Selections from the works of twenty-two English poets, accompanied by brief introductions and notes, with a glossary of poetic terms and first-line index.  The section pertaining to Chaucer (pp. 17-104) includes GP, WBPT, PardPT, and NPPT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270541">
    <dcterms:title><![CDATA[Chaucer and the Middle Ages]]></dcterms:title>
    <dcterms:description><![CDATA[Social history of late-medieval England, designed for adolescents, including discussion of Chaucer as &quot;royal servant,&quot; poet, and &quot;father of the English language&quot; (pp. 1-9). Recurrent mention of Chaucer in subsequent discussions of historical topics. Color illustrations by John James.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270540">
    <dcterms:title><![CDATA[On a Theme of Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Eight-line lyric poem that alludes to religion and the telling of tales.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270539">
    <dcterms:title><![CDATA[Literary Laughter: Being a Treasury of Comic Writings by Chaucer, Shakespeare, Twain, and Dickens]]></dcterms:title>
    <dcterms:description><![CDATA[An anthology of comic selections, including (pp. 9-17) the Nevill Coghill translation the GP description of the Wife of Bath and selections from WBP, with a brief introduction. The volume includes a commentary on literary humor, illustrations by Quinn Hawkesworth, and culinary recipes from the &quot;literary time period&quot; of each of the four authors, including &quot;Chaucer&#039;s Madrigal Dinner&quot; (pp. 59-66).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270538">
    <dcterms:title><![CDATA[The Love Knot]]></dcterms:title>
    <dcterms:description><![CDATA[Historical novel about the lives of Philippa de Roet and her sister Katherine, focusing on their relations with Chaucer, John of Gaunt, and the English court circles.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270537">
    <dcterms:title><![CDATA[&#039;The Pardoner&#039;s Tale: An Unholy Mess?]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies three &quot;sections&quot; of PardT (the &quot;pulpit-thumping,&quot; the &quot;story-telling,&quot; and the &quot;sales talk,&quot; arguing that their apparent disunity is resolved by the character and purpose of the Pardoner.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270536">
    <dcterms:title><![CDATA[Narrative Techniques in Chaucer&#039;s &#039;Pardoner&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the &quot;economy and pace, characterization, style, and plot-form&quot; of PardT, comparing it with folk-tales, and summarizes the narrative functions of the &quot;digression&quot; on vice (6.485-660).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270535">
    <dcterms:title><![CDATA[The Pardoner as Preacher]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the rhetorical power of PardT in light of the conventions and stylistic features of medieval sermons. The Pardoner adheres to most conventions effectively, but his &quot;delight in his own powers of persuasion and the purpose of his preaching&quot; are &quot;clearly at odds&quot; with sermon making.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270534">
    <dcterms:title><![CDATA[The True Morality of &#039;The Pardoner&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Describes how the PardPT together work to convey the message that the Pardoner does more good than he intends.]]></dcterms:description>
</rdf:Description></rdf:RDF>