<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267745">
    <dcterms:title><![CDATA[From the Many to the One: Chaucer&#039;s Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[In CT, Chaucer uses prologues to achieve great diversity, displacing himself with other narrators. He develops a counter movement in his epilogues, in which the conventions of religious epilogues communicate, however tenuously, a unified religious worldview.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268864">
    <dcterms:title><![CDATA[From the Sale Catalogue of the Library of Samuel Rogers]]></dcterms:title>
    <dcterms:description><![CDATA[Lot 1543 is &quot;Chaucer (black letter): printed by Wyllyam Bonham, at the sign of the Reed [sic] Lyon,&quot; given to Rogers (1763 - 1855) by his friend Horne Tooke.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268771">
    <dcterms:title><![CDATA[From the Vormarz to the Empire : The Socio-Political Context of the Golden Age of German Chaucer Scholarship]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the socio-political assumptions and implications of mid-nineteenth-century German study of Chaucer, especially pre-academic translations and commentary.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275061">
    <dcterms:title><![CDATA[From There: Some Thoughts on Poetry &amp; Place.]]></dcterms:title>
    <dcterms:description><![CDATA[Cites and quotes a portion of Dorigen&#039;s &quot;song&quot; in FranT 4.857-94 as an early, pre-Romantic lyrical example of the &quot;&#039;Crossing Brooklyn Ferry&#039; effect&quot; in poetry, a trope by which reference to a physical space links the inner concerns of multiple people.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270576">
    <dcterms:title><![CDATA[From Three Respectable Horses&#039; Mouths: Metonymy and Conventionalization in a Diachronically Differentiated Data Base]]></dcterms:title>
    <dcterms:description><![CDATA[Uses data from Aelfric, Chaucer, and Shakespeare to demonstrate how metonymy &quot;works as a tool for meaning extension in a diachronically diverse data base,&quot; arguing that there is &quot;something of a metonymy-metaphor continuum&quot; and a complex relation between metonymy and conventionalization. The data (including 26 examples from Chaucer), are all concerned with &quot;linguistic action&quot; and involve the word &quot;mouth&quot; or its equivalent.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274848">
    <dcterms:title><![CDATA[From Tower to Bower: Constructions of Gender, Class, and Architecture in Middle English Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers &quot;the trope of the female body entowered&quot; in selected romances and lyrics, BD, and the Paston letters.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269793">
    <dcterms:title><![CDATA[From Translator to Laureate: Imagining the Medieval Author]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys medieval  notions of authorship from the twelfth century to the late fifteenth century, commenting on topics such as anonymity, laureateship, Mandeville&#039;s &quot;Travels,&quot; &quot;The Cloud of Unknowing,&quot; &quot;The Book of Margery Kempe,&quot; and the development of a modern idea of authorship in early print culture. Recurrent and sustained attention to Chaucer&#039;s works and to reception of them.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271531">
    <dcterms:title><![CDATA[From Trevet to Gower and Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer and Gower both adapted the story of Constance from the Anglo-Norman chronicle of Trevet. A comparison of the proper names, institutional terms, and speeches shows that Gower closely follows Trevet while Chaucer modifies the story in MLT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268375">
    <dcterms:title><![CDATA[From Twelve Devouring Dragons to the Develes Ers: The Medieval History of an Apocryphal Punitive Motif]]></dcterms:title>
    <dcterms:description><![CDATA[Traces the history of the motif of infernal punishment in the devil&#039;s anus, suggesting that the earliest evidence of the motif is found in the &quot;Seven Heavens Apocryphon&quot; of Irish visionary tradition and that Chaucer&#039;s use of the motif in SumP derives from this tradition, perhaps inflected by the &quot;Visio sancti Pauli.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275218">
    <dcterms:title><![CDATA[Frontières d&#039;un genre aux frontiers d&#039;une langue: Ballades typiques et atypiques d&#039;Eustache Deschamps, John Gower et Geoffrey Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Traces changes in the putatively fixed form of the balade as used by Eustache Deschamps, John Gower, Chaucer, and others, commenting on variations in number of stanzas, rhyme schemes, the inclusion of envoys, etc. Includes comments on Ven, For, Ros, Wom Nob, Truth, Gent, Sted, Scog, Buk, Purse, and &quot;Hyd Absolon&quot; embedded in LGW.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271716">
    <dcterms:title><![CDATA[Fruitfulness and Sterility in the &#039;Physician&#039;s&#039; and &#039;Pardoner&#039;s Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the complementary thematic interconnections of PhyT and PardPT (integrity and fraudulence, spiritual fertility and sterility, virtue and vice, defeat of death), reading their interdependence in light of ParsT and the section of the &quot;Roman de la Rose&quot; that underlies their juxtaposition in Part 6 of CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274938">
    <dcterms:title><![CDATA[Fruyt and Chaf: Studies in Chaucer&#039;s Allegories.]]></dcterms:title>
    <dcterms:description><![CDATA[Interprets BD and PF as allegories, offering &quot;An Approach to Medieval Poetry&quot; (pp. 3-31) as an introduction to exegetical or patristic criticism and a justification of the method. Explores the imagery, structures, ironic juxtapositions, and meanings of the two poems as, respectively, Christian consolation and a Christian alternative to worldly love.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273599">
    <dcterms:title><![CDATA[Fugitive Poetics in Chaucer&#039;s &quot;House of Fame.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that motion in HF is &quot;not the antithesis to form but its condition of possibility.&quot; Water imagery links Boethian &quot;enclynyng,&quot; the littoral &quot;field of sand&quot; that signals transition between Books I and II, and the eel-trap shape of the House of Rumor; Geffrey is a &quot;second Aeneas&quot; who is making literary tradition. Various puns (e.g., sand/sound, tides/tidings) and the &quot;anaphoric circles&quot; of repeated &quot;O&quot;s in lines 1961–76 engage formal and thematic concerns so that HF shares some formal features with Pearl and anticipates the restless poetics of CT. Includes 5 b&amp;w figures.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268941">
    <dcterms:title><![CDATA[Ful Pale Face : Agamben&#039;s Biopolitical Theory and the Sovereign Subject in Chaucer&#039;s Clerk&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[McClellan relates Giorgio Agamben&#039;s theory of the ambiguity of political sovereignty and his ideas on &quot;gesture&quot; and &quot;shame&quot; to Walter&#039;s sovereignty and Griselda&#039;s submission in ClT. Argues that these are key to understanding the Tale: &quot;The paradoxes of sovereignty, the medium of gesture, and the disarray of shame [are] the cruxes of a political allegory that has long disturbed and baffled readers.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269629">
    <dcterms:title><![CDATA[Funny Money: Puns and Currency in the Shipman&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Sheridan assesses the &quot;common logic&quot; of puns and money in ShT. Both pose the threat of vacuity--meaninglessness or lack of value--while simultaneously offering pleasure.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275661">
    <dcterms:title><![CDATA[Further Adventures of the Celestial Sleuth: Using Astronomy to Solve More Mysteries in Art, History, and Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes discussion of MerT that explains Chaucer&#039;s precision in using astronomical data for poetic purposes. Suggests that Chaucer used Alfonsine tables, and aligns the astronomical details and imagery of MerT with celestial events that occurred in April, May, and June of 1389.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274343">
    <dcterms:title><![CDATA[Further Aspects of Mutability in Chaucer&#039;s &quot;Troilus.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies two examples of the &quot;memento mori&quot; motif and two of &quot;ubi sunt&quot; in TC, three of these added by Chaucer to his material, and all of them contributing to the poem&#039;s dominant theme of the transitory nature of human love and life.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264596">
    <dcterms:title><![CDATA[Further Biblical Allusions for Chaucer&#039;s Prioress]]></dcterms:title>
    <dcterms:description><![CDATA[Madame Eglentyne&#039;s &quot;Amor vincit omnia,&quot; where we would expect &quot;Caritas vincit omnia,&quot; is used for ironic effect.  Since Paul defines &quot;caritas&quot; as the &quot;bond of perfection,&quot; Chaucer&#039;s use of the motto to bind together the Prioress&#039; rich beads is another element of parody.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268675">
    <dcterms:title><![CDATA[Further Evidence for Chaucer&#039;s Representation of the Pardoner as a Womanizer]]></dcterms:title>
    <dcterms:description><![CDATA[Details from a Latin flyting poem indicate that the Pardoner in GP is presented as an example of &quot;effeminizing heterosexuality.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271220">
    <dcterms:title><![CDATA[Further Investigation into the Scansion of Chaucer&#039;s Troilus and Criseyde: Revising the Scansion Dictionary of Chaucer&#039;s Troilus and Criseyde]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; reported in WorldCat.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277151">
    <dcterms:title><![CDATA[Further Notes on J. R. R. Tolkien&#039;s Photostats of &quot;The Equatorie of the Planetis&quot; (MS Peterhouse 75.I).]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies which folios of Cambridge, Peterhouse, MS 75.I are included (photostatic copies) in the Tolkien archive of Oxford, Bodleian Library, Tolkien VC 277, using the copies to assess Tolkien&#039;s possible assistance to Derek J. Price and R. M. Wilson in their 1955 Cambridge University Press edition of Equat and the putative attribution of Equat to Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273335">
    <dcterms:title><![CDATA[Further Puns from the &quot;Prologue&quot; and &quot;Tale&quot; of the Wife of Bath.]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses four sexual puns in WBPT: on purse/chest, candle-lighting, flour and grinding, and &quot;borel&quot; or coarse cloth.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263077">
    <dcterms:title><![CDATA[Further Reading: A Guide to Chaucer Studies]]></dcterms:title>
    <dcterms:description><![CDATA[Selective bibliography of materials on Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272563">
    <dcterms:title><![CDATA[Further Testimony in the Matter of &#039;Troilus&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Challenges D. W. Robertson&#039;s moral condemnations of the major characters of TC, and justifies personal affection for the character of Criseyde; presented in the pose of a legal defense against prosecution.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262046">
    <dcterms:title><![CDATA[Further Texts of Chaucer&#039;s Minor Poems]]></dcterms:title>
    <dcterms:description><![CDATA[Transcriptions of previously unpublished manuscript versions of three minor poems:  &quot;ABC&quot; from Melbourne MS.; &quot;Truth&quot; from Nottinghame ME LM I; &quot;Wom Unc&quot; from Bodleian Fairfax 16.]]></dcterms:description>
</rdf:Description></rdf:RDF>