<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273428">
    <dcterms:title><![CDATA[From Lawman to Plowman: Anglo-Saxon Legal Tradition and the School of Langland.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines alliterative English writing by focusing on Anglo-Saxon legal-homiletic discourse within vernacular English poetry. Brief mention of FranT, ParsT, MLT, and Mel.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273094">
    <dcterms:title><![CDATA[From Literacy to Literature: Elementary Learning and the Middle English Poet]]></dcterms:title>
    <dcterms:description><![CDATA[Refers to Chaucer throughout, first by supposing what his early education was like, then by addressing the late-medieval relation between Latin and English as evident in HF, NPT, and ManT. Argues that &quot;the work of Chaucer, Langland, and Gower exemplifies what literary production can owe to the most basic forms of elementary learning.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274086">
    <dcterms:title><![CDATA[From Literacy to Literature: England, 1300–1400.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the textbook practices of the medieval primary schools--the &quot;grammar schools&quot; or &quot;grammatica&quot;--as underlying the transition from Latin to English as the primary language of &quot;literary&quot; composition in England during the fourteenth century. Identifies Gower, Langland, and Chaucer as describing rather than reacting to the shift to English vernacular &quot;literary&quot; work. Explicates diversity in instructional practices during the period and argues that the classroom interplay in poetry between English and Latin led to acceptance of English as a &quot;literary&quot; language, noting the prevalence of Latin textbook passages rendered in English verse as supporting evidence. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277246">
    <dcterms:title><![CDATA[From Manuscripts to Printed Books: Behind the Scenes of the Appearance of The Complete Works of Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the presentation of CT in manuscripts and printed books up to the publication of William Thynne&#039;s first complete works of Chaucer (1532). Focuses on editorial principles and concepts such as compilatio, authorship, and collation. In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266344">
    <dcterms:title><![CDATA[From Medieval Manuscript to Electronic Text: A Transcriber&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Describes how the difficulties and decisions involved in transcribing manuscripts for the &quot;Canterbury Tales&quot; Project parallel fifteenth-century scribal practice.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266171">
    <dcterms:title><![CDATA[From Medieval to Modern: Local Communities and National Government Intervention]]></dcterms:title>
    <dcterms:description><![CDATA[Traces the development of English &quot;central government control over local institutions,&quot; discussing the emergence of local groups and mentioning the GP Guildsmen.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268202">
    <dcterms:title><![CDATA[From Medieval to Renaissance: Two Criseyde Texts]]></dcterms:title>
    <dcterms:description><![CDATA[Compares Criseyde of TC with her analogues in Henryson&#039;s &quot;Testament,&quot; Shakespeare&#039;s &quot;Troilus and Cressida,&quot; and Dryden&#039;s &quot;Truth Found Too Late,&quot; arguing that in Chaucer&#039;s and Shakespeare&#039;s versions she is a victim of predatory males and is left open to interpretation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265827">
    <dcterms:title><![CDATA[From Medieval to Renaissance? Chaucer&#039;s Position on Past Gentility]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses whether Chaucer is a medieval or a Renaissance poet, examining Chaucer&#039;s attitudes toward his world and the process by which Chaucer was inspired.]]></dcterms:description>
    <dcterms:description><![CDATA[Minnis defines Chaucer as a &quot;medieval &#039;classicizer&#039;&quot; and a &quot;poet of the past.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264232">
    <dcterms:title><![CDATA[From Morpheme to Motif in Chaucer&#039;s &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[The lexical morphemes of Chaucer&#039;s poetic tales have been marked in the data base as narrative &quot;verbs&quot; or &quot;adjectives&quot; (Todorov:  dynamic v. static predicate formulas).  The character and percentage of formula &quot;per lexical unit&quot; provide a more reliable measure of formulaic expression than the procedures of Duggan or Wittig.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277443">
    <dcterms:title><![CDATA[From Old Books to New Science: Rethinking Models, Recovering Meaning.]]></dcterms:title>
    <dcterms:description><![CDATA[Reflects on the teaching of a two-instructor, interdisciplinary course in literature and molecular biology designed for undergraduate general education, emphasizing changes brought about by COVID-19 in the course&#039;s design, assignments, and subtending models. Includes comments on uses of PF in the course, Truth as it expresses a perspective different from scientific truth, and the implications of regarding the reading and teaching of Chaucer as related to biological &quot;de-extinction.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266421">
    <dcterms:title><![CDATA[From Phoenix to Chauntecleer: Medieval English Animal Poetry]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the &quot;most important&quot; poems about animals in English literature, ca. 700-1400 A.D., focusing on three traditions: &quot;Physiologus,&quot; bird debates, and beast fable and epic.  Considers PF as a bird debate, describing how it transcends the allegorical limitations of that tradition.  Discusses Chaucer&#039;s eclectic uses of all the traditions in NPT and his achievement of a powerfully original combination of comedy and morality.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277047">
    <dcterms:title><![CDATA[From Romance to Vision: The Life of Breath in Medieval Literary Texts.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes various depictions of breath, breathlessness, and &quot;vital spirits&quot; that signal deep emotion in medieval literature, including comments on BD, TC, and KnT, among other courtly and religious works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263794">
    <dcterms:title><![CDATA[From Sentence to &#039;Sentence&#039; in a Medieval Poem]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the &quot;sentence&quot; of BD through its sentence structure.  Any idea of &quot;tragic reversal&quot; disintegrates under the pressure of &quot;forward-looking&quot; consecutive sentences.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270168">
    <dcterms:title><![CDATA[From Simile to Prologue: Geography as Link in Dante, Petrarch, Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Ginsberg compares Dante&#039;s, Petrarch&#039;s, and Chaucer&#039;s descriptions of geography in their poems: Dante relied on the landscape of Italy to establish a geographical base; Petrarch allegorized Dante&#039;s geography; and Chaucer then &quot;translated Petrarch&#039;s revisions,&quot; particularly in ClT. Ginsberg examines Dante&#039;s &quot;psychological and discursive&quot; extended simile in the &quot;Inferno&quot; and then focuses on how the geographical simile is used by Petrarch and translated by Chaucer to different effect.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269561">
    <dcterms:title><![CDATA[From Snickers to Laughter: Believable Comedy in Chaucer&#039;s Miller&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Beidler compares and contrasts MilT with its likely source, the Middle Dutch &quot;Hiele van Beersele.&quot; Of the two, MilT provokes greater laughter because it is more plausible, a result of more carefully deployed details.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265491">
    <dcterms:title><![CDATA[From Southwark&#039;s Tabard Inn to Canterbury&#039;s Cheker-of-the-Hope: The Un-Chaucerian &#039;Tale of Beryn&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[&quot;Beryn&quot; lacks several typical Chaucerian characteristics: a &quot;courtly demeanor and value system,&quot; idealism, verbal wit, and sophisticated characterization.  Neither prologue nor tale rises above slapstick or the &quot;mundane reality of life.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277010">
    <dcterms:title><![CDATA[From Tapsters to Beer Wenches: Women, Alcohol, and Misogyny, Then and Now.]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes &quot;how English and Scottish literature and law during the fourteenth through sixteenth centuries connected the figure of the tapster to sex work, transgression, public harm, and dangerous agency over men,&quot; and traces residue of this misogyny in modern &quot;breastaurants&quot; (e.g., Hooters). Includes discussion of the &quot;Canterbury Interlude&quot; that precedes the apocryphal &quot;Tale of Beryn.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269535">
    <dcterms:title><![CDATA[From Tavern to Pie Shop : The Raw, the Cooked, and the Rotten in Fragment 1 of Chaucer&#039;s Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Examines food imagery in MilT, RvT, CkT, and GP. These portions of CT threaten, but do not quite achieve, the collapse of Lévi-Strauss&#039;s &quot;culinary triangle.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267617">
    <dcterms:title><![CDATA[From Text to Man : Re-Creating Chaucer in Sixteenth-Century Editions]]></dcterms:title>
    <dcterms:description><![CDATA[Sixteenth-century editions of Chaucer&#039;s works &quot;reflect a gradual transition from text-based definitions of what constitutes Chaucer to author-focused ones.&quot; Bly considers Thynne&#039;s edition of 1532, Stowe&#039;s of 1561, and Speght&#039;s of 1602, discussing &quot;visual components&quot; of the editions, prefatory matter, and the corpus they include, observing a growing emphasis on Chaucer as a &quot;flesh-and-blood historical personage.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271164">
    <dcterms:title><![CDATA[From Textual Interpretation to Film Adaptation: The Narratorial, Readerly, and Directorial Gaze at the &#039;Joly Body&#039; of Geoffrey Chaucer&#039;s Wife of Bath]]></dcterms:title>
    <dcterms:description><![CDATA[Reads the Wife of Bath as &quot;Chaucer&#039;s construction of the . . . female body as a literal and metaphoric text,&quot; and explores how depictions of the Wife in modern films respond to her critical reception as well as his original creation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262078">
    <dcterms:title><![CDATA[From the &#039;Clerk&#039;s Tale&#039; to &#039;The Winter&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[By looking at two surviving &quot;Patient Grissel&quot; plays, the prose chapbook, and the ballad on the same subject, Baldwin shows that the popularity of Chaucer&#039;s ClT extended into the sixteenth century.  Greene loosely modeled his &quot;Pandosto&quot; on the story of Patient Grissel.  Shakespeare&#039;s &quot;The Winter&#039;s Tale,&quot; though based on &quot;Pandosto&quot; and though close to Phillip&#039;s and Dekker&#039;s Grissel plays, is even closer to ClT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273534">
    <dcterms:title><![CDATA[From the &quot;Knight&#039;s Tale&quot; to &quot;The Two Noble Kinsmen&quot;: Rethinking Race, Class, and Whiteness in Romance.]]></dcterms:title>
    <dcterms:description><![CDATA[Establishes how Shakespeare and Fletcher used &quot;images of Africanness to link race and class&quot; in &quot;The Two Noble Kinsmen,&quot; and claims this differs from Chaucer&#039;s concern with the &quot;racial alterity&quot; and &quot;whiteness&quot; of the Amazonian women in KnT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261615">
    <dcterms:title><![CDATA[From the Crusading Virago to the Polysemous Virgin: Chaucer&#039;s Constance]]></dcterms:title>
    <dcterms:description><![CDATA[Mikhail Bakhtin&#039;s notion of polyphony illuminates MLH, MLP, and MLT, in which Custance&#039;s religious voice contrasts with the Man of Law&#039;s many ambivalent voices, including his &quot;rhetorical, epic, and legal registers.&quot;  While Custance is a stock figure, the &quot;basic scepticism of a dialogic tale&quot; causes her to become an individual.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261631">
    <dcterms:title><![CDATA[From The House of Fame to Politico-Cultural Histories]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Chaucer&#039;s use of &quot;thoughte&quot; in HF to translate Boethius&#039;s &quot;mens&quot; and Dante&#039;s &quot;mente,&quot; arguing that the personal, experiential epistemology implicit in Chaucer&#039;s word undermines the transcendental visions of his predecessors and anticipates the down-to-earth theme of common profit in PF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271346">
    <dcterms:title><![CDATA[From the Library of C. S. Lewis: Selections from Writers Who Influenced His Journey]]></dcterms:title>
    <dcterms:description><![CDATA[This anthology of excerpts includes the opening of FranT (5.729-50) in Middle English.]]></dcterms:description>
</rdf:Description></rdf:RDF>