<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269396">
    <dcterms:title><![CDATA[False and Sooth Compounded in Caxton&#039;s Ending of Chaucer&#039;s House of Fame]]></dcterms:title>
    <dcterms:description><![CDATA[Haydock reads Caxton&#039;s spurious ending and epilogue to HF in the 1483 Book of Fame as a &quot;canny as well as sympathetic reaction to the poem&#039;s ubiquitous concern with the transmission of literature.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269929">
    <dcterms:title><![CDATA[False Care and the Canterbury Cure: Chaucer Treats the New Galen]]></dcterms:title>
    <dcterms:description><![CDATA[PhyT expresses its narrator&#039;s concern with &quot;fiduciary&quot; ethics and asserts the principle that &quot;responsible professionals abjure exploitation.&quot; Such concerns are part of the late medieval professionalization of medical practice, so the Tale is appropriate to its teller.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268769">
    <dcterms:title><![CDATA[False Fables and Exemplary Truth in Later Middle English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Explores issues of exemplarity and applicability in examples of Middle English literature--&quot;Book of the Knight of the Tower,&quot; Gower&#039;s &quot;Confessio Amantis,&quot; Lydgate&#039;s &quot;Fall of Princes,&quot; Henryson&#039;s &quot;Testment of Cresseid,&quot; and CT and TC. Chaucerian topics include the function of the frame in ClT; history, fiction, and exemplarity in PhyT; Northumberland MS 455 and how the Canterbury Interlude (Tale of Beryn) reflects fifteenth-century audience reaction to PardT; and Criseyde&#039;s multivalent exemplarity in TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271221">
    <dcterms:title><![CDATA[False Memories: The Dream of Chaucer and Chaucer&#039;s Dream in the Medieval Revival]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the role of two &quot;false memories&quot; of Chaucer&#039;s life in the formation of nineteenth-century attitudes toward the poet and his reputation.  The spurious incidents--Chaucer&#039;s exile and imprisonment and his &quot;retirement&quot; to a park at Woodstock--were repeated in biographical accounts and other popular materials, helping to create a romanticized idea of the poet.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265661">
    <dcterms:title><![CDATA[False Texts and Disappearing Women in the &#039;Wife of Bath&#039;s Prologue and Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Although WBP and WBT seem more disparate than similar, they are not.  The pairing of the two allows Alison to make a statement about how to love well and how to be happy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275048">
    <dcterms:title><![CDATA[Falstaff and Fox Fables: A New Source.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chaucer&#039;s &quot;daun Russel the fox&quot; in NPT 7. 3334 belongs to a centuries-long cohort of foxes whose tastes and tendencies Shakespeare applies to his wily Falstaff.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263873">
    <dcterms:title><![CDATA[Falstaff, the Wife of Bath, and the Sweet Smoke of Rhetoric]]></dcterms:title>
    <dcterms:description><![CDATA[Falstaff and the Wife of Bath &quot;use remarkably similar grammatical and syntactical strategies to manipulate language,&quot; to create &quot;smokescreens&quot; that cover their &quot;nakedness,&quot; and &quot;to try to reshape the world in their own image.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263556">
    <dcterms:title><![CDATA[Fame&#039;s Fabrication]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Froissart&#039;s and Christine de Pisan&#039;s treatments of fame and the role of the poet in bestowing it.  Questioning this tradition in HF, &quot;Chaucer&#039;s art is to mask his own opinions and to reveal his readers&#039; to themselves.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273442">
    <dcterms:title><![CDATA[Fame&#039;s Penitent: Deconstructive Chaucer among the Lancastrians.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that fifteenth-century verbal and visual depictions of Chaucer as an &quot;aged penitent&quot; (in Gascoigne, Hoccleve, Gower, Scogan, and the Bedford Hours) reflect the Derridean (and Augustinian) gaps that are evident in Ret and elsewhere in Chaucer&#039;s poetry. Chaucer&#039;s persistent attention to &quot;textual mediation&quot; evokes &quot;the illusion of presence,&quot; or an &quot;absent presence&quot; whereas his followers employ echoes of him and his poetry to evoke a politically charged &quot;secular penance&quot; that has parallels with Lancastrian reforms.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270887">
    <dcterms:title><![CDATA[Fame&#039;s Untimeliness]]></dcterms:title>
    <dcterms:description><![CDATA[Uses HF--along with Langland&#039;s &quot;Piers Plowman,&quot; &quot;St. Erkenwald,&quot; and &quot;Sir Gawain and the Green Knight&quot;--as evidence in a discussion of the medieval understanding of the memorialization process, suggesting that fame &quot;becomes emblematic&quot; of the &quot;ruptures that divide the past from the present.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277595">
    <dcterms:title><![CDATA[Families, Fictions, and Seeing through Things: Re-reading Langland, Chaucer, and the &quot;Pearl&quot;-Poet.]]></dcterms:title>
    <dcterms:description><![CDATA[Uses the &quot;two models&quot; of &quot;genealogy and thing theory&quot; to explore &quot;the generation of meaning in medieval texts,&quot; addressing issues of differences between the &quot;Chaucerian&quot; tradition and the &quot;Piers Plowman&quot; tradition and the processes of their formulations. Explores how the &quot;Chaucerian tradition enabled a truly &#039;public voice&#039; or common identity among English writers&quot; and includes discussion of the presence of TC and &quot;Piers Plowman&quot; in both Huntington Library, San Marino MS HM 143 and HM 114. Also assesses relations between &quot;Pearl&quot; and &quot;Piers Plowman.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268983">
    <dcterms:title><![CDATA[Family Values and the Boundaries of Christendom in Chaucer&#039;s Man of Law&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses three topics - Ford Madox Brown&#039;s painting of Chaucer reading from MLT to a decadent court at a time of dynastic crisis, the current Middle Eastern situation, and the story of Noah&#039;s Flood - in relation to Chaucer&#039;s portrayal of Custance&#039;s wanderings between the extremes of Islamic &quot;heresy,&quot; to Northumbrian paganism and Christian apostasy, and to the portrayal of the triumph and continuity of Christianity in MLT, signified by water.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272485">
    <dcterms:title><![CDATA[Fantasies of the Other&#039;s Body in Middle English Oriental Romance]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the body of the &quot;Other&quot; in various medieval romances. Chapter 1, &quot;Ethnic Difference and Body Marvelous: the Case of Chaucer&#039;s &#039;Squire&#039;s Tale&#039; and Sir Ferumbras,&quot; focuses on how SqT highlights Canace&#039;s ethnicity as a space for fantasy. Canace represents an exotic other, symbolizing a &quot;new world&quot; in the East that is attractive to the West. SqT ties together the wonder inimical to the genre of romance with the fear of the Eastern Other, revealing the competing ideologies at work in the text.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272822">
    <dcterms:title><![CDATA[Fantasy in the &#039;Merchant&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that January&#039;s foolish fantasy is MerT &quot;is a version&quot; of the Merchant&#039;s own, tracing the teller&#039;s &quot;increasingly ambivalent attitude&quot; toward his character &quot;from detachment to attack.&quot; In January, the Merchant &quot;tries to destroy his former self,&quot; repudiating all idealism in favor of harsh reality, and reflecting &quot;precisely the projective self-indulgence of which he accuses January.&quot; Focuses on the &quot;mirror of the mind&quot; image, the Merchant&#039;s apostrophes, and the Pluto and Proserpina episode.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269803">
    <dcterms:title><![CDATA[Fashioning Change: Wearing Fortune&#039;s Garments in Medieval England]]></dcterms:title>
    <dcterms:description><![CDATA[Denny-Brown analyzes sartorial changes accompanying the figure of Fortune from the twelfth century through the late medieval period, considering (along with works by other authors) Chaucer&#039;s For, Bo, Form Age, Wom Unc, BD, and MerT. Chaucer&#039;s uses of Fortune  direct attention to goods in the feudal system, assess wonder elicited by Fortune&#039;s goods, and associate late medieval female &quot;consumer behavior&quot; with Fortune&#039;s stereotypical characteristics.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274153">
    <dcterms:title><![CDATA[Fate and Discipline: A Comparative Study of &quot;The Tale of Heike&quot; and Chaucer&#039;s &quot;The Knight&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the idea of the &quot;servant-become-warrior&quot; in the Japanese &quot;Tale of Heike&quot; and in KnT, commenting on the etymological roots of &quot;samurai&quot; and &quot;knight&quot; and exploring how concepts of determinism, service, and Foucauldian disciplinary power underlie the actions and characterizations in these narratives.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264387">
    <dcterms:title><![CDATA[Fate and Freedom in &#039;The Knight&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Precise astrological material and medical details pertaining to the disease &quot;amor hereos&quot; support the theory that Saturn and the fury that startles Arcite&#039;s horse dramatize the consequences of human choice rather than fatalism.  Chaucer uses Boethius&#039;s &quot;Consolation&quot; to turn apparent contradictions between universal order and particular disorder into significant paradox.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267174">
    <dcterms:title><![CDATA[Father Chaucer and the Siege of Thebes : Literary Paternity, Aggressive Deference, and the Prologue to Lydgate&#039;s Oedipal Canterbury Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Details the strategy of &quot;obeisant self-authorization &quot; by which Lydgate places himself in Chaucer&#039;s debt, simultaneously embracing the older poet&#039;s influence and &quot;overthrowing&quot; his &quot;paternal presence.&quot; He does this by controlling the Host-figure and reconfiguring the Canterbury pilgrims.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269393">
    <dcterms:title><![CDATA[Father Chaucer and the Vivification of Print]]></dcterms:title>
    <dcterms:description><![CDATA[Bishop assesses how the apparatus (&quot;peritext&quot;) in Speght&#039;s edition of Chaucer&#039;s Works evokes Chaucer as a living presence and situates his poetry in the midst of Tudor politics. Although Speght derives much of his peritext from Thynne and Stow, his additions intensify Chaucer&#039;s role as father and as living voice.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275629">
    <dcterms:title><![CDATA[Father Chaucer: Generating Authority in &quot;The Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the role of paternal authority and the figure of the father and their use and depiction in CT. Interrogates the construction of &quot;Father Chaucer&quot; to show how widespread this motif of paternal authority is in discussions of Chaucer and his poetry, and how potentially unstable it remains.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267696">
    <dcterms:title><![CDATA[Fathers and Daughters in Gower&#039;s Confessio Amantis : Authority, Family, State, and Writing]]></dcterms:title>
    <dcterms:description><![CDATA[Studies the incest motif in Confessio Amantis as a &quot;fundamental element&quot; in Gower&#039;s explorations of father-daughter relationships and the relationships of authority. In this context, Bullón-Fernández considers Chaucer&#039;s MLT and PhyT as analogues to Gower&#039;s versions of the tales of Constance and Virginia.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268661">
    <dcterms:title><![CDATA[Faux Semblants: Antifraternalism Reconsidered in Jean de Meun and Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Reexamines antimendicancy in Jean de Meun&#039;s &quot;Roman de la Rose&quot; and in CT, suggesting that Jean&#039;s portraits of friars should be seen primarily as portraits of hypocrisy and that Chaucer&#039;s portrayals of friars (especially in SumT) are mediated by the opinions of narrators. Like Jean, Chaucer depicts hypocrisy in individualized portraits that are not merely antifraternal.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269005">
    <dcterms:title><![CDATA[Fear and Instinct in Chaucer&#039;s Nun&#039;s Priest&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Chauntecleer&#039;s responses to the fox in his dream and in his initial sighting of the beast are rooted in Aristotelian traditions of psychology and natural antipathy, here traced from their classical roots through their medieval adaptations. The presence of such erudite depictions of instinct and enmity in NPT heightens its &quot;contrast between the animal and human.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269168">
    <dcterms:title><![CDATA[Fear Chiefly in Old and Middle English]]></dcterms:title>
    <dcterms:description><![CDATA[Etymological and semantic exploration of &quot;fear&quot; and related words that indicates nuances lost in translation between early English and modern editions and adaptations; discusses two uses of &quot;no fere&quot; in TC (3.583 and 1144) and an emendation of &quot;thys fere&quot; to &quot;hys fere&quot; in HF 174.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262268">
    <dcterms:title><![CDATA[Fearing for Chaucer&#039;s Good Name]]></dcterms:title>
    <dcterms:description><![CDATA[Although Chaucer criticism divides into prefeminist, feminist, and postfeminist eras, postfeminist criticism often lapses into prefeminist exclusion of female readers and critics by assuming transhistorical categories of the masculine and feminine and by reaffirming the traditional adulation of the male canonical authorial and critical subjectivity as it relates to &quot;the absence of women and the textuality of Woman&quot; in Chaucer&#039;s poetry.]]></dcterms:description>
</rdf:Description></rdf:RDF>